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283287 Los(e)/Seite
Los 119
An open arm chair, early 18th century, oak, the demi-lune multi-line moulded top rail over a rectangular landscape thumb moulded panel above a rectangular portrait plain panel between multi-line moulded back uprights, the two plank tapering seat between scrolling open arms on short turned baluster supports with heavy turned side stretchers on short turned front feet, 60cm wide, 117cm high
Los 149
A Country House library bookcase, early 19th century, mahogany, satinwood and marquetry, the ball moulded stepped cornice and scrolling leaf marquetry inlaid frieze over four rectangular glazed cabinet doors with outer chequered ebony stringing and double arched glazing bars opening to reveal adjustable shelves, the centre section with deep double conch shell inlaid secretaire drawer front opening to reveal an arrangement of four short graduated centre drawers flanked by five pigeonholes over a long shallow drawer and long narrow pigeonhole with a single oval panel cabinet door to each end, the secretaire drawer over two urn and swag inlaid cabinet doors revealing two pull-out trays flanked by a crossbanded and marquetry inlaid cabinet door to each end depicting the arts, opening to reveal an arrangement of five graduated, mahogany fronted drawers fitted with brass, rectangular swing handles with hexagonal discs, raised on four short square tapering front Adam inspired feet, 255cm wide, 260cm high to the centre, 60cm deep to the centre. Provenance listed in the catalogue of the Riccall Hall sale, Yorkshire, lot number 686, the sale by order of the executers of the late Lord Danesfort, K. C., J. P., the sale, a three day sale, September 24th, 25th and 26th 1935, auctioneers Richardson and Trotter, York, the bookcase has a chalk inscription to the back 'From Riccall Hall, September 28th 1935', Lord Danesfort formally John George Butcher, Barron Danesfort (1853-1935), Lord Danesfort was captured by 'Spy, characterturist and portrait painter for Vanity Fair Sir Lesley Ward (1851-1922), a published watercolour in Vanity Fair, November 1901 of John George Butcher, Barron Danesfort, he was later noted in 1934 as a champion of the Southern Irish loyalist along with Lord William John Arthur Charles James Cavendish and Lord Edward Henry Carlson.The bookcase design draws influence from Chippendale, Hepplewhite and Adam and is most probably Irish from the first quarter of the 19th century.
Los 527
Sir David Wilkie, RA (British, 1785 -1841) Mrs. Moore, wife of the British Consul at Beirut, in Arab Dress signed lower right "D Wilkie" oil on canvas 42 x 32cm Exhibited: Spink, London, English Oil Paintings, 16 November - 3 December 1976, No.11. Literature: The Connoisseur, November 1976, The Arts in Europe, page 252 Wilkie referred to Mrs. Moore in a letter to his sister Helen Wilkie from Beirut, dated 17 February 1841. 'We have been much pleased with Mrs Moore, the consult’s lady, who is very handsome. Mr Moore wished me to engage to paint a portrait of her for him. This I could not do, but told him that if she had a native dress, I would be happy to make two drawings of her - one for myself, as well as one for him. Accordingly, two drawings have been made for her; in the dress of a Bedouin lady; both are so much liked that they scarcely know which to retain.' Allan Cunningham, The life of Sir David Willkie, 1843, vol. 111, p. 390 A painting entitled Mrs. Moore in Arab Dress was sold at the Willkie sale, Christie’s, Thursday 28 April 1842, lot 591
Los 531
Pierre Jouffroy (French, fl.1742-1767) Portrait of the Shrewsbury Children, holding a Garland of Flowers signed lower centre 'Pr. Jouffroy fecit 1779' oil on canvas 58 x 70cm Provenance: Private collection, Kent Pierre Jouffroy, who was the Court Painter at the French Court, visited England to undertake commissions between 1765 and 1767
Los 534
Circle of Justus Sustermans (Flemish, 1597-1681) Portrait of a Lady oil on canvas 112 x 84cm Provenance: Audley End House, Essex (by repute) Christie’s, Sale, 1 June 1962, lot 70, J. Sustermans Portrait of a Lady, three -quarter length, in green brocade dress, white lace collar and cuffs, and pearl-sewn headdress - 44in by 33in, sold for £231. Justus Sustermans was Court Painter to the Medici family and feted as the best portrait painter of his day in Italy
Los 535
English School Portrait of the 1stÊEarl of Salisbury, three-quarterÊÊlength, wearing aÊbrown and gold embroideredÊ cloak and white jerkin withÊlace ruff and cuffs, holding aÊLetter andÊStaffÊ oil on canvas 110 x 79cm Provenance:Ê Christie’s London, Old Master Paintings, 28ÊFebruary 1969, lot 132
Los 702
Attributed to W C Ross, a pair of portrait miniatures, said to be the parents of the artist, two other portrait miniatures and a silhouette of a gentleman by Miers, the largest 7 x 6cm, all in papier m‰chŽ frames The first pair bears a paper sale label from the estate of the late W Burdett Coutts (5)
Los 732
City of Exeter and the Printing firm of Norton, a 19th century woodblock, carved with a jail hanging scene circa 5 x 7cm (as used for the local newspaper when printing an execution story); another block, carved with a profile portrait of Alexander Jenkins, author of the History of Exeter, used as the book frontispiece; a second edition of Jenkins" book, 1841; two copper portrait printing blocks, of the Nortons; two visiting card blocks; and another History of Exeter, by John Vowell alias Hoker, 1765, in modern half calf binding (7)
Los 312
An oak three tier buffet. constructed from 17th century timber and panels, the upper lozenge carved cupboard section with a central door, door bears plaque etched 'From the Furniture of Anne of Cleves, Priory House, Lewes, purchased in 1863', below are a pair of fluted column supports and a triple panel backboard, the lower section comprising a guilloche carved drawer on fluted column front supports joined by an undertier. 113cm wide, 184cm high, 56cm deep . Anne of Cleves (1515-1557) was the fourth wife of Henry VIII. Born in Dusseldorf, she was the daughter of John III of the Duchy of Cleves - who was seen as an important potential ally. Henry was taken by a flattering portrait of her painted by Hans Holbein and entered into marriage negotiations. The first actual meeting did not go well however and within hours he declared: 'I like her not' ! By this time it was too late to get out of the marriage contract without offending the Germans and so they were wed in January 1540. Various reasons, both personal and political, led Henry to want to annul the marriage and Anne was sensible enough not to raise too many objections. It was over by July 1540 and Anne received a generous settlement, including Hever Castle and the house in Lewes which now bears her name. . Anne of Cleaves House in Lewes is a 15th century timber framed Wealden hall-house. It is currently a museum. . The bedhead for Henry VIII and Anne of Cleves is in the Burrell Collection in Glasgow.
Los 468
L* BERNIERI: PORTRAIT MINIATURE of a young girl wearing laced trimmed frock and with golden flowing hair, signed and dated 1899, 2½" oval; an oval miniature of a young lady, her plaited hair tied in a bun, labelled 'Mrs Milner' to verso, 2¾" oval and three further decorative French miniatures (5).
Los 515
The following 13 lots are from the estate of Faith Tresider Sheppard (1920-2008) Nancy Sheppard (nee Huntly, b.1890) Two artist's sketch books, containing many pencil sketches, circa 1906. 14 x19cm; three further sketches: DIGSWELL RUFUS Signed, inscribed verso, 27 x 17cm; A HALF LENGTH PORTRAIT OF A GENTLEMAN Signed and dated 1930, pencil. 39 x 28cm; Attributed to Nancy Huntly PORTRAIT OF A LADY RESTING HER HEAD ON HER HAND Pencil, 24 x 15cm, unframed (5)
Los 517
Nancy Sheppard (nee Huntly, b.1890) 'FAITH AGED 4' Signed, inscribed in ink on label verso, 'Hung in Royal Academy Summer Exhibition 1925', also with Pastel Society typed label, pastel, 35 x 25cm. Exhibited: Royal Academy, 1925 Faith's hand-written notebook recalls that in the Royal Society of Portrait Painters the picture was exhibited in the 'Paris Salon under the title of 'Avril', because she cried and cried while sitting for it, so my mother felt it wasn't me, but a tearful little girl possibly called Avril (April showers)'. After the picture's return, the frame damaged, Faith writes 'My mother didn't care to show in Paris anymore, she thought fees too expensive'.
Los 519
Nancy Sheppard (nee Huntly, b.1890) FAITH SHEPPARD Signed 'Huntly' & 'N. Sheppard', oil on canvas, 76 x 63.5cm; 'AMANDA' Signed 'Huntly', with Royal Society of Portrait Painters label verso, oil on canvas, 61 x 51cm; HALF LENGTH PORTRAIT OF A GENTLEMAN Signed verso in ink, oil on canvas, 92 x 61cm (3)
Los 525
Faith Sheppard (1920-2008) A collection of unframed watercolours: BLEWBURY COTTAGE, BEUNDENE, BERKSHIRE; Five interior scenes, Signed and dated 1936 25.5 x 35.5cm; VIEW OF A HOUSE Signed, 26.5 x 23cm; ABBEY GATEWAY, ST. ALBANS Signed, 29 x 44cm; A MEDITERRANEAN VIEW Signed, gouache, 27.5 x 38cm; and two still lifes, a self portrait sketch in pencil and another of a seated gentleman, all unsigned (12)
Los 620
Richard Gibson (1615-1690) PORTRAIT OF A GENTLEMAN, SAID TO BE JAMES GRAHAM, 5TH EARL OF MONTROSE (1612-50), wearing a black doublet, the sleeve slashed to reveal white and wide white lawn collar with tassels Watercolour on vellum, gilt-mounted rectangular papier-mâché frame, oval, 7.2cm high
Los 680
Sir Joshua Reynolds, P.R.A. (1723-1792) PORTRAIT OF WILSON GALE-BRADDYLL (1756-1818) OF CONISHEAD PRIORY, LANCASHIRE, HALF LENGTH, IN A BURGUNDY COAT AND WHITE STOCK Oil on canvas, 30 x 25 in. (76 x 63 cm.) in a fine 18th Century carved giltwood frame Provenance: According to Graves & Cronin, by descent in the family until its sale at Christie's: Christie's, Braddyll sale, 25th February, 1865 (lot 97), bought Cox; apparently returned to the family afterwards and recorded in the possession of E.S. Braddyll in 1881; Private collection, Cumbria; thence by descent Exhibited: Royal Academy, 1788, as 'Portrait of a Gentleman', no. 189; perhaps Liverpool, 1881, no. 136 Literature: Algernon Graves and William V.Cronin, 'Sir Joshua Reynolds', 1899, vol 1, no. 110; Ellis K.Waterhouse, 'Reynolds', 1941, p.80; David Mannings, 'Sir Joshua Reynolds - A Complete Catalogue of his Paintings', Yale University Press, 2000, no. 237, p.103 (engraving only illustrated, no. 1529, p. 566) Engraved: A.N.Sanders, 1865 The sitter was born Wilson Gale, the eldest son of John and Sarah Gale of Highhead Castle, Cumberland. In 1776 he inherited Conishead Priory, together with other properties, on the death of his cousin Thomas, and assumed the additional name and arms of the Braddyll family. In the same year he married his cousin Jane Gale, daughter and heir of Matthias Gale of Catgill Hall, Cumberland. In 1779 he was appointed Sheriff of Lancashire,and from 1780 he was a Whig MP for three different constituencies, successively Lancaster Borough, Horsham and Carlisle. He became a Groom of the Bedchamber to the Prince of Wales, who in 1788 gave him a head and shoulders portrait of himself by Reynolds, which Is now in the Tate Gallery (Mannings no. 720). As a friend of the Prince of Wales he was well known for his profligacy, and Farington wrote of him in 1796 'It is not supposed that Braddyll consumed his fortunes by gaming but by inattention to his expenses and by various profuseness of living. Though he had very expensive establishments to support, he lived much at taverns as a profuse bachelor'. In Reynolds's Pocket Book for 1788 there are several appointments with Mr Braddyll in January and February, and two for May, one of which may have been with Mrs Braddyll, whose portrait he also painted (Mannings no. 238), now in the Wallace Collection, London, along with one of their son Thomas (Mannings no, 236) and a group portrait of the family (Mannings no. 239), now in the Fitzwilliam Museum, Cambridge. A payment of 50 guineas is recorded in the artist's Ledger in July 1789. In 1803 Braddyll was made a Colonel in the 3rd Royal Lancashire Militia.
Los 83
A 19th century French ormolu and porcelain mounted mantel clock, with an 8 day movement striking on a bell with an outside countwheel, inscribed 'Mugnier a Paris,' '264,' with a 4.25inch enamel dial, the case with cherub surmounts and painted panels of flowers, female portrait busts, exotic birds and young figures reading a book, 19in (48cm) h.
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283287 Los(e)/Seite