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283287 Los(e)/Seite
Los 162
Pair of Chinese watercolour drawings on rice paperPortrait of a man standing with bow and arrows and portrait of a woman seated on gilded throne, 19cm x 14cm (2) Condition ReportSome marks/spotting to paper background of both pictures (particularly the woman) and a hairline white mark across the tunic of the male (not believed to be a cut), figures very clear and colours vibrant.
Los 80
UnattributedOil on canvasHead and shoulders portrait of gentleman in a wig, labelled verso 'Samuel Swinton Captain RN' ( died in 1799), oval gilt mount, 19cm x 15cm, within gilt frame (damaged) Baroness Orczy when she wrote the Scarlet Pimpernell in 1905, loosely based the story of the hero, Sir Percy Blakeney on the life of Samuel Swinton, who, whilst in France during the French revolution, assisted in the escape some of the nobility who were in danger of going to the guillotine. ("They seek him here, they seek him there ..."!)
Los 1065
Attributed to William Henry Knight (1823-1863) - The Blue Dress, signed ( W H Knight), watercolour on tinted paper, 24 x 16.5, English School, 19th century - Three Children with an Improvised Plough, watercolour and a pair of miniature portrait engravings, possibly for mounting on the lid of a snuff box or similar, 1802 (4) Good condition
Los 1135
Harold Knight RA, ROI, RP, RWA (1874-1961) - Study of an Unknown Boy, head and shoulders, charcoal, 43 x 29.5cm, unframed Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when he was a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor This meticulous and empathetic portrait of an unknown boy is reminiscent of the contemporary artist-photographers of the Linked Ring of the 1890's. The angle of the head and expression, suggestive of pity, or pathos, so ably rendered in the present example was attempted by many other British artists of the period, notably Walter Langley RI and other early members of the Newlyn School. To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) Good condition
Los 1137
Harold Knight RA, ROI, RP, RWA (1874-1961) - Portrait of a Woman, seated half length in a green dress, signed (or inscribed) on the stretcher 'Harold Knight Painting' and verso with the artist's address 34 Elm Avenue, rectangular ink stamp inscribed Student's surname - Knight and Age - 21 / 3597, Subject No - 17G (?), paper label No 879, stencilled E.S.K., oil on canvas, 74.5 x 53cm Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor The model for this early, fully achieved portrait by Harold Knight, bears a striking resemblance to Kate Johnson, a fellow student of Harold and Laura Knight at Nottingham School of Art. Kate Johnson was one of a small group photographed at the School c1893. She was unrelated to Laura Knight, nee Johnson. To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) One or two minor scratches, varnish dirty, unlined, not holed or torn, in entirely original unrestored condition in narrow flat oak frame with traces of gilding. Note: extreme lower centre remains of a now browned and friable pasted label resembling a stamped edging, which, if inscribed, is no longer legible
Los 1140
John Singer Sargent RA, RP, RWS (1856-1925) - Freda Dudley Ward, signed and dated 1921, charcoal on paper, 62 x 47cm, original frame by Chapman Brothers LondonProvenance: The sitter's daughter Angela, Lady Laycock, nee Dudley Ward (1916-1999) (inferred); sold at auction on the premises at Wiseton Hall, Nottinghamshire (the seat of Sir Robert and Lady Laycock) in the early 1960's; whence purchased by the late father of the present vendorsThe socialite Freda, Mrs William Dudley Ward, nee Birkin (1894-1983) was the mistress of Edward, Prince of Wales, later King Edward VIII from 1918-1929. The longevity of their relationship and so completely enthralled to her was he that it became common knowledge in 'Society'. Churchill, a longstanding friend of Edward, observed in 1927 that "it is quite pathetic to see the Prince and Freda. His love is so obvious and undisguisable". With the turn of the 19th c Sargent largely abandoned the swagger portraiture of the fin de siecle and turned to charcoal head portraits, invariably on the high quality French paper he demanded. They are not only technically brilliant drawings but imbued with the same perception of character and serenity as the bravura portraits or life studies in oil that preceded them. The date of the present portrait, 1921, poses the tantalising possibility that it may have been commissioned as a gift by her royal lover. Sargant's portrait of the Prince of Wales, a similar charcoal drawing of virtually the same size in the Royal Collection (RCIN 917270) was executed only a year earlier. The existence of Sargant's Freda Dudley Ward was unknown until 2016 when it featured on the BBC's Antiques Roadshow. Having been acquired over 60 years earlier at a sale at Wiseton Hall, it may be assumed to have belonged by then to the sitter's daughter Angela, Lady Laycock, the wife of Major General Sir Robert Laycock, Lord Lieutenant of Nottinghamshire. Mellors & Kirk is pleased to acknowledge the kind assistance of Richard Ormond in the cataloguing of this lot Loosely laid down on the original stout card mount. Foxing as evident from image, two worm holes extreme lower right of sheet; de-framed for sale but sold with the original frame
Los 1228
England, Hammered Silver, Henry VI, Groat, annulet issue, Calais, short flan crack, otherwise almost very fine; Henry VI, Groat, leaf pellet issue, London, nice portrait, mostly very fine; Henry VIII, Halfpenny, 2nd coinage, fine; Halfgroat, York, fragment only; Edward VI, Shilling, Fine Coinage, slight creasing almost fine; Mary, Groat, mm lis, fair; James I, Sixpence, 1st coinage, 1st bust, mm thistle, 1603 holed, another 2nd coinage, 3rd bust, 1604, mediocre; Charles I, Sixpence, Tower mint, poor; with Richard I, Anglo-Gallic, Silver Denier, very good, (10)
Los 1256
English School, early 19th c - Portrait Miniature of a Man, in profile, en grisaille, oval, 75mm, ebonised frame, a silhouette of Mrs Elizabeth Cotton, nee Whitfield, of Farringdon, 1831, a decorative oval miniature of flowers by a garden sundial and a 19th c oval watercolour of a brightly plumaged bird on a stump (4) Silhouette browned and slightly stained. Frame of miniature of gentleman scratched and re-painted
Los 1272
Attributed to W A Hargeaves - Portrait Miniature of W R Rodney aged 3, ivory, 14 x 11cm, signed, laid down on card inscribed Master Rodney, when 3 years of age by Wm Hargraves, birds eye maple frame, a Continental miniature of the Chateau de Chillon, gouache and a 19th c coloured engraving of a seated lady holding a fan, oval (3) Portrait miniature - ivory warped (bowed), not split.
Los 1553A
Children's Books. Sinclair (J R) - Sir Golly de W**, No 1 Nursery Portrait Gallery, whole page colour illustrations and pictorial title, half title and text, black tape backed stapled limp card, 38 x 27cm and Bettina [Ehrlich] - Cocolo, colour title and illustration, yellow boards, pictorial dust jacket, stained and torn, c1945 (2)
Los 330
An Edwardian silver topped glass water jug, with hinged lid and tapering handle, maker William Hutton & Sons Ltd, Birmingham 1901; together with a gilt framed ivory portrait miniature of a lady, signed J. Matthews; etched glass decanter with stopper; powder jar; enamelled gilt metal Stockholm souvenir spoon; and a selection of antique cases.
Los 271
A selection of art history and other hardback books, including: The Artists of Northumbria, by Marshall Hall; The Artists of Cumbria, by Marshall Hall; Court Painting in England, by William Gaunt; Guide to British Topographical Prints, by Ronald Russell; Turner's Colour Sketches, by Gerald Wilkinson; Portrait of a Country Artist, by Ian Niall; and others.
Los 225
Arkhip Leontiev miquelet technique pistole, with long steel barrel, for a honourable person; partly cutted, with two fleur de lys stamps, coat of arms and bronze nose; miquelet lock with engraved iron hammer and bronze pan;figural engraved with weapons, signed ALEONTIEV; iron trigger, richly engraved bronze finial, trigger house and mounts, wooden powder stick, on the side iron cutted mount with bronze portrait and rich ornamental decorations, on top open work bronze mount, partly remains of gilding; in carved wooden shaft. Russia 18th Century. 53Cm
Los 7
Tiziano Vecellio (1488-1576)-circle, Portrait of a man with red coat and cap, looking to the side; oil on wooden panel; the vertical sides left and right later adapted (about 3cm); in an original carved and gilded collectors frame around 1600; on the reverse old paper label with provenance Collection Alice Schönfeld, Master of Brescia, Portrait of a monk? 53x40cm
Los 293
BARROS, João de; COUTO, Diogo do.- Da Asia de João de Barros e Diogo de Couto.- Nova edição.- Lisboa: Na Regia Officina Typografica, 1778-1788.- 24 vols: il.; 16 cm.- E., Complete collection of the most beautiful edition of the “Decadas”, printed at Oficina Régia. The four “Decadas” by João de Barros are part of the first eight volumes, followed by a general index (and the author's biography) and are illustrated with three portraits (of the author, Infante D. Henrique and Afonso de Albuquerque) and five maps leaflets; also the remaining eight “Decadas of Diogo do Couto”, illustrated only with his portrait (missing in the present copy), are presented in 14 volumes plus the respective index (the title page was never printed). Note that the “Tenth Decade” is now printed for the first time. All title pages feature a monogrammed circular stamp (JPD?) with the indication Ex Libris ¿Fama?. First volume with some stains in the first section. For the rest, a slightly cropped but very clean copy, keeping the maps very fresh and well folded. Recent bindings, with leather spines and different coloured labels. Lot nº 85 from the auction Silva’s / Pedro de Azevedo, from May 1990 (the same copy). Inocêncio, III, p. 322 e II, p. 154.
Los 278
MELO, D. Jaime Pereira de.- Ultimas acções do Duque D. Nuno Alvares Pereira de Mello: desde 11. de Setembro de 1725. atè 29. de Janeiro de 1727. em que faleceu. Relaçaõ do seu enterro, e das exequias, que se lhe fizeraõ em Lisboa, e nas terras, de que era donatario.- Lisboa Occidental: na Officina da Musica, 1730.- [40], 370 p.: il.; 39 cm.- E., Homage of the author (1684-1749), 3rd Duke of Cadaval, to his father D. Nuno Alvares Pereira de Mello (1638-1727), 1st Duke of Cadaval. Large printing work, illustrated with an engraved frontispiece, a portrait of the biographee, a large folding engraving representing the funeral procession of D. Nuno, and 33 figures, also of funeral inspiration, distributed over 27 engraved sheets, three of which are folding, one of double page, 12 with two per page and the remaining 17 of full page. It also includes several decorative vignettes and copperplate engraved letterhead initials. All engravings are signed by [François] Harrewijn (Ernesto Soares, p. 332). The portrait, representing the 88-year-old Duke, was engraved following a drawing by Quillard. Mirrored folding engraving (between pages 54 and 55) with restored folds. Old ownership handwritten, on the half-title page. First leaves with slight signs of handling, otherwise a clean copy with large margins, with all the engravings very fresh. Full sheepskin contemporary binding or a little later, bearing in the centre of both covers, with gold tooling, the crowned monogrammatic book stamps of the Dukes of Lafões (probably modernly gauffered). Inocêncio, III, 256. Samodães, 2056.
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283287 Los(e)/Seite