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Preisdatenbank abonnierenADMIRAL LORD NELSON: A GILT METAL PLAQUE repousse with a profile portrait bust of the Admiral within a border of oak leaves and acorns, in a moulded circular alabaster frame, 5.25" dia.; a gilt metal plaque of Sir Robt. Peel; and a Victorian Grant of Patent to John Colon bearing the Great Seal of Queen Victoria. The seal 6.5" dia. (3)
MAREVNA (1892-1984) 'Angus McBean' cubist half-length portrait, the sitter depicted seated in a chair wearing a patterned jacket, signed and dated 1953, watercolour, 30.5" x 22" Angus McBean was a well-known photographer who pioneered double exposure photography. McBean visited Athelhampton and used Marevna's daughter, Marika, as his muse. At one point he had a dark room at the top of the north wing.
ANGUS MCBEAN A photographic portrait of Marika, the daughter of Marevna, standing in the oriole window of the Great Hall at Athelhampton, signed in pencil in the margin, 21.25" x 16.25", and three other photographic portraits of the same subject by Angus McBean (4)PLEASE NOTE THIS LOT IS ELIGIBLE FOR ARTIST RESALE RIGHT
MAREVNA (1892-1984) 'Portrait of Marika' head and shoulder cubist portrait of the artist's daughter, signed, c.1962, oil on canvas, 25.5" x 19.5" Marika Rivera Phillips (1919-2010) was the daughter of Marevna and the famous Mexican muralist Diego Rivera (1886-1957) Born in Paris, near her mother's studio in Montparnasse, Marika grew up in the heart of La Ruche - the artists' residence known as "the beehive". The narrow streets nearby buzzed with talent and she remembered meeting Modigliani, Soutine and Picasso "He loved my mother, and I heard he teased my father, saying I was his daughter" - Modigliani and the shy artist Chaim Soutine. Marika married Rodney Phillips in 1949 and moved her family, including Marevna to Athelhampton House.
ASCRIBED TO HENRY STONE A portrait of a cleric, said to be Bishop Mews, standing half-length in an interior, his right hand resting on a helm, oil on canvas, 47.5" x 39.25" This portrait depicts the Bishop with a black patch on his left cheek, which was reputedly the result of a wound inflicted at the Battle of Sedgemoor.
MANNER OF GEORGE JAMIESON A portrait of King Charles I standing full-length in armour, the Royal Arms on a shield to the Monarchs right, oil on canvas, 70" x 48",in a giltwood and ebonised frame carved with stylised acanthus leaves within a cabled border According to an article published in "The Connoisseur", May 1968, this painting was done at Holyrood in 1633.
MAREVNA (1892-1984) 'The Friends of Montparnasse' cubist group portrait, signed and dated 1961, oil on canvas, 63.25" x 120.5" This work depicts Marevna with her contemporaries and friends during her time in Paris. From left to right: Diego Rivera, Marevna and her daughter Marika, (fathered Diego Rivera) Ilya Ehrenburg, Chaim Soutine, Amedeo Modigliani and his wife Jeanne Hébuterne, Max Jacob, Moise Kisling and Léopold Zborowski Marevna originally painted three versions in this style to commemorate her friends in the Parisian art world during the WWI and the 1920's. this is the fourth and final painting that was produced for her family and includes a model on the top right of the picture between Jacob and Zbrowski, who was a friend of the artist.
ROBINSON, AFTER SIR WILLIAM BEECHEY A portrait of Her Royal Highness, the Princess Sophia (1777-1848), three-quarter length in a black dress with white gauze sleeves and a white shawl embroidered with poppies, seated on a pillar, with a view of Windsor beyond, oil on canvas, 50.5" x 40" The reverse of the painting bears an old handwritten inscription "HRH The Princess Sophia, daughter of King George III, nat. 1777, ob. 1848, Sir. Wm. Beechey - pinxt Given by HRH to Sir John Conroy Bt." (on the reverse of the canvas) and "HRH The Princess Sophia, daughter of King George III 1777/ob.1848 Sir Wm. Beechey pinx - Given by HRH to Sir Conroy Bt." (on the stretcher). With an old label inscribed "A copy from the original painted by Robinson in the year 1820 (?) for the Princess Mary, Duchess of Gloucester, presented by the Princess Sophia to Sir John Conroy Bart 1841". Provenance: HRH Princess Mary, Duchess of Gloucester and Edinburgh. Sir John Conroy, Bt. 1841. Princess Sophia was born at Buckingham Palace, one of the six daughters of King George III and Queen Charlotte. She spent most of her life as a companion of her mother and the princesses were not allowed to mix with anyone outside the Royal Court. Tragically, for her last ten years she was blind. She died on 27th May 1848 at Vicarage Place, Kensington. She was buried in Kensal Green, Cemetery, London, rather than at Windsor Castle, as she wished to be near her brother, Prince Augustus Frederick, the Duke of Sussex.
A Narrative of Missionary Enterprises in the South Sea Islands by John Williams illustrated with portrait and wood engravings, published John Snow 1840, bound with The Lady of The Lake by Sir Walter Scott and The Constitution of Man in Relation to External Objects by George Combe 1836, bound in leather backed boards
Canvas backing from a painting thought to be by early-baroque painter Carlo Saraceni (1579-1620) inscribed 'C.I.N.151. Di Carlo Veneziano. G.M.R.No', 25 x 55cm together with Royal Academy of Arts Winter Exhibition 1950-51 label for Hans Ewouts 'Painting of Old Lady', Antiques of Nottinghamshire Exhibition 1937 label for Hans Eworth 'Portrait of Old Lady', and one other antique painting label.
17thC /18thC oil on canvas, half bust portrait of Lucy Hollier (nee Knowles), second wife of Thomas Hollier, who was Samuel Pepys' surgeon. The sitter's granddaughter married Thomas Crawley Boevey who inherited Flaxley Abbey in the Forest of Dean, Gloucestershire, the vendor is a direct decedent of the sitter. A picture bearing a striking resemblance of the one offered for sale is on page 225 Annals of the Royal College of Surgeons 1979. 75 x 62cm, in ornate gilt frame
A 19th century miniature portrait of a mother and child, the woman dressed in frilled bonnet and blue gown, the child wearing white trimmed with red ribbon, inscribed paper label verso '[...] Edward Bullock Douglas b.1774, d.1830, married the lady whose portrait is on the other side, Harriet dag [sic] of Rev Richard Bullock DD Rector of Streatham and St Pauls Covent Garden. She died 2 Nov.1850 leaving an only son (whose portrait is here also) Edward - a priest of the RC Church living in Rome', 14.5cm by 11cm
19th century school, mid length portrait depicting a gentlemen, oil on oval metal panel, paper label verso with family crest and inscribed George Chetwynd, 14cm x 19cm, glazed and gilt frame 25cm x 29cm.Condition: no signs of damage or repair to the painting, small area of craquelure present and visible in the middle of forehead, colour is good, frame has some overall wear commensurate with age.
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