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283287 Los(e)/Seite
Early 19th Century watercolour portrait miniature on ivory of a lady in yellow, indistinctly signed, 3.5ins x 3ins approximately, gilt framed together with another, portrait of a gentleman wearing a dark coat and white cravat, 1.75ins x 1.5ins approximately, in ebonised frameThe picture appears to be in very good condition with no cracks, warping, paint loss or obvious fading/restoration.The frame is sound but may not be the original
Joseph Heard (1799 - 1859), oil on canvas, portrait of the brig ' James Ray ', close hauled in a stiff breeze off Holyhead, built at Maryport, Cumberland, 1833, 26.5ins x 36.25ins, signed, gilt framed Provenance: Richard Green, 1981. Also see ' Marine Art and Liverpool ' by A.S. Davidson, a volume of which accompanies the pictureHas been relined and some overpainting, appears to be mainly sky and I believe to cover the crazing. It has been restored well but sometime ago. Overall condition now is good.
A large oil on canvas portrait of Miss Sara Stanley - see label to reverse, dated 1900CONDITION REPORTIn our judgement, condition of lot is fair. Notably, the frame sports some damage and the canvas has signs of repair, as well as some cracking to the paintwork, as expected with age.W - 100cmH - 130cmFrame width - 6cmOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
° ° James, William - The Naval History of Great Britain ... new edition, with additions and notes, 6 vols. portrait frontispieces, 27 folded tables, text diagrams, contemp. half calf and marbledboards, gilt -decorated and panelled spines with red and green labels, marbled edges and e/ps., cr.8vo. 1859
A collection of local history books, largely hardback reference books to include: The Sudburys, Reflections on the Portishead Branch, Around Marshfield, Bristol Picture Book, Bristol Remembered, Ashwick, Pill in old pictures, Mangotsfield, Portrait of Gloucestershire, Long Ashton, History Frenchay Hospital, Floating Harbour
Golden Jubilee Limited Issue £5 solid 22ct Gold Proof Coin Hand Painted First Day Cover. The cover having a portrait by Christine Ellingham. In 2002 to celebrate the queens Golden Jubilee, the Royal Mint in conjunction with Westminster released a limited issue Golden Jubilee £5 gold proof first day cover coin. Held within original blue leather presentation case. Issue 55 / 100. Measures 38.61mm diameter. Total weight 39.94g.
A Royal Mint Proof Queen Elizabeth The Queen Mother Centenary Year Silver Crown five pound £5 Coin. Featuring portrait of The Queen on the obverse and commemorative portrait of The Queen Mother on the reverse created by Ian Rank-Broadley. Held within blue velvet presentation case within cardboard sleeve. Accompanied by specifications note and booklet. Measures 38.61mm in diameter. Total weight 28.28gms.
A collection of Edwardian and early 20th century postcards to include photographs of Bournemoth, Torbay & Brighton as well as topographic postcards featuring children, cats and dogs. Alongside a collection of 19th century Victorian and later portrait and family photographs including WW1 regiment photos.
A large vintage 20th century circa. 1977 limited edition Coalport Her Majesty Queen Elizabeth II Silver Jubilee 1952 - 1977 bone china footed fruit bowl having floral gilt decoration to the rim with profile portrait to the centre. Number 411/500. Accompanied by certification and held within original fitted box. Measures 27cm diameter.
English School, 19th century, a portrait miniature of a gentleman in Regency dress, an Order on a ribbon around his neck, oval, indistinctly signed, watercolour on ivory, in an unusual frame inlaid with mother-of-pearl, tortoiseshell and white metal against a yellow metal ground. Overall 13cm by 10.5cm
Three portrait miniatures, early 20th century, each a portrait of a lady after or in the manner of Romney: the first in an inlaid tortoiseshell frame; the second an enamel plaque in an ebonised frame; the third watercolour on ivory, in a parcel-gilt ebonised frame. (3) First overall 15cm by 12cm
English School, c. 1800, a portrait miniature of a young girl, watercolour on ivory, oval, in a yellow metal and blue glass frame; together with a yellow metal and blue glass miniature frame of similar date, now enclosing a naive landscape watercolour on ivory; and a late 19th century over-painted photographic portrait miniature of a child in a pink sash, in a rose-coloured metal frame. (3) First overall 8.5 by 6.75cm
Three portrait miniatures, early 20th century: the first oval, a lady with her horse, watercolour on ivory, in a gilt-metal frame; the second a lady in Regency dress, oval, watercolour on ivory, in a rectangular gilt-metal frame; the third a young boy with a basket of cherries, oval, watercolour on ivory in a gilt-metal mounted rectangular frame. (3) First overall 15.25cm by 11.5cm
English School, c. 1830, a portrait miniature of a young lady with ringlets, watercolour on ivory, oval, in a yellow metal frame; together with English School, c. 1810, a portrait miniature of a lady in a turbanned headdress, oval, watercolour on ivory, in an ebonised frame; and, Russian School, c. 1900, a portrait miniature of a lady in Russian dress, rectangular, watercolour on ivory, indistinctly signed, in a yellow metal frame. (3) First overall 8.5cm by 7.25cm
Early 19th century portrait miniature of Mrs Gray Newholm, died 8th May 1808 Aged 96, contained within a gilt metal memoriam locket with glazed panel verso, together with another of a woman in a white veil and blue dress, in a yellow metal locket with glazed panel verso, both with suspension loops, 5.5cm (2)
Comprising 17 incised copper / steel printing plates including 11 relating to the artist's visit to the US in the 1970s, in particular Troy, New York:Troy Gas Holder, NY, 1973, 20 x 15cmsElegant building, probably Troy, NY, 22 x 17cmsService/utility building, probably Troy, NY, 25 x 16cmsWashington Park, Troy, 20 x 15cmsPortrait of a woman, 18 x 23cmsMohawk River, Harmony Mills, NY, 1973, 25 x 19cmsGarden Way, Troy, NY, 24 x 18cmsTroy, NY, 1974, 20 x 15cmsPortrait of a woman, 19 x 24cmsFolsom Library, Troy, NY, 1976, 21 x 17cmsPortrait of a man, 18 x 24cmA further 6 plates are of a more general nature:Mediterranean view, 20 x 25cmsForest scene with owl, 21 x 19cmsGnarled tree, 15 x 18cmsStile and trees, 15 x 14cmsGnarled tree stump, 18 x 15cmsThere are 8 portrait and topographical prints, some of which are believed to be rare including a portrait of Canon Sheppard, Vicar of Haxey in Lincolnshire which was the artist's first commissioned portrait (1931), also several views of York, Englandprivate collection South West England, consigned via our Cardiff officeAuctioneer's Note: in the exhibition catalogue ‘Edgar Holloway at 80’ (pub.1994 by Wolseley Fine Arts), Professor Robert Meyrick, Head of the School of Art at Aberystwyth University and Keeper of its Museum and Art Galleries, and the compiler of the catalogue raisonne of Holloway’s etchings and engravings (Scolar Press, 1996), wrote the following:'In 1970 eight works were purchased by the Reverand Thomas Phelan from Troy, New York. Phelan, who is Dean of the School of Humanities at Rensselaer Polytechnic Institute, was on sabbatical leave in England. In 1972, at the invitation of Thomas Phelan, Holloway spent six weeks in America where he was commissioned to produce twelve etched portraits and topographical watercolour drawings. He made return visits in the next three consecutive years to make drawings of nineteenth century industrial, commercial and municipal architecture of Troy at the head of the Hudson river…. Back in Ditchling he made etchings after some of the architectural watercolours of Troy'. (pp12-13)Condition report: Comments:
Portrait of a standing elderly farmer with hands in pockets and staring intently under a peak cap, titled 'Evan Roberts', signed with initials49x 33cmsprivate collection Carmarthenshire, consigned via our Carmarthen officeCondition report: Comments: neatly framed, mounted and glazed, no problems
Half-portrait of the Welsh industrialist Richard Crawshay (1739-1810) in buttoned tunic and neckerchief22.5 x 17cmsprivate collection Lancashire, purchased at auction in South AfricaAuctioneer's Note: The son of a Yorkshire farmer, Richard Crawshay (1739-1810) was apprenticed to a Mr Bicklewith who owned an iron warehouse in London. By 1763 Crawshay had taken over the business and quickly became a successful iron merchant and dealer in cast iron wares. In 1786 he obtained the lease of the Cyfarthfa Iron Works in Merthyr Tydfil, taking control of it in 1794. By 1803 it was the most important centre for iron smelting in Britain. The 'father of Welsh landscape painting' Richard Wilson painted portraits of Crawshay in circa 1790, one of which can be seen at the National Museum of Wales, CardiffCondition report: Comments: craqueleure, surface scratches and dirt

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283287 Los(e)/Seite