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283284 Los(e)/Seite
AN IMPRESSIVE 19TH CENTURY ENGLISH MIRROR BACK CONSOLE TABLE BY G. NOSOTTI, LONDON of Louis XVII design, modelled throughout with leaf moulding and floral swags, the back set with three porcelain portrait panels above the oval mirror, the base with Carrara marble top and mirrored back on six turned and fluted legs with incurved stretchers, 267cm high x 185cm wide x 60cm deep, with maker's plaque to reverse From the collection of an International Designer Provenance: Previously sold at Adam's, Dublin, 15th December, 2019, lot 239, for 5000 euros.
A late Victorian rectangular bust-length portrait miniature on ivory panel of Edward Walter. Bonham C.B. 1809-1886, unsigned, within a plain frame with matted slip and simple loop suspension. Bearing the inscription to the reverse: Edward Walter. Bonham Esq, b, Nov 24th 1809. d, March 5th 1886. 8.7 cm x 7.4 cm (Note: Ivory act submission reference: DX9FSN1B). Together with a late Victorian oval portrait miniature of a gentleman in a Royal Marines (?) dress uniform with a distinguished order medal upon his breast, unsigned, mounted in a simple uninscribed gilt-metal mount with a turreted loop suspension. 6.5 cm long x 5 cm (Note: Ivory act submission reference: FAD9UK7J).Private collectionEdward Walter Bonham was Queen Victoria's consul to "Tabreez" (Tabriz) and later the Consul to Calais and later becoming Consul General. An Edward Walter Bohnham was involved in the hunt for "Jack the Ripper" in 1888 this was possibly the son of this Edward Walter Bonham.
American miniature portrait, ca. early 19th c., depicting a young man in three-quarter view, dressed in a high-collared blue coat. Illegibly signed along the lower edge. Housed in an oval gilt metal frame. With a wax bust portrait, depicting a wavy-haired man in profile. Signed "M.V." under the figure's shoulder.(Miniature) Unframed; height: 2 1/2 in x width: 2 in. Framed; height: 3 1/4 in x width: 2 1/2 in. (Wax Bust) Sight; height: 3 in x width: 1 3/4 in. Framed; height: 6 1/2 in x width: 6 in.
Group of four KPM style miniature porcelain plaques, decorated with portrait paintings. Two depict fashionable young women, one inscribed "Hortense Mancini" and impressed "65" to the verso; one depicts a saint, likely Saint Mary, marked "Firenze" along the verso; and one depicts a mother and child. All housed in gilded Rococo style frames.(Sight) height ranges from 2 1/2 in to 3 in; width ranges from 2 in to 2 3/4 in. (Framed) height ranges from 6 1/2 in to 7 1/2 in; width ranges from 2 3/4 in to 6 in.
Group of two German porcelain portrait plaques. One depicts Madame Recamier (1777-1849), dressed in an elegant Regency style. This plaque is marked "Made in Germany" along the reverse, with an additional German inscription. The other plaque depicts a nude woman. Both housed in ornate gilt frames.(Nude) Unframed; height: 4 3/4 in x width: 3 1/2 in. Framed; height: 11 3/4 in x width: 7 1/2 in. (Woman in Dress) Unframed; height: 5 1/4 in x width: 4 in. Framed; height: 11 1/4 in x width: 8 3/4 in.
Royal Vienna porcelain cabinet plate depicting a portrait of Margaret de Valois (1553-1616), Queen of France and Navarre. The central portrait is surrounded by gilded scrolling decoration and crown motifs. Signed "Wagner" along the lower right. With the Royal Vienna beehive mark in underglaze blue along the verso, along with an inscription about her reign and life. Additionally inscribed "Germany" and "07162." Housed in a round giltwood frame with scrolling decoration.Unframed; height: 2 in x diameter: 9 3/4 in. Framed; height: 2 1/2 in x diameter: 16 3/4 in.
L. Marti Et Cie, France. Old Paris porcelain mantle clock. The porcelain body is hand painted with a portrait of a woman surrounded by a floral wreath. Two porcelain columns ornament either side and seemingly support the rest of the body, which is painted in a dark blue ground with gilt floral accents. With bronze additions throughout. Inscribed "Made in Paris" along the back of the case. A circular stamp along the movement reads "L. Marti Et Cie Medaille De Bronze." Further stamps include the numbers 14046, 4, and 5.Height: 10 in x width: 10 in x depth: 4 1/2 in.
French Sevres style old Paris porcelain lamp with a painted porcelain plaque. The lamp is decorated with a turquoise-blue (bleu celeste) ground with a circular reserve to each side depicting a portrait and a bouquet of flowers. Each reserve is framed by burnished gilding in the form of a ribbon, leaves, and flowers. There are additional reserves along the base depicting flowers. The vase features gilt-bronze ormolu handles, a neck in the form of budding flowers, and a footed base. The painted porcelain plaque hangs on a pane of frosted glass housed within an ormolu frame.Height: 15 in x width: 5 1/4 in x depth: 3 1/2 in.
French Sevres style porcelain cabinet plate decorated with a portrait of Mademoiselle Elizabeth, sister to King Louis XVI (r. 1774-1792). She is surrounded by floral bouquets on an uneven turquoise blue (blue celeste) ground. With a Sevres mark along the verso indicating a year of 1773 and that the plate is hard paste porcelain. Further inscribed "Mme Elisabeth" and with a Sevres mark. Housed in an ornate crest-style giltwood frame.Unframed; diameter: 9 1/2 in. Framed; height: 27 1/4 in x width: 16 in.
French old Paris Sevres style porcelain wine cooler with gilt bronze goat's head mounts. The wine cooler is mounted to a burl walnut stand with a matching porcelain decoration affixed along the base. The porcelain is decorated with three reserves painted with birds and a portrait of a woman. Each surrounded by gilt frames against a deep cobalt blue (beau bleu) ground.Height: 43 3/4 in x width: 19 1/2 in x depth: 15 1/2 in.
Pair of French Sevres style wall sconces with painted porcelain plaques. Each oval plaque depicts a portrait of a woman while the lower plaques depict a pair of figures resting in a garden. The plaques are framed within ornate gilt copper frames depicting putti, ribbons, and palm leaves. Each of the three candle stems emanate from a Medusa mask.Each; Height: 25 in x width: 13 1/2 in x depth: 6 1/2 in.
Group of two French Sevres style old Paris porcelain plates. Each depicting a portrait surrounded by a ground of deep blue (beau bleu) with oval reserves surrounded by ornate gilded frames. The portraits depict Jeanne Antoinette Poisson, Madame de Pompadour (French, 1721-1764) and Louise Benedicte de Bourbon, Duchess du Maine (French, 1676-1753.) Each plate with a Sevres mark along the underside indicating a date of 1779. Each additionally inscribed along the underside with the name of the woman depicted.Each; height: 1 in x diameter: 9 3/4 in.
Large French old Paris Sevres style porcelain urn decorated with a hand painted portrait likely of Queen Louise of Prussia (Louise of Mecklenburg-Strelitz, 1776-1810). The other side with a portrait of an unknown woman. Both portraits within gilt scrollwork cartouches against a cream ground. The neck and base with a turquoise (bleu celeste) ground. The inside of the lid is inscribed with a Sevres mark indicating a date of 1771. Fitted with gilt bronze mounts.Height: 27 in x diameter: 9 in.
Charles Arthur Salvador, 'Charlie' (British, b.1952). Born Michael Gordon Peterson, also known as Charles Bronson. 'Loonyology'. Self portrait in a straitjacket. Charcoal and ink on card. Signed and dated 2007. Paper size A4 (29.5 x 21cm). Provenance: Consigned for sale by the author Richard Booth. Gifted to Richard by the artist. Richard has co written books with Bronson, including 'Hell on Earth' and 'Words from the Soul'. Charles Arthur Salvador, 'Charlie', (born Michael Gordon Peterson also known as Charles Bronson), was born 6 December 1952. He is an English criminal who is often referred to in the British press as the "most violent prisoner in Britain" and "Britain's most notorious prisoner". Charlie is one of the highest-profile criminals in Britain and has been featured in books, interviews, and studies in prison reform and treatment. He was the subject of the 2008 film Bronson starring Tom Hardy, a biopic based loosely around his life. Bronson has written many books about his experiences and famous prisoners he has met throughout his incarceration. A self-declared fitness fanatic who has spent many years in segregation, Bronson dedicated a book to exercising in confined spaces. He has also cultivated a reputation as an outsider artist, with his paintings and illustrations of prison and psychiatric hospital life being publicly exhibited and winning him multiple awards. Charlie has 11 Koestler Trust awards for his art and poetry. Some people say the artwork shows the dark corners of a disturbed mind, but supporters say the scenes reflect the events he has witnessed and lived. It is art that has come straight from his soul. It was in 1994 at HMP Wakefield that prison officer Mick O'Hagan encouraged him to take up art, and his lifelong love of art has been his saviour ever since. Charles, who changed his surname as a mark of respect to one of his favourite artists Salvador Dali, is said to have drawn "the madness he has come in contact with." "Nobody condones criminality, but I do believe that offenders can be helped to break the cycle of reoffending. Charlie himself has used his art to help rehabilitate himself. Helping young offenders has become increasingly important to Charles he wants to use his experience to prevent others following the same path" - Richard Booth.
Charles Arthur Salvador, 'Charlie' (British, b.1952). Born Michael Gordon Peterson, also known as Charles Bronson. Self Portrait with books. Mixed media on paper / card. Signed and dated 2011. Paper size A3 trimmed (41 x 29.5cm). Provenance: Consigned for sale by the author Richard Booth. Gifted to Richard by the artist. Richard has co written books with Bronson, including 'Hell on Earth' and 'Words from the Soul'. Charles Arthur Salvador, 'Charlie', (born Michael Gordon Peterson also known as Charles Bronson), was born 6 December 1952. He is an English criminal who is often referred to in the British press as the "most violent prisoner in Britain" and "Britain's most notorious prisoner". Charlie is one of the highest-profile criminals in Britain and has been featured in books, interviews, and studies in prison reform and treatment. He was the subject of the 2008 film Bronson starring Tom Hardy, a biopic based loosely around his life. Bronson has written many books about his experiences and famous prisoners he has met throughout his incarceration. A self-declared fitness fanatic who has spent many years in segregation, Bronson dedicated a book to exercising in confined spaces. He has also cultivated a reputation as an outsider artist, with his paintings and illustrations of prison and psychiatric hospital life being publicly exhibited and winning him multiple awards. Charlie has 11 Koestler Trust awards for his art and poetry. Some people say the artwork shows the dark corners of a disturbed mind, but supporters say the scenes reflect the events he has witnessed and lived. It is art that has come straight from his soul. It was in 1994 at HMP Wakefield that prison officer Mick O'Hagan encouraged him to take up art, and his lifelong love of art has been his saviour ever since. Charles, who changed his surname as a mark of respect to one of his favourite artists Salvador Dali, is said to have drawn "the madness he has come in contact with." "Nobody condones criminality, but I do believe that offenders can be helped to break the cycle of reoffending. Charlie himself has used his art to help rehabilitate himself. Helping young offenders has become increasingly important to Charles he wants to use his experience to prevent others following the same path" - Richard Booth.
EARLY PHOTOGRAPHY: a collection of 7 portrait studies, daguerrotypes/ambrotypes, 6 of them framed/cased, 2 in ornate ebonized frames with labels to verso (Johnson, Bird & Co of Tunbridge Wells identifying the sitters as Elizabeth and Thomas Sharp, taken February 25th 1858), plus two other framed items. (9)
A mid-Victorian hardstone cameo ring, the oval cameo carved to depict a classical male portrait profile, 18ct gold mounted, hallmarked for Birmingham 1863, maker's mark E.D.W, ring size approximately LOne end of the setting has worn flat, probably caused by friction against another ring. The cameo has scuffs and nicks, with some rubbing to the carved detail, and measures approx. 1.45cm length x 1cm width. The mount has scuffs, scratches, nicks and chips throughout, with patchy thining to the edges of the setting and small areas of porosity to the shank interior. Hallmarks are legible. Gross weight approx. 5.1gm.
A 19th century French gilt metal and enamel desk seal, painted with flowers on a silver heightened deep blue ground, 7.5cm high, a Victorian silver and mother o'pearl fruit knife, by Thomas Marples, Birmingham 1887, three further similar fruit knives, one with carved decoration, another with steel blade, a white metal mounted art nouveau style small penknife, embossed with sinuous foliage, another penknife, and a white metal money clip, decorated with a portrait of Little Red Riding Hood. (9)

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283284 Los(e)/Seite