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English School Circa 1790-A miniature portrait of a gentleman, head and shoulders with powdered wig and blue eyes, wearing a navy blue coat, on ivory, oval, 3.2cm, within a diamond set frame comprising 43 rose diamonds, approximately 2cts, with clasp mount.*Notes The subject has been referred to as 'Robert Lyon, Abbot Bromley'.
English School - A miniature portrait of a young lady,:- bust-length with long fair hair, wearing pearls and a jewelled dress, oval, 6.2cm, a lock of hair and seed pearls to the reverse, together with two other miniatures of young ladies. [3]Please see website for further images of this lot. www.bhandl.co.uk
English School 18/19th Century-Miniature portrait of an Elizabethan lady, half-length standing,:- with hair tied high and wearing an ornate pale blue dress with high lace collar, painted on mica, tondo 8.5cm, together with an English School miniature of a fashionable lady and one other of a young lady. [3]Please see website for further images of this lot. www.bhandl.co.uk
English School early 19th Century - A miniature portrait of a gentleman-said to be Sydney Smith [1771-1845],:- bust-length, with short dark hair and blue eyes, sky background, on ivory, oval, 8.5cm.*Biography Sidney Smith [1771-1845] - Whig, academic, author and lecturer on moral philosophy and liberal politics with reputation for witty and engaging conversation.
Attributed to John Smart [1742-1811]- A miniature portrait of a gentleman,: head and shoulders with powdered wig tied in a black ribbon and brown eyes, wearing a silk jabot and white jacket with blue velvet collar, indistinctly initialled and dated lower left, on ivory, oval, 3.2cm, within a diamond set frame comprising 41 rose diamond, approximately 2cts, with clasp mount.*Notes The subject has been referred to as 'David Gregory, Earl Grey'.
* Stephen Ward [1912-1963]-Portrait of a man,:-signed ad dated Jan '54pastel drawing on grey paper46 x 33.5cm.*Biography Stephen Thomas Ward was an osteopath who became a central figure in the 1963 'Profumo Affair' having introduced 19 year old Christine Keeler to John Profumo, the Secretary of State for War.
English School 18th Century-Portrait of a gentleman, said to be Bishop Gibson,:- three-quarter length seated, holding a leather bound book and wearing a long powdered wig and clerical robes, oil on canvas, 124 x 99cm.* Provenance. A note attached to the reverse dated May 27th 1919 references 'Lord Benny's Sale' (Bridgenorth) and Christies, Manson & Woods.
Walter Richard Sickert [1860-1942] after John Gilbert-'The River'; circa 1930/1931, an 'Echo' after Sir John Gilbert,:-signed and inscribed bottom left 'Sickert after Gilbert' stencilled on stretcher 781 NE and inscribed 'The River' in black marker on reverseoil on canvas, 63 x 57cm.*Notes ExhibitedThe London Group 1931, 'The River'.Venice 1932, 'Il Fiume'.Redfern Gallery, date unknown.Rowland Browse & Delbanco,1961.Rowley Gallery.*ProvenanceSothebys 1961, sold as 'The Paddle Steamer', Collection Dr Cyrax.Christies 1963, sold as 'The River Boat'.Sidney Gilliat, film producer/ director, circa 1969, thence by family descent.* Notes Literature.Illustrated English Painting Today by William Gaunt, The Studio 1937.Sickert. Paintings and Drawings by Wendy Baron OBE, FSA. No. 618 Page 507 Yale University Press 2006.This is an 'Echo', a genre of painting invented by Sickert 1927-28. The 'Echoes' are enlarged transcriptions on canvas, in full, modelled, atmospheric colour, of Victorian black and white illustrations. The group of approximately 100 Echoes painted by Sickert throughout the 1930s were widely exhibited, first at the Savile Gallery, and then chiefly at the Leicester Galleries and the Beaux Arts Gallery. They were a commercial success. As Sickert joked: 'It's such a good arrangement; Cruikshank and Gilbert do all the work, and I get all the money!' They have divided opinion since their execution, some critics and historians of Sickert find them a sad aberration of his old age, while others admire both the quality of their handling, design and colour, and the sheer audacity of their conception. This particular Echo is after one of Sickert's avowed heroes, Sir John Gilbert (whose portrait Sickert drew in 1893 for publication in the Pall Mall Budget). It was painted c.1930-31, exhibited with the London Group in 1931 as The River, and shown in Venice in 1932 at the 18th Biennale as Il Fiume, and has had a number of titles: The Pleasure Boat when sold at Sotheby's on 12 July 1961, lot 166; The Paddle Steamer when in the collection of Dr James Cyriax; and The River Boat when it was sold from Mrs Beryl Joyce's sale at Christie's, 5 July 1963, lot 13. Between owners, over its life, it has been with the Redfern Gallery, with Roland, Browse & Delbanco (1961), and The Rowley Gallery. William Gaunt included and illustrated the painting in his essay 'English Painting Today' in The Studio, June 1937, p.296. It is no.618, p.507, Sickert. Paintings and Drawings, by Dr Wendy Baron, Yale University Press, 2006.We are grateful to Dr. Wendy Baron OBE, FSA for assisting in the cataloguing of this lot.
λA mixed lot, comprising: a silver-gilt and enamel cigarette case, with English import marks for London 1927, rectangular form, the front with a scene of a sundial in a garden setting, length 8.3cm, plus a filigree silver scissor case, probably late 17th century, some damage, plus a tortoiseshell cigarette case and matchbox cover and an enamel portrait of a gentleman, damaged. (5)
A mid-18th century silver portrait snuff box, maker's mark P.W, attributed to Peter Wirgman, and with a lion passant, London circa 1750, circular from, the hinged cover set with a commemorative medallion of Princess Maria Clementina Sobieska, by O. Hamerani, diameter 7cm, approx. weight 3.7oz. Provenance: The Lion Collection, no. 155 Illustrated in Culme, J. British Silver Boxes 1640-1840, The Lion Collection, Antique Collector's Club, 2015, page 145. Princess Maria Sobieska (1702-1735), was the granddaughter of John II Sobieska of Poland. In 1719 she was married to James Francis Edward Stuart, ('The Old Pretender'), 1688-1766), son of the deposed James II. The couples elder son was Charles Edward Louis Philip Casimir Stuart, ('the Young Pretender'), 1720-1788, generally known as 'Bonnie Prince Charlie', who instigated the Jacobite uprising of 1745.
A George III silver snuff box, by Peter and Ann Bateman, London 1790, oval navette form, the flush hinged cover engraved with a portrait of a man, in a cartouche with 'HOLD FAST', the top of the box engraved with another portrait of a seated man taking snuff, engraved foliate borders, length 11.8cm, approx. weight 4.7oz. Provenance: The Lion Collection, no. 195. The Albert Collection no.644. Alastair Dickenson Ltd. Firestone and Parson, Boston. 1997. Illustrated in Culme, J. British Silver Boxes 1640-1840, The Lion Collection, Antique Collector's Club, 2015, page 177. Illustrated in Butler, R., The Albert Collection, Broadway Publishing, London 2004, page 46.
A George I silver snuff box, maker's mark DL four times, for Dennis Langdon, London circa 1720, oval form, the hinged cover with a portrait of Queen Mary with birds, foliate scrolls, masks and diaperwork, gilded interior, length 7.6cm, approx. weight 1.5oz. Provenance: The Lion Collection, no. 103. Alastair Dickenson Ltd. Woolley and Wallis, Salisbury, Silver Sale, 18 October 2006, lot 666. Illustrated in Culme, J. British Silver Boxes 1640-1840, The Lion Collection, Antique Collector's Club, 2015, page 111.
A Victorian CB group of five to Major-General Charles Vyvyan Cox, CB. (1819-1903): Most Honourable Order of the Bath Companion's neck badge, 18ct gold and enamel, London 1870, Gwalior Star, Punnair 29th Dec, 1843, 'Lt C V Cox 3rd Bde. Bengal Artillery', Sutlej Medal with Sobraon and Ferozeshuhr clasps 'Lt. C V Cox Horse Artillery', Punjab Medal with Chilianwala and Goojert clasps,'Lieut C V Cox Adt 2nd Bde H Arty' and India Service Medal, 'Lt -Major C V Cox 4th Tp 2nd Bde Bengal Arty', in a red leather case, together with a cased set of three miniatures, Punjab, Gwalior and India Service Medals, Victorian officer's dress sword in scabbard, Victorian ivory handled mameluke in scabbard, tin trunk containing No.1 Dress tunic and trousers with gold sash, sword belt, Ostrich plume in tin case, spurs and accessories, also two Carte de Visite Photographs of Major -General Cox in full No.1 uniform with full medal group and mameluke sword, together with a large pastel portrait of Charles Vyvyan Cox by Robert Faulkner circa 1853, half-length standing with brown wavy hair, blue eyes and mutton-chop sideburns and moustache, wearing Captain's uniform with India Campaign medals and dress sword, 99 x 81cm, and a portrait of his wife Charlotte Elizabeth Cox (daughter of J L Farr of North Cove Hall , Suffolk), three-quarter length standing, wearing pearl and jeweled necklace, a long ivory coloured gown with blue fringe and holding a pet dog, signed and dated 'Dickinson 1871', on porcelain, oval 44 x 30cm, in a mahogany and glazed case.*Notes Charles Vyvyan Cox was born in 1819 in Stockland, Devonshire, the second son of the late Rev. John Cox, rector of Cheddington and Vicar of Stockland-cum-Dalwood and of Martha Rowe. He was educated at King's School, Sherborne and Addiscombe Academy before entering the Bengal Artillery in 1838. Serving as a Subaltern he fought in both the Gwalior Campaign 1843-44 and the Sutlej campaign 1845-46 where he was wounded at the battle of Moodkee. During the Punjab Campaign 1848-49 he served as a Brigade Major of Horse Artillery and was mentioned in dispatches. He became Captain in 1853 and took part in operations in Rawalpindi and Peshawar during the Indian Rebellion of 1857. Promoted to Lieutenant Colonel in 1860 and then Colonel in 1863, he married his wife Charlotte Elizabeth Cox (nee Farr) in 1864, before becoming a Companion of the Bath in 1874. He died in 1903, St George, Hanover Square , London and is buried in Kensal Green Cemetery.
A 19th Century Dutch mahogany and floral marquetry serpentine fronted bombe commode:, the panels of flowers and foliage within banded scroll cartouches, containing two long drawers with brass oval classical portrait cameos and ring handles and with a shaped apron on cabriole legs, 70cm (2ft 3 1/2in) wide, together with a somewhat similar petit commode, with ribbon tied sprays of flowers and foliage, within chequer strung lines, 69.5cm (2ft 3 1/4in) wide.
CHARLES F PULMAN - a very interesting album containing First World War photographs taken by the R.F.C photographer Charles Pulman, who invented the camera. Charles Pulman owned a photographic company based in Birmingham and at that time he lived in Upper Ventnor on the Isle of Wight. The album containing self portrait photograph of Chas. F Pulman and detailed photograph of various trench systems and interesting First World War subjects
G.B. Mixed coins and medallions to include Gold Guinea III 1797 (N.B. Ex mount), AE Medallion Obv: Captain A.E. Hayne R.E. 1861-1896 (portrait facing right) Rev: 'Field. Fortifications. SME (depicts bridge building) awared to Sapper. W. Hayes 68 Party - engraved on rim and cased and others (total 6 items)Condition report: The mount is umarked, the total weight of the mount and Guinea (which is worn) is 12.5grams. The Diamond Jubilee £5 coin is not silver.
World - Mixed Westminster and Jubliee Mint issued coin sets and singles to include 'Ancient Egypt' gold plated twenty four coin collection 2013, Date Stamp Collections, Silver proof 'Remembrance Day' three coincoloured poppy coin collection, G.B. The Queen's New Portrait nine coin specimen set and others (all cased with certificates of authentication) (qty)
An important collection of letters between Miss Florence Nightingale (1820 - 1910) and Miss Leslie Gardiner (? - 1887), fellow nurse, peer and colleague of Nightingale. Correspondence spans the years 1875 - 1880 to include personal and professional communications. The earliest letter dated May 5 '75, addressed to Miss Hill, relating to Leslie Gardiner whom she says of....'...I am sorry and glad that Miss Gardiner has left the Canterbury Hospital: sorry because Highgate will miss her much: glad because she will carry the same devotion to a larger sphere of usefulness...', further letters relate to the 'Nightingale' nurses and the provision of nurses '...I am always glad to hear from you and your work... I assure you we wish to help you with another nurse, if we can...we do not like to give a probationer just out of training, but rather one who has been tested a little.', also personal matters including letter dated August 10th 1877 in which Florence Nightingale recounts her mother's failing health, 'The reason I have been unable to write is this: your note reached me here. I had been summoned down here to take charge of my Mother, a widow and infirm. A few hours after my arrival, a case of infectious disease, not contracted here, declared itself in a new corner, which in spite of Nursing and Medical care, proved fatal. I could summon no one to help me and I am scarcely able to write even this...God help us. God speed our work for we need his love.' Another letter dated March 28th 1880, written on black lined mourning paper, deals with her reaction to her mother's passing and the stress of this '...The Dr's tell me that I must be 'free' for at least a year 'from the responsibilities which have been forced upon me...'. Also included in the collection; letters which allude to Florence Nightingale's views of traditional nursing methods include one dated March 15th, 1878...'...I have sent, sorely against the grain, her choice of a 'Midwifery' book, fit only for medical students and to make nurses into (word unclear) ignorant', Would you think to tell her my personal experience of this result. Where it does not lead to manslaughter, in the two dying in training schools of which we spoke about together'. The total collection to include 1 letter to Miss Hill from Nightingale about Miss Gardiner, 15 letters and 1 telegram from Nightingale to Gardiner, 1 letter from Mrs Mardsopert to Gardiner (asking her advice about acquiring a Nightingale portrait), 1 letter from Miss Gardiner to Nightingale. 19 letters in total.Provenance: The Gardiner Family thence by direct family decent.
Collection of 19th century Grand Tour photographs and other photographs, Military including 'The Officers' 15th The Kings Hussars, The School of Musketry Hythe, Derby School Cricket X1 1891, HMS Renown 1903 crew and officers. Queen Victoria Cabinet card. Plus other Victorian photographs. A folder of Paul Tanqueray portrait photographs.
TRAVAIL FRANÇAIS ANNÉES 1860 BROCHE CAMÉE "NEGRESSE HABILLÉE", Le camée sur sardonyx à trois couches représente une femme noire sur fond blanc. Le portrait est rehaussé de bijoux en applique tels que diadème, résille de cheveux, boucle d'oreille et collier, tous sertis de diamants taillés en rose. Entourage de demi-perles fines et d'un filet d'émail noir. Monture en or jaune 18K. Poids brut : 51 gr. (infime choc à l'émail, imperceptible petit cheveu, une petite rose manquante). Dimensions : 5,5 x 4,4 cm., A sardonyx blackamoor, rose cut diamond, natural pearl, enamel and 18K yellow gold brooch, circa 1860. French assay mark. Gross weight : 51 gr. (very tiny enamel shock, very tiny hair, a rose missing). Dimensions : 5,5 x 4,4 cm.
TRAVAIL FRANÇAIS PETIT BUSTE D'EMPEREUR AMETHYSTE, Le buste drapé est or jaune 18K amati et patiné. Il porte un portrait d'empereur romain lauré en améthyste gravée. Un petit rubis cabochon à l'épaule. La colonnette est en citrine à petits pans. Poids brut : 96,57 gr. Hauteur totale : 8,8 cm. Dimensions du buste : 3 x 2 x 1,7 cm environ. , An amethyst, citrine, ruby and 18K yellow gold "bust of emperor" statuette. French assay mark. Gross weight : 96,57 gr. Total height : 8,8 cm. Dimensions of the bust : 3 x 2 x 1,7 cm approx.
TRAVAIL FRANÇAIS ANNÉES 1860 COLLIER DRAPERIE SCARABÉES, La résille composée de chaînes colonnes en or jaune 18K soutient vingt-trois scarabées égyptiens en céramique turquoise patinée. Poids brut : 80,26 gr. Dimensions : 39 x 5,8 cm environ, An Egyptian ceramic scarabs and 18K yellow gold necklace, circa 1860. French assay mark. Gross weight : 80,26 gr. Dimensions : 39 x 5,8 cm approx. Direct family provenance is proven by the portrait of the great-grandmother wearing the necklace.
Three vintage books on UK. To include 'The Historic Thames by Hilaire Belloc' 1907. Illustrated by A.R Quinton with colour plates throughout. 'Portrait of a Village' by Francis Brett Young & 'Cinque Ports' by Montagu Burrows. Condition fair. Slight wear to the edges. The Thames book edition has original decorative cloth gilt. Cinque Ports has damaged spine.
A LARGE BOX OF MIXED COINAGE to include two George IV crown coins 1821 some wear, a 1845 Victoria crown edge knocks, a Victoria 1900 crown slight edge knock otherwise UNC, a UNC 1896 florin, a 1893 UNC shilling, other silver, a AS struck white metal 84gr 60 year commemoration medal with Young and Vield heads, a George and Elizabeth 1937 Coronation medal, a boxed set of seventeen Diamond Wedding Photo Portrait Collection, together with a Gibraltar and Guernsey 2006 Silver proof coins, the box contains G.O.A.S., a 1669 Kings Lynn farthing lots of five pound coins etc

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