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Military interest to include:-Conan-Doyle, Arthur"The British Campaign" 1915, 1916, 1917 and 2 vols for 1918, blue cloth with gilt titles, folding plates, maps, etc Churchill, Winston"Thoughts and Adventures", Thornton Butterworth Limited 1932, photgraphic frontis portrait, cloth, backstrip separating and the whole faded"The Yeomanry Cavalry of Gloucestershire and Monmouth", The Westley's Library, The Promenade, Cheltenham 1898, frontis with tissue guard, speckled edges, tissue guard to photographic plates, blue cloth and gilt titles Synge, Captain W A T "The Story of the Green Howards 1939-1949", published The Green Howards, Richmond, Yorkshire 1952, ex-Cheltenham College library, bkplDecle, Lionel"Trooper 3809 a Private Soldier of Third Republic", William Heinemann 1899, red cloth, bkplWilliams, Eric "The Escapers", inscription on ffep, Eyre & Spottiswoode 1953Von Schlicht, Baron"Life in a German Crack Regiment", inscription, Fisher Unwin 1914, limp coversWavell, Col A P "The Palestine Campaigns", Constable & Co 1928, some foxing and annotations, red cloth (1 box)
Quantity of volumes on militaria, Ordnance Survey maps, the magazine 'History' produced by the BBCBrill, Edith"Cotswold Crafts"Gibbs"A Cotswold Village"White, Henry"A Record of My Life", published by the author 1889, photographic portrait frontis, inscription dated 1889, ornithology, etc (4 boxes)
An Orrefors glass decanter and stopper by Patrick Harkin, 1975: engraved with a portrait of a brig and inscribed 'Cpt, Thompson of the brig Fairy Queen by J Darling & Sons 1873', 27.5cm high.*Notes- Magnus Tomison was born 7th August 1834 on the Island of South Ronaldsay, Orkney. He became a ship's captain and JP in Australia and changed his name to Thompson, opening a trading post on the Murray River. He died in 1917 in Arakoon,NSW.
English Provincial School, 18/19th Century - Portrait of Dr Robert Prideaux, naval surgeon, half-length seated at a desk; and a companion portrait of his wife,:- oils on canvas, a pair, each 22 x 20cm.*Notes Naval Surgeon Lt R Prideaux served on HM Sloop The Cordelia. This lot also includes photocopies of five related early 19th Century letters.
Manuel Colmeiro/Mujer con Pan/three-quarter length portrait of a girl with loaves of bread/signed lower right/oil on canvas, 71cm x 60cm CONDITION REPORT: Very small area of paint loss top centre. Surface slightly dirty. Otherwise condition appears good. Slight damage to frame.Provenance: according to the family who own this painting, it was purchased from the Broadway Art Gallery owned by Eric Peel, then given to the recently deceased owner for his birthday in the late 1960s by his father.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Marius Woulfart (1905-1991)/Portrait of a Mother and Daughter/script verso/oil on canvas, 71cm x 58cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Norman Blamey (1914-2000)/Studies for a Portrait of The Reverend Dr Dennis Nineham, Warden of Keble College, Oxford 1969-1979)/head with details of eyes and nose, and mortarboard/initialled and dated 1979/pencil, 54cm x 37cm/Provenance: Fine Art Society, purchased December 1992; previously in the Collection of the Artist CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Ricardo Macarron/Susanna/half-length portrait of a young girl, her head slightly bowed/signed and dated '65 lower left/oil on canvas, 65cm x 46cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
A letter from Harry Pennell on HMS Duke of Edinburgh letterhead: discussing the commissioning of the ship and drawing for a model. Together with a signed studio portrait photograph of Harry Pennell by Swaine of London:, in a backstamped folio, signed lower right of image, image size 15cm x 10cm. (2)*Notes- Commander Harry Lewin Lee Pennell (1882 31 May 1916) served on the expedition as commander of the Terra Nova whilst Captain Scott and his party were on the ice. Popular among many members of the party, Herbert Ponting recalled in his book that Pennell was 'the most energetic man I have ever known....when Pennell was not occupied with navigating problems, he was either on watch, or conning from the crow's-nest, or else out on the yard-arms helping the seaman set or shorten sail, or otherwise assisting in the handling of the ship. He was a 'whale for work' (1).As they were both Devonians (2) Francis Davies and Harry Pennell established a strong friendship aboard the Terra Nova. During the Hydrographic Survey of Admiralty Bay,Davies assisted Pennell with navigation, 'I usually gave Pennell a hand with the chart, I set the angles on the station pointers for him and he plotted the soundings' (3)After the Expedition Harry Pennell was promoted to the rank of Commander and assigned to HMS Queen Mary. He was skilled aboard her when on the 31st May 1916 during the Battle of Jutland, she was torpedoed by SMS Seydlitz and SMS Derfflinger.References(1) Ponting, Herbert (1921). 'The Great White South: Being an Account of Experiences with Captain Scott's South Pole Expedition and of the Nature Life of the Antarctic' . Duckworth & Company. p. 49 (2) Davies, F, E. (2020) 'With Scott Before the Mast' page 121(3) Davies, F, E. (2020) 'With Scott Before the Mast' page 114
Napoleon Bonaparte (1769-1821). A lock of Napoleon's hair in a gilt oval locket on a crimson ribbon together with a gilt and enamel Legion d'honneur and manuscript provenance dated July 12th 1818: The order with central laurel crowned portrait of Napoleon with encircling band of blue enamel and the legend 'Napoleon Emp Des Francais' and three stars, the reverse with Imperial Eagle facing to the left with blue enamel border inscribed 'Honneur Et Patrie' with three stars, on a ten pointed gold rimmed white enamel star with gold ball tips united by wreaths of oak and laurel wreaths, suspended from a green and gold laurel wreath with scarlet moire ribbon, mounted in a glazed wooden case with manuscript label above 'Grand Cross of Napoleon Buonaparte's (sic) Legion of Honour' , further manuscript provenance below "A Lock of hair from the head of Napoleon Buonaparte late Emperor of the French Nation given by him to Major Poppleton of His Majesty's 53rd Regiment of Foot who had the care of Buonaparte's person in the Island of St. Helena from his first being sent there until 1817. & by Major T.Poppleton given to his Wife's Sister Mifs Elizabeth Martin & by Mifs E Martin given to Mrs Isabella Gregory Wife of Richard Gregory of Coole near Gort July the 12th 1818. Richard Gregory. Coole near Gort", the case 33.5 x 21.4 x 2.6cm with typewritten transcript to back of the case.*Notes Thomas William Poppleton (1775-1827) was born in England and served with General Daumier's Regiment while stationed in Galway, Ireland. He transferred to the 53rd Regiment of Foot and served in the Peninsular Wars in Egypt and in Baird's Desert March to India. He then became orderly to the Governor of St. Helena, Sir Hudson Lowe and in turn to Napoleon himself when he was exiled to the island in 1815. Napoleon's captors were issued with strict supervisory orders so as not to repeat the same mistakes as Elba. In this role Poppleton became close to his prisoner out of respect for him being a fellow soldier. In 1817 Sir Hudson Lowe believed an escape attempt was imminent and ordered Poppleton to report all conversations with Napoleon or anything overheard during daily duties. Poppleton resigned his position as he did not wish to undertake the role of a spy and he transferred to the 12th Regiment of Foot. Upon his leaving St Helena, Napoleon gifted a silver snuffbox to Poppleton which was passed down through generations of the Martin family. Major Poppleton is buried in the Martin family vault at Killannin.Richard Gregory (1790-1847) built up the family estate at Coole Park, Galway and died there after caring for tenants suffering from an outbreak of the plague. The estate remained within the family until it was sold in 1927 to the Irish State by Margaret Gregory, daughter-in-law to Lady Augusta Gregory (1852-1932). The house was demolished in 1941 and the site is now a nature reserve. The Gregory Family papers (1770-1956) are held at the Stuart A. Rose Manuscript, Archives and Rare Book Library, Robert W. Woodruff Library, Emory University, Atlanta, GA. Margaret Gregory died in Exeter in 1979.The Legion Of Honour was established by Napoleon in 1802 as France's highest Order of Merit of which he was the Grand Master. The portrait 'The Emperor Napoleon in his study at the Tuileries' (1812) by Jacques-Louis David (1748-1825) depicts him wearing a Legion Of Honour similar to that included in the lot.Major Poppleton appears to have acquired numerous artefacts from Napoleon in addition to the silver snuff box that remained within the Martin Family in Ireland. A lock of Napoleon's hair was presented by him to Lady Georgina Bathurst (1792-1874) daughter of the 3rd Earl of Bathurst in November 1817, (Sotheby's July14th 2015, Lot 23 English Literature, History, Children's Books & Illustrations) and another to a Mrs Riely in 1821 (David Lay 5th May, 2011, lot 2447)*Provenance Acquired by the vendor's father, an antiques dealer, in the 1980s and retained within the family.
Robert Prenzel (German, 1866-1941),two wood carved reliefs, one depicting a laughing Aboriginal man, the other depicting an Aboriginal woman smoking a pipe, signed and dated 'R. Prenzel 1917' and 'R. Prenzel 1918' respectively, the laughing man incised to the verso 'Robt. Prenzel, Toorak Rd South Yarra, Sept 1917',the man 45 x 35cmthe woman 40 x 36cm (2)Robert Prenzel (1866-1941) Robert Prenzel was born in 1866 in the Prussian town of Kittliztreben, in present-day Poland. After a four-year apprenticeship, further studies at the Kunstakademie Düsseldorf, and another four years of work experience around Europe, he emigrated to Australia at the age of 22. Trained in the classical European styles, he went on to define Australian craft and design throughout the first quarter of the 20th century.Basing himself in Melbourne from 1888, Prenzel’s work was pivotal to the movement and epoch of 'Marvellous Melbourne'. In the early 1900s, he predominantly produced commissioned works for churches and public spaces in Continental, rococo and baroque styles, before opening his own furniture workshop on Toorak Road in central Melbourne in 1910. From there, Prenzel came to pioneer the secessionist movement of Australian woodcarving, known as Gum Nut Art Nouveau.Using predominantly native timbers, Prenzel produced everything from pictorial wall plaques to longcase clocks. Developing a unique artistic style, his works combined the vogue of European Art Nouveau with carved motifs of Australian flora and fauna, the majority of which were based on paintings, descriptive texts and photographs by his contemporaries. Through the use of this two-dimensional imagery, Prenzel often allowed for individual interpretations and imaginations of his subject matter, introducing minor changes and alterations to each three-dimensional rendering, giving each its unique characteristics.Prenzel’s work was phenomenally well received by his contemporaries, both in Australia and abroad. Throughout his career, he championed Australian flora and fauna, founding a botanical garden in South Melbourne and serving as an advisor on the subject to the Commonwealth government. However, his endeavours were cut short by the anti-German sentiments of the post-World War I era, eventually forcing him into retirement during the mid-1920s. In spite of this, he continued carving and working from his home in Black Rock until his death in 1941.Lot 15 shows Prenzel’s most recognised designs from the peak of his career. ‘Woman with a Pipe’ and ‘The Laughing Man’, after the original photograph by Henry King, were among his most frequent and celebrated subject matter, both as small embellishments and as standalone portrait carvings. Having been dismounted from their original backboards, these works are indicative of the intricacy and skill of Prenzel’s carvings.Condition report: Both would previously have been mounted on plaques. Both with mounting holes to the verso. The woman with a pipe possibly with a later signature. The pipe broken from the woman. Both with later hanging rings to the verso.
UNITED KINGDOM PROOF COIN SETS, Royal Mint Annual Coin sets and uncirculated coin collections, cased proof sets include 1983 x 2, 1986 x 2, 1987, 1990, 1994, no case, 1996, 1999, 2011, 2020, 1994-1997 silver proof one pound collection, 2015 4th and 5th circulating coinage portrait set, 2016, 17 and 19 Annual Coin sets, 2 x 50 years of the 50p, 2 x coin covers, uncirculated coin packs for 1986, 1987, 1994, '95 and '96
SILVER MOUNTED LETTER RACK and a circular portrait frame, the rack in leather covered metal with embossed silver panel to the front depicting angelic heads after Sir Joshua Reynolds, Sheffield 1992, maker Carr's of Sheffield Ltd, 10cms overall H, 15cms W, the circular frame with easel back, Birmingham 1912, maker Charles S Green & Co Ltd, 10.25cms diameter
English School, 19th century Portrait Miniature of a young Lady, bust length in a red dress wearing her hair in ringlets and gold jewellery, ivory, 79 x 62mm, giltmetal frame Good condition some dust under the glass, unexamined out of frame. The later frame with wear to gilding and lacking the hinged strut
Pierre Andre Le Suire (1742 - after 1791) Portrait Miniature of a young Lady, half length in a blue-grey dress with pink ribbons, enamel, signed on the reverse, P A Le Suire 7bre 1770, 41 x 33mm, giltmetal frame A faint diagonal crack across sitter's neck, no evident restoration from examination under UV
English School, 18th century - Memorial Portrait Miniature of a Gentleman, bust length en grisaille, oval, 6mm, gold frame inscribed Nicholas Lechmere Born 27th May 1750 LOST AT SEA The subject was the son of Scudamore John Lechmere and his wife Jane nee Pateshall. He was born at Fownhope Court, Herefordshire Some possible retouching/restoration. Unexamined out of frame
William Hamlett (Fl. 1785-1816) - Profile Portrait Miniature of a Gentleman, ink and watercolour on card, oval, 73mm, papier mache frame with artist's unbroken printed trade label, leaves hanger and two early 19th c portrait miniatures of young men (3) Hamlett miniature lightly browned, original frame, label somewhat worn and torn. One of the other miniatures rubbed. The frame of the third chipped
J Bradley, 1828 - Portrait Miniature of Rachel Boulton, in a frilled bonnet and blue dress, inscribed verso Rachel Boulton aged 21 years drawn by J Bradley Heveningham Suffolk 1828, oval, 85mm, papier mache frame with acorn hanger, another possibly by the same hand, inscribed on the reverse Rachael Andrews nee Bumstead born 1771 Norfolk England My Grandmother Robt Boulton..., a contemporary portrait miniature of a child and a painted silhouette of a lady (4) All somewhat stained and / or faded, unrestored, frames reasonably good
English School, late 18th c - Portrait Miniatures of a Lady and a Gentleman, half length, he in a striped waistcoat, white stock and dark brown coat, she in a ribboned bonnet, shawl and light brown dress with apron, card, oval, 14cm, beaded black painted frames (2) Frames probably original with, on the reverse, traces of the original blue backing paper. Both miniatures slightly faded and stained but unrestored. Frame of woman broken and re-stuck at 6 o'clock
A 19th Century mahogany and lacquered brass R & J Beck Mirror Stereoscope, for viewing slides, book plates and cards, eyepieces engraved 'R & J Beck London & Philadephia', circa 1865, VG, slight tarnishing to mirror; with half-plate cased tinted portrait ambrotype of seated young man, with top hat on adjacent table, gilt highlights and tinting, G-VG; and portrait cabinet cards (12), G; (13)
Stereoscopic Cards, amateur (?) Boer War, manuscript caption '1901 Lord Roberts - great march, Boar (sic) Farmer being interviewed', F (1), UK topographical - 'Park Scene', country house in distance (1), ladies seated in front of ruined country house (1), harbour scene (1), Gorhambury Park gardens (1), others (4), 1860s, with Florence and antiquities, 1870s (7), 1890s-1910 (37), F M Sutcliffe studio portrait of young lady (1), American sixth-plate Daguerreotype of young lady, lightly tinted, Anson, 589 Broadway, F (1), ambrotype and other images (a lot)
British International Print Biennale posters, two including 1988, 84cm by 60cm (33inch by 24inch), Bradford and 1976, Bradford, 101cm by 71cm (40inch by 28inch); and two Russian advertising posters, one depicting a bird, trees and bird boxes, dated 1989, 99cm x 66cm (39inch x 26inch); Vladimir Lenin, portrait, dated 1988, 97cm x 65cm (38inch by 26inch).
English School, 19th c - Portrait of a Gentleman, bust length in a black coat and white stock, oil on canvas, 29 x 24cm, in giltwood cavetto frame with scallop shell corners In the same good, ready to hang condition as when restored by Eugene Okarma in 1974. Frame gold painted at later date
English School, late 18th / early 19th c - Portrait of John Roysse, bust length, in cap and black coat with fur collar, inscribed AETATIS 63 AN:DNI 1563 and charged with a coat of arms, oil on canvas, 30 x 22cm John Roysse (1500/01-1571) London mercer and benefactor of Abingdon School, Oxfordshire. Another version of this portrait by an unknown artist is at Abingdon School. The arms are those of Roysse impaled on an unknown quartered shield and are a copy of those commissioned by a former headmaster of the school, Henry Bright to commemorate the 200th anniversary of the re-endowment of the School (by Roysse) in 1763. This too remains at the School Lined with small patch lower left, re-varnished, medium thin in places, some overpainting and re-touching (vid coat of arms), but not examined under UV, the stretchers probably 19th c with indistinct scratched number or date ..60, in a birds eye maple frame
An Edwardian painted mahogany bureau, early 20th c, crossbanded in rosewood and line inlaid, decorated with a portrait medallion of a lady in a 'Gainsborough' hat and festoons, the top with trophy, further decoration to the sides, 96cm h; 46 x 76cm Requires a clean, complete, no shrinkage cracks
Important Announcement - Please note that the lenses and boards that came with this lot are lot 441 and lot 442 respectively A Kodak Limited Whole Plate Tailboard Camera, lens and lens board missing, viewing screen present, swing back, body G, pneumatic shutter with tube and bulb not working, with four DDS plate holders, a black viewing cloth, a No 2-A Eastman Portrait Diffusion Disk in slip case and a Kodak Ltd Century No 3 tripod stand

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283287 Los(e)/Seite