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283284 Los(e)/Seite
Los 6
Louis Joseph Narcisse Marchand (French 1791-1876) - Capriccio view of a Napoleonic triumphal arch, monochrome watercolour and ink, later paper added to mount ‘Given to Andrew Mott by M. Marchand on board H.M.S. Northumberland en route for St Helena. Discovered amongst Scrope Davies papers’, further inscriptions verso, image 18.5cm x 30cm, within an ebonized frame of deep section. Note: Marchand was Napoleon Bonaparte’s valet and nominated liquidator of his succession. The arch has a panel with a figure on a rearing horse similar to David’s portrait of Napoleon, above an initial ‘N’ flanked by angels similar to those seen on the arcades of the Arc de Triomphe de l’Etoile.
Los 115
Union Bank of Burma, a group comprising 1 Kyat, (2), 5 Kyats (2), 10, 20, 50 Kyats (2),100 Kyats, all ND (1958), all portrait of General Aung San at right, also Peoples Bank of Burma, 1 Kyat, (2), 5, 10 and 20 Kyats, ND (1965), General Aung San at centre, also 1, 5, 10, 25 and 100 Kyats, ND (1973) and 15, 35, 45, 75 and 90 Kyats, ND (1985), first group generally extremely fine, several better, second group uncirculated (24 notes) BNB B809a-B814a, B901a,b-B904a, B1001a-B1004a, B1006a-B1011a, Pick 46a-59, 61-66 £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Los 800
United States Broken Banks, a mixed lot comprising Bank of Washington, North Carolina, unissued $3, $4, $5 and $10, Berks County Bank, Pennsylvania, unissued $5, Citizens Bank of Louisiana unissued $1 and $2, State of South Carolina issued $1, 1872, serial number 993, Chesapeake and Ohio issued $10, 1841 serial number 151, Bank of New England, unissued $118-, Bank of Selma, issued $10 dated 1862 and a separate portrait vignette, also a $1 (5) silver certificate 1957, all consecutive star serial numbers, and $2 (6, five consecutive) dated 1963, generally uncirculated (22 notes) £150-£200
Los 616
Banco de Portugal, obverse and reverse archival photographs showing proposed designs for a 50 Escudos, ND (1959), obverse portrait of Dom Diniz, reverse scene of Saint Elizabeth of Aragon in the Alvalade battlefield, completely different to the issued design, with pencil date 30 May 1958 on reverse, unique and important (2 photos) Pick 164 for type £300-£400 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Los 613
Banco de Portugal, obverse and reverse archival photographs showing a proposed design for a 100 Escudos, ND (1934), Pedro Augusto de Carvalho portrait, completely different to the issued design, with pencil date 27.12.34 on reverse, unique and important (2 photos) Pick 150 for type £300-£400 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
![Britains - Set 1474 - Coronation Chair [Pre War version], comprising: Gilt Throne with Purple Arms, Detachable Seas & Sto](https://cdn.globalauctionplatform.com/9bb444dc-229c-434f-8d05-b1db00940366/61de2391-b94b-4700-be93-b2330119f3cb/468x382.jpg)
Los 530
Britains - Set 1474 - Coronation Chair [Pre War version], comprising: Gilt Throne with Purple Arms, Detachable Seas & Stone of Scone, Set 1472 - H.M. King George VI [Gilt version - 1937] - King George VI in Coronation Robes & Set 1505 - H.M. Queen Elizabeth [Gilt Version, 1937] - Queen Elizabeth in Coronation Robes. Some minor age wear otherwise generally Excellent overall. Also, 12 x [recast] Britains Footmen & Beefeaters, Mint. Together with: Timpo - HM The Queen [1953 Coronation only Issue] - Portrait figure of Queen Elizabeth II [as usual beret hackle missing], Mounted Side Saddle on her Brown Horse - "Winston". Near Excellent overall, contained in a Good [some storage wear] Special Coronation Issue Hinged Box with a Foil Coronation Cypher label to underside of lid & Pink Insert Card. [16]
Los 1472
A gentlemen's 18ct gold Buren mechanical bracelet watch, the circular case, 33mm in diameter, with a silvered dial bearing the portrait of King Saud bin Abdul Aziz, applied batons, pencil hands, date aperture at three, a textured bezel. Snap-off back signed Buren, Swiss hallmark. A tapered textured bracelet to a folding clasp, marked 750. 75.78g, no box or papers Buying this watch at auction could save up to 0.80 tonnes of CO2e compared to buying new. Condition ReportWinds and ticking but no guarantee as to time keeping or continued running. With a protective sticker to case back. A few scratches to glass.
Los 1211
A chalcedony and diamond pendant, with a central relief of a lady in profile, her hair adorned with a garland millegrain set with eight cut diamonds, upon an oval chalcedony plaque spectacle set to a scalloped mount, to a tapered floral bale, bale hallmarked 9.375, tested on portrait surface as approximately 9ct gold. 67mm x 39mm, 30.90gCondition ReportMinor marks and scratches to surfaces.Very small fracture lines visible to back of chalcedony around one rivet.The portrait section has been tested on surface only, as approximately 9ct gold.
Los 1448
A Swiss key wound hunter style fob watch, with a 30mm case. A white enamelled dial with blued spade hands and a polychrome enamelled portrait of a lady to each cover, both set with graduated rose cut diamonds, with a black champleve enamel scrolling border. A hand engraved case with a plain gold bow. Case number 65346. Maker PM&F. Marked 18K. 23.01g. Condition ReportNo key but ticks when gently shaken. Bow worn Losses to the black enamel border. x1 rose cut diamond deficient. Bezel and glass deficient. Scratches and marks consistent with its age.Dust cover unmarked, tested as approximately 18ct gold.
Los 1022
A Victorian shell cameo pendant, composite, with the realistic portrait of a man facing left, possibly Roman or Grecian, in a rope twist border to a tapered bale. Unmarked and tested as approximately 14ct gold. 50 x 68mm, 21.93gCondition ReportThere is a visible surface-reaching crack to one side, near the setting.The central carving is integral, with minor wear.
Los 1294
Two hardstone cameo rings, a sardonyx cameo ring, depicting the tree-quarter portrait of a lady, bezel set to a closed back mount, tested as approximately 14ct gold, size R½,and an agate cameo ring,with the portrait of an elderly lady, spectacle set to pierced shoulders and a plain band, stamped 18ct but tested as approximately 14ct, size P,11.86g (2)Condition ReportEvidence of resizing to sardonyx ring.Surface scratches and marks to mounts.
Los 58
Edward Wolfe RA, South African/British 1897-1982 - Portrait of a lady, head and shoulders; crayon on paper, signed in pencil lower right 'Wolfe', 57 x 41.1 cm (ARR) Note: Edward Wolfe was invited by Nina Hamnett to work with Roger Fry's Omega Workshop during the latter stages of the First World War and worked with Duncan Grant to decorate the dividing doors in the first floor sitting room at 46 Gordon Square when Maynard Keynes had control of the house. These decorated doors are now in the collection of Kings College, Cambridge. Works by the artist are in the collections of the Tate, Manchester Art Gallery and the Ben Uri Gallery & Museum.
Los 95
attrib. to Marthe Jouanne Hugonet, French 1868-1953 - Bust portrait of a woman in profile, 1895; pastel on paper, 48 x 35 cm Provenance: Martin du Louvre, Paris, inv.2256 (according to the label attached to the reverse of the frame); the Estate of Jill and Michael Barrington Note: the date of the work is given on the printed gallery label. The same label states that the artist was a student of Léandre.
Los 31
Dame Ethel Walker, British 1861-1951 - Donkey studies; pencil on paper, 11.8 x 34.5 cm: together with another framed work on paper by the same artist of a similar size 'Female portrait study' (unframed) (2) Provenance: Sylva Nadolny, gifted by the artist and thence by descent Note: Nadolny was a friend and pupil of Ethel Walker. The artist exhibited widely in the UK during her lifetime and was the subject of a major retrospective at the Tate in 1951, alongside her contemporaries Gwen John and Frances Hodgkins and organised by John Rothenstein. More recently, her work was central to Tate Britain's 'Queer British Art 1861-1967' in 2017.
Los 238
John Bratby RA, British 1928-1992 - In Two Mirrors, 1959; pencil on paper, signed, dated and dated lower right 'John Bratby Nov. 59 In Two Mirrors', 55.2 x 57.5 cm (ARR) Provenance: with Zwemmer Gallery, London, no.Kz.Oc/oo (according to the label attached to the reverse of the frame); private collection Note: the work is titled 'Self-Portrait with Mirrors I' on the typed label attached to the reverse
Los 236
Sir Lawrence Gowing CBE RA, British 1918-1991 - Northener, 1957; monoprint on card, 17.2 x 36.5 cm (ARR) Provenance: the Studio of the Artist; private collection Note: there are two labels attached to the reverse, one is inscribed and reads, 'first made for the cover of a student magazine at Newcastle-upon-Tyne and later sent as a Christmas card. Signed and dated 'Christmas 1957' on the reverse. The vertical fold two thirds of the way across the sheet is an integral part of the design. The second states 'Ex cat Northener 1957' and is inscribed 'Hayward Gallery 1977'. An accomplished portrait and landscape painter, Gowing was a pupil of William Coldstream and protege of Bloomsbury art critic Clive Bell. His sitters include Lord Attlee and Lord Halifax. He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Los 235
Sir Lawrence Gowing CBE RA, British 1918-1991 - Classical study; oil on board, 32.5 x 42.5 cm (unframed) (ARR) Provenance: the Studio of the Artist; private collection Note: an accomplished portrait and landscape painter, Gowing was a pupil of William Coldstream and protege of Bloomsbury art critic Clive Bell. His sitters include Lord Attlee and Lord Halifax. He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Los 56
Edward Le Bas RA, British 1904-1966 - Wild flowers in a jug; oil on board, signed lower left 'E le Bas', 51 x 37.5 cm (ARR) Provenance: The Lefevre Gallery, London, purchased by Mrs. Evans, c.1949 (according to the label and letter attached to the reverse); New Grafton Gallery, London, purchased by Sir Andrew Carnwath, exhibited 26th January 1978 (according to the label attached to the reverse of the frame); Bonham's, London, Modern British and Irish Art, 10 March 2015, lot 45; private collection, purchased from the above Note: works by the artist are in all major UK collections including the Tate, the National Museum of Wales, the National Portrait Gallery, London and the Government Art Collection. The artist was a friend of Duncan Grant and through his personal wealth amassed a large collection of works by Bloomsbury and Camden Town artists, as wells as important works by Edouard Vuillard, who was a major influence on his style.
Los 220
Daniel O'Neill, Irish 1920-1974 - Down and Outs; oil on board, signed upper left 'D O'Neill', 65.5 x 86.8 cm (ARR) Provenance: Christie's London, The Irish Art Sale, 10th May 2007, lot 126 (unsold); private collection, UK Note: Bright, vivid colours identify this work as one created later in his career. The distorted faces of figures, whose eyes are reduced to sunken hollows, is an exaggeration of the darkened eyes in his portrait ‘Jeanie’ (1954). In the middle ground a figure stands with his arms outstretched, evoking powerful biblical images of the crucifixion. In the foreground, a figure adorned with a deep blue neckline of her dress is subtly suggested to be the Virgin Mary as such. O’Neill became a full-time painter in 1945, having previously worked as an electrician on Belfast shipyard, and visited Paris in 1949. Here he was influenced by Maurice Vlaminck, Georges Roualt and Maurice Utrillo. In the following decade he moved to Conlig, Country Down, where a small group of artists had formed. These included George Campbell and Gerard Dillon. Some of his works were exhibited at the Irish Museum of Modern Art in 2005 as part of an exhibit on Northern Irish Artists.
Los 36
Grace English, British 1891-1956 - Portrait of Hellene Walton, 1915; ink on paper, signed and dated lower right 'G English 15', 19 x 15.2 cm (ARR) Provenance: the Family of the Artists Grace English and Erna Hoppe-Kinross Note: Walton was the executor to Grace English and fellow artist. She exhibited at the Royal Academy in 1922.
Los 237
Sir Lawrence Gowing CBE RA, British 1918-1991 - The artist's painting case and palette; painting case with various paints and paintings implements and the artist's palette: together with a small box of a collection of the artist's books (3) Provenance: the Studio of the Artist; private collection Note: an accomplished portrait and landscape painter, Gowing was a pupil of William Coldstream and protégé of Bloomsbury art critic Clive Bell. His sitters include Lord Attlee and Lord Halifax. He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Los 180
Sir Francis Rose, British 1909-1979 - Studio, Brighton, 1964; ink on paper, dated lower left '9 Aug 64' and titled lower right, 49.5 x 39 cm (ARR) Provenance: the Estate of the Artist; private collection Note: Rose began his career as a set designer for Diaghilev's Ballets Russes, sometimes collaborating with his friend Christopher Wood. He was a friend of Gertrude Stein, who owned many of his works and of whom he made a portrait.
Los 49
Christopher Wood, British 1901-1930 - Portrait of the Artist's Mother; pencil on paper, 30.5 x 23.6 cm Provenance: Mrs E Dalziel Smith, the artist's sister (according to the artist's grandnephew); with Redfern Gallery, London (according to the inscription on the label attached to the reverse of the frame); private collection Note: according to the artist's grandnephew the work was previously shown alongside a portrait of his sister done in a similar style.
Los 102
Robert Duckworth Greenham RBA ROI, British 1906-1976 - Portrait of a woman in a hat, 1966; oil on board, signed and dated upper right 'RDG 66' and further inscribed on the reverse, 25.5 x 20.3 cm (ARR) Provenance: JAN, gifted by the artist in 1966 (according to the inscription on the reverse); Bonhams, London, Modern Pictures, 18th February 2003, lot 31; private collection
Los 170
Mervyn Peake, British 1911-1968 - Portrait of Ithell Colquhoun, 1939; ink on paper, inscribed by Ithell Colquhoun 'By Mervyn Peake 1939', 30.3 x 19 cm (ARR) Provenance: Ithell Colquhoun (1906-1988); private collection Note: Dr. Richard Shillitoe, author of 'Ithell Colquhoun: Magician Born of Nature, 2010', has confirmed that the writing is by Ithell Colquhoun. There is another portrait of Ithell Colquhoun from 1939 that was sold at Christie's on the 27th March 2003, which can be seen here and was reproduced in Peake Studies Volume 4 (published 1994-6). One of the most singular and visionary artists of the 20th century, Peake is known as the creator of the Gormenghast trilogy.
Los 35
Erna Hoppe Kinross, German/British 1875-1964 - Portrait of the Artist, 1908; oil on panel, signed lower left 'E. Hoppe Kinross', also signed upper left 'E. Hoppe', 21.5 x 27 cm: together with a pastel on board by the same artist of baby Rupert and an etching of the same subject, 28.5 x 24.2 cm and smaller (3) (ARR) Provenance: the Family of the Artists Grace English and Erna Hoppe-Kinross
Los 234
Sir Lawrence Gowing CBE RA, British 1918-1991 - Landscape, c.1940s; oil on canvas laid down on board, 40 x 50.4 cm (unframed) (ARR) Provenance: the Studio of the Artist; private collection Note: an accomplished portrait and landscape painter, Gowing was a pupil of William Coldstream and protege of Bloomsbury art critic Clive Bell. His sitters include Lord Attlee and Lord Halifax. He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Los 83
Eugen Spiro, Polish/American 1874-1972 - Portrait of a draped female nude, quarter length, 1907; oil on canvas laid down on board, signed and dated lower right 'Eugen Spiro 07', 55 x 42.5 cm (ARR) Provenance: Ketterer Kunst, Munich, 25th May 1998, lot 219; Roseberys, London, 24th June 2014, lot 605; private collection, purchased from the above
Los 99
Anna Katrina Zinkeisen, British 1901-1976 - The Spinning Wheel; oil on canvas, signed lower left (partially covered by frame), 64 x 77 cm (ARR) Provenance: Phillips, London, Modern British Paintings, Drawings and Sculpture including Modern Australian Paintings, 13th June 1989, lot 131 (unsold); Christie’s, London, Twentieth Century British Art, 13th June 2002, lot 21 (unsold); private collection Note: this early work by Anna Zinkeisen captures the glamour of theatreland in a painting which has it's foundation in her classical training and portraiture. The work displays hints of Art Deco sensibilities, with stylised forms and clean lines producing a sophisticated, modern appearance whilst retaining its classical realism. Anna worked closely alongside her older sister, Doris Zinkeisen, for the best part of both their careers. They both were commissioned to paint murals for RMS Queen Mary and RMS Queen Elizabeth. Whilst both renowned young artists, rubbing shoulders with Laurence Olivier, Noel Coward and John Gielgud, they volunteered in both great wars as VADs. Anna’s self-portrait (1944) is now exhibiting in the National Portrait Gallery.
Los 310
ORIENTAL CERAMICS, collection of Chinese tableware to include some 18th Century and 19th Century, including sake bowls, early stoneware rice bowl and miniature vases Lot 310: One bowl with glaze chip to rim. Saucer with hairline crack. Portrait dish with surface deposits. One small bowl with faint hairline crack. One small bowl with rim chips. One small bowl with rim chips & faint hairline, otherwise in good condition. See photos
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283284 Los(e)/Seite