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Preisdatenbank abonnierenStephen (1135-1154), Penny, Cross Moline type [BMC I], Canterbury, Willem, pillel[––]canta: 1.52g/9h (Mack 6f; N 873; S 1278). Portrait well struck up and better than very fine, grey toned £400-£500 --- Provenance: Stan Humphries Collection [acquired in 2005 at a meeting of the Derbyshire Numismatic Society]
Richard I (1189-1199), Penny, class IIIab2, London, Ricard, ricard · on · lv, 1.40g/5h (SCBI Mass 786ff; N 967; S 1347). Very fine, dark toned and rare; strong portrait for issue £200-£260 --- Provenance: Stan Humphries Collection [acquired in 2005 at a meeting of the Derbyshire Numismatic Society]
A Collection of Various 19th and 20th Century Coalport to Comprise Quatrefoil Miniature Cabinet Cup and Saucer Decorated with Ivy Band on Yellow Ground (T2400) Together with a Further Example in Blue (No Saucer), a Shaped Dish Decorated with Alternating Classical Portrait with Floral Garland, Blue and White Tea Trio with Birds, Flowers and Butterflies, Indian Tree Plates, Shaped Dishes, Egg Cups Etc (Condition issues to include Loss, Hairlines Etc)
A collection of jewellery and other items. Including a 9ct gold round double-sided locket enclosing a portrait of a young girl, hallmarked for Birmingham 1969; a small white opal and tiny eight-cut diamond small oval cluster pendant; a child's 'Rolled Gold Front' bangle; a mesh bracelet and other items including a few pre-decimal copper coins and various foreign coins from circulation
Two late 19th or early 20th century copper enamelled portrait miniatures, of a women and man in a green regency coat, both with monograms and in circular metal frames (one loose from the frame), both approx. 7cm in diameter, together with a tooled leather fitted circular portrait miniature box by J.W. Benson Ltd, of London (3)
Clare, John. The Village Minstrel, and Other Poems, first edition in two volumes, London: Taylor & Hessey, 1821. Vol. I: pp. xxviii, [iii] 4-216, 4pp. advertisements; Vol. II: [viii], [iii] 4-211, 4pp. adverts. The first volume with a stipple-engraved frontispiece portrait of the author, the second volume lacking frontispiece of Clare's Cottage, both volumes complete with half-titles. Contents well-preserved & bright, some light pencil underlining, untrimmed page edges, contemporary blue paper-covered boards worn and lacking spines (though one is loosely-inserted), boards detached, but internally very good, 12mo. Together with a second edition of the same, again in two volumes, this time in pink paper-covered boards and with both engraved frontispieces present, pale spotting (4)
Raja Jivan Ram (Indian, fl.1815-1840) Portrait of Major Bellingham-Smith, 11th Regiment of Light Dragoons (b.1790, d.1866)oil on canvassigned and dated 182635 x 30cm Major Bellingham Smith. Father John and mother Elizabeth, Born Sept. 4, 1790 in Middlesex England. Served in India and was a member of the 11th Light Dragoons. Married to Priscilla Graham, died July 8, 1866.***CONDITION REPORT***Oil on original canvas, a little saggy with a torn cross near the top of his head, paint rather dirty, signed and dated lower left, in the original giltwood frame which is now a little rubbed and has extensive worm holes on the back, hand inscribed label verso giving details of the sitter, together with a collector label for Colonel W.D. Tompson.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Circle of Arthur Devis (British, 1712-1787) Full length portrait of a gentleman, standing holding a caneoil on canvas42 x 33cm***CONDITION REPORT***Oil on canvas relined some years ago, canvas remains tight, varnish looks a little patchy but otherwise no real faults noted, housed in an old gilt gesso frame which has a number of small cracks and losses, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Circle of John Hoppner (British, 1758-1810) Portrait of a Captain Matthew Smith RN (1763-1840)oil on canvas75 x 62cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, perhaps a little dirty but no real faults noted, housed in the original giltwood and gesso frame which has some losses, old inscribed labels on the stretcher giving details of the sitter along with Collection number for Colonel W.D. Tompson, inscribed No.1PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
F. Baumann (German, 19th C.) after Sir Antony Van Dyck (1599-1641) Portrait of Charles Ioil on canvas73 x 52cm***CONDITION REPORT***Oil on canvas looks to have been relined many years ago, canvas remains tight, paint looks rather dirty and would benefit from a clean, stretcher marks showing around the edges along with some fine but stable craquelure through the paint, one small scratch running just below his lace collar down towards the star, further finer hairline scratches just below this. Old possibly even original ebonised frame with light scuffing, label verso for Kunst & Antiquitaten from an auction sale in December 2022.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Sir Peter Lely (English, 1618-1680) Portrait of Joceline Percy, 11th Earl of Northumberlandoil on canvas55 x 44cm***CONDITION REPORT***Oil on canvas with old relining, canvas slightly undulating and generally a little loose in the frame, paint rather dirty with some fine but stable craquelure showing particularly in the robes, inscribed to the front Iosceline Percy 11th Earl of Northumberland. dyed in Turin 11th May 1670 Aetat. Old giltwood frame with losses, splits and rubbing, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Michael Dahl (Swedish, 1659-1743) Portrait of Gilbert, 4th Earl of Coventry, full length in ermine trimmed ceremonial robes and holding a coronetoil on canvassigned243 x 147cm Gilbert Coventry, 4th Earl of Coventry, succeeded to his title unexpectedly in 1712, two years before Dahl painted this lavish portrait. He was the father-in-law of Sir William Carew, 5th Baronet, who married Anne, the Earl's only daughter and heir, in 1713.Earl of Coventry is a title that has been created twice in the Peerage of England. The first creation for the Villiers family was created in 1623 and took its name from the city of Coventry. It became extinct in 1687. A decade later, the second creation was for the Coventry family and is still extant.Another version in the National Trust Collection, Antony, Cornwall, NT 352346 signed and dated 1714.***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Attributed to Thomas Hudson (English, 1701-1779) Portrait of Miss Furneaux Pelham, standing half length wearing a lace trimmed gown and necklace with a pearl dropoil on canvas92 x 71cm***CONDITION REPORT***Relined many years ago, good clean condition with a fine but stable craquelure throughout. Sotheby's chalk marks possibly for a sale lot 22 10.7.91, Christie's stencil 629HT.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Thomas Bardwell (British, 1704-1767) Portrait of a lady standing half length wearing a lace trimmed blue velvet dress draped with pearls, her hand resting upon pink roses upon a ledgeoil on canvas101 x 83cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Follower of Jonathan Richardson (British, 1665-1745) Portrait of a lady, half length, seated wearing a blue dressoil on canvas126 x 101cm***CONDITION REPORT***Oil on canvas relined 30 - 40 years ago, canvas remains tight, paint shows original losses across the extreme top and slight rubbing down the left side, extensive overpainting throughout the work, housed in a modern silvered wood frame, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Gillray (English, 1756-1815) ‘’Clearing a Five-Bar-Gate’’, dated 1805, 265 x 358mm. BM Satires 10481;‘’The Sound of the Horn!- or, the Danger of Riding an Old Hunter’’, dated 1807, 250 x 355mm. BM Satires 10803;‘’The Military Caricaturist’’- ‘’his Satires are as keen as the Back of a Rasor; and having but Three Ideas in the World, two of them are borrowed & the Third, nobody would own’’, [Presumed to mocking the amateur satirist, General Davies, as retribution for having slighted Gillray], dated 1799, 345 x 250mm. BM Satires 9442;‘’A Slice of Glo’ster Cheese’’, [a portrait of Prince William Frederick, the son of the Duke of Gloucester and Edinburgh], dated 1795, the image within an oval border, 255 x 130mm. BM Satires 8716 and‘’Patern-Staff. Weymouth 1797’’, dated 1797, 250 x 165mm. BM Satires 9070,hand-coloured etched caricatures, published by Hannah Humphrey (5)***CONDITION REPORT***The caricatures tipped-in, two to one side, three to the other, of an early 19th century blue paper folio album leaf.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Gillray (English, 1756-1815) ‘’Company shocked at a Lady getting up to Ring the Bell’’, dated 1804, 255 x 380mm. BM Satires 10303;‘’A broad hint at not meaning to Dance’’, dated 1804, 252 x 380mm. BM Satires 10302;‘’gentle Manners, with affections mild, In Wit a Man. Simplicity a Child’’, dated 1798, 260 x 176mm. BM Satires 9288;After RF [Sir Robert Frankland] - ‘’A view of Newmarket Heath; taken from Davis’s Straights’’, dated 1807, 222 x 195. BM Satires 10789;After I.L.R - ‘’an Old Encore, at the Opera’’, dated 1803, 245 x 195mm. BM Satires 10159 and Thomas Rowlandson (1756-1827) ‘’A Portrait’’, [ a caricature of The Duke of Cumberland], dated 1812, 268 x 213mm. BM Satires 11924,hand-coloured etched caricatures, published by Hannah Humphrey (6)***CONDITION REPORT***The caricatures tipped-in, two to one side, four to the other, of an early 19th century blue paper folio album leaf.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Gillray (English, 1756-1815) ‘’The Welch Tandem’’ dated 1801, 260 x 364mm. BM Satires 9760 [A satirical portrait of Sir Watkin Williams Wynn, the leading squire of North Wales, known as ‘the Prince of Wales’, and his two brothers, Charles and Henry Watkin, portrayed in a chaise, pulled by three flatulent goats]‘’George a’ Cock-horse’’, dated 1796, 345 x 274mm. BM Satires 8889‘’Wide-Awake’’ and ‘’Fast-Asleep’’, a pair, each 1806, each 247 x 206mm BM Satires 10644 and 10645 and‘’Comfort to the Corns’’, dated 1800, 265 x 200mm. BM Satires 9585,Five hand-coloured etched caricatures, published by Hannah Humphrey (5)***CONDITION REPORT***The caricatures tipped-in, to each side of an early 19th century blue paper folio album leaf.George a’ Cock-horse’’- lower margin trimmed around title block.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Huggins (English, 1820-1884) Portrait of the artist's motheroil on canvassigned and dated 1862100 x 75cm***CONDITION REPORT***Oil on canvas relined 30 - 40 years ago or so, canvas remains tight, paint a little dirty with a fine but stable craquelure running through much of the paint, some slight bitumous bubbling in the darker areas of her hair and in the background above and to the right of her head, signed and dated lower right, housed in a later gilt frame, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
English School c.1890 Portrait of a British Naval Officeroil on canvas74 x 62cm***CONDITION REPORT***Oil on original canvas which remains fairly tight, has been professionally cleaned relatively recently but a dark bitumous bubbling and craquelure remains outlining the sitter, with further bitumous bubbling scattered elsewhere, apparently unsigned, housed in what looks to be the original gilt gesso frame which is rather tatty, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Montgomery Flagg (American, 1877-1960) Portrait of Kathleen Parkhurst in The Pirates of Penzance, D'Oyly Carte Opera Companyoil on canvassigned and dated 1936126 x 100cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, might benefit from a clean but no real faults noted, housed in a later plain moulded gilt frame, inscription to the back stating 'painted in New York 1936' by repute the artist was enamoured with the sitter and painted her when the Opera Company were on tour in New York, for related lots to the D'Oyly Carte Opera Company see Gorringe's Music Sale 23rd October.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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