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283287 Los(e)/Seite
λ François Hippolyte Desbuisson, Hipolite (French c.1740-c.1822) Miniature portrait of a lady, head and shoulders in profile Signed and dated 176; Oval in a wooden frame 65 x 53mm With a further miniature of George Cadoudal (1771-1804) signed indistinctly, titled and dated 179; verso, another of a gentleman wearing red and a circular landscape (4)
Sir Henry Raeburn (1756-1823) Portrait of the Reverend James Lindsay of Pinkieburn (1711-1796), three-quarter length, seated Oil on canvas 91 x 71cm; 36 x 28in Thought to have been painted c.1787 Provenance: Ref. W. Lindsay Alexander, D D Christie~s 1914 Wallis The Ehrich Gallery, New York, 1919 Mrs John Washburn Minneapolis Institute of Art Literature: Listed in Life and Works of Sir Henry Raeburn, by James Greig, p.51 (London Connoisseur, 1911) Lindsay was licensed by the Presbytery of Edinburgh in 1732 and employed as tutor at Thirlstane Castle, Lauder. In 1736 he was ordained at Lauder church. In 1746 he was transferred to Dunborney and in 1750 to Lochwarben, moving to minister of Kirkliston, Linlithgowshire in 1765.
French School 19th Century Portrait of a lady wearing white Oil on canvas in a Florentine carved wood frame 53.5 x 44.5cm; 21 x 17½in ++Old lining, two or three very small punctures with a little paint loss, mainly near upper margins, a crease to canvas centre left, a few small scratches with paint loss lower centre around waistband, varnish yellowed and patchy, retouching visible under u.v. light
Circle of Mary Beale Portrait of a Lady with ringlets, half length in a fruit swag painted cartouche Oil on canvas 76 x 63cm; 30 x 25in ++Old lining and restoration, some lifting and cupping with a few small flakes of paint loss, some visible retouching particularly down side of face and neck
James Bell Anderson (1886-1938) Portrait of a woman, seated, the artist reflected in the mirror Signed and dated 1921 Oil on canvas 102 x 127cm; 40 x 50in Provenance: Lauraine Diggins Fine Art, Melbourne, Australia ++Some paint separation and craquelure especially in the darker areas of the dress, canvas unlined, a small amount of paint loss in the lower right corner, other minor scuffs and blemishes
Follower of Jean Auguste Dominique Ingres (French, 1780-1867) Portrait of a man in a black cap oil on canvas, unframed 81 x 64cm (32 x 25in) The sitter appears to be wearing a black velvet kippah, also known as yarmulke. Unlined canvas. Damages at upper right mended from reverse with canvas patches. Areas of retouching along tears poorly matched. Paint layer stable. Varnish glossy and even. Unframed
Provincial Follower of Sir Godfrey Kneller Portrait of a young man in a buff coat, half length, with his hand in his jacket oil on canvas 65 x 54cm (25 x 21in) Provenance: Monks Hall, Syleham, Suffolk Lined canvas. Paint layer is stable, slightly worn in areas. Varnish and dirt caught in paint texture. Old yellowed varnish layer and surface dirt, including white spots. Frame has lots of chips. Painting screwed to its frame.
Laurence Koe (British, 1863-1913) Portrait of a Lady in grey over white signed lower left " Lawrence Koe" oil on canvas 55 x 48cm (21 x 19in) Provenance: Monks Hall, Syleham, Suffolk Unlined canvas. Paint layer in good condition. Thick, yellowed vanrish, Glazed - glass is dirty. Frame is in good condition.
English School (19th Century) Portrait of Grace Harriet, nee Mallaby, The Hon. Mrs John Pleydell-Bouverie, head and shoulders, in riding habit of green jacket and green feathered hat signed indistinctly lower right "E Ro *** " and painted in 1880 watercolour on paper, oval 28 x 23cm (11 x 9in) Provenance: Monks Hall, Syleham, Suffolk Other Notes: Born Miss Grace Harriet Mallaby, daughter of Lt. General Robert Mallaby, she married Lt Col John Pleydell-Bouverie in 1882 and was widowed in 1925. Dirt under the glass.
English School (19th Century) Portrait miniature of John Philpot of Bridgeview, County Cork, 6.5 cm (2.5in); and Mrs Buck - Portrait miniature of Philpot, RN (possibly Nicholas Philpot Leader of Dromagh, b. 1773), in uniform, 6 cm (2.25in) watercolour on ivory (2) Provenance: Monks Hall, Syleham, Suffolk Philpot RN was lost on Goodwin Sands Philpot, RN: Dirt and dust under the glass. Loss of paint in the left side of the sitter's hair. Some fading of colour throughout. John Philpot: Support cut down to the left and right hand sides. Old frame marks visible around edges. Dirt under the glass. Some fading.
BRITISH SCHOOL, (17th Century), portrait study of a young child, oils on canvas, now laid on panel. Provenance: Believed previously to have been owned by the Rice family of Stouthall, Gower. 68 x 53cm. CONDITION REPORT: Now stuck down on oak panel overall marked and scuffed with some paint splashes, appearing to also demonstrate areas of over paint, modern frame.
BRITISH SCHOOL, (18th Century), 'Portrait of Sir John Chesshyre', (English 1662-1738), Lawyer, called to the bar in 1689, Sergeant to Queen Anne, 1711, knighted in 1713 and became King's First Sergeant in 1727, together with his wife Elizabeth Cave, who died 1705. Oils on canvas. 130 x 110cm approx. A pair. (2) Provenance: Entered for sale by family member, by family descent. CONDITION REPORT: Both are very dusty and grubby being country house consigned, no obvious holes, some crazing and craquelure evident, appearing period frames, the frames with wear and losses in places.
BRITISH SCHOOL, (19th Century), 'Portrait of Jane Marin, nee Russel, wife of Colonel Fletcher of Lowneswood', oils on canvas. 92 x 72cm. CONDITION REPORT: Older lined canvas, evidence of various repairs with some over-painting, crazed overall, relatively modern frame. Provenance: Private local vendor
JOHN BRYNMOR BOWEN, (Welsh, born Llanelli, 1914, died 2006), portrait of a young boy, oils on board, 47 x 38cm. CONDITION REPORT: Unsigned but from a private source who had a number of works by the same artist, it is very much in his style, no obvious damage, minor paint flecks, modern gilt frame.
Portrait of Surgeon D C Wodsworth Army Medical Department, head and shoulders portrait in pastel on paper mounted to card backing. Portrait shows him in full uniform. Signed and dated 1854 to the lower corner. Medals consisting of South Africa 1834-53 and Crimea campaign medals can be seen to his breast. Housed in a period glazed frame with paper label to the reverse identifying the subject. Frame in need of some restoration. Measures 58cm x 49cm. D C Wodsworth was appointed as an Assistant Surgeon in 1851, he was posted to the 12th Lancers on 5th August 1853. He served during the Third Kaffir War, Crimean War and Indian Mutiny with the 12th Lancers. In 1858 he was appointed as Staff Surgeon. He later served in New Zealand with the 70th Foot. He retired from the Army in 1867 and died in 1890. Picture has not been removed from frame and inspected.
American Civil War Period Family Photograph Album with Signed Picture of Abraham Lincoln and Other Notable Americans of this Period, interesting album compiled by Caroline May Davies. The album consists of various CDV photographs, most of which are identified. Album starts with images of members of her family including an image of Admiral Edward May in Union Naval uniform, Samuel J May (Cousin of John S May) under his name is inked “great abolitionist”. Album then moves onto various CDV images of various Union officers including Major Joseph Kirkland (went onto be an American novelist), Major William White 44th Massachusetts Regiment, Captain John R Howard, Colonel Franklin Haven, Colonel Ned Haven, Colonel Van Brunt, Commodore Watkins Pacific Fleet and Major Baldwin, most are photographed in Military uniform. Other people of note identified in the album are of a Political nature or members of American (Boston) High Society, these include an image described as Clarence Serrard Secretary for State (the Secretary of State at this period was William Henry Seward), American Banker and Writer Edward N Westcott, American Poet and Diplomat James Russell Lowell, American Poet and Unitarian Minister Rev John Pierpoint, plus others. Towards the back of the album is a signed CDV of Salmon P Chase Secretary of Treasury under President Lincoln later Chief Justice of Supreme Court. During his role as Secretary Treasury during the American Civil War, he was responsible for the setting up of the American National Banking System and the issue of Paper currency. It was Chase who managed to secure the funding for the Union Army to fight the Civil War and he was instrumental in placing the phrase “In God We Trust” on American currency. On the same page as the Chase CDV is the one of the then president Abraham Lincoln, being the famous image published by E Anthony 501 Broadway, New York, from photographic negative, from Brady’s National Portrait Gallery. The image is signed in pencil on the reverse “A Lincoln”, from research undertook it appears that Abraham Lincoln only like to sign on the front of photographs which had large borders able to fit his signature without affecting the photograph, this is why this one has been signed on the reverse. The image taken originally by Mathew Brady shows the president sitting at a table in reflective mood, to the left hand side you can just make out part of his famous top hat. All images are housed in a period album, some leaves are left empty which would indicate that the album was never completed by Mrs Davies, the sleeves that have been left empty do not have any description underneath so we do not believe that any images have been removed. All images remain clear and any which are signed including the one of Lincoln, the signatures remain clear. Front album cover detached. (72 images) This item was purchased by a scrap gold dealer in the East End of London in the early 1990’s and has never been offered on the open market before. It is possible that a member of the Davies family left the USA at some point and settled here in the UK. Interesting research potential.
A selection of framed miniatures and Georgian silhouettes to include a small oval miniature portrait of a young girl in a blue dress, miniature portrait of a young woman signed Felix, another of a young woman in a hat lined with pink ribbon and feathers, signed Derval, a Georgian silhouette of a young man and a 19th century watercolour portrait of a woman (5)
TWO VICTORIAN MOURNING BROOCHES, both oval, one with a black and white flower carved hardstone in a stamped hollow mount, the other with a central vacant panel within a seed pearl and black enamel border with woven hair back, both unmarked, together with a Victorian shell cameo oval brooch carved with the bust portrait of a young girl, in a swivel mount, and a circular openwork white and blue enamelled brooch centred by a faceted citrine (4)
A GERMAN MILCHE GLASS SMALL JUG, early 19th century, of barrel form with pulled and applied handle, painted in enamels with the half length portrait of a young officer within a frame pendant from a bow, 2 3/4" high, together with a later night light holder modelled as a crescent moon painted with a face and flowers, indistinct numerals to base, 3" high (2)
SIR WILLIAM JOHN NEWTON (1785-1869), Portrait of Francis Harding, head and shoulders, miniature on ivory, signed and dated 1830, 3 3/4" x 3", together with another depicting his wife and daughter Davidena Eleanor Hardy and Mary Jane Eleanor, ivory, unsigned, 9" x 5 3/4", both in oak frames (Illustrated)
THREE PORTRAIT MINIATURES, depicting 18th Century ladies, the oval portraits mounted in rectangular segmented bone frames, Mrs Robinson, Duke of Wellingtons mistress, signed Romney lower right, lady wearing pearls in red dress signed Rawson or similar lower right and young maiden, each approximately 8cm x 6cm, frame 13.5cm x 11.5cm (3)
THREE OVAL PORCELAIN PORTRAIT MINIATURES, lady in green dress with feathered hat set in carved roundel border frame inscribed Marie Antoinette Firenze 112/3585A verso, approximately 8cm x 6.5cm, scantily clad maiden exposing bare breast set in gilt easel frame, impressed marks verso, approximately 8cm x 6cm, together with young maiden in yellow, signed indistinctly, set in carved leafage border frame, plaque with Firenze Larabere 65/3623 and impressed 65 verso approximately 6cm x 4.5cm (3)
A PAIR OF 19TH CENTURY MINTONS TWIN HANDLED VASES AND COVERS, the ovoid bodies having portrait cartouches, pensive maiden and figure with dog, signed Boullemier to cobalt ground, gilt borders and scrolled twin handles supported on circular pedestal base, cover with white floral rosette with gilt finial, approximately 35cm high (a/f and one lid glued)

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283287 Los(e)/Seite