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Los 357a
Jose Thomas Errazuriz (1856-1927)Oil on boardSnow Geese 23.5 x 20 cmProvenance: Statement from previous owner."José Errazuriz first knew our family around 1900 when he lived in a flat opposite the one we have. They lived in a block of flats overlooking Hyde Park which was later and until recently the Netherlands Embassy. Subsequently he lived in a cottage in the grounds of my grandfather's estate at Sunningdale. He painted a very good portrait of one of the family. His name is pronounced ERRATHURITH."
Los 142
ANONYMOUS, TOSA SCHOOL EDO PERIOD, 17TH CENTURY OR LATER Two Japanese album leaves depicting scenes from the Genji Monogatari (The Tale of Genji), in ink, colour and gold on paper, one depicting chapter 39, scene 7 ('Evening Mist'), the other with a group of monks, possibly for the funeral of Genji's wife Aoi, both framed and glazed, both approx. 29.5cm x 24.3cm; together with a portrait of a woman wearing Heian garments, possibly the poetess Murasaki Shikibu (c.973-1031), mounted on board and framed, 27.5cm x 23cm. (3) Provenance: from the Milne Henderson collection of Japanese art. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Los 167
UTAGAWA KUNIYOSHI (1798-1861) KATSUSHIKA HOKUSAI (1760-1849) WATANABE SEITEI (1851-1918) EDO PERIOD, 19TH CENTURY Four framed and glazed Japanese woodblock prints by Kuniyoshi, three from the series Tsuzoku Suikoden goketsu hyakuhachinin no hitori (108 Heroes of the Popular Water Margins, c.1827-30), each print depicting one of the eponymous characters, all approx. 37.5cm x 25.8cm; the fourth from the series Kisokaido rokujoku tsugi no uchi (Sixty-Nine Post Stations of the Kisokaido, c.1852) and depicting Princess Yaegaki with her fox friends, all approx. 31.7cm x 22.8cm; together with two printed albums, the first by Hokusai and entitled Denshin Kaishu, Hokusai Gaen (A Garden of Pictures by Hokusai, c.1820), vol.2, 22.6cm x 15.7cm; the other by Seitei, entitled Bijutsu sekai (Art World, 1892), vol.19, a publication produced to promote Japanese Art, with illustrations after Kuniyoshi, Okyo, Masanobu and others, 24.9cm x 16.1cm. (6) Provenance: from the collection of John Peter Russell (1858-1930), purchased from Siegfried Bing by repute, and thence by descent. Russell was an Australian Impressionist and a friend of Van Gogh's, painting the first oil portrait of the artist, now at the Van Gogh Museum in Amsterdam. He also painted with Claude Monet, and Henri Matisse credited Russell for introducing him to Impressionism. He married Anna Maria Antonietta Mattiocco, one of Rodin's favourite models, in 1888. Cf. W Tunnicliffe, John Russell: Australia's French Impressionist, pp.38-39 where Russell's interest for Japanese art and his print collecting are discussed. The book was published as a guide to the exhibition dedicated to John Russell held at the Art Gallery of New South Wales, Sydney, in 2018.
Los 347
Oil on canvas portrait - 55cm x 44cmCONDITION REPORTOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourselff.To that end, we have provided a number of additional images for your attention.
Los 360
Lisiewska, Friederike Juliane vonDessau 1772 - Wismar 185664 x 52 cmBildnis der Elise Kuhr aus Mecklenburg Schwerin. Öl/Lwd., rückseitig bezeichnet, signiert und datiert 1828.Privatsammlung Rheinland-Pfalz, vormals aus einer alten deutschen Sammlung. In den Jahren nach 1822 beteiligte sich Friederike von Lisiewska wieder an den Ausstellungen der Akademie der Künste in Berlin in regelmäßigen Abständen mit Portraits. Das vorliegende Portrait der Elise Kuhr wurde dort 1848 ausgestellt. Vgl. Dirk Blübaum (Hg.), Die Malerei ist Weiblich. Friederike Juliane von Lisiewska, Berlin 2017, S. 47, Fn. 52.
Los 150
Willem Frederik Veldhuijzen (1814-1873) Self portrait. Label with text verso: Willem Frederik Veldhuijzen door hemzelve geschilderd. Geb. 24 aug 1814 ooverleden 31 Juli 1875. Gehuwd Maria Louise Bartels geb 26 oc 1823. Hij was zoon van: Gerrit Veldhuijzen geb 11 nov. 1777 overleden 22 Januari 1827. Gehuwd 30 april 1804 Petronella van Maaren geb. 27 Dec. 1779 overl. 18 Feb: 1861. Oil on panel 24 x 20 cm.
Los 125
Ildefonso Sanz Doménech (1863 - 1937) Ship portrait of the Spanish cruiser 'Don Antonio de Uloa', sunk in action during the Spanish-American war (25 april 1889-10 december 1889), by a squadron under the command of L. Dewey. Provenance: P.K.A. Meerkamp van Emden, friend of the commander, and the painter, naval surgeon of the Uloa, Ildefonso Sanz y Domenech. Olieverf op paneel 15,5 x 21,5 cm.
Los 22
Julien 't Felt (1874-1933) Portrait of a Spanish beauty, signed (lower right), oil on canvas Julien t' Felt was the youngest son of Charles t' Felt . At the t' Felt printery, Julien drew on the lithograph for the first time at the age of five. From 1888 to 1894 he attended various courses at the Antwerp Academy, including "drawing after the antiques" (1891-'92), figure drawing and "painting after life" (1892-'93). Towards the end of his education, Julien trained as a portraitist and animal draftsman. The Antwerp Zoo was his favorite field of activity. He made his debut as a painter at the World Exhibition of 1894 in Antwerp. 90 x 60 cm.
Los 3
Walrad Grave van Nassau.' Ð Portrait of Walrad of Nassau, general of the cavalry and Governor of Bergen op Zoom, from: 'Toneel of the war, justice in the United Netherlands; by the arms of the Kings of France and England, Cologne and Munster bishops: against the States of the United Netherlands, and their allies: besides the most remarkable things, throughout the world, and mainly in Europe, the year 1669, where the history of L. van Aitzma eyndigt, up to the present time : accurate and true, uyt autentique scripts and sekere reports, t' put together.', by Lambert van den Bosch, published by Jacob van Meurs and Johannes van Someren, Amsterdam 1675 published ca. 1700. Ref: FMP 517. Including a print by Ambrosius Spinola; a print by Don Louis de Requezenes, and a print by Menno, Baron van Coehoorn. ca. 20 x 15 cm.
Los 113
PENDANTIF IN ORO E SMALTI, 1890 CIRCA Cassa: n. 37302, quattro corpi in oro 18K, fondello decorato in smalto guilloché rosso e ritratto femminile con elmo decorato. Quadrante: in smalto blu guilloché, indici a numeri arabi, suddivisione dei minuti, lancette a pera. Movimento: carica a remontoir, dorato, ponti separati, scappamento a cilindro. Accessori: – Diametro Ø: 24 mm | Peso: 14,4 g Note: da revisionare. PENDANTIF IN GOLD AND ENAMEL, CIRCA 1890 Case: n. 37302, four-body in 18K gold, caseback decorated with red guilloché enamel and a female portrait wearing a decorated helm. Dial: blue guilloché enamel, Arabic numerals, minute divisions, pear hands. Movement: key-less winding, gilded, bridge plate, cylinder escapement. Accessories: – Diameter Ø: 24 mm | Weight: 14.4 g Note: to be serviced.
Los 150
TOBIAS IN ORO CON SECONDI MORTI INDIPENDENTI E RITRATTO DI GEORGE WASHINGTON, 1860 CIRCA Cassa: firmata, n. 199589, quattro corpi in oro 18K, interamente incisa a motivi floreali, fondello inciso con ritratto di Washington sul campo di battaglia. Quadrante: in oro inciso a motivi vegetali, doppio quadrante con indici a numeri romani, quadrantino dei secondi, lancette Breguet, secondi al centro. Movimento: carica a chiavetta con doppio barile e due treni, n. 199589, 23 rubini, dorato, ponti separati, secondi indipendenti, scappamento ad ancora laterale, bilanciere bimetallico con viti, spirale piana brunita, parachute, briglia di compensazione della temperatura. Accessori: – Diametro Ø: 49,5 mm | Peso: 76,20 g Note: funzionante. TOBIAS IN GOLD WITH DEAD INDEPENDENT SECONDS AND PORTRAIT OF GEORGE WASHINGTON, CIRCA 1860 Case: signed, n. 199589, four-body in 18K gold, entirely engraved with floral motifs, caseback engraved with portrait of Washington on the battlefield. Dial: in gold and engraved with floral motifs, double dials with Roman numerals, small seconds, Breguet hands, centre seconds. Movement: key-winding with double barrels and gear train, n. 199589, 23 jewels, gilded, bridge plate, independent seconds, lateral lever escapement, bimetallic balance with screws, blued flat hairspring, parachute, compensation curb. Accessories: – Diameter Ø: 49.5 mm | Weight: 76.20 g Note: working.
Los 22
HEBDOMAS A 8 GIORNI CON MINIATURA, ANNI '60 Cassa: a tre corpi placcata in oro, fondello a scatto decorato con ritratto policromo. Quadrante: in smalto bianco, indici arabi, binario dei minuti, bilanciere a vista con ponte decorato. Movimento: 8 giorni di carica, scappamento ad ancora, bilanciere monometallico con viti, spirale piana. Accessori: – Diametro Ø: 50 mm Note: funzionante. HEBDOMAS 8-DAYS WITH MINIATURE, 60S Case: three-body gold plated, snap on caseback depicting a polychrome portrait. Dial: white enamel, Arabic numerals, minute track, visible balance wheel and decorated cock. Movement: 8 days winding, lever escapement, monometallic balance with screws, flat hairspring. Accessories: – Diameter Ø: 50 mm Note: working.
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283322 Los(e)/Seite