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283287 Los(e)/Seite
Los 202
# A 9ct gold coral cameo ring, a portrait within a rope twist frame, finger size L and an 18ct gold mourning ring, (worn) black enamel to depict 'IN MEMORY OF', with a cavity for a stone, engraved to the inner shank 'Mary Callon Obt Sep 9 1864 At 62', finger size K (2) CONDITION REPORT: Good condition overall. The cameo ring is worn - the nose is missing. It is hallmarked with maker's mark 'H.S.', Birmingham, 1935. The mourning ring has a locket aperture to the inner shank. The enamel is very worn. It is hallmarked with maker's mark 'T.E.', London, 1864. Gross weight 11.0 grams. CR 09.12.15
Los 70
# Four brooches, including; a cameo brooch depicting a warrior with winged helmet, a Victorian brooch set with a split pearl, with turquoise coloured enamel and a portrait to the reverse, a mourning brooch with hardstone cameo flower centrally and a multi-moonstone brooch (4) CONDITION REPORT: Good condition overall. All fasten with pin and hook catches. Old solder repair on cameo brooch. CR 09.12.15
Los 43
Constantinople, Byzantine Empire, ca. 668 - 685 CE. Solid high karat gold coinage (tremissis) with portrait of Constantine IV looking right on obverse, cross on reverse. Size: 1.6 grams, 15mm. Provenance: Ex. M. Reiniger collection Condition: About EF All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111243
Los 64
Pre-Columbian, Southern Peru, Nazca, ca. 200 to 400 CE. A large, expressive section of a fine terracotta portrait vessel featuring bold facial features. Notice those smiling lips and carefully lined, lidded eyes. Once the jar was fired, the indigenous artist hand-burnished it bestowing it with a rich surface texture and shine. Custom, museum-quality stand. Size: 4.75" L x 3" W x 4" H (12.1 cm x 7.6 cm x 10.2 cm) Provenance: Ex- Estate of M. Reiniger, Chicago, IL; Ex-Schmidt Collection, IN Condition: A section of a portrait vessel with expected surface wear and paint loss. Still, a wonderful example. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111508
Los 87a
Russia, 18th to 19th century CE. This is a wooden triptych with oil paint done in shades of brown with red highlights depicting a large, sensitive portrait of Jesus flanked by standing saints and with smaller images painted above each section of the triptych. There is Cyrillic writing on each of the panels and a high level of details -- this is one of those pieces where, every time you look, you see something new. The triptych form was extremely popular in Christian art in both the West and East from medieval times onward; this piece is part of that long tradition. Size: 23" W x 17.5" H (58.4 cm x 44.4 cm). Provenance: Ex- Estate of M. Reiniger, Chicago, IL Condition: This piece is intact with the paint and artwork clear; there is some slight cracking to the paint. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111527
Los 91
Russia, ca. 18th to early 19th century CE. A wondrously touching Russian Orthodox icon depicting Mary holding Jesus after he was taken from the Cross. This scene from the life of Christ inspired countless paintings and sculptures representing the glorious Pieta, including my favorites: the reknowned Michelangelo marble masterpiece housed in St. Peter's Basilica, Vatican City (1498-1499) and the breathtaking painting by William-Adolphe Bougereau (1876); sadly Bougereau was inspired by the death of his eldest son (unfortunately the first of four of five children he lost) when he created his painting. Here we see the Virgin holding her recently deposed son from behind, her hands supporting his lifeless body across the chest, his gaunt body with ribs delineated, eyes closed, and hands crossed connoting an ironic peace. The composition is painted on a vertical (portrait orientated) panel with an integral, raised frame/border surrounding it. Back slats used to prevent warping indicate that this piece dates prior to 1880-1890 CE. A fine example! Size: 12.25" L x 10.5" W (31.1 cm x 26.7 cm) Provenance: Ex- Estate of M. Reiniger, Chicago, IL Condition: Surface shows its age with wear and losses particularly to the peripheries as shown. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111519
Los 162
BRITISH SCHOOL (19TH CENTURY) Portrait of a Gentleman; and Portrait of a Lady, a pair, oil and gouache, unsigned, each 19cm x 14cm, uniformly framed. Note: The sitters are identified verso, in the same unknown hand, as 'Burham Rust / Father age 21 years' and 'Mary Anne Thompson / Mother age 19 years'.
![[CYCLING INTEREST] Twenty-six promotional and other portrait cards of competition riders, including Jan Derksen (Sprint Champ](https://cdn.globalauctionplatform.com/bde9fddb-23c4-45f6-8942-a57500cc9f14/6e0ea686-a036-4b8d-e5a8-b43a2ebd5962/468x382.jpg)
Los 238
[CYCLING INTEREST] Twenty-six promotional and other portrait cards of competition riders, including Jan Derksen (Sprint Champion of the World, 1946); Brik Schotte (Road Champion of the World, 1948 & 1950); and Rik van Steenbergen (Road Champion of the World, 1949), (album); together with a Powell & Hanmer 'New 75' acetylene gas lamp; and a set of Player's cigarette cards, 'Cycling', in adhesive album.
Los 269
λ A late 18th century French silk fan, with gilt decorated ivory guards and sticks, the fan painted with a central scene of an amorous couple and flanked with terms and portrait medallions with further oval panels of lovers, applied with gilt discs in a gilt, glazed fan shaped case, 58.5cm wide.
Los 331
λ A 19th century turned ivory box and cover, the lid inset with a portrait miniature of a lady, signed indistinctly, the base with a paper label inscribed in pencil 'Duchesse di Parme', 9cm diameter, together with two Indian ivory groups of figures with oxen, a Chinese carved ivory aide memoire, an ivory seal, an ivory hand mirror, a tortoiseshell hair comb and a bone pot and cover. (8)
Los 407
λ After Sir Francis Leggatt Chantrey (1781-1841). A George IV metallic proof portrait relief of George IV, engraved by A.J. Stothard, inscribed 'No.LXXIV GEORGE IIII', 'PUB. BY S.PARKER XII ARGYLL PLACE, LONDON.', 11.3cm diameter, with a gilt brass inner moulding and a rosewood frame, the verso with original printed paper label. Provenance: William Redford, Mount Street, London, 1984.
Los 445
λ An early 19th century French tortoiseshell snuff box, the lid inset a gilt portrait relief of Napoleon on horseback, inscribed 'NAPOLEON PREMIER EMPEROR ET ROI', signed 'GAYRARD', 8.4cm wide, together with an early 19th century lacquered papier-mache snuff box, painted with a tavern scene of men playing cards. (2)
Los 451
A collection of Mauchline ware, including: a binding of 'The Ballad Minstrelsy of Scotland' decorated with a portrait of Sir Walter Scott and landscape vignettes, 19.5cm high, three egg cups, a blotter, a paperweight, napkin rings, a sewing shuttle, egg shaped boxes, a glove stretcher and a string box, together with three items of Tartan ware. (43)
Los 551
Nine assorted portrait engravings and mezzotints, including: a stipple engraving by F.C. Lewis of Elizabeth, Duchess of Devonshire, after Sir Thomas Lawrence, mezzotints of Lord Hugh Percy, Earl of Northumberland, Mrs Matthew, Mrs Stanhope and The Rt. Hon. Frederick Howard all after Sir Joshua Reynolds and a coloured stipple engraving of a judge, all framed and glazed, 95 x 65.7cm (max). (9) Provenance: The Collection of the Late P. J. Rankin.
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283287 Los(e)/Seite