Bewick (Thomas) History of Quardupeds, engraved title vignette and illustrations, some light spotting, faint ink ownership signature to title, contemporary half calf, rubbed, Newcastle Upon Tyne, by Edward Walker, 1824 § Walton (Izaak) and Charles Cotton. The Complete Angler, title in red & black, engraved portrait frontispiece and illustrations, previous ownership signature to front free endpaper, modern half calf, decorative blind stamped spine, gilt, lightly rubbed, else an attractive copy, 1925 § Farrer (Reginald) The English Rock Garden, 2 vol., first edition, plates, endpapers browned, original cloth, lightly rubbed, 1919, and 21 others, natural history, v.s. (25)
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Buffon (G.L.M.L., Comte de) Natural History, General and Particular, 8 vol., engraved portrait frontispiece and 298 plates (of 301), library stamps to front free endpapers, bookplate to paste down, contemporary calf, red morocco spine labels, 8vo, Edinburgh, for William Creech, 1780.⁂ The three lacking plates were all numbered 240 were originally published in vol.8 and were intended to be inserted in vol.7.
Buffon (G.L.M.L., Comte de) Natural History..., 20 vol., translated by William Smellie, engraved portrait frontispiece and plates, contemporary diced calf, gilt, joints a little rubbed, vol.3 spine cracked, some very light rubbing to spines, else a bright, clean set, g.e., 8vo, for T.Cadell and W.Davies, 1812.
NO RESERVE Lee (James) An Introduction to the Science of Botany..., engraved portrait frontispiece, 12 hand-coloured engraved plates, very occasional light spotting, previous ownership signature to title in contemporary ink, contemporary calf, rubbed, covers detached, 1810; and 2 others, botany, 8vo (3)
Books - Large quantity of military related books to include; Rudyard Kiplings The Irish Garden of Great War, Portrait of a General (John Colville), Zulu Dawn (Cy Endfield), RAF Biggin Hall (Graham Wallace), Story of the Second World War, with three paras to the Faulklands (Graham Colbeck), The Face of the Battle (John Keegan), Letters From the Front 1914-1919 volume 1 (The Canadian Bank of Commerce), Cameras Above Clouds volume 3, The Imperial War Museum Book of Victory in Europe (Julian Thompson), etc
17th century Dutch School( Van Hatten ??)Portrait of a seated gentleman (Abraham Orth)Oil on canvas, lined52 x 44cmProvenance:- From a deceased estate originating from Staffordshire, sold with a restorers note and a photograph of of names found underneath the old lining, when it was restored in 1976.
Carmencita; an abstract to the reverse signed and dated 'LILIAN HOLT 54' (lower right) oil on board 74 x 62.5cmFootnote: Provenance Sale; Roseberys, London, 13 June 2006, lot 1 With Abbott and Holder, London, where acquired in 2006 It has been suggested that the present work could be a self portrait of the artist. British artist Lilian Thirza Charlotte Holt, also known by her married name, Bomberg, received her early training at Putney Art School, before serving in the Women’s Land Army during the First World War. Following the War, she took further art classes at Regent Street Polytechnic. In 1923, Holt married her first husband, the art dealer Jacob Mendelson, and in 1924 gave birth to her daughter, Dinora. During this time, Holt was completely dedicated to her young family and struggled to find opportunities to paint, but through her husband’s work she was constantly exposed to art, developing admiration for works by Sickert, Bomberg and Epstein. In 1929, having divorced Mendelson the previous year, Holt married the artist David Bomberg and in 1935 gave birth to her second daughter, Diana. After her marriage to Bomberg, Holt largely abandoned painting, focussing her efforts entirely on nurturing her husband’s career. It was only in 1945, upon the insistence of Bomberg, that Lilian resumed painting. This, however, was short lived, as in 1957, Lilian once again interrupted her career to care for Bomberg, whose health at this time was in decline. After Bomberg’s death, Holt once again recommenced her painting career, travelling to Mexico, Basutoland, Andalusia, Yugoslavia, Morocco, Turkey, and Iceland to paint, whilst continuing to promote Bomberg’s artistic legacy.Condition report: Oil on board with an earlier composition on the reverse. The board is slightly bowed forward. The paint layers are in a good condition overall, there is some wear and abrasion at the edges. The upper edge of the frame is loose and care should be taken when handling.
Portrait of a woman oil on canvas, unframed 46 x 35cmFootnote: Provenance Sale: Henry Adams Auctions, 8 July 2015, lot 590, where acquired by the present ownerCondition report: Oil on canvas. The weight of the thick paint layers is pulling the canvas forward, out of plane. The stretcher is slightly warped. The paint layers are in a stable condition. There is a build up of dust and dirt across the surface.
Portrait of Stephanie signed 'John Ward' (lower left) oil on canvas 75 x 62cmFootnote: Provenance With Thomas Agnew & Sons Ltd., London Exhibited London, The Mall Galleries, 1985Condition report: Oil on canvas which is unlined. The canvas tension is slightly slack and there are undulations at the upper left corner. The paint layer is in a good, stable condition. The work has a light varnish layer which is clear, even and glossy. There are a few scuffs to the surface and a light layer of surface dirt with fly spots. Some wear and scuffs to the gilded finish on the frame.
Self Portrait With Merika signed 'Ken Howard' (lower right) oil on canvas 120 x 100cmFootnote: Provenance With Oscar and Peter Johnson Ltd., where acquired by the present owner in 1989 Exhibited London, Oscar and Peter Johnson Ltd., An Amalgam of Light , May 1989, no.2Condition report: Oil on canvas. The canvas tension is adequate but there are slight drawers in all four corners. The paint layer is stable overall. There are a few minor scuffs and scratches across the surface. The painting has a light layer of surface dirt and a few small fly spots and accretions. The frame is in a good condition.
A collection of engravings of William Shakespeare, to include an engraving after William Marshall of Shakespeare 'from the edition of his poems 1640', 11x17cm; after S Harding, Le Goux sculp. 'From an original picture in the posession of the late Duke of Chandois', 13.5x19cm; after Abraham Wivell, W. Holl sculp, 'the original picture is in the posession of Thomas Gilliland Esq', London, 40 Castle Street, East, 1827, 17.5x22.5cm; a framed print of the Droeshout portrait, within an ornately carved hardwood frame decorated with the Shakespeare coat of arms, 31x24cm
James Abbott McNeil Whistler (American, 1834-1903) 'The Little Pool - An Advert for an exhibition of Whistler's works at E. Thomas Publisher', drypoint etching laid on paper, signed and dated 1861 lower left, 10.2 x 12.7cmPart of the 'Thames Set' publication, 1871. Whistler has included a self portrait of himself drawing (top left, seated).Inscribed across the base of the image 'The work of James Whistler. Etchings and dry points, are on view at E.Thomas Publisher, 39 Old Bond Street'. Slight cracking to the paper beneath the etching.
Portrait of Lieutenant General Lord Bloomfield G.C.B., G.C.H., half length, in military dress, oil on canvas, 76 x 63cm Lieutenant General Benjamin Bloomfield, 1st Baron Bloomfield GCB GCH (13 April 1768 - 15 August 1846), rose through the ranks as a cello player who caught the attention of the Prince Regent, for whom he spied on Caroline of Brunswick. He saw action at the Battle of Vinegar Hill in June 1798 during the Irish Rebellion. He was Member of Parliament for Plymouth from 1812 from 1818 and served as Private Secretary to George IV from 1817 to 1822 before becoming Commanding Officer of the garrison at Woolwich in 1826. The stretcher impressed 'John C. Nairn & Son, Picture Cleaners and Restorers, Dublin' Provenance: By descent through the family Poe family. Rev James Hill Poe's aunt, Charlotte, was mother of the 1st Lord Bloomfield of Loughton, Co. Offaly, private secretary to George IV. John Poe of Solsborough (the Rev's elder brother and childless ne'er do well) was very close to Lord Bloomfield and was invited to the coronation of George IV at Westminster Abbey, the invitation for which survives.
Portrait of Recorder Dennett, half length, oil on canvas, 76 x 63cmProvenance: This portrait has come down through the Bennetts of Riverston, who were a well-known legal family, to the current vendor, a member of the Poe family.James Jocelyn Poe, son of Rev. James Hill Poe, married Jane Bennett, daughter and heiress of John Bennett of Riverston, son of John Bennett 'Recorder' or chief magistrate of Cork city (from where the family came) from 1783-7. He was also an MP for the county during the same period and afterwards was appointed a justice in the Court of the Kings Bench.

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