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283287 Los(e)/Seite
Los 198
An oil on board, portrait of Samuel Redgate reportedly. 7¼ by 9ins. In a gilt frame. Samuel Redgate 27th July 1810 – 13th April 1851 was a professional cricketer who played for Nottingham Cricket Club at Nottinghamshire County Cricket Club from 1830s until 1846 and was a renowned right arm fast bowler amongst the most feared of the period. It is a generally held conclusion that the speed of his bowling led to the introduction of batting pads with some of his bowling having caused serious leg injuries. Redgate played a total of 79 first class matches and took 426 known wickets.
Los 594
A collection of watercolour artwork for Vogue magazine covers and Lilliput magazine covers, together a watercolour sketchbook, self-portrait of the artist (P.J.Radford) and a number of old newspapers. (P.J. Radford was one of the country's leading restorers and dealers in antiquarian prints and maps.)
Los 602
William Lionel Wylie RA (1851-1931), Portrait orientated study of seagulls in the mouth of Portsmouth Harbour looking towards the Gosport Haslar fortifications, signed and dated "W.L Wylie," "1922," oil on canvas, in giltwood and gesso frame, 106cm x 68cm. This picture was painted from Wylie's harbour home, Tower House, and is, in our opinion, a highly personal picture. Aged 72 when the picture was completed, Wylie is paying tribute to the seagulls that have kept him company on painting trips for many years. The unusual landscape orientation of the canvas emphasizing the flight path of the incoming birds and leading the viewer to the main focal point, the wooden piles protruding from the sea outside the artist’s harbour-side home.
Los 1804
A colourless zircon and cultured pearl set ring, claw set with the cultured pearl at the centre, between two colourless zircons, a 9ct gold ring, mounted with an oval coral and a 9ct gold mounted oval shell cameo ring, carved as the portrait of a lady, two oval shell cameo brooches and an unmounted shell cameo, each carved as the portraits of ladies.
Los 1816
A gold and amethyst set brooch, designed as a scroll and a spray, detailed 585, gross weight 8 gms, also mostly silver jewellery, comprising; an oval shell cameo brooch, carved as the portrait of a lady, two further brooches, nine pendants, two rings, a pair of silver cufflinks, two silver bracelets, three silver neckchains and four further items.
Los 1056
Samuel Wale (1721-1786), Twelve drawings illustrating scenes for publications of A New History of England, one with inscription 'S. Wale' (on the verso of the mount), two dated '1705' and '1785', variously inscribed with titles two pencil and grey wash, ten pencil, pen and black ink and grey wash, one with Pro Patria watermark, unframed, the largest 18.5cm x 11cm.; and three prints after the drawings (12) Illustrated Lot Note: A founder member of the Royal Academy and appointed its first Professor of Perspective, Wale is chiefly remembered as one of the most prolific book illustrators of the 18th Century, producing designs for more than 100 publications. Wale's range was broad: his oeuvre included dense allegorical work, extensive religious illustrations and native historical scenes. At both the Society of Artists and the Royal Academy, Wale showed pen and wash drawings, including original designs for book illustrations with over half of his exhibited works depicting scenes of British history. He executed more than 150 different designs for various Histories of England, including W.H. Montague's New and Universal History of England (2 vols., circa 1771) and G.F. Raymond's New, Universal and Impartial History of England of 1789. Inscriptions on the present drawings indicate their subject matter and often also the publication in which they were to be included, such as 'The Portrait of Anne of Cleves/brought before Henry VIII' (illustrated) and 'by Wale/Raymond's History of England/S. Wale/King Henry II serving the first dish/to his son Henry after his Coronation' (illustrated). In Montague's publication the artist was described as 'the celebrated Wale' on title-pages, and his narrative scenes of dramatic and sometimes obscure episodes in British history enlivened the texts.
Los 1143A
Lucien Dring (20th century), Portrait of Philip John Steed O.B.E., M.A., F.R.S.L., Dean of academic studies, oil on canvas, signed, 90cm x 70cm. Provenance: Bramshill House Police Training College, Hampshire. For details about Bramshill House, please visit www.bellmans.co.uk and refer to our 'News' page.
Los 1144
Sir William Oliphant Hutchison (1889-1970), Portrait of Her Majesty the Queen, oil on canvas, 245cm x 153cm., in a carved giltwood frame surmounted by a coronet. DDS Illustrated Provenance: Bramshill House Police Training College, Hampshire. For details about Bramshill House, please visit www.bellmans.co.uk and refer to our 'News' page.
Los 1149
Susan Hillier (20th century), Portrait of Henry Frederick, Prince of Wales (1594-1612), oil on canvas, inscribed and dated 1975 on reverse, 75cm x 50cm. Provenance: Bramshill House Police Training College, Hampshire. For details about Bramshill House, please visit www.bellmans.co.uk and refer to our 'News' page.
Los 1150
M. S. Murray Watley (20th century), Portrait of HRH Prince Charles, Prince of Wales, oil on canvas, signed, 75cm x 65cm.; together with a print of Prince Charles in flight suit by Mara McGregor, and a photographic portrait of Prince Charles, signed and dated Charles 1993.(3) Provenance: Bramshill House Police Training College, Hampshire. For details about Bramshill House, please visit www.bellmans.co.uk and refer to our 'News' page.
Los 1693
English School, 19th century, two oval profile portrait miniatures of General Edward Riley Cope and of Sir William Henry Cope, watercolours, frame size 14cm x 12cm. Provenance: Bramshill House Police Training College, Hampshire. For details about Bramshill House, please visit www.bellmans.co.uk and refer to our 'News' page.
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283287 Los(e)/Seite