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Los 1662

A framed early 19th century pastel portrait of an elegant lady. Unsigned and unattributed. 64x54cm

Los 1638

Pablo Picasso (1881-1973) A framed etching circa 1950s portrait Paul Roby. Lage du Soleil.

Los 1626

An Original well presented Andy Warhol (1928-1987) Pop Art. Exhibition poster Marilyn Monroe. Published by the Tate Gallery in preparation for the exhibition 17th February-28 March 1971. A licensed promotional poster of Andy Warhol portrait of Marilyn which was undertaken after Marilyn passed a representation of life fame and death. The inspiration of the portrait taken from the Film Niagara 1953. 51cm wide x 77cm

Los 12

Charles Sargeant Jagger (1885-1934) A pair of rare Portland stone groups of a nymph and satyreach in the form of a satyr carved with curly hair and cloven hooves squatting on a tapering square pedestal and leaning over a naked nymph, one with the nymph with flowing hair facing towards him and raising herself on tiptoe to offer a kiss, the other with the nymph leaning backwards the satyr grasping her arms and pulling her up towards his embrace, 350cm high *** This lot is being sold insitu - appointments can be made to view*** Provenance: Melchett Court, Hampshire, 1927Alfred 1st Lord Melchett Colworth, Bedfordshire 1936, Henry 2nd Lord Melchett, Beale Park, Berkshire, 1948Charles Sargeant Jagger was born at Kilnhurst, Yorkshire on 17th December 1885, the second child of Mary (née Sargeant) and Enoch Jagger, he had a younger brother David who later became a society portrait painter, and an older sister Edith, who also became a gifted painter.  Their father was a colliery manager.  In 1907 he was awarded a scholarship by West Riding county council to study at the Royal College of Art.  Under Professor Lanteri he achieved considerable success including a major college travel bursary which enabled him to visit Italy and North Africa in 1911.In 1914 he was awarded the Prix de Rome, with a relief entitled Bacchanalian Scene.  The romantic classical feeling of his work at this time was not to be repeated until the late 1920’s when the Melchett Court groups were commissioned.  Before he could take up his scholarship in Rome war was declared and Jagger made a considerable personal sacrifice by renouncing it and instead enlisting in the Artists Rifles. In 1915 he sailed with the British Expeditionary Force to Gallipoli. In the most appalling conditions, he was eventually shot through the shoulder and shipped out to a hospital in Malta.  He was subsequently posted to the Front in France and in April 1918 was badly wounded at the Battle of Neuve Église.  In recognition of his valour he was awarded the Military cross. Whilst he was convalescing a friend at the Royal College of Art told him that the British War Memorials Committee were about to employ sculptors.  In 1919 Sir George Frampton (who had been on the panel judging the Rome scholarship) recommended him to design a memorial planned for Hoylake and West Kirby, Lancashire.  This proved a turning point in his career, and between 1921 and 1923 he completed six war memorials and started on his most well-known work, the Royal Artillery memorial at Hyde Park Corner.  All of these are characterized by the same brutal and grim, but also massively strong treatment of the soldiers or ‘Tommies’.  His recorded comments on war memorials repeat the basic notion of ‘showing the Tommy as I knew him in the trenches’. There followed a number of other commissions both at home and abroad for the Imperial War Graves Commissions.  By the second half of the 1920’s Jagger’s eminence as a sculptor had become established.  The Royal Artillery Memorial had a somewhat mixed reception when it was unveiled in 1925, but nevertheless secured Jagger’s name as a public figure. In 1926 he became an associate of the Royal Academy and was awarded a medal by the Royal Society of British Sculptors.  At this time Jagger also built up an influential circle of patrons, including Sir Edwin Lutyens, who also became a close friend, and Sir Stephen Courtauld, who commissioned two decorative plaques from him.  He was also commissioned to do a statuette of H.R.H. the Prince of Wales.  The Prince was known to have admired Jagger’s work and commissioned a cast of one of Jagger’s bronzes. ‘Wipers’ in 1921. This informal portrait of the Prince portrayed holding a tennis racquet was considered one of Jagger’s finest works and helped him avoid being stereotyped as a war memorial sculptor. It was also at this time that Jagger began his association with Sir Alfred Mond, the first Lord Melchett, and his son Henry.  Sir Alfred served on the council of the British School at Rome from 1925, but already knew Jagger’s work.  It is likely that they got to know each other as a result of the work Jagger did for the British War Memorials commission.  Mond was heavily involved in setting up the Imperial War Museum which took over the commissions made by the B.W.M.C. at the end of 1918 and so probably saw Jagger’s work at that time. Certainly, from the early 1920’s the Mond family were active supporters of Jagger’s work and from this association there emerged a close relationship between them.  Charles Jagger and Henry Mond, who were almost the same age, were particularly close and the Jaggers often visited the Monds at their Hampshire home. Amongst the many commissions the Mond family gave Jagger, were the sculptures on Imperial Chemical House.  This building, a well-known London landmark on the River Thames at Millbank, was designed by Sir Frank Baines to provide the central offices of I.C.I. when it was formed out of a merger between companies belonging to the Mond family and to Sir Harold McGowan in 1926.  Jagger produced four massive sculptures typifying great industries of the world, Agriculture, Marine Transport, the Building Industry and Chemistry. At around the same time Jagger was commissioned by Lord Melchett to carve this pair of Portland stone groups of nymphs and satyrs for his home, Melchett Court, Hampshire.  These form an important part of a small group of privately commissioned works on literary and classical themes.  In a similar vein Jagger produced a relief based on Sheridan’s School for Scandal for Henry and Gwen Mond’s drawing room at Mulberry House, Smith Square, London.  This features a man embracing a naked woman.  Also, a pair of reliefs for Sir Stephen Courtauld circa 1930 feature a nymph and a satyr mocking an elderly satyr who is offering jewels to the young nymph.  The Melchett Court satyrs and nymphs are the only known work by Jagger in which he explores this romantic classical approach with its mildly erotic overtones in a large-scale three-dimensional way.  The salacious expression of the squatting and kneeling satyrs contrasts brilliantly with the yearning expressions of the nymphs with their languid nubile bodies.  The gentle satire employed in these works is striking because of the contrast it makes with the serious subject matter of much of Jagger’s work.  It reinforces the view that he felt no obligation to be predictable concerning the content of his work. The Courtauld reliefs and the Melchett Court nymphs and satyrs also reveal that Jagger’s romantic temperament, which is evident in this works prior to 1914, had not been entirely crushed by his experiences during the War.  All the same, these later works are easily distinguishable from the earlier classical reliefs by their boldness and simplicity of form which is distinctly Art Deco. Jagger died in November 1934 at the early age of 48.  Between 1918 and 1934 Jagger produced some 45 works, most of which were war memorials or commissions for large buildings.  These groups are amongst the most important of the private commissions which he undertook. Following his death these two groups were exhibited in the Charles Sargeant Jagger Memorial Exhibition at the Royal Society of Painters in watercolours in Pall Mall, on 21st May to 20th June 1934.  The chairman was Lord Melchett.  The exhibition list also includes small bronzes of the nymphs and satyrs priced at 25 guineas each, which presumably were maquettes for the full-size groups. Sadly, no price is given for these, however since they formed an integral part of Melchett Court it is doubtful whether they would have been for sale.  A plaster...

Los 77

Valentin Carderera y Solano (1796-1880) Spanish, a portrait of Alonso IV, watercolour, inscribed, 14" x 9" (36 x 23cm).

Los 45

Attributed to Philip Jean (1755-1802), a miniature portrait of a young gentleman, watercolour and bodycolour on ivory, with braids of hair verso, 1.75" x 1.25" (4.2 x 3.5cm), ivory registration number QYAWR6MB, a/f.

Los 43

Gervase Spencer (1715-1763), a miniature portrait of a lady, possibly Charlotte Pringle, watercolour and bodycolour on ivory, signed with initials and dated 1753, 1.75" x 1.25" (4 x 3.5cm), ivory registration number 23Z7CGPX.

Los 50

H. M. Horner..?, a miniature portrait of a lady, watercolour and bodycolour on ivory, signed, 2.25" x 1.75" (5.5 x 4.5cm), ivory registration number C8YQ33LN.

Los 42

Attributed to William Wood (1768-1809), a miniature portrait of a lady, watercolour and bodycolour on ivory, with braids of hair and gilt metal initials verso, 3" x 2.25" (7.5 x 6cm), ivory registration number 8EFU1HGC.

Los 86

Francis Newton Souza (1924-2002), a pair of ink drawings, head studies of male figures, inscribed verso 'Portrait Drawing of Deben Bhattacharya, Bramin Prince-Namid, as an architect in London 1950's', mounted in a common frame, each sketch 9.75" x 8.75" (25 x 19.5cm).

Los 52

19th Century, probably Austrian School, a miniature portrait of a lady with ringlets in her hair, watercolour and bodycolour on ivory, indistinctly signed, 2.5" x 2" (6.4 x 5.4cm), ivory registration number HKDZ9E6E.

Los 49

English School, Circa 1843, a miniature portrait of a young boy, watercolour and bodycolour on ivory, indistinctly signed verso and dated 1843, 2.75" x 2" (7 x 5.5cm), ivory registration number XV51VGCA.

Los 53

19th Century, probably Austrian School, a miniature portrait of a young gentleman, watercolour and bodycolour on ivory, 3.75" x 3.25" (10 x 8.5cm), ivory registration number 4EY1GY52.

Los 185

English School, a portrait of a gentleman in late 16th/17th Century dress, oil on panel, 17" x 13.25" (43 x 34cm), remains of label verso, a/f with split.

Los 47

J. Moore, English School, Circa 1820, a miniature portrait of a young gentleman, watercolour and bodycolour on ivory, 3.5" x 2.75" (8.5 x 7cm), ivory registration number 1A4PZTNV.

Los 160

19th/20th Century, a portrait of an Eastern female attendant carrying a tray with glassware, oil on canvas laid down, 16" x 12" (40 x 30cm).

Los 55

Late 19th Century, a miniature portrait of Anne de Ligonde, watercolour on ivory, signed with initials B.S., 4" x 2.75" (10 x 7cm), labels verso, ivory registration number G27FZEC6.

Los 23

After Hoppner, a portrait of Admiral Lord Nelson, mezzotint, 24" x 16" (61 x 40cm).

Los 162

19th Century Continental School, a portrait of a gentleman with a beard, possibly a holy man, oil on canvas, 18" x 15" (46 x 38cm).

Los 48

English School, Circa 1817, a miniature portrait of William Cole of Bath aged seventeen, watercolour and bodycolour on ivory, dated 1817, 3" x 2.25" (7.5 x 5.8cm), ivory registration number W4516FY3.

Los 54

Early 19th Century English School, a miniature portrait of The Right Honourable John Claudius Beresford', watercolour on ivory, inscription verso, 4" x 3.25" (10 x 8cm), ivory registration number 2E6XKTPE.

Los 186

Walter Bowman Russell (1871-1963), a portrait of an elegant lady in a green dress, 'Mrs Guy Houlder', oil on canvas, signed, 36" x 28" (91 x 71cm), in a fine frame.

Los 44

English School, Circa 1770, a miniature portrait of a lady, watercolour and bodycolour on ivory, with braids of hair verso, 2.5" x 2.25" (6.5 x 5.5cm), ivory registration number 2HA1HBPG.

Los 331

Signed items to inc: Robert Whitaker signed exhibition card, Astrid Kirchherr self portrait print signed to reverse by Astrid Kirchherr, Louise Harrison signed exhibition card, Bob Gruen signed Genesis promotional card, Chris Montez signed reproduction photo, Tommy Steele signed envelope.

Los 174

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2023. The Royal Mint. The fourth issue in the Myths & Legend series and the start of the second set within the series, the others being Merlin and Morgan le Fay. The coin continued to bear the image of The Queen in support of His Majesty the King's ambition for a sustainable transition. This ensured minimal environmental impact as the designs, tools and packaging for these products had already been produced.Fifth crowned portrait of Elizabeth II, inscription: ELIZABETH II. D. G. REG. F. D. 100 POUNDS', designed by Jody Clark / Image of King Arthur holding a sword with a castle in the background, legend around. 'KING ARTHUR .1 OZ. FINE GOLD·999·9·2023DL'. Designed by David Lawrence. Edge milled.In secure plastic holder, graded PCGS MS70 , certification number 46320481. PCGS population in this grade: 20, equal-finest graded.Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 109

UNITED KINGDOM. Charles III, 2022-. Gold 1/4 sovereign, 2023. Royal Mint. Proof. Crowned portrait of Charles III facing left; MJ below; CHARLES III · DEI · GRA · REX· FID · DEF ·. Design by Martin Jennings. / St. George on horseback rearing right, dragon below, date in exergue . Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6675071-007. NGC Census in this grade: 10.NGC Census in higher grade: 91Total NGC Census: 102Mintage: 4,655.Diameter: 14 mm.Weight: 2 g. (AGW=0.0590 oz.)Composition: 1000.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 172

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2022. Royal Mint. Proof. This design is the third release in a Royal Mint series dedicated to the history of British monarchy and the monarchs of England, Great Britain and the United Kingdom, and features the classic portrait of George I that appeared on Hanoverian coinage.Fifth Portrait of Queen Elizabeth II facing right, JC below. Legend around " ELIZABETH II · D · G · REG · F · D · 100 POUNDS · 2022 ·". Design by Jody Clark./ Laureate and draped portrait of King George I right, legend around. GEORGIVS · DG · M · BR · FR · ET HIB REX · F · D · Design by: John Croker Read. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6579283-072. NGC Census in this grade: 441, equal-finest graded.Total NGC Census: 506Mintage: 610.Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 81

UNITED KINGDOM. Charles III, 2022-. Gold sovereign, 2023. Royal Mint. Proof. Crowned portrait of King Charles III left, legend around; CHARLES III·DEI·GRA·REX·FID·DEF · MJ. Design by Martin Jennings. / St. George slaying the dragon right, date and designer's initials in exergue; 2023 B.P. Design by Benedetto Pistrucci.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6675071-005. NGC Census in this grade: 97, equal-finest graded.Total NGC Census: 102Mintage: 18,905.Diameter: 22 mm.Weight: 8 g. (AGW=0.235 oz.)Composition: 1000.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 175

UNITED KINGDOM. Charles III, 2022-. Gold 100 pounds, 2023. Royal Mint. Proof. This design is the fifth release in a Royal Mint series dedicated to the history of British monarchy and the monarchs of England, Great Britain and the United Kingdom. This release features a remastered portrait of Henry VIII that appeared on Tudor coinage.Portrait of King Charles III left, MJ below, legend around. CHARLES III · D · G · REX · F · D · 100 POUNDS · 2023. Design by Martin Jennings. / Portrait of Charles I on horseback within beaded inner circle, legend around. CAROLVS · D : G · MAGN · BRITAN · FRAN · ET · HIBER · REX ·. Design by Nicholas Briot. Edge milled. In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6792599-019. NGC Census in this grade: 55.NGC Census in higher grade: 100Total NGC Census: 155Mintage: 260.Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 202

UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 pounds, 2020. Royal Mint. Proof. The second issue from the Great Engravers series, following the popular 2019 release of William Wyon's Una and the Lion.Fifth portrait of Queen Elizabeth II facing right; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 · . Design by Jody Clark. / Three standing female figures in classical dress, representing Ireland, England, and Scotland. A harp, a Union Flag shield, and a thistle lie at the feet of the respective personification. Artist signature to the left and quiver and palm frond in exergue; FOEDUS INVIOLABILE. Original design by William Wyon. Edge Milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 2859707-003. NGC Census in this grade: 559, equal-finest graded.Total NGC Census: 899Mintage: 3,510.Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

Los 178

UNITED KINGDOM. ST. HELENA. Elizabeth II, 1952-2022. Gold 5 pounds (crown), 2021. East India Company. Pattern Proof. Commissioned and produced by the East India Company in conjunction with the government of St. Helena, with Royal Approval of Her Majesty Queen Elizabeth II. This coin is a modern re-interpretation of the iconic Una and the Lion Found Pound piece by William Wyon, issued in 1839 for inclusion in the first specimen coin sets of Queen Victoria's reign.Fifth Portrait of Elizabeth II facing right; JC left; ELIZABETH II · D · G · REGINA · F · D · ST. HELENA · 5 POUNDS · 2021 ·. Designed by Jody Clark / Three standing female figures in classical dress, representing Ireland, England, and Scotland. A harp, a Union Flag shield, and a thistle lie at the feet of the respective personification. Artist signature W. WYON. to the left of the harp, EIC mint mark above harp, quiver and palm frond in exergue; FOEDUS INVIOLABILE . Original design by William Wyon. Edge Milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 5984724-014. NGC Census in this grade: 18, equal-finest graded.Total NGC Census: 34Mintage: 200.Diameter: 39.8 mm.Weight: 53 g. (AGW=1.5622 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 173

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2022. The Royal Mint. The second of 3 bullion issues in the Myths & Legends series, the others being Robin Hood and Little John.Fifth crowned portrait of Elizabeth II, inscription: ELIZABETH II. D. G. REG. F. D. 100 POUNDS', designed by Jody Clark / Image of Maid Marian next to a tree surrounded by foliage, legend around 'MAID MARIAN . 1OZ . FINE GOLD. 999.9 .2022'. Designed by Jody Clark. Edge milled.In secure plastic holder, graded NGC MS 70, certification number 6322430-005. NGC Census in this grade: 20, equal-finest graded.Total NGC Census: 168Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 204

UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 pounds, 2021. Royal Mint. Proof. The Great Engravers seriesA re-interpretation of William Wyon's original Gothic Crown from 1847.The second coin in this series is dedicated to Queen Victoria's Gothic portrait, which was on the obverse of the original crown. This release commemorates the Gothic Crown, an 1847 Queen Victoria design by former Royal Mint engraver William Wyon. Fifth crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 ·. Design by Jody Clark. / Young crowned bust of Queen Victoria (widely known as her "Gothic Portrait"), facing left, monarch's legend around; Victoria dei gratia britanniar. reg: f: d. Design by William Wyon. Milled Edge. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 2879715-003. NGC Census in this grade: 1166, equal-finest graded.Total NGC Census: 1637Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.9/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

Los 56

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 42781820. Coin Value Index (CVI): £1836.16 on 2024-03-06.Click here to read about the Coin Value Index.PCGS population in this grade: 51, equal-finest graded.Reference: S-SC3 (was 4272); KM-956Mintage: 23,471.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 76

UNITED KINGDOM. Charles III, 2022-. Gold sovereign, 2022. Royal Mint. Proof Piedfort. Issued as the first sovereign for King Charles III to commemorate the late Queen Elizabeth IIUncrowned portrait of Charles III facing left; MJ below; CHARLES III · DEI · GRA · REX· FID · DEF ·. Design by Martin Jennings. / The Royal Arms at its centre a crowned and quartered shield supported by a crowned English lion on the left and a Scottish unicorn on the right, date, text and JC below; HONI SOIT QUI MAL Y PENSE. DIEU ET MON DROIT. Designed by Jody Clark. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 2896254-001. Coin Value Index (CVI): £1207.07 on 2024-03-14.Click here to read about the Coin Value Index.NGC Census in this grade: 133, equal-finest graded.Total NGC Census: 140Mintage: 2,032.Diameter: 22 mm.Weight: 16 g. (AGW=0.47 oz.)Composition: 1000.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 170

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2021. The Royal Mint. Minted to finish off the Queen's Beasts series, this coin features all 10 of the heraldic statues present at HM the Queen's coronation in 1953. Fifth crowned portrait of Elizabeth II, inscription: ELIZABETH II. D. G. REG. F. D. 100 POUNDS', designed by Jody Clark / A central circle containing the fifth portrait of Elizabeth II in miniature ringed by the ten Queen's Beasts as designed for the Royal Mint's Queen's Beasts series. Designed by Jody Clark. Edge milled.In secure plastic holder, graded NGC MS 70, certification number 6322430-008. NGC Census in this grade: 197, equal-finest graded.Total NGC Census: 511Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 57

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded PCGS PR69 DCAM, certification number 48393424. Coin Value Index (CVI): £1490.20 on 2024-03-13.Click here to read about the Coin Value Index.PCGS population in this grade: 105.PCGS population in higher grade: 51.Reference: S-SC3 (was 4272); KM-956Mintage: 23,471.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 171

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2022. Royal Mint. Proof. This design is the fourth release in a Royal Mint series dedicated to the history of British monarchy and the monarchs of England, Great Britain and the United Kingdom.Fifth Portrait of Queen Elizabeth II facing right, JC below. Legend around; "ELIZABETH II · D · G · REG · F · D · 100 POUNDS · 2022 ·". Design by Jody Clark. / Uncrowned portrait of King Edward VII right, legend around; EDWARDVS VII DEI GRA : BRITT : OMN : REX FID : DEF : IND : IMP :". Design by George William de Saulles. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6587794-024. NGC Census in this grade: 388, equal-finest graded.Total NGC Census: 498Mintage: 610.Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 90

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 2 pounds (double sovereign), 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6031985-005. Coin Value Index (CVI): £1736.54 on 2024-03-14.Click here to read about the Coin Value Index.NGC Census in this grade: 252, equal-finest graded.Total NGC Census: 671Reference: S-SD3 (was 4262); KM-957Mintage: 14,936.Diameter: 28.4 mm.Weight: 15.9761 g. (AGW=0.4711 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 82

UNITED KINGDOM. Charles III, 2022-. Gold 5 pounds (5 sovereigns), 2023. Royal Mint. Proof. Crowned portrait of King Charles III left, legend around; "CHARLES III · DEI · GRA · REX · FID · DEF · 2023 · ". Design by Martin Jennings. / St. George on horseback rearing right, dragon below, date in exergue . Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6675071-003. NGC Census in this grade: 87, equal-finest graded.Total NGC Census: 95Mintage: 1,080.Diameter: 36 mm.Weight: 40 g. (AGW=1.1777 oz.)Composition: 1000.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 78

UNITED KINGDOM. Charles III, 2022-. Gold sovereign, 2022. Royal Mint. Proof. Issued as the first sovereign for King Charles III to commemorate the late Queen Elizabeth IIUncrowned portrait of Charles III facing left; MJ below; CHARLES III · DEI · GRA · REX· FID · DEF ·. Design by Martin Jennings. / The Royal Arms at its centre a crowned and quartered shield supported by a crowned English lion on the left and a Scottish unicorn on the right, date, text and JC below; HONI SOIT QUI MAL Y PENSE. DIEU ET MON DROIT. Designed by Jody Clark. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded PCGS PR70 DCAM, certification number 46903521. Coin Value Index (CVI): £620.65 on 2024-03-11.Click here to read about the Coin Value Index.PCGS population in this grade: 63, equal-finest graded.Mintage: 23,160.Diameter: 22 mm.Weight: 8 g. (AGW=0.2572 oz.)Composition: 1000.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 203

UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 pounds, 2021. Royal Mint. Proof. The Great Engravers seriesA re-interpretation of William Wyon's original Gothic Crown from 1847, the third in a series of coins in the Great Engravers series.Fifth crowned portrait of HM Queen Elizabeth II, facing right, wearing the George IV State Diadem, legend around; ELIZABETH II·D·G·REG·F·D·5 POUNDS·2021· J.C. Design by Jody Clark. / Crowned shields of England, Scotland and Ireland around central Garter star, national emblems in angles; tueatur unita deus·W W·HONI SOIT QUI MAL Y PENSE·anno dom mmxxi. Design by William Wyon. Edge Milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 2876264-003. NGC Census in this grade: 1258, equal-finest graded.Total NGC Census: 1695Mintage: 4,006.Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.9/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

Los 177

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2023. Royal Mint. The second design in the Royal Tudor Beasts bullion series, there are a total of ten Beasts representing the statues that stand in Hampton Court Palace.Fifth Portrait of Queen Elizabeth II facing right, JC below. Legend around "ELIZABETH II · D · G · REG · F · D · 100 POUNDS ·". Design by Jody Clark. / Central image of the Yale of Beaufort within inner circle, legend above, date below. "YALE OF BEAUFORT · 1oz · FINE GOLD 999.9 · 2023 · DL". Design by David Lawrence. Edge milled.In secure plastic holder, graded PCGS MS70 , certification number 47051369. PCGS population in this grade: 184, equal-finest graded.Diameter: 31.2 mm.Weight: 31.11 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 83

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 5 pounds (5 sovereigns), 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6382291-001. Coin Value Index (CVI): £7076.84 on 2024-03-15.Click here to read about the Coin Value Index.NGC Census in this grade: 115, equal-finest graded.Total NGC Census: 339Reference: S-SE6 (was 4253); KM-958Mintage: 5,000.Diameter: 36.02 mm.Weight: 39.94 g. (AGW=1.1777 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 77

UNITED KINGDOM. Charles III, 2022-. Gold sovereign, 2022. Royal Mint. Proof. Issued as the first sovereign for King Charles III to commemorate the late Queen Elizabeth IIUncrowned portrait of Charles III facing left; MJ below; CHARLES III · DEI · GRA · REX· FID · DEF ·. Design by Martin Jennings. / The Royal Arms at its centre a crowned and quartered shield supported by a crowned English lion on the left and a Scottish unicorn on the right, date, text and JC below; HONI SOIT QUI MAL Y PENSE. DIEU ET MON DROIT. Designed by Jody Clark. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 2899508-003. Coin Value Index (CVI): £616.21 on 2024-03-13.Click here to read about the Coin Value Index.NGC Census in this grade: 1590, equal-finest graded.Total NGC Census: 1656Mintage: 23,160.Diameter: 22 mm.Weight: 8 g. (AGW=0.2572 oz.)Composition: 1000.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 85

UNITED KINGDOM. Charles III, 2022-. Gold 2 pounds (double sovereign), 2023. Royal Mint. Proof. Crowned portrait of Charles III facing left; MJ below; CHARLES III · DEI · GRA · REX· FID · DEF ·. Design by Martin Jennings. / St. George on horseback rearing right, dragon below, date in exergue . Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6675071-004. NGC Census in this grade: 5.NGC Census in higher grade: 90Total NGC Census: 95Mintage: 1,655.Diameter: 28 mm.Weight: 16 g. (AGW=0.4711 oz.)Composition: 1000.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 176

UNITED KINGDOM. Charles III, 2022-. Gold 100 pounds, 2023. Royal Mint. Proof. This design is the fifth release in a Royal Mint series dedicated to the history of British monarchy and the monarchs of England, Great Britain and the United Kingdom. This release features a remastered portrait of Henry VIII that appeared on Tudor coinage.Portrait of King Charles III left, MJ below, legend around; CHARLES III · D · G · REX · F · D · 100 POUNDS · 2023. Design by Martin Jennings. / Crowned facing portrait of Henry VIII within beaded inner circle, legend around; hЄnRIC'xVIII'xDI'xGRΛ'xΛGL'xFRΛ'xZ'xhIB'xRЄX. Edge milled. In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6788119-015. NGC Census in this grade: 35.NGC Census in higher grade: 116Total NGC Census: 151Mintage: 261.Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Los 493

Attributed to Florentine School, circa 19th century, Bust portrait of a lady adorning a crown, oil on canvas (relined), 26x34cm, ornate gilt framed. Canvas has undergone a recent surface clean.Retouching to the neck area.

Los 494

Nino Giuffrida (Italian, b.1924), Portrait of a Young Boy and Girl, oils on canvas, signed,16x22cm, unframed (2)

Los 463

Follower of Pierre Mignard (French School late 17th early 18th century), Portrait of Francoise d'Aubigne, Mme.Scarron and later Madame de Maintenon, as a young woman circa 1675, oil on oval canvas, 74x60cm, carved wood oval frame.Purchased by the vendor in 2016 from William Thuillier, Old Master and British Paintings, London.

Los 350

Y&nbspENGLISH SCHOOL MID TO LATE 19TH CENTURY MINIATURE PORTRAIT OF A GENTLEMAN In a gold coloured unmarked glazed frame with turquoise enamel and seed pearl decoration, back with glazed hair plait Watercolour on ivory image 3.6cm high, case 6cm high Please note, Dreweatts have applied for a de minimis exemption for this lot ref: WBWFVCCM Condition Report: Image generally good- flesh tones strong, small knock to enamel to edge and reverse lacking brooch fitting Condition Report Disclaimer

Los 216

Y&nbspTWO SIMILAR SHELLWORK SAILOR'S VALENTINES 19TH CENTURY Each in a glazed sealed octagonal case, with central portrait inset, one with three quarter length portrait of a woman on ivory, the other with photograph of a military officer 25cm wide, 3.3cm high and 25.2cm wide, 3.6cm highProvenance: Property from Clipsham House, Rutland Please note, Dreweatts have applied for a de minimis exemption for this lot ref: T66PVQK4 Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. with dusty interiors- some frame repairs, sections of frame missing and probably later glass, revarnishing, quite noticable colour muting from sunlight Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Los 352

Y&nbspAN ENGLISH SCHOOL LATE 18TH OR EARLY 19TH CENTURY MINIATURE PORTRAIT OF A YOUNG WOMAN In glazed giltwood frame, with white turban sash to her hair tied under her chin, unsigned Watercolour on ivory the image 7cm high, the frame 12cm high Provenance: Direct from the Cluysenaar family estate, thence by descent. Lots 351 and 352 formerly in a common double frame with ink inscription top reverse "Miniatures on ivory left by Georgia Scott to Mrs G L W Hewat June 1899, GLS died 24th June". Please note, Dreweatts have applied for a de minimis exemption for this lot ref: J2U23X5V Condition Report: Formerly in a common double frame with lot 351- Loose in frame- signs of old dirt and moisture ingress under glass and onto panel with some rubbing and wear and loss, old paper adhesive to margins, colour muting Condition Report Disclaimer

Los 351

Y&nbspGEORGE ENGLEHEART (1750-1829) A PORTRAIT MINIATURE OF A YOUNG WOMAN In a glazed giltwood frame, wearing a white dress with frilled trim, signed with initial E lower right, reverse unmarked Watercolour on ivory image 8.6cm high, frame 12cm high Provenance: Direct from the Cluysenaar family estate, thence by descent. Lots 351 and 352 formerly in a common double frame with ink inscription top reverse "Miniatures on ivory left by Georgia Scott to Mrs G L W Hewat June 1899, GLS died 24th June". Please note, Dreweatts have applied for a de minimis exemption for this lot ref: 6B93S7U1 Condition Report: Formerly in a common double frame with lot 352, surface has evidence of dirt and spotting from ingress under glassCondition Report Disclaimer

Los 479

JOHN WARRINGTON WOOD (1839-1886) A CARVED MARBLE GROUP 'SISTERS OF BETHANY' DATED 1876 Depicting the scene as told in the Gospel of John, chapter 11, with Martha entreating her sister to meet with Christ and with the imminent resurrection of their brother Lazarus to follow, signed, inscribed and dated in cursive script on rear of chair J. WARRINGTON WOOD Sculpt Rome 1876, plinth inscribed: "SISTERS OF BETHANY, THE MASTER IS COME AND CALLETH FOR THEE" approximately 109cm high, base 49 by 33.5cm John Wood was a sculptor mainly of mythological and biblical subjects, and also portrait busts. Born in Warrington, Lancashire in 1839, he adopted Warrington as his middle name to distinguish himself from the older sculptor John Wood (1801-70). After training as a stonemason, he moved to Rome in 1865 where he studied under John Gibson. His success afforded him the wealth to purchase the Villa Campana. He exhibited works at the Royal Academy of Arts from 1868 to 1884 including a version of this sculpture in the 1879 Royal Academy Exhibition, catalogue No. 1509, which was displayed in the Central Hall.In 1877 he was elected to the Guild of St. Luke in Rome and his statues of Raphael and Michelangelo stand at the entrance to the Walker Art Gallery in Liverpool with further work in Manchester Town Hall and in the museum and art gallery in Warrington. Another version of this work, dated 1871, is currently exhibited at the Kibble Palace, Glasgow Botanic Gardens, Glasgow, Scotland. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole with surface dirt- some of which is engrained leading to a yellowish tint in some areas. With some wear and minor losses including but not limited to: Seated figure: left hand's fingers- loss and repair Standing figure- repair to thumb of her right hand Natural flaws and veining to stone, with some remedial infill- mostly probably at time of carving including but limited to: sections of raised edges of drapery to reverse. Hairline faults including to seated figure left forearm, stains to standing figure right forearm and small scattered spot stains throughout Some edge wear and nibbles including to raised areas of drapery to reverse, bottom edge of plinth including larger loss to front corner Approx 200kg- requires careful lifting and transit Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Los 445

WORKSHOP OF ANTONIO FRILLI, A CARVED ALABASTER FIGURE OF NAPOLEON ITALIAN, LATE 19TH CENTURY Depicted full length, hands behind his back, signed to reverse A Frilli Firenze 91cm high, base 25cm wide Established in 1860 by Antonio Filli- the workshop of Frilli is still in production in Florence. Antonio's work is recorded as an exhibitor at the Espozione Nazionale di Roma in 1883, Glasgow in 1888 and Paris in 1889. He and his studio specialised in replicas of classical and portrait sculpture- as well as more 'modern' orientalist figures in marble, alabaster, and bronze. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole with darker natural inclusions to the stone- the signature and eyeballs with later darker tinting- some surface marks, small scuffs and abrasions Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Los 348

HENRY BONE R.A (1755-1834) A RARE MINIATURE PORTRAIT OF THE PRINCE REGENT AFTER SIR THOMAS LAWRENCE DATED 1819 In a gold coloured unmarked glazed frame with laurel banding, George IV (1762-1830), as Prince Regent, wearing Field Marshal's scarlet uniform, the Order of the Golden Fleece around his neck and the breast stars of the Order of the Garter, St Andrew, Black Eagle and Holy Spirit, obverse signed with monogram HB, reverse signed in puce "H.R.H The Prince Regent, London Aug 1819, Painted by Hy Bone R.A Enamel Painter to The King and Prince Regent" Enamels, possibly on gold plaque approximately 3.4cm high, case 6cm high Condition Report: The case slightly dirty and with some old polish residue.When taken apart the enamel panel is sandwiched between two pieces of slightly convex glass, the white spot to the upper right corner of the enamel plaque is a small knock with area of surface loss and diagonal crack across the enamel. There is a corresponding small loss to corner of glass piece. Surface of enamel is not completely flat in accordance with manufacture- surface looks to be untouched on both sides.Condition Report Disclaimer

Los 346

Y &nbspENGLISH SCHOOL, EARLY TO MID 19TH CENTURY MINIATURE PORTRAIT OF A MAN In a gold coloured unmarked glazed frame, man depicted in brown coat, skies beyond, old retail label to reverse inscribed "George Engleheart Gold etc", back with glazed hair plait Watercolour on ivory image 7.5cm high, case 9.7cm high including loop SALEROOM NOTICE: Please note the revised description- the biographical details stated in the printed catalogue do not correspond to this lot. Please note, Dreweatts have applied for a de minimis exemption for this lot ref: RJHEB8EX Condition Report: SALEROOM NOTICE: Please note the revised description- the biographical details stated in the printed catalogue do not correspond to this lot.  Colour muting, small specks under glass- edge wear to case Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Los 349

Y &nbspENGLISH SCHOOL MID 19TH CENTURY MINIATURE PORTRAIT OF HARRIET FRANCES RAMSDEN In a gold coloured unmarked glazed frame with enamel monogram HFR to back, inscription inside back "Harriet Frances Marshal, Eldest daughter of The Earl of Strafford GCB, Mar.d 1828 Charles Ramsden, 4th son of Sir John Ramsden Bt, died Nov 5 1873", back with glazed hair plait Watercolour on ivory image 5cm high, case 7cm high including button release to top Lady Harriet Frances Byng, daughter of Field Marshal John Byng, 1st Earl of Strafford and Marianne James, married Charles Ramsden on 14 June 1828. He was the son of Sir John Ramsden, 4th Bt. and Hon. Louisa Susan Ingram-Shepheard.Please note, Dreweatts have applied for a de minimis exemption for this lot ref: CFSCKRN2 Condition Report: Case lacking front and bevel. Miniature generally good untouched- some dirt visible to margins, mild wear from handling to case Condition Report Disclaimer

Los 347

Y&nbspJAMES SCOULER (SCOTTISH 1740-1812) MINIATURE PORTRAIT OF A YOUNG GIRL DATED 1762 In a gold coloured unmarked glazed frame, back with later green faux leather insert, scratch engraved signature and date Watercolour on ivory image 3.5cm high, case 4.5cm high including suspension loop TOGETHER WITH TWO OTHER PORTRAIT MINIATURES, one with later paper label with attribution to William Singleton, image 3.5cm high, case with loop 4cm high: the later other miniature in hinged enamel set case, small Continental hallmarks, case with loop 6cm high Please note, Dreweatts have applied for a de minimis exemption for this lot ref: R6KDK3YL, KFB8RPN1 & MUXSCM9V  Condition Report: First- slightly faded, some edge marks under glass, slight distortion to case edges Second- muted colours, small edge chip to glass, case slightly distorted Third- miniature is continental late 19th/early 20th in an earlier style, some colour/surface buckling notably to right hand edge, case lacking original backing and inner insets, some enamel wear and losses, back plate worn and buckled around glass Condition Report Disclaimer

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