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283284 Los(e)/Seite
![ROCHARD, P[AUL]; watercolour portrait, half-length, of a young man in uniform, Charles Newton, Lieutenant H.E.I.C's Service.](http://lot-images.atgmedia.com/SR/10539/1408316/198-2-10539_468x382.jpg)
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ROCHARD, P[AUL]; watercolour portrait, half-length, of a young man in uniform, Charles Newton, Lieutenant H.E.I.C's Service. Born 1st June 1821. Mortally wounded at the battle of Maharajpur, Sikh Campaign 29th December 1848, inscribed to reverse of frame, signed, circa 1838; together with another watercolour portrait also by Rochard, this being of John Newton (1785-1861) father of the above, each 10.25in x 8.25in, framed and glazed.
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TANK CORPS - WW1 : COL.THEODORE JOHN UZIELLI D.S.O. (1882 - 1934). 1st Battalion, King's Own (Royal Lancaster Regiment). Medal group: D.S.O.; M.C.; 1914 Star with bar; War Medal; Victory Medal (MID emblem missing); Delhi Durbar Medal; Legion of Honour (Chevalier), and his regimental helmet badge; together with an album containing largely newspaper cuttings recording the progress of the war but also including a Tank Corps Christmas card for 1917 and a typed letter signed, from Clive Wigram, to Col. Uzielli, thanking him for an original drawing (?) of the card that he had sent to the King "His Majesty is delighted to have this sketch of the first Xmas card of the truly British Tank Corps". Together with a duplicated letter, in script, written on the eve of the Battle of Cambrai*, from the Commander of the Tank Corps, Hugh Ellis, dated 19th Nov. 1917, & distributed to tank commanders "Tomorrow the Tank Corps will have the chance for which it has been waiting.....to operate...in the van of battle...It remains for unit commanders and for tank crews to complete the work by judgement & pluck in the battle itself...I propose leading the attack of the centre division" (with a portrait of Ellis mounted to the reverse). 4to, cloth; binding dishevelled. Col. Uzielli, was Assistant Adjutant and Quartermaster, Machine-Gun Corps (Heavy Branch) and subsequently Deputy Adjutant and Quartermaster General, Tank Corps. He was mentioned in dispatches 5 times and received the Military Cross (M.C.) in 1916, the Distinguished Service Order (D.S.O) in 1918, and the Legion of Honour.
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An Orange Order commemorative mug, of cylindrical form with turned foot and simple strap handle, printed in black and crudely coloured with enamels, bearing three Orange Order prints, Let Brotherly Love Continue (with initials GR), Protestant Ascendancy - Holiness to the Lord, and an equestrian portrait of King William III, height 14.9cm, unmarked, circa 1830-50 (stained, cracks in body)
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A Wedgwood jug commemorating the death of Benjamin Disraeli, of Dutch shape printed in black and enamelled in colours, one side with a portrait, the reverse with Beaconsfield, died April 19, 1881 and a long quote from the novel Coningsby, and the neck with a floral and ribbon border listing eight of his novels (Young Duke, Venetia, Loghair, Endymion, Vivian Grey, Sybil, Tancred and Coningsby), height 16.7cm, impressed mark and black-printed registration diamond for 16 May 1881 (some rubbing to spout)
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A circular wall plaque commemorating John Wesley, possibly by Dixon & Co. of Sunderland, printed in black with an untitled portrait inscribed Follow after, he cries, as he mounts to the skies, Follow after your friend, to the blissful enjoyments that never shall end, the moulded rim coloured black and yellow, diameter 16.0cm, unmarked, circa 1820-30 (small chip to rim)
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A pearlware moulded jug commemorating Lord Wellington and General Hill, each with impressed title beneath a waist-length portrait flanked by flags, coloured overglaze with red, brown, ochre, black and blue enamels, with silver lustre lining to rim and foot, height 13.4cm, unmarked, circa 1810-15 (small chip to rim, lustre worn)
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A commemorative mug Success to the Ship Canal, of tapering tankard form with angular handle, printed in black with the inscription on the front, a sailing ship on one side, and a portrait of Mr. Daniel Adamson, C.E. on the other, with a simple rope border inside the rim and on the handle, height 11.5cm, unmarked, circa 1893-4 (cracks, chips to foot)
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A collection of jewellery and boxes, comprising; a Victorian Scottish pebble bracelet, a similar shield shaped brooch set with foil-backed cabochons and with a registration design lozenge for 23rd February 1866 (lacking the centre stone), a coral round brooch, a gilt metal and oval shell cameo brooch depicting a classical female profile, a damaged micromosaic panel depicting a woman with a vase, a damaged jet locket enclosing a portrait miniature of a child, an early 20th century carved ivory, a mother of pearl and chrysoprase mounted round box, an agate mounted round box, and a Scottish horn snuff mull
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A collection of Victorian and later jewellery, comprising; an early 20th century rose gold foxtail guard chain with a swivel clasp, and hung with a leaf engraved and enamelled heart-shaped locket, an Edwardian rose gold hollow curb bracelet, each link stamped '9c', with an 18ct gold heart shaped clasp, Chester 1906, a part engraved gate bracelet, three bar brooches, a modern 9ct gold and gem-set 'die' pendant, and a portrait miniature depicting a lady wearing a rose in her hair and on her blue trimmed white dress, set in a damaged brooch mount
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A collection of Victorian and later jewellery, comprising; an Austro-Hungarian cabochon sapphire, blister and baroque pearl pendant, a Swiss silver and pale blue guilloche enamelled fob watch case decorated with a lady in 18th century dress, an oval shell cameo brooch depicting aurora riding a chariot, another depict a classical god, a pair of gilt metal and portrait miniature bracelets, a gilt metal and cabochon sardonyx hinged bangle, a blue and white enamelled oval pendant frame and other items
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A late George III tortoiseshell pique etui, of tapering oval form decorated with bands of wrigglework, beads and ropework ovals, the incomplete interior with a tortoiseshell mounted folding knife and two needles, 6.5cm (2.5 cm), an early 19th century ivory pique round box the cover with a portrait miniature depicting a lady wearing a blue dress playing a mandolin, with pique clout borders and a tortoiseshell interior, 6.25cm diameter (2.5 in), a tortoiseshell mounted round box, 3.75cm (1.5 in), and a mother of pearl mounted round box, 4cm (1.5 in)
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A group of small silver and a portrait miniature, comprising; a George III silver gilt propelling pocket knife engraved with matt panels, Birmingham 1972 by Mathew Linwood, 9 - 15cm (3.5 - 6 in), a rectangular snuff box, the cover with moulded border and a crest between initials 'E C', with a later added steel striker as a vesta/match case, London 1816 by John Death, 6.5cm (2.5 in), an oval foliate engraved small compact/patch box, Birmingham 1921 by Adie & Lovekin Ltd, 5.5cm (2.25 in), two inscribed ovoid decanter labels 'Sherry' and 'Gin', each chased with the Royal Coat of Arms to commemorate the Queens Silver Jubilee 1977, London 1977 by Roberts and Belk, and a portrait miniature on paper depicting a young lady in 18th century dress wearing a bonnet and a pearl choker (restored)
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The Proceedings and Tryal of William Lord Archbishop of Canterbury, engraved portrait frontispiece, Thomas Basset & Thomas Fox, 1689; Atkins, Sir Robert. An Enquiry into the Power of Dispensing with Penal Statutes, Timothy Goodwin, 1689; Coleman Mr. The Intrigues of the French King, and others, for Extirpating the Protestant Religion managed by Letters from Mr. Coleman, blank leaf before title, Randall Taylor, 1689, 3 works in one volume, contemporary calf, slight wear to upper joint and extremities, folio
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Dickens, Charles. The Life and Adventures of Nicholas Nickleby, first edition in book form, engraved portrait and 39 plates by Phiz, some offsetting, plate margins browned, contemporary half calf, slightly rubbed, 8vo, 1839; The Posthumous Papers of The Pickwick Club, additional engraved title, frontispiece and 41 plates, contemporary maroon half morocco, 8vo, 1857 (2)
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*Speed, John. The Historie of Great Britaine. the second edition, lacks engraved title page and portrait, woodcuts in the text, early signature of Abraham Mitchell on title, lower corner of V5-6 torn away with loss of text, contemporary calf, worn, upper cover detached, folio, George Humble, 1623
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*Simpson, Christopher. A Compendium of Practical Musick in five parts, third edition, engraved portrait frontispiece (cropped and with red wax seal attached), damp stained in lower margin, newspaper article pasted to verso of title, contemporary calf, worn, covers detached, 8vo, Henry Brome, 1678
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Chinese School (mid 19th century), Portrait of a young girl, full length, seated cross-legged upon a rock with a flute, oil on canvas, 60.5 x 46.5 cm bears paper label verso for Martyn Gregory, 34 Bury Street, St. James's, No. 94, and another label indistinctly inscribed, but indicating that the painting was from Canton
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English School (Mid 19th Century) 'A young gentleman, seated half length in a waistcoat and tunic' Pencil study, 15cm x 11cm, also a Victorian watercolour and pencil portrait of a gentleman, a small rosewood framed print and a pair of Victorian framed portraits of a lady and a gentleman, indistinctly signed and dated 1852, 23cm (5)
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283284 Los(e)/Seite