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283284 Los(e)/Seite
Los 50
Circle of George Romney, Portrait of a gentleman in Lord Chancellor’s robes, seated, holding a document Oil on canvas laid on board 126 x 100cm (49 1/2 x 39 1/2in), Provenance: The Collection of H. Max Swartz Q. C. (according to a label on the reverse), Exhibited: Kitchener-Waterloo Gallery, Ontario, George Romney in Canada, 5 September 1985 - 20 April 1986, no. 30. Literature:Jennifer C. Watson, George Romney in Canada (Wilfred Laurier University Press, 1985), cat. no. 30
Los 65
John Watson Gordon (1788-1864), Portrait of a gentleman, traditionally identified as John Weir Cunningham (1809-1834), half-length, in a black coat; and Portrait of a gentleman, traditionally identified as Charles Cunningham (1811-1839), half-length, in a black coat A pair, oil on canvas One signed and dated 1828 upper left, Each c.77.5 x 64cm (30 1/2 x 25 1/4in) (2)
Los 39
Patrick Hennessy RHA (1915-1980) PORTRAIT OF MRS VERDON OF CORK, 1940pastel on tinted papersigned and dated upper right; with sitter`s name on reverse; also with Guy & Co. [Cork] label on reverseP20.5 by 12.5in., 51.25 by 31.25cm.On the outbreak of WWII Patrick Hennessy returned to Ireland from Scotland and began his career as a professional painter. During this period he divided his time between Dublin and Cork. By the mid 1940s he met Henry Robertson Craig and would later move to Crosshaven and then Cobh. For further reading see Snoddy, pp.242-243.
Los 45
Paul Henry RHA (1876-1958) CONNEMARA LANDSCAPE, c.1910-1911oil on boardsigned lower leftL12 by 14in., 30 by 35cm.Adam`s, 9 June, 1988, lot 179;Private collection;The setting may be near Achill Sound, in which case the distant sands and mountains must be those of the mainland in the area to the east of Claggan and Ballycroy, a district for which Henry worked, briefly, as Paymaster for the Congested Districts Board during his time on Achill Island (Paul Henry, An Irish Portrait, London, Batsford, 1951, pp. 83-5). The handling of the paint, which is less sophisticated than in Henry`s later work, and the dot after the word `Henry` in the signature suggest a date of c. 1910-11. Connemara Landscape is numbered 1242 in S.B. Kennedy`s ongoing cataloguing of Paul Henry`s oeuvre.Dr S.B. KennedyApril, 2013
Los 47
Paul Henry RHA (1876-1958) FIGURES IN THE WOODS, c.1903pencil and charcoal with ink on papersigned lower left; also inscribed in the artist`s hand, Paul Henry White Cottage Knaphill Surrey` on the reverseP15.75 by 11in., 39.375 by 27.5cm.Adam`s, 7 April 1993, lot 106;Private collectionKennedy, S.B., Paul Henry, Paintings Drawings Illustrations, Yale University Press, New Haven & London, 2007, catalogue no. 259, p.144 (listed)Dated c.1903 on the evidence of the signature, its scroll-like surround and the architectural structure at the base of the drawing. It resembles another Henry piece, The wedding was the greatest affair that was ever seen in France, 1902-3 (Kennedy, 2007, catalogue no. 6) The latter, and Figures in the Woods, were almost certainly part of a number of drawings made to illustrate an unknown narrative. As Henry moved into White Cottage, Knaphill, in 1903 this drawing cannot date before that year.The strongest Whistlerian nature of the drawing is typical of Paul Henry`s illustrative work done in the years before he first went to Achill. Charcoal was almost his sole medium in those years. `No chalk or crayon has the same soft, velvety quality, no other material is so sensitive and tractable,` he later wrote. `I felt every time I used it, that the vine branches from which it was made brought me nearer to the spirit of France in some almost mystical way.` In An Irish Portrait **INSERT FOOTNOTE**1. he stated that his love of charcoal dated from a chance encounter with a charcoal burner at Rambouillet in 1900, but in fact he was using it long before that meeting, which may merely have confirmed its qualities to him. Indeed, it is more likely that it was a group of drawings by Millet, done in charcoal and sanguine and executed with spontaneity, as Millet`s finished pictures were not, which started him using the medium.Dr S.B. KennedyFootnote:1. Paul Henry, An Irish Portrait, Batsford, London, 1951, p.29See An Irish Portrait, p.24
Los 50
Leo Whelan RHA (1892-1956) ALAN, SON OF DR MARTIN DEMPSEY, 1917oil on canvassigned and dated lower left; variously inscribed with sitter`s name [Allen (sic) Dempsey] and Dublin Street [Baggot] inscribed on reverse; also with Daniel Egan framing label on reverseP30 by 24in., 75 by 60cm.Family of the sitter;Private collectionRHA, Dublin, 1917, catalogue no. 79 [NFS]The year before this painting was executed Whelan won the prestigious Taylor Scholarship. This portrait was shown at the RHA in 1917 but was not for sale. The 1911 census records the details of the sitter`s family and their place of residence at Merrion Square, East, Dublin. Alan was the second youngest in a family of four boys.
Los 135
Micheal Farrell (1940-2000) PORTRAIT OF JAMES JOYCE, NOVEMBER 1990pencil, watercolour and chalk pastel on papersigned and dated lower right; inscribed and dated [`etude pour Mick Fitzgerald Sandycove comande (?) pour un por (?) liálé de J Joyce / Nov `90 Cardet`] lower leftP38.75 by 26.5in., 96.875 by 66.25cm.The dedication to Mick Fitzgerald of Sandycove can be linked to Fitzgerald`s pub (since 1861) in the village. James Joyce lived in the nearby Martello Tower (now the James Joyce Museum) hence the connection to the sitter. Cardet is where the artist lived and eventually died in southern France.
Los 17
BALDER FRANÇAIS NÉ EN 1973 M`BA, 2007 Collage, métal et acrylique sur bois/Collage, metalen en acryl op hout Signée en bas à droite/Getekend onderaan rechts Signée et datée au dos/Getekend en gedateerd achteraan Pièce Unique/Uniek stuk 90 x 90 cm Provenance/herkomst : - Collection particulière, Paris. Biographie : Balder est né en 1973 dans le nord de la France. Il fait des études d’arts appliqués et forge ses premières armes dans le graphisme en travaillant en agence de publicité. Il peut y exprimer toute sa créativité et se passionne rapidement pour la typographie et les jeux de la composition. Toutefois, son sujet favori est le portrait. Et c’est dans les rues de Paris qu’il y trouve sa matière première, ses inspirations. Il commence alors à remplir ses carnets de croquis au gré des gens qu’il rencontre. Il aime ensuite coller des portraits sur les murs pour laisser un témoignage des personnages rencontrés. Il poursuit son travail sur des supports indépendants sur lesquels il peut diversifier ses techniques de dessin et de collage et affiner son style marqué par un goût pour les détails, des associations de couleurs et les compositions autour de la typographie. Son travail de collage sur des supports indépendants, marqué par un goût affiné pour les détails, la typographie, et les associations de couleurs, lui permet de raconter une histoire. Des fragments de vie qui se cognent et s`entrechoquent comme des particules élémentaires. Il vient apposer papier, matière, bout à bout pour dévoiler la vie et l`âme de la personne au travers de mots et de matières choisis.
Los 30
Paul Marsan dit DORNAC (1858-1941), Jules BRETON, (Courrières, 1827 - Paris, 1906), peintre, à côté du portrait de sa femme, le 24 novembre 1904, Épreuve d`époque sur papier citrate., Mention à la mine de plomb au dos : "Jules Breton à côté du portrait de sa femme"., 11,7 x 17,2 cm (4.6 x 6.8 in.), Jules Breton fut l`un des premiers peintres du monde paysan. Très populaire, il obtint médailles, décorations et nombre de ses œuvres furent acquises par l`État pour le Musée du Luxembourg.
Los 47
Paul Marsan dit DORNAC (1858-1941), Romain COOLUS, romancier et auteur dramatique (Rennes, 1868 - Paris, 1952), 1900-1910, Épreuve d`époque sur papier citrate., Mention à la mine de plomb au dos : "Romain Coolus"., 11,7 x 17 cm (4.6 x 6.7 in.), Retouches visibles au niveau des cheveux et de la moustache. , René Max Weill, dit Romain Coolus, était romancier, auteur dramatique et scénariste. Il participa également à "La Revue blanche" avec des poèmes ou des articles. Il fut notamment l`ami de Jules Renard, Tristan Bernard, Alfred Capus et Toulouse-Lautrec, qui lui fit son portrait.
Los 108
Paul Marsan dit DORNAC (1858-1941), Stéphane MALLARMÉ, (Paris, 1842 - Valvins, 1898), poète, assis devant son portrait peint par Manet, le 22 avril 1893, Épreuve d`époque sur papier citrate., Timbre sec du photographe en bas à droite. Mention à la mine de plomb au dos : "Mallarmé"., 17,8 x 12,8 cm (7 x 5.1 in.), Mallarmé pose ici, assis, une cigarette à la main, à côté de son portrait peint par Edouard Manet en 1876 et aujourd`hui conservé au musée d`Orsay. Amis intimes, le poète et le peintre furent également collaborateurs, Manet ayant illustré de gravures "L`Après-midi d`un faune"., Joint : une enveloppe contenant une lettre autographe de Stéphane Mallarmé à James McNeill Whistler : "Paris le 11 décembre. Cher Ami, Monsieur Pol Marsan, qui a entrepris une galerie photographique des Contemporains chez eux, comprenant tous nos amis dans leurs intérieurs, me prie de vous le présenter. Je le fais avec grand plaisir, certain qu`il donnera à Paris un très bel et intéressant aspect du Maître peintre et de son installation admirable, qui manque à nos vitrines. Votre Stéphane Mallarmé".
Los 623
Autographs-Boxing and Billiards Interest-Bombardier Billy Wells (1887-1967)-British and Empire Heavyweight Champion-signed piece of paper, Bandsman Dick Rice (1887-1970)-British Heavyweight Title Contender, signed black and white promotional portrait card, Melbourne Inman (1878-1951)-6 x World Billiards Champion between 1908 and 1919, signed letter card addressed to B. Elphick Esq, Billiard Saloon, Ye Olde Four Swans, Bishopsgate Street, London dated 1904 and John Patrick Mannock (b.1859)-Billiard Cue Patentee and Professional Player, signed note on Mannock’s Billiard Rooms headed paper dated 1903 Please see images. Telephone department for further information
Los 1359
"After Josef Karl Stieler (1781-1858) - portrait miniature of a young woman, bust length, in an Italianate courtyard wearing a green dress, her hair curled & holding a bible, opaque colour on ivory, signed; together with four similar early 20thC miniatures by various hands, to include examples depicting the Duke of Rutland, the son of Charles I, Marie Antoinette, and others "
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283284 Los(e)/Seite