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Los 553

Patrick Edward Phillips (1907-1976), Portrait of Elizabeth, signed, titled on exhibition label - 'The Mall Galleries, London' verso, oil on canvas, 96 x 65cm.; 37.75 x 25.75in. Artists' Resale Right (droit de suite) may apply to this lot.

Los 130

William Henderson Of Whitby (1844-1904): 'Jack' portrait of a Terrier, oil on artist's board initialed and titled, Whitby label verso 39cm x 36cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 145

English School (19th century): Half length Portrait of a Girl with a Flower, oval charcoal pastel and watercolour unsigned 65cm x 50cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 151

Continental School (18th/19th century): Bust Portrait of a Bearded Man, oil on panel unsigned 44cm x 38cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 159

William Savage Cooper (British 1880-1926): Portrait of a young Girl, pencil signed and dated 1898, 23cm x 18cm Condition Report Click here for further images, condition, auction times & delivery costs

Los 162

Derval (19th century): 'Marie Stuart', circular miniature portrait on ivory signed, titled verso 7cm in gilt brass frame Condition Report Click here for further images, condition, auction times & delivery costs

Los 163

English School (19th century): Portrait of a Regency Lady, circular miniature on ivory unsigned 7cm in turned ebonised frame Condition Report Click here for further images, condition, auction times & delivery costs

Los 164

Reval (19th century): Portrait of a Military Gentleman, oval miniature signed 6cm x 4.5cm in cast bronze frame Condition Report Click here for further images, condition, auction times & delivery costs

Los 502

ANDREW BEER oil on board - portrait of racing pigeon titled 'Queen of the Hills', 29 x 39cms

Los 503

ANDREW BEER oil on board - portrait of racing pigeon titled 'Pride of the Hills', 29 x 40cms

Los 497

ITALIAN SCHOOL unframed oil on canvas - half portrait of a young regency female with feathered headband, unsigned, 67 x 55cms

Los 501

ANDREW BEER oil on board - portrait of racing pigeon titled 'Welsh Princess', 29 x 40cms

Los 488

MINIATURIST two miniatures - oval painted head and shoulder portrait`s of eighteenth century females in oval velvet covered frames, signed, 9 x 7cms

Los 504

NINETEENTH CENTURY SCHOOL oil on canvas - head and shoulders portrait of a 16th century bearded Spanish nobleman wearing a white ruff collar, unsigned, 55 x 43cms

Los 507

A WORTHINGTON oil on canvas - portrait of a long haired black retriever with pheasant on moorland, signed 'A. Worthington, 1870' with inscription verso, 50 x 62cms

Los 808

Victoria, Jubilee, 1887, five-pounds (S. 3864), bagmarks, toned in parts with a few small scratches near portrait, extremely fine or better

Los 915

Miscellaneous mainly English hammered silver of Edward I-Charles I (110), generally poor to fair; and a modern copy of a non-portrait Offa penny (111)

Los 1189

Great Britain, Treasury, Warren Fisher Second Issue, £1, prefix K1/25 (D. T3), pressed, very fine, appearance better; with Bank of England, Beale 10/- (2), O’Brien Britannia type 10/- and portrait type replacement £1 (prefix M65), fine to extremely fine (5)

Los 923

Victoria, copper penny, 1858, young head left, no ww on truncation, date below, rev., Britannia seated right, emblems below in exergue (S. 3948; Peck 1518), small toned area by portrait, remainder both sides with near full mint lustre, tiny bag marks and scuffs to neck of portrait, good extremely fine

Los 1135

Spanish Netherlands, Brabant, Charles V (1506-55), real d’or (1521-40), Antwerp mint, m.m. hand, double stops in legend, half-length figure of Charles V holding sword and orb, rev., multi- quartered arms on eagle’s breast, 5.28g (G.&H. 1831-1; Delm. 97), slight weakness on reverse, extremely fine, with strong portrait, scarce thus

Los 786

Colonial America, East Florida, Proclamation Medal or 4-Reales, 1789, in silver, commemorating the Proclamation of Charles IV of Spain as King by the Governor of East Florida Vicente Manuel de Zespedes, armoured and draped bust of Charles IV right, CAROLUS IV. D. G. HISPAN. REX., rev., a six-petalled jasmine flower at centre, small castle above and lion below, LA FLORA: ORIENTAL PER. ZESPEDS PROCLAM:TUS 1789, edge obliquely grained, 32.7mm, 12.04g (Breen 1079; Betts 10; Herrera 133; Medina 148; Grove C.58), lightly toned, a few scratches in fields both sides, small digs above head of portrait and some casting flaws, about very fine and extremely rare, this example not recorded and not previously offered at auction. The early Colonies of East and West Florida were originally ceded to Britain from Spain under the terms of the 1763 Treaty of Paris which ended the Seven Years’ War. Subsequently they were returned to Spain under the terms of the Treaty of Paris in 1783, which ended the American War of Independence. Soon afterwards Vicente Manuel Zespedes was installed as Governor of the newly returned colony; based at St Augustine, he previously held the position as Governor of nearby Santiago de Cuba in the preceding year. He attempted to increase the population and development of East Florida by luring former Spanish residents to return with the promise of land grants and 10-year tax exemptions, whilst also attempting to retain its British settlers, many of whom were by that time leaving for plantations in the islands of the British Caribbean. In anticipation of the planned proclamation of the new King Charles IV, commemorative medals (sometimes considered 4-real coins, which they resembled in terms of weight and size) were ordered in advance by Zespedes himself, probably being struck at his own personal expense, to be distributed during the celebrations due to take place on 2-4 December 1789. Three days of festivities followed, with processions, dancing, singing and military parades. It is here that Zespedes, leading the parade, is recorded as having cast handfuls of the newly made ‘silver money’ into the grateful crowd (with no mention of bronze), as recorded in an original letter dated December 9 1789 from Domingo Rodriguez de Leon, a notary based in St Augustine, to a correspondent in Spain regarding the details of the celebrations. Where, how many, and precisely how these pieces were made, however, remain elusive historical details. Studies concerning this medal have been made by several numismatists, but in particular by John W. Adams and also by Michael Hodder (as shown in the John Ford Jr Collection, Part XIII catalogue), and arguments have been made for the existence of 4 distinct types: struck silver, cast silver, after-cast silver re-issues, and after-cast bronze re-issues. Current theories regarding the place of manufacture vary, but some suggest Mexico City (where an official mint already existed) for the highest quality ‘struck’ examples, and then Havana, Santiago de Cuba or perhaps another local mint in Florida for the remainder, but no concrete documentary evidence exists to date. Given Zespedes’ links to Havana and Santiago and the relatively modest quality of the medals, a Cuban mint (probably at Havana) would seem most logical, as is also suggested by Hodder. Many of the “coins” were perhaps melted down later and consequently very few survive. Three ‘commemorative medals’ were reportedly sent by Zespedes to the king and a further three to the colonial secretary after the celebrations, and arguably these six medals could account for the supposedly ‘struck’ examples, with all others being cast as intended for general distribution. Nevertheless, it is worth pointing out that even the finest known ‘struck’ example, lot 660 in the John Ford Jr Collection (weighing 13.77g), shows clear casting flaws to the neck of the king’s portrait and in the medal’s fields – much the same as shown in the example offered here. The idea that the finest examples were struck on cast planchets whereas others were more simply cast has been suggested to explain the evident difference in quality. Perhaps the overall finish and craftsmanship used for the king’s & colonial secretary’s examples was of a higher standard - as one might expect and is known in other series. Such examples would have been unlikely to have entered circulation and would therefore have avoided wear. This argument would reduce the need for complex discussions regarding different issues being minted in different locations when the production appears to have been very much more a local one, which would have been under some considerable time pressure between the arrival of the news of Charles III’s death in Florida (March 1789) and the planned proclamation of Charles IV (December 1789). A further argument has been made regarding an apparent difference in legend for struck (TUS) and cast (TUR) examples in silver, but this does not seem to stand up to scrutiny, as each silver example illustrated in recent times appears to read TUS regardless. in Stack’s Bowers Auction, 26-31 March 2015 (lot 6002, the John W. Adams example weighing 11.61g), 5 silver examples were recorded. Thus the present piece appears to be the sixth known. A further three examples are known in bronze, giving a total of only nine presently known in any metal. In 1821, under the Adams-Onis Treaty, both Floridas were finally ceded to the United States who amalgamated the two to form the Territory of Florida the following year.

Los 403

B SICHEL (circa 1920's)Portrait of a lady, oil on canvas, signed, 51cm x 41cm

Los 323

COLLECTION OF CINEMA PORTRAIT POSTCARDS1920/50's, includes Clark Gable, Greer Garson, Ronald Colman, Anna Neagle, Robert Taylor, Phyllis Calvert, Tyrone Power, Marian Nixon and Robert Montgomery, 30 cards

Los 141

AUSTRIAN ART NOUVEAU SILVER PLATED BASKETthe shaped basket with floral handle and embossed female portrait to base, marked 'Argentor', approximately 20.3cm square

Los 317

COLLECTION OF BOOKSincluding Victorian volumes 'George Square, Glasgow' by Thomas Somerville, 'The Cabinet Album of Glasgow', 'History of the Highlands' by James Browne, 'Homer Ilias' (Greek and Latin) volume 1 1824, and various 1920/30's Blackie & Son Ltd. publications, with mahogany bookrack, a portrait etching of 'Alexander Greig Anderson' by Malcolm Osborne 1950, and a small 19th century lithograph of Edinburgh Castle from the Grassmarket

Los 312

CINEMA INTERESTincludes 1940's 'Picture Show' and 1950's 'Picturegoer' magazines, period 'Hollywood Official Stamps of the Stars & Studios' (First Series), 'Sergeant Rutledge' 1960 (John Ford) and 'Girl with Green Eyes' 1964 (Desmond Davis) film posters, and various portrait prints

Los 408

EUROPEAN SCHOOL (19th century)Portrait of a Lady, oil on canvas, 76cm x 64cm

Los 281

TWO 1920's WALL CALENDARSfor 'G.Morison & Sons, Manufacturing Confectioners, Grange Street, Kilmarnock.', both with photographic images, the 1925 calendar with lady and horse portrait entitled 'Friends', the 1926 example with lady playing piano 'The Lost Chord', 36.5cm x 24cm and 39.5cm x 26.3cm respectively

Los 746

AUTOGRAPHS - GIACOMO PUCCINI (1858-1924) composer: a menu for a farewell supper arranged for Puccini by Enrico Caruso, New York, 25 February 1907, the upper card cover with a mounted portrait photograph by Frank C. Bangs, signed above in pencil 'Giacomo Puccini', the inside front cover further signed in pencil by CLEOFONTE CAMPANINI (1860-1919), conductor, 'Cleofonte Campanini', 20.5cm x 13cm.

Los 924

[HISTORY] Camden, William. Britannia: or A Chorographical Description of Great Britain and Ireland, together with the Adjacent Islands, second edition, revised by Edmund Gibson, printed by Mary Matthews, London, 1722, full panelled and part speckled calf (rebacked), engraved portrait frontispiece, plate and text illustrations (lacking all maps), tall quarto.

Los 923

[HISTORY]. NAVAL INTEREST Burchett, Josiah. A Complete History of the Most Remarkable Transactions at Sea, from the Earliest Accounts of Time to the Conclusion of the War with France, wherein is given an Account of the most considerable Naval-Expeditions, Sea-Fights, Stratagems, Discoveries, and other Maritime Occurences that have happen'd among all Nations which have flourished at Sea, first edition, for Walthoe, London, 1720, full leather (rebacked and with reinforced corners and new endpapers), engraved frontispiece, engraved portrait, title printed in red and black, quarto (lacking all engraved charts).

Los 938

[MISCELLANEOUS] Parry, Edward Abbott. Butterscotia, or A Cheap Trip to Fairyland, first edition, Nutt, London, 1896, pictorial grey cloth, folding map, plate and text illustrations, twelve-page publisher's catalogue, small quarto; together with Wolfe, Humbert, editor. A Winter Miscellany, limited edition 50/225, SIGNED BY EDITOR, Eyre & Spottiswoode, London, 1930, quarter vellum, top edges gilt, octavo; and Bone, David. Merchantman Rearmed, limited edition 85/160, SIGNED BY AUTHOR, Chatto & Windus, London, 1949, quarter leather, top edges gilt, signed tissue-guarded portrait frontispiece by Muirhead Bone and further (unsigned) plate illustrations after the same, quarto, (3).

Los 929

[SPORTING]. HUNTING (YORKSHIRE) Dixon, William Scarth. A History of the Bramham Moor Hunt, limited edition of 200, Jackson, Leeds, 1898, two-tone blue and scarlet cloth gilt, top edges gilt, portrait frontispiece and a further twenty-four plate illustrations (as called for), quarto. Provenance: Sir Alfred Pease dispersal sale, 31st January, 1940.

Los 1010

•EILEEN ALICE SOPER (British 1905 - 1990) A HERTFORDSHIRE WOODWORKER Pen and ink, signed, 18 x 18cm (7 x 7") BRIDGE AT LOWER SLAUGHTER Watercolour, signed and inscribed with title, 30 x 50cm (12 x 19 1/2") PORTRAIT OF A GENTLEMAN Print, indistinctly signed, 25 x 21cm (10 x 8 1/4") (3) Chris Beetles Limited label verso (A Hertfordshire Woodworker)

Los 1006

•PETER HOWSON OBE (Scottish b. 1958) MALE PORTRAIT STUDIES, HEAD STUDY Pen, signed, each numbered and dated (20)07, approximately 11.5 x 11.5cm (4 1/2 x 4 1/2"), oil on canvas, signed, 6 x 4cm (2 1/4 x 1 1/2") (12) The pen studies are the frontispiece to the Peter Howson catalogue featuring Frank McFadden for the exhibition entitled 'johnlennonnorthernlights'

Los 552

A French white marble sculptural arch with portrait perhaps of Mary Of Guise, within a recessed niche and above lancet arch, and on a rectangular marble base, 39cm high

Los 922

JOHN WRIGHT BARKER RBA (British 1864 - 1941) PORTRAIT OF A LONG HAIRED DACHSHUND Oil on canvas, signed and inscribed 'To my friend T. Phillips', 27 x 21.5cm (10 1/2 x 8 1/2")

Los 327

Four early silhouettes and nine other oval portrait miniatures, all framed and glazed, 17.1/4 x 15cm and smaller (13)

Los 1067

Follower of SIR HENRY RAEBURN RA (Scottish 1756 - 1823) PORTRAIT OF A GENTLEMAN Oil on canvas, 77 x 65cm (30 1/4 x 25 1/2")

Los 1035

Attributed to HENRY WHATLEY (British 1842 - 1901) PORTRAIT OF A YOUNG ITALIAN WOMAN Watercolour with white, partially signed, 53 x 45cm (21 x 17 3/4")

Los 999

CONTINENTAL SCHOOL (19th Century) PORTRAIT OF A BOY Oil on canvas, 37 x 30.5cm (14 1/2 x 12")

Los 692

A pendant commemorating the death of Princess Charlotte Augusta the glazed portrait miniature surrounded with a panel of black enamel, a row of seed pearls and surmounted with a crown enamelled in red, with delicate yellow metal wire work. Verso the inscription reads H.R.H Princess Char, te Augusta ob. 6 Nov. 1817 at 22'' on a modern 9ct chain Princess Charlotte Augusta of Wales She was the only child of George IV, if she had outlived both her Grandfather George III and her father she would have become Queen of England. She was much loved and seen as new hope for the country. Her grandfather was seen as mad and her father was not popular. She married for love against her father's wishes to Prince Leopold of Saxe-Coberg-Saalfeld and was happily married for eighteen months. She died shortly after giving birth to a stillborn son at the age of twenty two. There was a great outpouring of grief throughout the land akin to when Princess Diana died in our own time. As she was the only legitimate grandchild, there was considerable pressure on the Kings un-wed sons to marry, his fourth son Edward Duke of Kent fathered the eventual Heir Queen Victoria

Los 309

Billings (Robert) The Baronial and Ecclesiastical Antiquities of Scotland four volumes, Blackwood & Sons, 1842-45, The Portrait Gallery, three volumes, 1853, Bunyan (John) The Pilgrims Progress, McKenzie, Glasgow, Douglas (David), The Black Friars of Perth, 230 of 250, Milne, Perth 1893 and Antiquities of Scotland, Blackwood 1847 (10)

Los 607

A double sided portrait locket circa first quarter of the 20th century, of a young lady in her party dress and on the reverse a young gentleman in his highland regalia, both portraits signed 'Lafayette', in a 15ct gold frame with scroll detail and set alternately with garnets and pearls, on a double link fine curb chain with 15ct applied tag to the chain, diameter 42mm, length of chain 43cm, (clasp is not gold), locket hallmarked 15ct to the inner rim

Los 622

CAROLYN SERGEANT PORTRAIT STUDY OF A SEATED WOMAN, oil on board, framed, unsigned, 76 cm x 54.5 cm.Provenance: From collection of works by the artist.

Los 486

ALICE LENKIEWICZ (XXI). Portrait of a girl, signed lower right, mixed media, framed and glazed, 34.5 x 25.5 cm

Los 566

J P (TWENTIETH CENTURY). Portrait of a tribal figure, monogrammed lower right, oil on canvas, unframed, 76 x 63 cm

Los 618

ENGLISH SCHOOL (XX-XXI). Portrait of a young girl, oil on panel, gilt framed, 32 x 21.5 cm

Los 751

ENGLISH SCHOOL (LATE 19TH/EARLY 20TH CENTURY). Portrait miniature of Mrs Edwina Rathbone, titled verso, on card, framed, 6 x 5 cm

Los 836

TWO OVAL PORTRAIT MINIATURES, depicting a 19th century young lady and an earlier Dutch example (2)

Los 822

ENGLISH SCHOOL (XX). Portrait of a lady, watercolour, rosewood framed, 23.5 x 15.5 cm

Los 596

PORTRAIT STUDY OF A WOMAN, portrait of a whiskered gentleman verso, oil on board, rosewood frame, unsigned 13 cm x 11 cm

Los 832

A LATE 19TH CENTURY OVAL MINIATURE, portrait of a young girl, signed and dated but indistinct, framed, 10.5 x 8 cm

Los 678

CONTINENTAL SCHOOL (XX). Portrait of a woman, signed lower right but indistinct, oil on board, gilt framed, 20 x 17 cm

Los 831

AN EARLY 19TH CENTURY MINIATURE, portrait of an elegant lady, wearing a lace dress, rectangular, framed, 13 x 10 cm

Los 553

ENGLISH SCHOOL (LATE NINETEENTH CENTURY). Portrait of a seated gentleman, signed lower left but indistinct, oil on board, framed, 37 x 29.5 cm

Los 627

A 19TH CENTURY OVAL PORTRAIT STUDY OF YOUNG WOMAN, oil on canvas, framed, unsigned, 48 cm x 36 cm

Los 565

ENGLISH SCHOOL (TWENTIETH CENTURY). Portrait of a seated nude, signed lower right but indistinct, oil on board, gilt framed, 59 x 41 cm

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