283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
Los 410
John Stezaker, British b.1949 - Mask LXII, 2007; collage, 25.5 x 20.2 cm (ARR) Provenance: with The Approach, London, AP-STEZJ-00553 (according to the label attached to the reverse of the frame); private collection, purchased from the above on the 15th December 2007 Note: a pioneer of collage and appropriation art, the is a classic example of Stezakar's work, destabilising our understanding of the world and images through his use of classic film still and nostalgic travel postcards. Stezakar won the Deutsche Börse photography prize in 2012 and has exhibited at the National Portrait Gallery, London, City Gallery of Wellington, New Zealand, Tel Aviv Museum of Art, Israel and the Mildred Lane Kemper Art Museum at Washington University, St. Louis.
Los 411
John Stezaker, British b.1949 - Veil, 1981; Xerox collage, photocopy of the signature and date attached to the reverse of the frame, 16.6 x 26.2 cm (ARR) Provenance: with Galerie Gisela Capitain, Cologne, JST0130 (according to the label attached to the reverse of the frame); private collection, purchased from the above in July 2010 Note: a pioneer of collage and appropriation art, the is a classic example of Stezakar's work, destabilising our understanding of the world and images through his use of classic film still and nostalgic travel postcards. Stezakar won the Deutsche Börse photography prize in 2012 and has exhibited at the National Portrait Gallery, London, City Gallery of Wellington, New Zealand, Tel Aviv Museum of Art, Israel and the Mildred Lane Kemper Art Museum at Washington University, St. Louis.
Los 103
Imre Goth, Hungarian 1893-1982 - Portrait of a lady, 1948; oil on laminate board, signed with monogram and dated lower right '1948', 76.3 x 63.3 cm (unframed) (ARR)Note:known for his portraits of film stars and society figures, Goth moved to the UK in the 1930s, where he exhibited at the New Grafton Galleries, Birmingham, Ferens Art Gallery, Hull and the Russell-Cotes Museum & Art Gallery, Bournemouth.
Los 121
Yohanan Simon, Israeli 1905-1976 - Two figures against a blue sky, 1958; oil on canvas, signed and dated in Hebrew lower right '58', 35 x 45.7 cm Provenance:Rena Behrman and thence by descent Note: Rena Behrman (1909-2017) helped to aid the escape of more than 1000 Jewish refugees from Europe to Britain during the Second World War. Items from her collection were donated to the British Museum. 1958 was an important year for the artist, exhibiting at the Venice Biennale, the Jewish Museum, New York and having a solo exhibition at the O'Hana Gallery in London. From 1954 Simon had travelled widely in Europe and South America, and this experience would be reflected in the more abstracted and sculptural style seen in the present work. This demonstrates not only the artist's engagement with Post-War European figurative painting, but the experience of expansiveness of the South American landscape. Born in Germany, Simon studied in Paris in the 1930s with Andre Derain, before moving to Israel in 1937 and becoming part of the Kibbutz Gan Shmuel. His work would reflect the joys of daily life in the Kibbutz, in an monumental style similar to both Diego Riviera and Fernand Leger, and reflecting the artist's socialist ideals. In the late 1950s, Simon's work would often depict pastoral scenes, depicting his figures against an expansive sky of pure colour. The simplified, vegetal forms are typical of his work of this period and the traditional headpieces of the figures are possibly those worn by Yemeni Jews, demonstrating Simon's continued interest in local Jewish cultures. Whilst, the figures are no less monumental than his earlier work, these mature works are more simplified and intimate, reflecting the artist's 'affinity between Man and the landscape in which he is routed' (Professor Mordechai Omer, director and curator of Tel Aviv Museum of Art). Simon exhibited repeatedly internationally and in London during the 1950s, at the O'Hana Gallery, as well as the Ben Uri Gallery in 1951. Works are in UK collections the Ben Uri Gallery and the British Museum, and major collections worldwide including the Jewish Museum, New York. Recently there was a retrospective dedicated to the artist at the Tel Aviv Museum of Art in 2001. With thanks to Tali Tamir, curator of ‘Yohanan Simon: Dual Portrait’ at the Tel Aviv Museum of Art in 2001.
Los 10
Dame Ethel Walker, British 1861-1951 - Portrait of a lady, looking in a mirror; oil on canvas, signed lower right Ethel Walker', 51 x 40.8 cm Provenance: Grace English (1891-1956), gifted by the artist and thence by descent Note: this is classic example of Walker's style, with its subtle gradations of chalky paint and quiet, almost breathless atmosphere. The intimate handling of the scene and the gentle contrast between fluid paint and bare contract are reminiscent of French artists such as Edouard Vuillard. Other works on this theme are in public collections including the Government Art Collection, Manchester Art Gallery and The Courtauld, London. The artist exhibited widely in the UK during her lifetime and was the subject of a major retrospective at the Tate in 1951, alongside her contemporaries Gwen John and Frances Hodgkins and organised by John Rothenstein. More recently, her work was central to Tate Britain's 'Queer British Art 1861-1967' in 2017. Grace English was an artist, who studied at the Slade from 1912-14. Her works are in public collections including UCL Culture and Kensington Central Library.
Los 51
Florence St. John Cadell, Scottish 1877-1966 - Learning to Walk, 1935; oil on canvas, signed and dated lower right 'S John Cadell 1935', 76.5 x 56 cm (ARR)Note: a portrait by the artist is in the collection of the National Galleries of Scotland. She was a distant cousin of the famous Scottish Colourist, FCB Cadell.
Los 98
Feliks Topolski RA, Polish/British 1907–1989 - Crowd scene with Polish soldiers; ink and wash on paper, signed with initials lower right, 39 x 31.4 cm (ARR) Provenance: Countess Czarski (née Munro), gifted by the artist; private collection, gifted by the above and thence by descent Note: the soldiers are a Polish lancer wearing a shapka and great coat and an infantryman with a cap and slung rifle. Topolski was in the Polish reserves and worked as an Official War Artist for both the Polish government in exile in World War II and later for the British. These experiences resulted in the book 'Britain in Peace and War, 1941'. The boy in the foreground of the work is possibly a self-portrait of the artist. The artist also created a large-scale mural to commemorate the coronation of HM Queen Elizabeth II in 1953, commissioned by HRH The Duke of Edinburgh.
Los 66
Russell Sidney Reeve, British 1895-1970 - Theatre Royal, Norwich, 1932; pastel on paper, signed, titled and dated 'Russel Reeve Theatre Norwich 31/12/32', 29 x 43 cm: together with a watercolour by the same artist, 'Demonstration Portrait', 1962', 48 x 32.8 cm (2) (ARR) Exhibited (Portrait of a woman, 1962): Royal Society of Portrait Painters, London (according to the label attached to the reverse of the frame) Note: Reeve studied at the Slade under Philip Wilson Steer and Henry Tonks, who purportedly described him as the best draughtsman at the school since Augustus John. A number of his works are now in public collections, including UCLA Art Museum, the British Museum and the V & A. In 1993, his work was the subject of an exhibition at Ipswich Borough Council Museums and Galleries, which featured an introductory essay by Sir Eduardo Paolozzi.
![Reginald Grenville Eves, British 1876-1941 - Portrait of Lady Leonora [?]; oil on canvas, signed lower right 'R.G. Eves', 61.](https://cdn.globalauctionplatform.com/c8fdb038-acbb-4605-9ca5-b00000aa8aab/1dd2751c-6091-4ade-ae6c-b00000f97f05/468x382.jpg)
Los 1011
A trophy presented to Pelé composed of a clear acrylic plaque etched with a portrait of Peléover the words "Ford/ Pelé Cup", mounted on a black acrylic base with a brass plaque etched "Pelé in Appreciation for Your Support to Soccer and Education.", 7 5/8 by 7 by 2 inchesPROVENANCE: The Pele Collection, Julien's Auctions, June 2016, Lot 54
Los 1088
A large black and white portrait photograph of Pele embracing Muhammad Ali, wearing his famous Santos No.10 shirt, signed on the front in black marker pen and accompanied by a certificate of authenticity from Sporting Memorabilia.co.uk, signed by Director Terry Baker and measuring 84 x 58cm.
Los 1089
A large colour portrait photograph of the famous embrace between Pele and Bobby Moore at the 1970 Mexico World Cup Finals, signed in black marker pen on the front and accompanied by a certificate of authenticity from Sporting Memorabilia.co.uk, signed by Director Terry Baker and measuring 84 x 58cm.
Los 1183
A file of memorabilia relating to the renowned artist Harold Riley and projects conducted for Manchester United's legendary manager Sir Matt Busby and including various signed items, i) an artist's proof for a Harold Riley Sketchbook featuring a portrait of Sir Matt Busby, signed by both the artist and the subject; ii, iii & iv) three copies of a booklet produced for Sir Matt's Testimonial recording a conversation between him and Harold Riley, the front cover featuring the same Harold Riley portrait artwork as described in the previous item, one signed by Harold Riley, one signed by Riley and additionally by Sir Alex Ferguson, the other unsigned; v) a MUFC Former Players Sportsmans Charity Dinner menu featuring Matt Busby in the Harold Riley cover artwork, the reverse, however, with an original pen & ink drawing signed by Riley, dated '93 and titled "The Old Stretford End"; vi) menu for the opening of the Sir Matt Busby Suite at Manchester Airport, featuring a Riley portrait artwork, signed by the artist, dated '95 and with presentation inscription; vii) a silk ladies' scarf designed by Harold Riley for the Sir Matt Busby Testimonial Match and featuring thistle, shamrock and Lancashire red roses; viii) Sir Matt Busby Testimonial Match brochure produced by the MUFC Former Players' Association; ix) Harold Riley printed artwork for the Sir Matt Busby Testimonial; x) National Sporting Hall of Fame brochure autographed inside by Harold Riley, Sir Matt Busby, George Best, Bobby Charlton & Denis Law; xi) Harold Riley Soccer Sketched booklet, signed to the cover in pencil by the artist with dedication; xii) a booklet for the Investiture of Sir Matt Busby as a Freeman of Manchester, signed inside by Sir Matt; xiii) a Harold Riley pen & ink doodle of The Old Stretford End signed by the artist and additionally by Bryan Robson, Nobby Stiles and Norman Whiteside; xiv) Riley Archive of Christmas Cards, unsigned, (14)
Los 33
Formerly in the collection of the Newmarket racehorse trainer Sir Noel Murless: an Aynsley China twin-handled cup and cover commemorating the Golden Jubilee of the Revival of the Yorkshire Cup 1927-1977, numbered 12 from a limited edition of 50, dark green ground with extensive gilding, the front panel hand painted by L. Woodhouse, signed, featuring a portrait of the 1932 winner Trimdon with jockey Joe Childs up, below inscribed THE GOLDEN JUBILEE OF THE REVIVAL OF THE YORKSHIRE CUP, the handles bearing the dates 1927 and 1977, the reverse panel inscribed gilt with the names of the winning racehorses between 1927 and 1977, the cover with a Yorkshire Rose finial, 33 by 27cm.; with COA issued by the commissioning company Gilbey Racing Ltd and issued personally to Sir Noel MurlessCondition is good.Noel Murless trained the winner of the Yorkshire Cup on two occasions, firstly with Aunt Edith in 1966, ridden by Lester Piggott; and in 1970 with Rangong, ridden by Sandy Barclay.Please note Lot 33 is the large twin handled cup and cover in the image, not both items.
Los 34
Horse racing trophy for the 1983 Galtres Stakes at York won by Lord Halifax's Hymettus, in the form of a tureen and cover produced for Gilbey Racing by Sutherland Fine China, royal blue ground, front panel hand painted by K. Hancock, signed, featuring a portrait after George Stubbs of the famous racehorse & stallion Gimcrack being held by his groom, the reverse panel inscribed GALTRES STAKES, WON BY HYMETTUS, OWNED BY LORD HALIFAX, the cover with Yorkshire rose finial, 23 by 27 by 15cm.Condition is good.Hymettus was a bay or brown filly foaled in 1980 at Lord Halifax's Garrowby Stud by the Derby winner Blakeney out of Honeypot Lane. In 1983 when ridden by Lester Piggott she won the Galtres Stakes at York, a listed race for fillies and mares. Her other career victory came in a Haydock maiden. The filly was trained by John Dunlop at Arundel.Please note Lot 34 is the small tureen and cover in the image, not both items.
Los 45
Max Verstappen (Netherlands) signed Red Bull Racing Collection,includes signed Navy Blue Red Bull Racing Cap, signed on peak with black sharpie over white #33 and signed Red Bull Racing portrait 8 by 10in. photo, signed with black sharpie on left hand side of photo. Comes with Certificate of Authenticity and photo proof of signing, (3)
Los 2576
Prunktasse mit UT in Alt-Wiener Art, Thüringen, 19. Jh., Bienenkorbmarke, zylindrische Form, schauseitig polychrome Feinmalerei mit Portrait der Madame Élisabeth (d.i. Élisabeth Philippe Marie Hélène de Boubon, Schwester Ludwigs XVI.) im goldgerahmten Oval nach einem Kupferstich von Hopwood, unters. bez. ''Mme Élisabeth'', ornamentale Reliefgoldmalerei auf kobaltblauem Fond, H. 6 cm
Los 2911
Teller, KPM Berlin, Marke 1870-1924, 1. W., Jahreszeichen für 1914, keine Malereimarke, flache Form mit leicht geschweiftem Rand, spiegelfüllende polychrome Malerei mit dem Portrait Friedrich II. von Preußen nach dem 1781 entstandenen Gemälde von Anton Graff, die Fahne mit Festonmalerei in Gold auf königsblauem Fond, tlw. korrodiert, Ø 26,5 cm
Los 2977
Deckeldose in Alt-Wiener Art, Thüringen, um 1900, Bienenkorbmarke, runde Form mit leicht gewölbtem Deckel, auf der Oberseite in goldgerahmter Reserve polychrome Feinmalerei mit dem Portrait der Königin Luise von Preussen, nach dem 1879 entst. Gemälde von Gustav Richter, ornamentale Reliefgoldmalerei auf bordeauxrotem u. himmelblauem Fond, Deckel innen bez. ''Louise'', Ø 6,5 cm
Los 4601
4 Münzen bzw. Broschen und eine Medaille, Silber. Ein original Taler Sachens Johan Georg I. von 1632, hinten mit angelöteter Nadel, wohl zaponiert, Durchm. 4,4 cm, 30,1 g. Eine Brosche aus Zwei-Mark-Stück Deutsches Reich, ''Friedrich I 1701 Wilhelm II 1901'', in Sternfassung mit Nadelhalterung, Durchm. 3,6mm, 15,5 g. Eine Silbermünze ''Maria Theresia UNG BOH 1760'', rückseitig Nadelhalterung, Durchm. 3,4 cm, 12,8g, eine Medaille mit Portrait ''Ludwig van Beethoven'', Durchm. 4,1 cm, 24,6g. Dazu eine Brosche, hochoval mit Herrenportrait im Profil, H. 4,4 cm, 11 g. Interessantes Konvolut.
Los 8051
Konvolut von 4 Zeichnungen versch. Künstler des 20. Jh.: August Kraus (1868-1934) (attrib.), Katzenstudien, Federzeichnung, handsign., Richard Heß (1937-2017), weiblicher Akt, lavierte Bleistiftzeichnung auf Karton, handsign., unidentifizierter Künstler, ''Haven in Sa...'', Tuschezeichnung, undeutl. sign., sowie anonyme Künstler, Portrait von Gerhard Hauptmann, Kreidezeichnung auf Papier, unsign., Blattmaße bis 50 x 40 cm
Los 115
DOMINGOS SEQUEIRA - 1768-1837 Portrait of the son of the Marquis of MarialvaDOMINGOS SEQUEIRA - 1768-1837, Portrait of the son of the Marquis of Marialva, graphite on paper, moisture stains, unsiged Notes: it is a study for the lithograph that the Author made in Paris in 1824, of the illegitimate son of the 6th marquis of Marialva. Cabral Moncada Leilões registers and thanks Dr. Alexandra Markl the confirmation of the Authorship of this work., Dim. - 16 x 15 cmi1. Back with handwritten inscription, signed by Luís Xavier da Costa, with the followingcontent: ""Desenho original do pintor Domingos Antonio de Sequeira para a litografiafeita em Paris, em 1824: Retrato do filho do marquês de Marialva / (Existia na colecçãoRebêllo Valente, do Porto, e foi-me oferecido em fevereiro de 1925 pelo Dr. A. VascoRebêllo Valente) / Veja os meus livros "A morte de Camões" e "A obra litográfica deDomingos Antonio de Sequeira" (Págs. 38 - 45 - 50-), onde vem reproduzido.";2. "A obra litográfica de Domingos António de Sequeira" to which the inscription referscorresponds to the Offprint of «Arqueologia e História» - IV». Composition and printing ofTipografia do Comércio. Lisbon, 1925;3. The story of this drawing, which led to a lithograph, is told by Luís Xavier da Costa in hisaforementioned study 'A obra litográfica de Domingos António de Sequeira';4. In short, the story is as follows: the last Marquis of Marialva had a natural son with acertain Madame d'Ayala, when he was already in Paris, in the last years of his life. As theMarquis died on November 24th, suddenly and unexpectedly, the said Lady and the child- who would have been little more than a year old - were in a weak financial situation.Sequeira, who was also in Paris at the time, made the lithograph in order to carry out akind of subscription among his friends to raise money to support the boy. In a letter to hisbrother-in-law, dated April 28, 1824, he writes 'o Retrato do filho do Marquês (destas vão4) e que vai reprezentado o inocente izolado no mundo no meio da França esperandosocorro' (daí estar representado com as mãos levantadas, como se estivesse a suplicare sobre um mapa...). In the meantime, there are a number of official contacts at thePortuguese Court to appoint a legal guardian for the child. It is all this documentation thatXavier da Costa publishes.In one of the last letters, dated March 1825, it is said that the child ended up dying on the1st of that month, due to 'a huma catharral complicada com a dentição'. The wholeprocess was then without effect and had no continuity.Cabral Moncada Leilões acknowledges and thanks Doctor Alexandra Markl for confirming theauthorship of the present
Loading...-
283287 Los(e)/Seite