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283284 Los(e)/Seite
Los 452
A MACKAY "Still Life with Jug and Fruit" oil on board, signed lower right, approximately 40 cm x 49.5 cm, together with 20TH CENTURY ENGLISH SCHOOL "Town Square with Church and Figures" oil on board, indistinctly signed lower left, 20TH CENTURY CONTINENTAL SCHOOL "Alpine Scene" oil on canvas, unsigned and a pastel portrait study of a gentleman with beard, unsigned
Los 288
Enoch Seeman (British 1694-1745) Portrait of Lady Margaret Herbert (d. 1752), daughter of Thomas, 8th Earl of Pembroke Oil on canvas 118 x 141cm (46¼ x 55½ in.) Provenance: The Earl of Guilford Sale, Christie's, London, 21 November 1980, Lot 88 Literature: Waldershare Park catalogue, no. 188 Lady Margaret Herbert was one of twelve children to come from Thomas Herbert, 8th Earl of Pembroke and 5th Earl of Montgomery's marriage to and his first wife Margaret Sawyer. Herbert, and English and later British statesman, was the third son of Philip Herbert, 5th Earl of Pembroke (1621-1669) and Catharine Villiers. Upon the death of both his brothers, the 6th and 7th Earl respectively, and without the presence of an heir, Herbert succeeded to the earldoms in 1683. Sawyer in turn was the only child of Sir Robert Sawyer (1633-1687) and Margaret Suckeley. Sir Robert Sawyer was the Attorney General for England and Wales (1681-1687) and briefly speaker of the English House of Commons. After settling in Highclere, Hampshire, Sawyer built the house which preceded the present castle. Lady Margaret Herbert's brother, Robert Sawyer Herbert (1693-1769) went on to inherit Highclere Castle in 1706, when he succeeded to his mother's estates, inheriting Highclere from his maternal grandfather. Enoch Seeman (1694-1745) was a Polish painter who travelled to England from his home in Flanders in 1704, with his father, Enoch Seeman the Elder. As a painter to the Royal Court the younger Seeman was commissioned to paint portraits of George I and George II, the latter now being held in the Royal Collection at Windsor Castle.
Los 241
After Sir Anthony Van Dyck A portrait of Inigo Jones (1573-1652) Oil on canvas 63 x 51cm (24¾ x 20 in.) Provenance: Private Collection, Lord Ennismore (later 1st Earl of Listowel), Kingston House, Knightsbridge, London (acquired between 1810-1815) The property of the trustees of The Earl of Listowel Will Trust, by order of the trustees; Sale, Christie's, London, 27 May 1983, lot 53 (sold for £648) THIS WAS FULLY ATTRIBUTED IN 1983 The present lot is after the original portrait by Van Dyck now housed in The State Hermitage Museum, St. Petersburg
Los 25
John Vanderbank (British 1694-1739) Portrait of Dr Martin Benson (1689-1752) Bishop of Gloucester, half-length, in clerical costume Oil on canvas Signed and dated 1732 lower right 91.5 x 72cm (36 x 28¼ in.) Provenance: Sale, Christie's London, 28 May 1948, lot 162 Sale, Christie's London, 24 July 1980, lot 153 Coincidently, Dreweatts have a George II silver vase shaped caster by John Chartier, London 1733 (lot 2 in the Fine Jewellery, Silver and Watches sale, 18th March 2020) which has the engraved assumed arms of Bishop Benson
Los 98
Circle of Jean-Baptiste Van Loo (French 1684-1745) Portrait of King Louis XV (1710-1774), three-quarter-length, in armour with a blue fleur-de-lys embroidered ermine-lined wrap, with the Order of the Golden Fleece and Saint Esprit, holding a baton Oil on canvas 113 x 85cm (44¼ x 33¼ in.) Provenance: James, 18th Lord Elphinstone (d. 1994) His sale, Christie's, London, 11 May 1994, THIS SALE IS NOT AVAILABLE. Please note the provenance stated in the printed catalogue should be disregarded
Los 29
Circle of Jonathan Richardson (British 1665-1745) Portrait of Matthew Prior (1664-1721), half-length, in a green coat Oil on canvas 62 x 49cm (24¼ x 19¼ in.) Provenance: The collection of Lady Meyer Sale, Christie's, South Kensington, 24 June 1981, lot 204 Matthew Prior was an English poet and diplomat. He was also known as a contributor to The Examiner.
Los 223
Thomas Hudson (British 1701-1779) Portrait of Sir Watkin Williams-Wyn 3rd Baronet (1692-1749), three-quarter-length Oil on canvas 125 x 101cm (49 x 39¾ in.) Provenance: Sale, Christie's, London, 22 April 1983, lot 67 Sir Watkin Williams-Wynn was the eldest son of Sir William Williams, 2nd Baronet, of Llanforda and Jane Thelwall. His grandfather, was Solicitor General under James II and led the prosecution of the Seven Bishops in 1688. After graduating from Jesus College, Oxford, Williams-Wynn became Member of Parliament for Denbighshire in 1716 and was an active member of the Tory Jacobite faction. The blue waistcoat worn in the present lot was symbolic of this. As a leader of the Cycle of the White Rose, a Welsh Jacobite society, he 'burnt the King's picture' during the 1722 General Election and opposed a 'loyal address' to George I following the Atterbury Plot. He also served as Mayor of Oswestry in 1728/1729 and of Chester in 1736/1737. A combination of money and connections made Williams-Wynn a formidable local political power; in 1722, nine out of eleven Parliamentary seats in North Wales returned Tory candidates. While fiercely contested, the election confirmed the dominance of Robert Walpole and the Whig party; their exclusion from government resulted in the continuing expression of Jacobite sympathies among the more extreme Tories. Williams-Wynn employed Welsh colliers to threaten Whig supporters in the 1733 Chester mayoral election but overtly 'Jacobite' displays were rare and often rooted in Tory opposition to Welsh religious Nonconformists. Through his first wife, Ann Vaughan (c. 1695-1748), Williams-Wynn acquired extensive estates in Montgomeryshire and Denbighshire and over time became the pre-eminent landowner in North Wales. In 1719, he inherited the Wynnstay estates on condition he add 'Wynn' to his name, followed by his father's title and lands on his death in 1740. When Anne died in March 1748, he married another heiress, his god-daughter Frances Shackerley (1721-1803); his son and heir, Sir Watkin Williams-Wynn, 4th Baronet (1749-1789) was born a few months before his death in a hunting accident in September 1749.
Los 275
Follower of Agnolo Bronzino Portrait of Giovanni de Medici, half-length Oil on slate 72 x 56cm (28¼ x 22 in.) Provenance: Villa Medici, Fiesole, Florence Lady Orford William Blundell Spence Co.. Harry McCalmont thence by descent to Mrs. Robertson and Miss Rawling Lady Sybil Scott (according to an old label on the reverse, 1922) Sale, Christie's, London, 26 February 1926, lot 147 Please note the description and provenance has been updated from the catalogue
Los 319
Sir Nathaniel Dance-Holland (British 1735-1811) Portrait of Thomas Arthington of Arthington Hall, Yorkshire, three-quarter-length Oil on canvas 136 x 105cm (53½ x 41¼ in.) In a fine 18th century frame Thomas Hardcastle later Arthington of Arthington (c1726-1801) was husband to Frances Wray (d.1815) and son of Sandford Hardcastle (d.1744) and Henrietta Proctor. His paternal grandparents were Thomas Hardcastle of Dublin (d.1720) and Rosamund Arthington (b.1662). Little is known about Thomas Arthington, save that he is listed as the Sheriff of Yorkshire between 1767 and 1768. The Arthingtons had been an established family in the town of Arthington, West Yorkshire since the 12th century when Peter de Athington gave a grant to establish only one of two Cluniac nunneries in England. The nunnary ran until the time of the Dissolution of the Monasteries and was formally surrendered in 1540. It is believed that Arthington Hall was built on priory land around 1585 and remained in the Arthington family for a number of centuries. In 1842, the Hall was bought by the Sheepshanks, a family of wool merchants who later added a Victorian extension and another wing. In 2012, after 170 years, the family put the hall up for sale. Sir Nathaniel Dance-Holland, 1st Baronet (1735-1811) was an English portrait painter and later politician. Dance-Holland first studied under Francis Hayman (1708-1776) before travelling abroad to Italy where he met Angelica Kauffman (1741-1807). Upon his return, together with his brother also named George and Hayman, Dance-Holland was one of the founders of the Royal Academy in 1768.Notable commissions during his career include the portraits of King George III and Queen Charlotte, Captain James Cook and the actor David Garrick. In 1790, Dance-Holland retired from painting to become MP for East Grinstead, Sussex where he served until 1802, when he became MP for Great Bedwyn, Wiltshire, a position he held until 1806. In 1807, he returned to East Grinstead serving until his death in 1811 when the baronetcy he had received in 1800 became extinct.
Los 224
Circle of William Hoare of Bath (British 1706-1799) Portrait of John Roberts (c.1711-1772), secretary to Henry Pelham, three-quarter-length Oil on canvas 126 x 100cm (49½ x 39¼ in.) Provenance: The Earls of Chichester, Stanmer Hall The present lot was purchased as a portrait of the Duke of Newcastle. However the physiognomy suggests this attribution may be incorrect. A double portrait by Hoare of Henry Pelham and his secretary John Roberts bears a striking resemblance of the former and the sitter here. This is corroborated by the paper entitled war accounts in the sitter's hands. Furthermore, records in The National Portrait Gallery catalogue for the group of paintings of the Pelham family by Hoare of Bath it mentions one portrait of a man in a red coat, as being one of a group by Hoare at Stanmer Hall in East Sussex. Stanmer Hall In 1713, Henry Pelham of Lewes bought Stanmer Estate for £7,500. He died in 1721 and his eldest son Henry then appointed French architect Nicolas Dubois to design a new house in the fashionable Palladian style at a cost of £14,000. With the old Manor demolished, work began on the new house in 1722, using sandstone quarried in the Weald. In 1725, the Estate was inherited by Henry's younger brother, Thomas Pelham - who had lived as a Merchant in Constantinople. Work on the house was finally completed in 1727. Thomas Pelham's son, of the same name, inherited the estate in 1737and would later be elected to the House of Commons for Rye in 1749, a seat he held until 1754. He served as a as a Lord of the Admiralty from 1761 to 1762 and as Comptroller of the Household from 1765 to 1774 being admitted to the Privy Council in 1765. In 1768 Thomas succeeded his cousin the Duke of Newcastle as second Baron Pelham of Stanmer as well as the Pelham baronetcy. Pelham also served as Surveyor-General of Customs of London from 1773 to 1805 and as the last Keeper of the Great Wardrobe from 1775 to 1782. In 1801 he was created Earl of Chichester, a title which would maintain Stanmer as its seat for the next 140 years. In 1942 Stanmer was requisitioned by the War Office for the Canadian Tank Regiment, to provide billets and live firing ranges. In 1947 it was sold as a result of the extensive damage caused by its requisitioning and death of the 8th Earl whilst on active service in 1944.
Los 76
Frederick Kerseboom (German 1632-1690) Portrait of Ralph Freeman Jr. of Aspenden (1666-1742) Oil on canvas 124 x 101cm (48¾ x 39¾ in.) Provenance: Tyttenhanger House, St. Albans Their sale, Christie's, London, 5 March 1982, lot 18 Ralph Freeman Jr. was born at Aspenden Hall in 1666. He was one of the leaders of the Hanoverian Tories in Queen Anne's reign, Freeman nevertheless remains a rather colourless, and in some ways inscrutable, figure. His youth was spent in a hothouse of piety under the influence of his father and of his tutor, James Bonnell. Freeman's father had wanted his son to 'be a scholar if he be capable of it', but Ralph jnr. entered Parliament in December 1697 at a by-election for Hertfordshire, a seat he was to hold until the accession of George II. Tyttenhanger Park The Tyttenhanger estate was originally owned by the Abbey of St Albans until the Dissolution of the Monasteries. It was then granted by the Crown in 1547 to Sir Thomas Pope, founder of Trinity College, Oxford. Pope died without issue in 1559 and following the death of his wife, Elizabeth it entered into the ownership of his nephew Sir Thomas Pope Blount (1552-1638), in 1598.Blount's nephew, Sir Henry Blount (1602-1682), High Sheriff in 1661, demolished Pope's pre-existing manor house and built the present mansion on the site in 1654/5. The house was altered and extended throughout the 18th century. Sir Henry's son Thomas Pope Blount (1649-1697) was created the first of the Blount baronets in 1680. On the death of the third Baronet in 1757 the estate passed to his niece and heiress Catherine Blount, daughter inlaw of the sitter. The family retained ownership of the house until 1973 and of the present lot until it was sold at Christie's in 1982. Please note: The provenance should read 'Anonymous Sale, Christie's, London, 5 March 1982, lot 18' It is purported that this portrait once hung in Tyttenhanger House, St. Albans
Los 173
Follower of William Hogarth Portrait of Daniel Finch, 8th Earl of Winchilsea, 3rd Earl of Nottingham (1689-1769) Oil on canvas 74.5 x 62cm (29¼ x 24¼ in.) Provenance: The collection of Brigadier-General E.H. Finch Hatton Sale, Christie's, London, 25 April 1927, lot 105 Please note there is an indistinct inscription detailing the sitter to lower left visible under ultra-violet light
Los 338
A gilt metal portrait relief plaquette of Saint Paul after Jean Varin (1607-1672), probably 19th century, 16.5cm high, 12.5cm wide; with a pair of unusual Northern European engraved and repoussé brass candlesticks, possibly Scandinavian, 18th century, each with circular foliate drip pan above a writhen stem with a further conforming drip pan, descending to bulbous bases with Neoclassical portrait roundels This lot is to be sold without reserve
Los 367
Circle of Cornelis Jonson Van Ceulen Portrait of Sir Edward Dering (1598-1644), half-length, in a gold and white striped doublet Oil on canvas Painted with coat-of-arms upper left 79 x 63.5cm (31 x 25 in.) Sir Edward Dering, 1st Baronet (1598-1644) of Surrenden Dering was an influential, yet controversial English antiquary and politician during the 17th century. His antiquarian interests led him to amass a great library; his name is still associated with manuscripts such as the Dering Roll, an important 13th century Roll of arms, believed to be the earliest surviving English roll of arms and the Dering Manuscript of Henry IV, Part 1, the earliest surviving manuscript of a play by William Shakespeare.
Los 325
An Italian sculpted white marble portrait relief of a gentleman in the manner of Sperandio Savelli (Italian, ca. 1425 - 1504), in late 15th century style, the sitter portrayed in profile, looking to dexter, wearing a cap above loosely curled hair, 46cm high overall including separate, probably associated shoulder section, 30cm wide The present relief shares stylistic similarities to 15th century portraits particularly of the Northern Italian schools, note for example Sperandio Savelli's similar rendition of Ercole I d'Este, Duke of Ferrara, at the Palazzina di Marfisa d'Este, dating from circa 1475
Los 35
λSir Jacob Epstein (British 1880-1959) Fifth Portrait of Kathleen A bronze with a pale green patina Height 77cm (30¼ in.) Conceived in 1935 and cast in an edition of 4. Provenance: Kathleen Esther Garman, Lady Epstein Acquired from the above by Sir William Literature: Jacob Epstein, Let There Be Sculpture, London, 1940, illustration of another cast Robert Black, The Art of Jacob Epstein, New York and Cleveland, 1942, no. 22, p. 241 (as dating from 1936) Jacob Epstein, Let There be Sculpture (revised), London, 1955, illustration of the plaster p. 95 Richard Buckle, Jacob Epstein, Sculptor, 1963, illustrations of other casts pls. 339-41 Edward P. Schinman, Jacob Epstein. A Catalogue of the Collection of Edward P. Schinman, New Jersey, 1970, illustration of another cast p. 59 Evelyn Silber, The Sculpture of Epstein, London, 1986, no. 262, illustration of another cast p. 180 Kathleen Garman was Epstein's long time mistress and eventually his second wife. They met in 1921 at one of the west end clubs frequented by the bohemian art set. She was twenty, whilst Epstein was forty and married. He asked her to model for him and they immediately began a relationship. They had three children together, Theodore, Kitty and Esther. Kitty went on to become the first wife of painter Lucian Freud. Epstein and Garman married in 1955, seven years after the death of his wife Margaret. The present work is one of seven bronze sculptures that Epstein produced of Kathleen and one of the largest and most accomplished. Epstein chose his models for their physiognomic or psychological interest and included women from all nationalities and backgrounds including a girl from Baku. Epstein didn't respond to the demand from his dealers for small nudes and continued to sculpt portrait busts of females of distinctive beauty. Epstein constructed his busts by focusing on acute observation and by selecting certain characteristics he was able to show the personality and layer beneath the beauty. Please note it has been suggested that this work has been cast outside of the edition of 4 λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Los 242
Joseph Highmore (British 1692-1780) Portrait of Sir Thomas Heath (d. 1741) full-length, in a brown coat Oil on canvas Signed and dated and inscribed A.O XII 1728 lower centre 166 x 107cm (65¼ x 42 in.) Provenance: William Beaumarice Rutsh, Farthingoe Park, Banbury Sale, Sotheby's, London, 10 November 1982, Lot 23 Sale, Sotheby's, London, 11 July 1984, Lot 204 Literature: Sir R. Strong (ed.) et al., The British Portrait 1660-1960, Woodbridge, 1991, p. 160, pl. 144
Los 250
A patinated bronze bust of John Milton after John Cheere (1709-1787), cast by Ferdinand Barbedienne, late 19th century, portrayed facing forward and with loose curls, draped surrounding the truncation, above a waisted circular socle and further square section plinth, inscribed F.BARBEDIENNE.FONDEUR. and bearing a A. Collas Reduction Mecanique stamp to the rear, 28cm high, 20cm wide The present portrait is after a circa 1750 bust attributed to Cheere at the Wren Library, Cambridge. This model was, in turn, likely based on the 17th century model by Rysbrack which graces Milton's grave monument at Westminster Abbey This lot is to be sold without reserve
Los 127
Montfaucon (Bernard de) L'Antiquite Expliquee En Figures, Vol. 1 Parts 1 & 2: Vol. 2 Parts 1 & 2: Vol 3 Parts 1 & 2: Vol. 4 Part 2 ONLY: Vol. 5 Parts 1 & 2, Portrait frontis. plus Plates V.1 - 224; V.2 - 244; V.3 - 197; V.4 - 20, only; V.5 - 204, some old damp marks, uniform speckled calf,, Paris Florentin Delaulne et al, 1719 plus Supplement Au Livre de L'Antiquité Expliquee Vol.1 - 5, Plates - V.1 - 86; V.2 - 61; V.3 - 33, only; V.4 - 59, only; V.5 - 72, only, some old damp marks, contemporary calf, spines splitting, Paris La Veuve Delaulne, 1724, 4to (14) This lot is to be sold without reserve
Los 99
After Sir Anthony Van Dyck Portrait of Henriette Maria (1609-1669) in a white dress with pink bows and a lace collar Oil on canvas 60 x 49cm (23½ x 19¼ in.) Provenance: Sale, Christie's, South Kensington, 18 August 1982, lot 7 The present lot derives from the prototype in The Royal Collection Trust (RCIN 404430).
Los 660
ENGLISH SCHOOL, 19TH CENTURY A head and shoulders portrait of a woman, said to be Arbella Winter, depicted holding paper and a writing instrument, pastel, 51cm x 42cm (oval) Arbella Winter (1810-1900) was the grandmother of Elinor May Bomford (1871-1947) who married Hugh Golding Constable (1868-1949) the grandson of John Constable RA Provenance: A descendant of John Constable RA
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283284 Los(e)/Seite