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A SCOTTISH GEORGE III SILVER GILT SNUFF BOX COMMEMORATING NELSON marks of Edinburgh, circa 1810 (date letter obscured), plain rectangular, cover mounted with a circular miniature portrait of Admiral Lord Nelson in civilian dress, after de Koster; interior mounted with a glazed miniature timber anchor set on black silk -- 3 x 2 x 1in. (7.5 x 5 x 2.5cm.)Condition report: very good condition, some cleaning residue in miniature
A MODERN SILVER REPLICA OF JONAS HANWAY’S STANDISH OF CIRCA 1779 of oval form with beaded rim and pierced retainers for glass and silver ink and pounce pots, supported on four feet, the reverse with London hallmarks for 1975 -- 13in. (33cm.) wide, approx. 1000g.; together with two quills Provenance: The Marine Society & Sea CadetsFootnote: The standish from which this is copied is visible in the 1779 portrait of Jonas Hanway (1712-1786), then Vice-Treasurer of the Marine Society, by Edward Edwards (1738-1806) - an image of which may be viewed online.Condition report: good overall condition
AN 18TH CENTURY GAINSBOROUGH ARMCHAIR BELIEVED TO HAVE BEEN THE PROPERTY OF JONAS HANWAY, FOUNDER OF THE MARINE SOCIETY, 1779 constructed in mahogany and of typical form, loose brown checkerboard covering over 19thC red leather (old repairs and restorations) -- 40 x 29 x 26in. (101.5 x 74 x 66cm.) Provenance: The Marine Society & Sea CadetsFootnote: This is presumed to be the chair seen being used by Jonas Hanway in the 1779 portrait by Edward Edwards (1738-1806), an image of which may be viewed online.Condition report: Chair appears to have been refurbished many times but has not been inspected with the covers removed but is in solid and stable condition.
CLASSIC SOUL/ REGGAE/ ROCK/ JAZZ - LPs. A lovely selection of around 90 LPs, includes some 7" singles. Artists/ titles include Stevie Wonder - Songs In The Key Of Life (TMSP 6002, includes booklet), Black Uhuru - Anthem (ILPS 9769), Chief Ebenezer Obey - Je Ka Jo (V2283), Desmond Dekkar - This Is (TTL4), Smokey Robinson & The Miracles (STML 11172), The 5th Dimension - Portrait, Randy Crawford, Fat Larry's Band - Zoom, Aretha Franklin inc Jump To It. Nina Simone - Collection. James Taylor - Sweet Baby James. Rod Stewart - Atlantic Crossing. India, Herbie Hancock - Futureshock, Phil Spector's inc Greatest Hits, Christmas Album. The Oscar Peterson Trio - Night Train. Nina Simone - My Baby Just Cares For Me. Monty Python. The Hitch-Hikers Guide To The Galaxy. Diana Ross, Ella Fitzgerald, The Manhattan Transfer, 2001 A Space Odyssey.
THE JIMI HENDRIX EXPERIENCE - ELECTRIC LADYLAND (UK LP - BLUE TEXT - 613 008). Here we have an original 1968 UK pressing of Jimi Hendrix's album The Electric Ladyland (613 008, A1/ B2/ A2/ B2 matrix. Labels are all lovely and clean, they do have some light spindle wear around the centre holes. The records have some light surface marks, including some fine but lightly feelable scratches. Side A: VG+/ Side B: Ex/ Side C: Ex/ Side D: VG. The laminated gatefold sleeve with blue text and Jimi portrait image on the inside right has edge shelf wear and creasing, VG).
60s ARTISTS - LP COLLECTION. A smashing collection of around 63 LPs and 2 reel to reel tapes. Artists/ titles include The Hollies - Evolution (TA-PMC 7022, reel tape), The Beach Boys - Smiley Smile (TA-T 9001, reel tape), The Kinks (NSPL 83021), Booker T & The MGS inc Green Onions (HA-K 8182), Melting Pot (2325 030). Small Faces inc The Autumn Stone (1C 148-94087/88), Ogden's Nut Gone Flake (V2159, circular sleeve), Elvis Presley (CLP 1093), The Rolling Stones inc Aftermath (LK 4786), Francoise Hardy inc Portrait In Musik, Sings In English. Various - 60s Mania, The Beach Boys inc Shut Down Vol2, Surfer Girl, Surfin USA, Party. Various - Skiffle. Chuck Berry, Them, The Yardbirds, Roy Orbison. Condition is generally VG to Ex, some can vary.
QUEEN & FREDDIE MERCURY LAST EVER PHOTO SHOOT. A collection of images taken at the same time as the video shoot for These Are The Days of Our Lives in May 1991. After the shoot Freddie did some session work in June 1991 before retiring to his home and then sadly passing away in November 1991. The photographs had been planned to be used on the double a-side single release of Bohemian Rhapsody and These Were The Days however the idea was shelved in favour of the Queen logo. Includes one large transparency featuring all four portraits (9 x 9.5") and four individual portrait photographs (5"x6").
DIANA ROSS/THE SUPREMES - LP/12" COLLECTION. Brill back-catalogue from Diana Ross/The Supremes with around 52 x LPs/12" included. Titles include I'm Still Waiting (STML 11193), Surrender, 'Ross', Where Did Our Love Go (US Motown), Dynamite (w/Four Tops), Mahogany, The Magnificent 7 (w/Four Tops), On Broadway, To Love Again, Eaten Alive, Together (w/Temptations), Red Hot, Live, The Force Behind The Power, Swept Away, Funny Girls, Diana & Marvin, Farwell, Work That Body, Experience, Last Time I Saw Him, Lady Sings The Blues, Talk Of The Town and Portrait. Condition is generally VG to Ex+.
19th century schoolPortrait of a lady in a purple headscarf, wearing greenoil on copper, oval52 x 43cmCondition report: Some craquelure throughout, some blistering of the paint. The surface has been rubbed and scuffed in areas and there appears to be overpainting. Some discolouration. The frame has some knocks and missing pieces.
William Mulready RA (1786-1863), Portrait of a young lady, three-quarter length, seatedsigned with initials 'WM' l.l., pen and brown ink15 x 11cmCondition report: The paper has lightly faded. There are occasional small spots of foxing, and some light discolouration in places. A little very light suface dirt ,including pencil marks top right. A very small indent to the paper top centre, close to edge of frame. Not seen outside of glazed frame.
Continental School, 19th century,Portrait of a gentleman, half length, in a green coat with his arms foldedoil on canvas24.5 x 19cmCondition report: Oil on canvas which is unlined. Overall the canvas and paint layers are in a good, stable condition. There are alight undulations across the canvas. The paint layer has a network of drying cracks which are notable in the sitter’s jacket. The varnish is slightly yellowed but even and glossy. There is abrasion around the edges of the canvas caused by framing. Under ultraviolet light there are some darker patches present which could be overpaint or abraded varnish.
French School, mid-18th centuryPortrait of a lady, said to be Mlle de Vaudreuille, half length, in a blue-gold embroidered dress and red wrapwith later inscription verso, oil on canvas81 x 65cmCondition report: Oil on canvas which is unlined and attached to a modern strainer. The canvas tension is slack and there are minor undulations across the surface. The paint layer has suffered from flaking and loss which is evident in the surface texture, mainly located in the lower half. Many of the losses have been overpainted without filling the lacunae. There are some areas of slightly raised paint. At the lower left corner is an area of raised cracking which is likely to be fill rather than original paint. There is abrasion to the surface in the background. The varnish is clear and semi-matte with a layer of dust across the surface.
Sir George Hayter (1792-1871),Portrait of General Sir Arthur Benjamin Clifton (1771-1869), Commander of the Second Union Cavalry Brigade at Waterloo, standing in evening dress before a column and a red curtainwatercolour31 x 22cm, in a maple frameCondition report: Colours are quite good - under glass in a good maple frame.
Victorian English School oil on canvas - portrait of a lady seated in a chair, in deep gilt frame, 18cm x 13cmProvenance: The Robert Barley CollectionCondition report: The work has not been re-lined, there is some re-touching around the figure. The depth of the frame is 5cm, several losses around the outer edges.
Antique probably Eastern European oil on panel, the crucifixion, in distressed state, 44 x 38cm, together with an early oil on canvas portrait, described to label verso as Venetian school, 16th century, and a 19th century oil on canvas architectural study. (3)Provenance: The Robert Barley Collection
Georgian gold portrait ring with a finely painted oval portrait miniature of a young lady depicted wearing pearl jewellery and blue dress, with domed glass (damaged), the oval gold bezel with bifurcated shoulders on plain gold shank. Finger size approximately L. Bezel measures approximately 17.8mm x 14.5mm.
Three late 18th/early 19th century portrait miniatures on ivory, including portrait of a lady, wearing white dress, indistinctly inscribed verso 'Mrs ....died 1825 aged 60', oval, 8 x 6cm, another of a lady wearing a bonnet, signed indistinctly and dated 'S Cox Pinxt, 1802' (?), indistinctly named verso, another of a Gentleman in blue coat and white neckerchief, all in glazed papier mâché frames. (3)Provenance: The Lorna and Gordon Turner Collection
Late 18th century portrait miniature on ivory of a young Gentleman in wig and grey coat, oval, 4.5 x 4cm, in early brass frame, together with an early 19th century Continental brass miniature portrait of a Gentleman, early 19th century watercolour portrait on paper of a Gentleman, French miniature portrait in the 18th century style, bearing signature Aubry 1796, and an early 20th century portrait of a lady, all framed. (5)Provenance: The Lorna and Gordon Turner Collection
Unusual Late 18th century pen portrait of James Dennet, the subject depicted in profile, described below as 'James Dennett, a Roman Catholic priest who lived with Sir Thomas Gage in Suffolk, died the 1st of March 1789 in the 90th year of his age, 24 x 17cm, unframedProvenance: The Lorna and Gordon Turner CollectionCondition report: Image is trimmed to edge, unframed, a little time staining, no serious defects
17th century Continental school portrait miniature on ivory depicting a priest against a midnight blue ground, oval, 8 x 6cm, in glazed gilt metal frameCondition report: Lined to the rear with antique text, there are two spidering lines of glue adhered fo surface running from lower edge, some associated paint loss, also some other paint loss particularly in the black tones and periphery
Joseph Robinson (1910-1986) oil on board, inscribed verso 'Portrait of John Bensusan Butt from memory after our holiday in St Remy Provence 1939', 30cm x 19cm, in gilt frameCondition report: Generally good condition overall, but would benefit from a light clean. The 'crease' is in fact a defect in the board and in our opinion does not detract from the picture.
English School, late 18th/early 19th century, oil on canvas - portrait of the Reverend William Jones of Nayland, 90cm x 70cm, in gilt frameNB: see www.naylandconservation.org.uk for further detailsCondition report: Re-lined and well restored, it has been stored in slightly damp conditions and has mildew (as seen in images). Some evidence of overpainting visible under a UV light. The frame has been repainted in gold paint.
Mary Beale (1633-1699) oil on canvas - portrait of Jeremy Taylor, Chaplain in Ordinary to King Charles 1st, half length in clerical dress within a painted cartouche, 77cm x 64cm, in gilt frameProvenance: Nicholas Bromley Davenport Esq., Capesthorne Hall. Christie's 15th April 1994 where purchased by the vendors late father.NB: a copy of a label verso states 'This picture was originally at Baginton Hall and is an Heirloom under the will of William Bromley Davenport who died in 1884; removed from Baginton Hall during the fire of 1899 and rehung in 1902 at Capesthorne Hall'Condition report: The work has been professionally re-lined and restored circa 20-30 years ago. It is now in ready hang condition. Under a UV light (see images) there are areas of overpainting visible.
*Sir James Gunn (1893-1964) oil sketch on canvas - portrait of a gentleman, Mr Edward Grindlay, (see lot 1186) 44.5cm x 34.5cm, in glazed gilt frame, together with pencil portrait by Gunn, inscribed verso 'Captain Edward Grindlay. Painted by H. James Gunn Lt. also of 10th Scottish Rifles, France 1917', signed and inscribed, in glazed frame, 37.5cm x 25.5cm (2)Provenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, DorkingNB: Sir James Gunn and Edward 'Teddy' Grindlay met in 1917 when they joined the 10th Scottish Rifles, becoming life long friends and Grindlay, Gunn's patronCondition report: The oil sketch requires cleaning as under the glass are various spotting marks, possibly damp (see images). Otherwise good condition. The pencil drawing is in very good condition.
*Sir James Gunn (1893-1964) oil on canvas - portrait of an elegant lady, Mrs Evelyn Grindley, before a fireplace, signed, in gilt frame, 83cm x 41cmProvenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, DorkingNB: Sir James Gunn and Edward 'Teddy' Grindlay met in 1917 when both joined the 10th Scottish Rifles, they became life long friends and Grindlay, Gunn's patronNB: see lots 189, 190, 1414 and 1424 as seen in the work and entered in this saleCondition report: The work has not been re-lined, however it does need tightening in the stretcher and would almost certainly benefit from a clean. There is a slight scuff to the paint on the lower edge, as seen in the images. The frame has some losses to the mouldings. A charming and very elegant painting.
*Sir James Gunn (1893-1964) oil on canvas board - Self Portrait, 1926/7, in gilt frame, 45cm x 34cmProvenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, DorkingNB: Sir James Gunn and Edward 'Teddy' Grindlay met in 1917 when both joined the 10th Scottish Rifles, becoming life long friends and Grindlay, Gunn's patron.It is understood that this particularly sombre work was executed at the time of Gunn's marriage breakupCondition report: Very good original condition throughout. It would possibly clean a little but clearly was never meant as a bright picture.
*Sir James Gunn (1893-1964) oil on canvas - 'First sketch for Conversation Piece, Belloc, Chesterton & Baring. E. Grindlay deputising for Maurice Baring, 31-1-32', signed and dated, inscribed verso, 45.5cm x 35.5cm, framed. Also included is a black and white photograph of the finished work, inscribed 'To Edward Grindlay, March 1932, H. James Gunn', in glazed frame, 45cm x 39cm overall, together with a collection of ephemera relating to Maurice Baring, G. K. Chesterton and Hilaire Belloc, together with seven books. Provenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, Dorking Exhibited: Thos. Agnew & Sons Ltd, Old Bond Street, May 1946 'First Impressions', No. 38'. NB: Sir James Gunn and Edward 'Teddy' Grindlay met in 1917 when they joined the 10th Scottish Rifles, and became life long friends and Grindlay, Gunn's patron. In the Scottish National Portrait Gallery publication of 1994, it states 'The idea for a portrait of the three writers came to Gunn in 1930 at a dinner to celebrate Belloc's 60th Birthday. He recalled the episode in a speech to University College School ..."Splendid, you shall show it in the Royal Academy and it will help to sell our books"... I arranged with a friend (Edward Grindlay) who was the right shape to deputise for Maurice and on that Sunday I made my first sketches...Conversation Piece was given to the National Portrait Gallery in November 1960'.Condition report: Generally very good original condition, it has not be re-lined. There is a slightly curious line above the standing figures head which looks like a scratch but firstly doesn't feel like one and doesn't look like one close up, it does not detract from the work in my opinion. The frame has some minor losses to the corners.
Salt glazed pottery stoneware, including a beaker with sterling silver mounted rim and hunting scene, a tobacco or snuff jar with portrait of a woman taking snuff, blank cartouche above, and two tankards with hunting scenes, the largest measuring 21.5cm highProvenance: The Lorna and Gordon Turner CollectionCondition report: The beaker is cracked. The tobacco jar with chips and a hairline on the front near the bottom. Some small chips to the mugs.
18th century oval oil on canvas laid on board - portrait of a noble lady, in gilt frame, 74cm x 61cmProvenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, DorkingCondition report: The canvas has been laid on board, presumably to save the condition from getting any worse at some stage. There is an area of paint loss on the left edge, also cracking and lifting to the paint. The frame has several losses and repairs to the outer edges.
18th century, English School, oval oil on canvas laid on board - portrait of a lady in patterned cloak, in gilt frame, 72cm x 57cm Provenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, DorkingCondition report: The work has been stuck to a board, evidently to save the condition from getting any worse at some point. There are a couple of areas of paint loss - as seen in the images. There is also evidence of overpainting. The frame has some stress cracks and a few losses.
Studio of Godfrey Kneller (1646-1723) oil on canvas - portrait of a bewigged Gentleman, in gilt frame, 75cm x 62cm Condition report: Very good presentable and ready to hang condition. The work has been re-lined and well restored at some stage, there is evidence of overpainting visible under a UV light.

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