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283284 Los(e)/Seite
Los 1735
GRAND-CARTERET, JEAN ALBERT (1903-1954), signed and dated '38 l.l.,portrait of a lady with a bare-chested body, possibly the American actressCarole Lombard, pastel 91 x 64 cm.GRAND-CARTERET, JEAN ALBERT (1903-1954), ges. en gedat. '38 l.o., portret van dame met ontbloot bovenlijf, mogelijk de Amerikaanse actrice Carole Lombard, pastel 91 x 64 cm.
Los 4067
TEUPKEN, DIRK ANTOON (1828-1959), signed and dated anno 1849 l.l.,ship portrait of a Dutch sailing yacht 'Margrietha', watercolor 51 x70 cm.TEUPKEN, DIRK ANTOON (1828-1959), ges. en gedat. anno 1849 l.o., scheepsportret van de Brigantijn 'Margrietha', met zeemanshoop te Amsterdam vlag nummer 773, aquarel 51 x 70 cm.
Los 1378
English School (early 19th century), miniature portrait of Sir William East (1738-1819), watercolour on ivory and sundry ephemera relating to the Clayton and Pullan families (Mary, the daughter of Sir William East married Sir William Clayton, 4th Bt. in 1785 and the two families were connected by marriage), including a Winchester College photograph for 1967, various framed prints and photographs of members of the Clayton family, other unframed photographs, letters (ALS and TLS), newspaper clippings and articles, booklets relating to the 'Clayton Portraits' and Harleyford Manor, a Windsor Castle menu dated 1903, etc. (Q)
Los 1455
A collection of miniature portraits, including an early 19th century portrait of a young woman, oval, watercolour on ivory (unframed), another of a gentleman wearing a blue bow tie, late Victorian or Edwardian, an overpainted portrait print of a clerical gentleman in gilt frame and folding leather case and a photographic portrait of a young boy, together with a 1920's reverse-painted silhouette picture on glass depicting an 18th century couple seated in a drawing room (5), 7.5 x 12.5cm and smaller
Los 1456
Marion Edith Hewkley (aka Sutherland Gill,19th/20th century), five miniature portraits, circa 1920, watercolour, comprising 'Anne', initialled, oval, inscribed verso, gilt frame, another probably of the same sitter, signed, oval, silvered metal frame, 'His Old Regiment', signed, inscribed verso, oval, ebonised frame, 'Italian Peasant', signed and dated 1923, inscribed verso, ebonised frame and another after an Old Master portrait (16th century?), signed and dated MDCCCCXXIV (1924), pewter frame, three with handwritten labels verso with artists Worthing address, 11 x 8cm and smaller
Los 1457
Phyllis Cooper (1895-1988), a collection of miniature portraits, circa 1920, watercolour on ivory, comprising: 'Kathleen' (two), 'Marigold' and 'Piccaninny' [sic], two signed with artists monogram, three oval, one rectangular, all with hand-written paper labels verso including the artists Worthing address (two 'Not for Sale', one priced at '15 Guineas' and another at '£10.10.0', suggesting they may once have formed part of an exhibition), together with another unsigned oval miniature portrait of a young woman (probably by the same hand and also of 'Kathleen') in gilt and leather rectangular folding frame and an unsigned portrait of a small girl wearing a smocked dress (6), 7.5 x 6.5cm and smaller
Los 1616
Mario Micheletti, (Italian, 1892-1975), oil on canvas, Portrait sketch of a lady, signed and dated London 1921, 61 x 51cm, Christie's stamp versoCONDITION: Oil on canvas that has now torn away from most of the stretcher just clinging on on one wide, canvas undulating with a short tear near 12 o'clock, another short 1 inch tear in her dress, inscription may well be the name of the sitter rather than the artist in the lower left corner, Christie's number BP591 verso, loose but with its original silvered gesso frame which has numerous cracks and damage to the corners.
Los 1646
Early 20th century English School, oil on canvas, Portrait of a young woman, indistinctly signed lower right, 40 x 29cm, and a Beryl Ross study of badgersCONDITION: Both have losses to frames. Portrait has a scratch over shoulder, stretcher marks across all sides and is very dirty. There are areas of dirt throughout. There are also straight diagonal lines across her face. There is also some craquelure visible in areas.
Los 671
ATTRIBUTED TO ARTHUR E FISHER (19TH/20TH CENTURY), a full length seated portrait of a male figure wearing a theatrical costume, signed verso, watercolour on paper, size approximately 23m x 13cm, together with a late 19th Century seated portrait study of an elderly lady and gentleman wearing 18th Century clothing, oil on board, framed size approximate 19cm x 23cm, some losses in the area around the ladies hand touching the man (2)
Los 239
AN EARLY 19TH CENTURY CONTINENTAL PORTRAIT MINIATURE, of a lady wearing a lace cap and collar with a blue dress and red shawl, gold chains to her neck, (presumed oil on ivory but not removed from frame) mounted as an oval, approximately 7.6cm x 6.3cm, framed and glazed, bears pencil inscription in German verso to the reverse
Los 326
PAUL NORMANSELL (BRITISH 1978), 'SOMEONE TO WATCH OVER ME - STUDY', a portrait of Amy Winehouse, initialled bottom left, acrylic on aluminium, approximate sizes: image 68cm x 49cm, frame 97cm x 77cm (condition: small chip to black slip surrounding picture, dust lower left behind glass, scratches to frame) (ARR)
Los 586
* JOHN G BOYD RP RGI (1940 - 2001), FLOWER PIECE oil on canvas, signed; further signed and titled verso 50cm x 50cm Framed and under glass. Provenance: Exhibited and acquired in 1996 at The Contemporary Fine Art Gallery, Eton. Labels verso and original sale ticket with price (£2000). Note: John Boyd was born in Stonehaven, Kincardineshire in 1940. He studied at Gray's School of Art, Aberdeen (1958 - 1962) where he was taught by Robert Henderson Blyth. He briefly studied at Hospitalfield where he met John Byrne and Sandy Fraser, who was to become a lifelong friend. Boyd moved to Glasgow and from 1967 - 1988 he taught at Glasgow School of Art before turning to painting full time. His first solo show was held in Edinburgh in 1967, after which he exhibited regularly at the RA, the RSA, the RGI and RSPP. A major retrospective of his work was held in Glasgow, in 1994. Boyd won numerous awards and was elected a member of the Royal Glasgow Institute of Fine Arts in 1982 and a member of the Royal Society of Portrait Painters in 1989. His work is held in private collections owned by, among others, the Earl of Moray and Lord MacFarlane as well as numerous corporate collections including The Fleming Collection, Bank of Ireland, Murray Johnson and Arthur Anderson. Public collections include the Paisley Art Gallery, the People's Palace, Glasgow Museums and the Lillie Art Gallery, Milngavie. He was noted for his strongly coloured landscapes, portraits and still life's, mostly in oils, with his best work being produced in the last ten years of his life.
Los 595
* CLAIRE HARKESS RSW (SCOTTISH B. 1970 - ), POLAR BEAR watercolour on paper, signed, dated 1998 label verso 26cm x 18cm Mounted, framed and under glass. Label verso: Gallery 41, Edinburgh Note 1: In 1998, Claire worked as Artist in Residence with The Royal Zoological Society of Scotland. While at Edinburgh Zoo she was filmed as part of the BBC "Ex-S" series and a fascinating documentary about her work was broadcast in November of that year. This work is a portrait of a specific animal at Edinburgh Zoo and it's likely that many Edinburgh residents and visitors to the Zoo will recognise this animal.. Note 2: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.
Los 460
Titled "Suzy", drawing sketch portrait of a girl, signed in pencil lower left. Overall size: 22 3/4 x 18 3/4 in. Sight size: 14 x 10 in. Helen Sawyer began spending winters in Sarasota during the late 1930's with her husband Jerry Farnsworth. Both were already established as award winning artists and teachers in Cape Cod. During a period of more than fifty years while living in Sarasota, Sawyer continued to show in major exhibits and won awards with paintings hanging in many collections throughout the US, including the Ringling Museum of Art. Many people considered Helen to be the "Heart" of Sarasota arts community.
Los 502
Taino portrait head made of magnetite and having positive field. A bird embraces the head of the shaman while a dog head “ghost figure” is incorporated into nose. Both the bird and dog were considered shamanic allies. Provenance: Larry Roberts, author of Taino Sculpture: Art of the Gods. Size: 5 x 3 1/2 in.
Los 689
Colorado landscape, oil on board, signed lower right. Born in Missouri, artist Zola Zaugg painted architectural and genre subjects as well as landscapes. She painted many pictures which attracted much attention. She was primarily interested in portrait painting but did landscapes also. She turned her attention to painting landmarks of the old Colorado City (Pikes Peak Region) in the late 1940s to early 1950s. Overall size: 25 x 37 1/2 in. Sight size: 23 1/2 x 35 1/2 in.
Los 1067
Portrait of a Young Woman, oil on panel, attributed to Thomas Sully. Sully was the creator of a romantic style of portraiture--elegant, refined, reflective and immensely popular. Indeed, he was arguably the most admired portraitist of the Romantic era in the United States. Over the course of his long career, Sully produced over twenty-six hundred works, approximately two thousand of which were portraits. The remainder were landscapes, genre and thematic figurative works Sully termed "fancy pictures," paintings intended for the decoration of the drawing rooms and parlors of his wealthy clients. A sleeping baby, with or without its mother, was one of the artist's favorite "fancy" subjects. Overall size: 15 3/4 x 14 1/4 in. Sight size: 9 3/4 x 8 1/4 in.
Los 1135
Vu Cao Dam (1908 - 2000) Titled "Homecoming", color lithograph numbered 118/150, signed vu Cao Dam '62. Previously sold at Sotheby's. Vu Cao Dam was born in Hanoi in 1908 to a French-speaking and Francophile father. Raised in a scholarly universe, he joined the School of Fine Arts in Hanoi, founded in 1925 by the French painter Victor Tardieu. He accompanied the latter to the Paris International Exhibition in 1931 and discovered the world of Parisian art. Very influenced by the charms and culture of the City of Light, he travels through France, where he chooses to settle. First showing a keen interest in sculpture, which he practiced assiduously, it was finally in painting on silk that Vu Cao Dam expressed his immense talent. In these two fields, the artist focuses above all on the human figure, which he magnifies in portrait or in a charming genre scene. Combining with finesse the Asian and European pictorial traditions. Overall size: 26 x 32 in. Sight size: 20 x 25 in.
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283284 Los(e)/Seite