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Los 121
ASSIETTE DE 'L'ICONOGRAPHIQUE FRANCAIS', SEVRES, VERS 1820A SEVRES PLATE FROM THE 'ICONOGRAPHIQUE FRANCAIS' SERVICE, CIRCA 1820Painted with the portrait Count Toussaint-Guillaume Picquet de la Motte en grisaille surrounded by gilt formal borders, the rim with a ground imitating lapis lazuli, a gilt classical border to the edge, titled in purple to the reverse 'La Mothe-Piquet (Guillaume de)/ officier de marine, né à ...... 18ieme Siècle.', 23.7cm diam., interlaced LL monogram enclosing a fleur-de-lys/Sevres, .. Av 20 in green, D.Y. in purple, incised mark (restored)Footnotes:The service 'iconographique français' was painted with portraits of notable French personalities, mainly after engravings. Although it was started in 1816, the service was only delivered to the Château de Trianon in 1824 for Charles X. See Camille Leprince, Napoléon Ier & la Manufacture de Sèvres (2016), no. 199.Count Toussaint-Guillaume Picquet de la Motte (1 July 1720-10 June 1791) was a French Navy officer and admiral. During a career spanning 50 years he served under the French Kings Louis XV and Louis XVI and took part in over thirty military campaigns. He fought in the Seven Year's war and the naval battles of the American Revolutionary War, earning the ranks of Commandeur in the Order of Saint Louis in 1780, and the Grand Cross in 1784. He died during the French Revolution and was buried in the local cemetery of Brest without much pomp in the local churchyard.For further information on this lot please visit Bonhams.com
Los 124
NEY (MARSHAL MICHEL) PAIRE DE GANTS REPUTES AVOIR ETE PORTES PAR LE MARECHAL NEY PENDANT LA RETRAITE DE RUSSIEPAIR OF GLOVES REPUTEDLY WORN BY MARSHAL NEY DURING THE RETREAT FROM RUSSIA In brown calf, unlined, bearing two paper labels with stamps from the Bernard Franck Collection, one with manuscript note 'Gants ayant appartenu au Mal. Ney', the other with the reference number '467', worn and marked, some stitching coming loose, length 285mm., cuff 140mm. wide, palm 102mm., [early nineteenth-century]; with notes of provenance held in a leather attaché caseFootnotes:Provenance: Marshal Michel Ney (1769-1815); Colonel Jean-Baptiste Esménard (1771-1842); Bernard Franck (1848-1924); by descent to his son; André Levi Collection (according to handwritten notes included in the lot)THE 'BLOOD-STAINED' GLOVES OF MARSHAL NEY, NAPOLEON'S 'BRAVEST OF THE BRAVE' WITH PROVENANCE FROM THE BERNARD FRANCK COLLECTION.Dubbed by Napoleon, 'the bravest of the brave', Michel Ney (1769-1815) rose from humble beginnings to be one of Napoleon's eighteen marshals of the Empire. A veteran of the Revolutionary and Napoleonic wars, he took command of the III Corps of La Grande Armée into Russia in April 1812 and distinguished himself at the battle of Borodino where he led his men into battle in full dress uniform. Once given the order to retreat, Ney, despite under pressure to surrender, managed to guide his troops over the frozen River Dnieper and repulsed attacks by Cossack forces, much to Napoleon's relief: '...'At last, I have saved my eagles! I have three hundred millions in francs at the Tuileries. I'd give up the lot to save Ney. What a soldier... truly the bravest of the brave!'...' (Horricks, Raymond, Military Politics from Bonaparte to the Bourbons: The Life and Death of Michel Ney, New Brunswick, 1995, p.139). His heroic command of the rear-guard led to the legend that he was the last Frenchman to leave Russia, fighting all the way.According to handwritten notes of provenance with the lot, the gloves were purchased by a M. Levi from Bernard Franck's son when his father's collection was dispersed. Franck, a veteran of the Franco-Prussian war and wealthy industrialist, amassed a vast collection of items from the Napoleonic period, including portrait miniatures, militaria and a world-famous collection of Carnets de Bal which was sold to J.P. Morgan in 1910. A slip from an auction catalogue, bearing the lot number 96, is also amongst the notes ('...Une paire de gants... au Maréchal Ney... avec mot autograph de Monsieur Andre Levi...'), and a note written in blue biro titled 'Declaration Levi' confirms that Franck purchased the gloves direct from the house of Colonel Esménard, along with a number of other articles belonging to the Marshal such as crosses, boxes and items of clothing, speculating 'The gloves are said to have been worn by Ney during the Russian campaign, and the spots could be traces of blood'.Captain Esménard was indeed Ney's Aide-de-Camp but did not serve with him in the Russian campaign. He had served on Ney's staff in the Peninsula and, at the time of the retreat from Russia, was languishing in a Paris prison, where he had been since 1810 for his alleged involvement in a royalist plot, only to be released on Napoleon's first abdication in 1814. However, a letter from Ney dated April 1813, just months after the retreat from Moscow, indicates that Esménard was still held in high esteem, writing to the Finance Minister, the Duce de Gaète to request a position in the Inspectorate of Taxes for his erstwhile Aide-de-Camp in recognition of his 'distinguished service' and 'obvious talents' (see Maggs catalogue 1477, no.78). It is therefore conceivable that he could have been presented with the gloves in the years between the retreat from Russia and Ney's death in 1815. This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Los 28
Cercle de Jan Anthonisz. van Ravesteyn (La Haye circa 1570-1657)Portrait de gentilhomme à la colerette de dentelle Portrait of a gentleman, half-length, with a blue sash huile sur panneau oil on panel 64.1 x 54cm (25 1/4 x 21 1/4in).For further information on this lot please visit Bonhams.com
Los 29
Ecole française, XVIIIe sièclePortrait d'un artiste habillé en noir, tenant une palette Portrait of an artist, in black costume, holding a palette huile sur toile oil on canvas71.6 x 59.4cm (28 3/16 x 23 3/8in).Footnotes:ProvenanceIn the late owner's collection since the 1960sFor further information on this lot please visit Bonhams.com
Los 56
Ecole napolitaine, XVIIIe sièclePortrait d'un castrat, supposé être Carlo Boschi, dit le Farinelli, avec une partition de Scarlatti Portrait of a castrato, said to be Carlo Boschi, called Farinelli, with a music score by Scarlatti huile sur toile oil on canvas115 x 89.3cm (45 1/4 x 35 3/16in).sans cadre unframedFootnotes:Provenance:With Galleria Salamon, Milan, in 1998 (as by Giacomo Ceruti)Private collection, MilanFederico Zeri attributed the present canvas to the Neapolitan School, XVIII century, although it has been previously given to Giuseppe Pascaletti (1699-1757) and Giovanni Battista Lampi (1751-1830) in the past (see photo 64665, Fototeca Zeri).For further information on this lot please visit Bonhams.com
Los 70
Pierre-Joseph Gauthier-Stirum (Bar-sur-Seine 1787-1851 Seurre)Portrait de jeune homme endormiThe sleeping boy signé et daté 'P. J.h Gauthier-Stirum inv.t 1824.' (au centre, au revers) signed and dated 'P. J.h Gauthier-Stirum inv.t 1824.' (centre, on the reverse)huile sur toile d'origine oil on canvas, unlined 67 x 56cm (26 3/8 x 22 1/16in).étiquette avec numéro d'inventaire '148' (en bas à gauche) with inventory label '148' (lower left)Footnotes:Provenance:In the collection of the present owner's family for more than 50 yearsThis figure of the boy is based Pietro Antonio Rotari (1707-1762), The Sleeping Boy, now in the Staatliche Kunstsammlungen Dresden (Inv.-No. S 170).For further information on this lot please visit Bonhams.com
Los 310
A Queen Victoria bronze Jubilee Medal, 1887, by J E Boehm, produced by the Royal Mint, the obverse with profile portrait of Queen Victoria facing left and wearing Small Diamond crown and long lace veil, inscribed VICTORIA REGINA ET IMPERATRIX, the reverse depicts the enthroned and crowned figure of Victoria holding sword and orb, Mercury and Time lounge at her feet while the personifications of Science, Letters, Art, Industry and Agriculture congregate around her holding relevant implements, two cherubs appear above with the lettering IN COMMEMORATION’, below the figures are shields bearing the names of the Continents, ‘FL’ to the left of Mercury identifies the artist behind this design as Frederick Leighton, in fitted presentation case with descriptive card, 77mm; together with a Queen Victoria medal in commemoration of the 50th year of the Reign of Queen Victoria 21 June 1887, with blue and white ribbon with 1897 bar, in fitted case; and a Franz Joseph I 1 Florin silver coin, 1888, Austria-Hungary, in white metal laurel wreath mount with brooch pin (3) Provenance: Works of Art from the Schroder Collection.Please refer to department for condition report
Los 323
A gilt brooch mounted Kingdom of Prussia 20 mark gold coin, 1872, with photographic portrait of a gentleman to reverse, together with gold commemorative centenary medallion, 1793-1893, 6.9g, and a matching gilt metal medallion (3) Provenance: Works of Art from the Schroder Collection.Please refer to department for condition report
Los 331
A group of thirty German relief-impressed fruitwood and ebonised games counters, in the manner of Martin Brunner, 18th century, depicting various scenes on both sides, including portrait profiles of cuirassed monarchs and generals, commemorative battle trophies and city scenes, one signed with the monogram MB, three signed PHM, 5.8cm diameterProvenance: Works of Art from the Schroder Collection.Note: Martin Brunner (1659-1725) was a Nuremberg medallist. The technique employed to create these counters is comparable to the methods used in die-casting bronze medals. Firstly the turned wood was soften by steam, then scenes and subjects were impressed with metal dies. Brunner was among a group of prolific medallists who produced a number of struck medals of prominent city figures, nobility and European Royalty, together with satirical subjects, during the late 17th and early 18th century. Please refer to department for condition report
Los 350
A collection of Italian biographies and memoirs, comprising: Opere storiche del cardinal Bentivoglio, 5 Vols., half bound vellum with marbled boards, the first volume with frontispiece with engraved portrait after Paolo Caronni (1779-1842), with bookplate for William Gordon and stamped EARL OF ELLENBOROUGH'S HEIRLOOMS, Milano: Della Societa Tipografica de Classici Italiani contrada di s. Margherita, No. 1118, 1806; Cellini Benvenuto, Vita di Benvenuto Cellini orefice e scultore fiorentino da lui medesimo scritta... 3 Vols., full velum with gilt lettering, Milano: Nicolo Bettoni, 1821; Pietro della Valle, Viaggi di Pietro della Valle il Pellegrino, 2 Vols., quarter bound velum with marbled boards, Brighton: G. Gancia, 1843; Opere di Giorgio Vasari, Pittore e Architetto Aretino, Vols., 1, 2, 3, 8, 9, 10, and 11, full vellum, gilt decoration and morocco labels to spines, S. Audin, Firenze, 1822; Alexis Francois Artaud de Montor, Storia del papa Pio VII scritta da A. F. Artaud tradotta dall'abbate Cesare Rovida, Edizione terza sulla terza edizione francese, Vol. I, Milano: Presso Giovanni Resnati, 1841; and other titles (23 in total) Please refer to department for condition report
Los 370
Machiavelli, Niccolo, Opere di Niccolo Machiavelli, 6 Vols., first edition, sponged leather bindings, gilt tooled spines, marbled endpapers, engraved portrait frontispiece of Machiavelli by Gregori after Santi di Tito to Vol. I, large arms of Earl Cowper on each title page, folding plate opposite p.333 in Vol. II showing the layout of an army camp, another opposite p.1 in Vol. IV a facsimile letter in Machiavelli’s hand, Florence: Gaetano Cambiagli, 1782-3 (6) Please refer to department for condition report
Los 383
Four Italian bindings on medals and coins, comprising: Antonio, Zantani, Le imagini con tutti i reverse trovati et le vite de gli imperatori, libro primo, decorative engraved title, with medallic portraits of emperors, contemporary vellum, with Ex Libris Bliblioplate, Enea Vico, 1548; Enea Vico, Ex Libris XXIII Commentariorum in vetera Imperatorum Romanorum Numismata, Liber primus, engraved title, engraved portrait of Julius Caesar, 8 engravings of coins, quarter leather with vellum boards, 1562; Louis Jobert, La Scienza delle Medaglie antiche e moderne, contemporary vellum, Venice: Lorenzo Baseggio 1728; and Sebastinano Erizzo, Discorso di M Sebastiano Erizzo, Sopra le Medaglie De Gli Antichi, full vellum, with High Legh Library bookplate (4) Please refer to department for condition report
Los 426
Gibbon, E., The History of the Decline and Fall of the Roman Empire, 12 Vols., A New Edition, engraved portrait and 3 folding maps, contemporary mottled calf gilt, red and green morocco gilt lettering labels, with bookplates for Henry Prince, London: A. Strahan; and T. Cadell, 1788-1790 (12) Please refer to department for condition report
Los 465
Roberts, David, The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 6 vol. in 3 bindings, portrait frontispiece, 6 pictorial lithograph titles, 241 tinted lithographs, 2 maps, tissue guards, full morocco, gilt, 4to, London: Day & Son, 1855 (3) Please refer to department for condition report
Los 220
A Victorian black and white cameo glass portrait plaque in original Morocco leather case, frame height 10cm, and a 19th century miniature watercolour on paper, portrait of a gentleman, signed WGW, maple frame, height 18cm (2)Cameo panel is in perfect condition, behind convex glass which is loose, Morocco leather frame in good condition, the watercolour portrait is slightly discoloured but no damage
Los 373
Sam Fulton (Scottish 1855-1943) Framed oil on board, signed, label verso 'Portrait of a Terrier' 41cm x 35cmCONDITION REPORT:The oil on board is in very good condition, there is a small 1cm shallow line indentation to the right of the dogs nose - no paint loss. Top right of the painting there is a scuff mark with paint loss. There is a small dimple/indentation - very top above the ears
Los 392
William Kennedy (Scottish 1859-1918) Gilt framed oil on board, signed, dated 81 Paris 'Portrait' 24cm x 18cmCONDITION REPORT:The oil on board is in good condition, the lacquered/varnished surface has some surface scuffs, noticeable above the head. The paint is in good sound and stable condition, however there appears to be light cracking to the lower half of the painting - see additional images
Los 352
Attrib. Thomas Hudson (1701-1779) Portrait of Anne Dorothy Smith-Barry 1748 - 1797, three-quarter length seated, in a silver silk dress with lace collar, bonnet and trim holding a small wreath of flowers. 74x61cmProvenance: The picture has passed by descent through the Smith-Barry family and subsequently though the marriage of Captain Anthony Villiers MFH and Rosemary Bell, daughter of the Hon. Dorothy Elizabeth Bell (nee Smith-Barry).
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283284 Los(e)/Seite