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283287 Los(e)/Seite
Los 1
John Downman, A.R.A., 1750-1824 Portrait of Isabella and Charles Downman inscribed on a label attached to the reverse oil on board 37x30.5cm.; 14.5x12in. Provenance By descent to the artist's great-great-nieces, the Misses Lee, circa 1907; Anon. sale, Christie's, 15th March 1929, lot 73, bt, Stephens for #115.10; Mrs Hubert Cordes in 1933 Literature Dr G.C. Williamson, John Downman, A.R.A., 1907, pl. xii
Los 1
Sir David Wilkie, R.A., 1785-1841 Portrait of Admiral Walker, Commander of the Turkish Fleet signed, inscribed and dated Nov 27th 1840 pencil and watercolour heightened with bodycolour 43x30cm.; 17x11.75in. As the introduction to Sir David Wilkie's Sketches in Turkey, Syria and Egypt 1840-1841 suggests, "Wilkie in realising his object, would have shed a new light upon scriptural painting, for he was perfectly correct in assuming that the personal characteristics of the nations of sacred history are to be approached only through those of their modern representatives...and laboured so devotedly to their fulfilment." In 1939 the sitter in the current picture, who serving as Captain of H.M.S. Vanguard, was promoted to Commander of the Turkish Navy as part of the re-organisation led by the Turkish Ambassador with the assistance of the British Government. The current works were some of the last that Wilkie was to produce as he died onboard the Orient on 1st June 1841 whilst retuning home from this visit to the Holy Cities, "cut off before he could give to the world the matured fruits of his pilgrimage." Provenance Messers Graves and Warmsley, London Literature Sir David Wilkie's Sketches in Turkey, Syria and Egypt 1840-1841, London, 1843, pl. V
Los 1
Sir David Wilkie, R.A., 1785-1841 Portrait of the infant daughter of Admiral Walker, Commander of the Turkish Fleet signed, inscribed and dated 1840 pencil and watercolour 31.5x23.5cm.; 12.5x9.25in. "In Constantinople, the dress of the children is striking, from that of its resemblance to that of the Turkish women...there is generally no distinction in dress between the child of three years old and the woman of mature years." This charming work provides and interesting display of traditional Turkish dress and the customs specifically relating to the costume of children. The introduction to Sir David Wilkie's Sketches in Turkey, Syria and Egypt 1840-1841 describes the present work as "of remarkable beauty, and one on which the accomplished artist has bestowed much care. It is not to be surpassed by any similar sketches of the greatest masters." Provenance The Collection of R. S. Holford Esq. Literature Sir David Wilkie's Sketches in Turkey, Syria and Egypt 1840-1841, London, 1843, pl. VI
Los 1
Harrington Mann, 1865-1937 portrait of an eton boy signed and dated 1895 oil on canvas 35.5x30.5cm.; 14x12in. The portrait appears to depict the ten-year-old Guy Colin Campbell, who became the 4th Baron Campbell of Cammo. Guy attended both Eton and St. Andrews schools before enrolling in the 60th Rifles, serving in WWI and WWII.
Los 1
Jean-Franois Millet, French 1814-1875 portrait of a young boy pastel on paper laid down on canvas 47.5x40cm.; 18.25x15.25in. Jean-Franois Millet executed the present work early in his career as a portraitist, most probably around 1840-1842 whilst living in Cherbourg. His portraits executed in pastel during the 1840s have only relatively recently returned to light primarily because their authorship had long gone unrecognised. Alfred Senier, Millet's first biographer, identified this issue in the 1870s suggesting that the artist worked quickly during the 1840s under intense pressure from patrons and often left his works unsigned. The thick application of pigment points towards the eighteenth century pastel style which formed a significant part of Millet's early inspiration, positioning the work early in the artist's career. Provenance Anonymous sale, Galerie Stuker, Bern, June 13, 1952, Lot 3823 Private collection, Bern
Los 608
Manner of Sir William Beechey RA 1753-1839- Portrait of a young gentleman half-length, wearing a dark coat and white neck scarf; oil on canvas, together with a portrait of a lady head and shoulders turned to the right, dressed in blue wearing a white net and lace cap, oil on canvas, a pair, 76x63cm each, (2)
Los 646
Beeching mid 20th century- Abstract landscape; oil on board, signed, 61x92cm, bears label for the Brandler Galleries Essex, verso: Caroline Thomson late 20th century- Portrait of a Red Setter in a landscape; oil on board, signed and dated 95, Terry Kirkman late 20th century- 'Haworth Art Gallery'; watercolour, signed, dated 83 verso: British School late 20th Century- Cottages in a valley; oil on board, (4) (may be subject to Droit De Suite)
Los 649
John Berry b.1920- Sketchbook page with animal and portrait studies; pencil, signed in coloured crayon, 29.5x42cm., (unframed). Provenance: with St James's Art Books, London according to Certificate of Authenticity which accompanies this lot. See department (may be subject to Droit de Suite)
Los 780
Dorothy Marguerit Colles PS 1917-2003- Portrait of a girl seated three-quarter length in a blue top and yellow dress; oil on canvas, signed, 76x50.7cm: together with a five other portrait studies in oils, pastel, pencil and one landscape study in pastel by the same hands, variously signed, (7), (unframed)
Los 813
Reginald Wooley mid 20th century- Reclining female nude; watercolour, signed with initials in pencil, 43.5x56cm: together with seven other figure and portrait studies in watercolour and/or pencil by the same hand, most signed with initials, (8), (unframed) Note: Reginald Wooley was a member of The Penwith Society of Arts in St Ives during 1955, 1965 and 1975. (may be subject to Droit De Suite)
Los 858
Philippa Marshall mid 19th century- Portrait of girl seated full-length, traditionally held to be Alice Charlotte Lumsden, 2nd daughter of Henry Lumsden; black chalk, watercolour and gouache on buff paper, oval, signed and dated 1866, 27.5x21.3cm: together with one other similar portrait of a young girl seated full-length by the same hand, oval, signed and dated 1866, 27.5x21.3cm, in matching oval gilt gesso frames, (2)
Los 878
Eldgar Holloway b.1914- Self portrait of the artist at work; etching with aquatint, signed, numbered 14/50 and dated 71 in pencil, 20x15cm: Marcel Augis early 20th century- "Arras l'Hotel de Ville apres le bombardement 1914 1917"; hand-coloured etching with aquatint, signed and inscribed in pencil, 18.5x12.8cm: together with five other similar etchings by the same hand, all depicting scenes from The Great War and a further two signed etchings by further different hands, (9) (may be subject to Droit de Suite)
Los 939
Carle Vernet, French 1758-1836- "Cheval Arabes avec sa brade et sans brade ", publ G Englemann rue Cassette N 18 a Paris; lithograph, signed within the plate, 34x46cm: Alphonse Legros RE HRSA 1837-1911- Portrait of a man head and shoulders turned to the right; etching, signed in pencil, in an ebonised frame, 25x17cm: together with three further portrait engravings by different hands, European 17th/18th and 19th centuries, all in matching ebonised frames, (5)
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283287 Los(e)/Seite