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283284 Los(e)/Seite
Los 160
Collection of pictures including Fishing Boats at Sea, 20th century oil on board, Rural Cottaqe Scene, late 19th century oil on canvas, Portrait of a Lady, early 20th century watercolour and etching signed by L Walker max 40cm x 49cm (9) Condition Report Click here for further images, condition, auction times & delivery costs
Los 980
John Hayter (1800-1895) Portrait of a lady, head and shoulders seated, wearing a bonnet Signed and indistinctly dated, pencil, together with a further pencil figurative sketch of two young children arranging a bowl of fruit signed Isabey, two Continental 19th century pencil studies depicting a town on the Rhine, another of a stone archway attributable to Henry Guest and an etching of a bearded gentleman wearing a beret, 22cm by 17cm and various other sizes (5)
Los 1025
Follower of Joseph Highmore (1692-1780) Portrait of Sarah Palmer, half length, wearing a white bonnet trimmed with lace Extensively inscribed with biographical details verso, oil on canvas, together with companion painting depicting her husband, William Palmer, also half length, wearing a brown jacket and black waistcoat, 61.5cm by 46cm (2)
Los 945
After Angelika Kauffmann (1741-1807) Swiss/ Austrian Portrait of David Garrick Oil on canvas (en grisaille) 25.5cm by 21cm The original finished portrait forms part of the Burghley House collection and was produced by Kauffman in Naples in 1764. Provenance according to various labels and inscriptions to the reverse: Theodore Martin Sale, Christie's, 17 Dec 1910, Lot 151, Sotheby's 24 Jan 1951, Property of Mrs Reginald Smith deceased Purchased by CR Williams at the above sale for £12
Los 1008
Follower of John Linnell (1792-1882) Portrait of a fashionable young lady seated in a chair holding a red rose, reputedly Mrs Croft wife of John Croft, Vicar of Catterick; Portrait of a gentleman seated, half length wearing a white shirt and cravat, reputedly John Croft, Vicar of Catterick (1841-1869) Oil on canvas, 42cm by 33cm (2)
Los 959
Circle of Mary Lemon Waller (1850-1931) Portrait of a young girl, three-quarter length, standing in a dove loft, wearing a white dress Oil on canvas, 80cm by 57.5cm Provenance: Christie's, Ethel Grange, Lancashire, October 22nd & 23rd, 1979, Lot 250 Sold together with accompanying paperwork relating to the above
Los 942
CR Stock after CR Stock Cock fighting (plates I-IV) Coloured engravings, together with a collection of approx 16 portrait engravings including ''Sarah Duchess of Marlborough'' after Kneller, PA Gunst after Werff ''Jacques Premier'', ''Latimer'', ''Polus'', ''Thomas Crammer'', Taylor after Kneller ''John Duke of Argyle'', W Dickinson after RE Pine ''The Right Hon.ble John Wiles Esq. of the City of London'' etc, a watercolour attributable to Falconer Poole and a group of later 20th century ornithological watercolour and bodycolour studies, all unframed (qty)
Los 2081
G.Race, ship's portrait of Steam Drifter ' Silverline LT1179', oil on board, signed and dated 1925, 28cm x 42cm Condition Report The picture is generally good condition, but would benefit from a clean.It has an area of damage at the bottom of the board below the ship's number.The frame gas been gilt painted and there id some paint on the board, mainly right hand side.There is a scratch in the top right area.
Los 2065
ANGLO-FRENCH SCHOOL, 18th CENTURY PORTRAIT OF A GENTLEMAN, TRADITIONALLY IDENTIFIED AS LLOYD KENYON, 1st LORD KENYON (1732-1802) Bust length, wearing a long wig, pastels 48.5 x 39.5cm. Provenance: According to an inscription on the backboard, this was purchased at Sothebys in May 1919 as being by John Russell and described as a portrait of Lord Kenyon (from the collection of Major Lyon since 1894). It more probably depicts his father, also Lloyd Kenyon (1696-1773), a country gentleman and JP in Flintshire. ++ With some foxing, blemishes, marks and rubbing
Los 2141
MANNER OF LAVINIA FONTANA (1552-1614) PORTRAIT OF A LADY Half length, wearing a dark dress with white lace, holding a glove, oil on canvas 71 x 46cm. Provenance: Purchased in Italy, probably Rome, by the vendor's ancestor, 1940's. ++ Lined; much retouching over old scattered damages; worn; possibly 17/18th Century
Los 2155
ENGLISH SCHOOL, 18/19th CENTURY PORTRAIT OF THOMAS SMITH (1512-1577) Half length, wearing a black robe, fur collar and black cap, within an ebonised frame with gilt legend, oil on board 72.5 x 59.5cm. Provenance: The family of Capt. D. G. Prinsep, Royal Artillery * The sitter was a scholar, diplomat and political theorist. He was appointed Secretary of State under the Duke of Somerset's protectorate, but he was not favoured under Queen Mary's reign. However, Smith was returned to high office under Elizabeth I, becoming one of her most trusted Protestant advisers. He is depicted at the age of 33. The legend reads: CERNITUR EFFIGIES FACTIS VERA AT PENICILLUS CORPORIS ATQUE UMBRAE TANTUM SIMULACHRA REPONIT - LOVE AND FEARE AETATIS SUAE XXXIII ++ Bitumen damage; some retouching
Los 2156
THOMAS FRYE (c.1710-1762) PORTRAIT OF A GENTLEMAN Quarter length, wearing a buff coat and brocaded waistcoat, within a painted oval, signed and dated Frye Pinxt/ 1750, oil on canvas 73.5 x 61.5cm. ++ Lining; associated scattered retouching; apparently some old restoration to the sitter's mouth and chin
Los 2157
WILLIAM HOARE OF BATH, RA (c.1707-1792) PORTRAIT OF THOMAS PELHAM-HOLLES, 1st DUKE OF NEWCASTLE UNDER LYNE (1693-1768) Seated, three quarter length, wearing Garter robes, oil on canvas 120.5 x 95cm. *The sitter was the eldest son of Thomas Pelham, 1st Baron Pelham, and Lady Grace Holles. He studied at Westminster and at Cambridge before inheriting vast estates upon the death of his uncle. The newly ennobled young man adopted the name Holles and became a Whig politician with forthright and strident views. He was appointed Lord Chamberlain at the age of just 23 and rose to Prime Minister in 1754, succeeding his younger brother, Henry (d.1754), to the position. He served two terms (1754-1756, 1757-1762) and then served in Opposition for a time but became frail after a stroke in 1767. He died in 1768 and, as he and his wife Lady Harriet (nee Godolphin) had no issue, the title passed to his nephew, the 9th Earl of Lincoln from whom Newcastle became latterly estranged. Horace Walpole was brisk in his assessment of Newcastle: "A borrowed importance and real insignificance gave him the perpetual air of a solicitor... He had no pride, though infinite self-love. He loved business immoderately; yet was only always doing it, never did it. When left to himself, he always plunged into difficulties, and then shuddered for the consequences." Another version of this portrait is in the Government Art Collection, Westminster. The subject was engraved in mezzotint by James MacArdell. ++ Lined; some retouching over some minor, old and scattered damages. Slightly flat. Needs a light clean.
Los 2163
FOLLOWER OF EDWARD MASCALL (c.1627-c.1675) PORTRAIT OF A GENTLEMAN Quarter length, wearing a leather jerkin with embroidered sleeves , oil on canvas 57 x 46.5cm. ++ Lined; retouching *The sitter has been identified as Colonel Francis Hacker who was captain of the guard at the execution of King Charles I. Hacker was himself executed in 1660 when Charles II was restored to the throne.
Los 2166
SIMON DUBOIS (1632-1708) PORTRAIT OF JOHN SOMERS, BARON SOMERS (1651-1716) Quarter length, wearing a dark green coat (or banyan) with striped sleeves and a lace jabot, within a painted oval, oil on canvas 75.5 x 63cm. Provenance: Lawrences, April 27th, 1987, lot 157; and also October 14th, 2011, lot 2844. * Somers was a lawyer and a Whig politician who served as an MP from 1689-1693, was a Keeper of the Great Seal, a Privy Counsellor and was appointed Lord Chancellor in 1697. He became President of the Royal Society in 1698, a year after his ennoblement and was a keen collector of prints and drawings. He died unmarried and without issue. The title descended through the grandson of Somers' sister, Mary. The portrait was traditionally ascribed to Sir Godfrey Kneller and identified (incorrectly) as Charles Lennox, 1st Duke of Richmond (1672-1723). Kneller did paint Somers, c.1715-16, as part of his Kit-Cat series (National Portrait Gallery).
Los 2169
LAM QUA (1801-1860) PORTRAIT OF A GENTLEMAN Seated half length, wearing a dark coat and a green bow tie, oil on canvas 24 x 20.5cm. * Possibly a portrait of Thomas Chay Beale (c.1810-1857) or Daniel Beale the younger (1798-1827) Provenance: with Martyn Gregory, London, Reflections of the East, 2011-2012, no.35 (initially as by George Chinnery, attribution revised to Lam Qua) ++ Unlined; light cosmetic retouching
Los 2170
GEORGE CHINNERY (1774-1852) PORTRAIT OF THE HON. JOHN EDMUND ELLIOT ((1788-1862) With inscription upper right The Honble John Edmund Elliot / 1788-1862, oil on canvas 74.5 x 62cm. * The sitter was the third son of the 1st Earl of Minto, Governor General of India from 1807-1813. Elliot would have encountered Chinnery in Madras upon arriving as a Writer in 1805. Elliot's own sketchbook from 1812-1815 includes works by Chinnery within (British Library). The sitter married Amelia (nee Casamajor) in 1809 and, upon returning to Britain, was MP for Roxburgshsire and served under Lord John Russell from 1849-1852. Both his brother and his cousin also worked in China. Provenance: with Martyn Gregory, London, From China to the West, 2012-2013, no.17 ++ Lined; some retouching; some craquelure and bitumen damage (not obtrusive)
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283284 Los(e)/Seite