STUDIO OF ALLAN RAMSAY HALF LENGTH PORTRAIT OF ANDREW FLETCHER, LORD MILTON Feigned oval, oil on canvasDimensions:76cm x 63.5cm (30in x 25in)Provenance:Literature: Alastair Smart, Allan Ramsay, 1998. Smart lists the present example as in a Private Collection and is signed and dated 1748. He notes a further eight versions.
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TWO WHITE MARBLE PORTRAIT BUSTS OF SIR JAMES CAIRD AND MARGARET HENRYSON MID 19TH CENTURY each modelled in drapery with socle supports; with a pair of square green terrazzo pedestals with stepped moulding and ebonised plinth basesDimensions:Busts 76cm and 72cm high; pedestals 123cm highProvenance:Provenance: Henryson-Caird Collection, Cassencarie House
GROUP OF FIVE GREAT WAR MEDALS AWARDED TO MAJOR (THEN CAPT) ALISON [ALISTER] JAMES HENRYSON-CAIRD (1884-1950) of The King's Own Scottish Borderers, including a Military Cross, GR, reverse dated and initialled A.J.H-C 27.5.15, 1914 Star (Capt. A. J. Henryson-Caird. K.O Sco. Bord.), British War and Victory Medals, M.I.D oak leaf (Capt. A. J. Henryson-Caird) and Defence Medal 1939-45, inside a fitted leather case; together with A GROUP OF FOUR WWII MEDALS, awarded to his son Capt. Murray Alister Cooper James Henryson-Caird, including 1939-45 Star, Burma Star, Defence and War Medals, unnamed as issued, inside a fitted leather case; together with a HALF LENGTH PORTRAIT OF MAJOR ALISTER JAMES HENRYSON-CAIRD, oil on canvas, signed with a monogram and dated 1915, inscribed, 76cm x 63.5cm (30in x 25in)Dimensions:Cases 17cm long, 13cm wideProvenance:Provenance: Henryson-Caird Collection, Cassencarie House
WEDGWOOD MAJOLICA JARDINIERE AND STAND 19TH CENTURY the jardiniere with a border of rosettes above reserves with magnolia blossoms, on three bracket feet, the circular fluted columnar stand with a fruiting band above foliate swags, leopard masks, ribbons and classical portrait cameos, impressed 'WEDGWOOD' mark to both basesDimensions:Jardiniere 42cm diameter, 41cm high; stand 88cm high, 38cm diameterNote: Literature: Illustrated in Dawes, Nicholas M, (1991), Majolica, Robert Hale Ltd. Figure 37.
GROUP OF TEN PORTRAIT SILHOUETTES OF THE HENRYSON FAMILY EARLY 19TH CENTURY depicting various members of the Henryson family, some sitters identified on the reverse, in ebonised and birdseye maple frames, two with [Master William James] Hobart Gallery trade labels and four with [William] Hamlet [the Elder], Bath, trade labels dated July 1820 Dimensions:largest 16cm high Provenance:Provenance: Henryson-Caird Collection, Cassencarie House
SCOTTISH VICTORIAN DEPUTY LIEUTENANT UNIFORMS LATE 19TH CENTURY by Henry Poole & Co, Saville Row, London, circa 1880, including a full dress scarlet double-breasted coatee with white lined tails, with crown and laurel wreath plated buttons and silver oakleaf embroidery to collar, cuffs and thistles to the tails, fitted with a pair of epaulettes, the crescents with a thistle in gold and silver embroidery, with a matching pair of trousers with silver lace stripe; also with a black double-breasted coatee with gilt embroidery, with Royal coats of arms gilt buttons and silver and gilt oakleaf and foliate embroidery to collar and skirt-slashes, with a matching pair of trousers with gold lace stripe, the trousers with hand written label for Henry Poole, all four pieces with order number ‘89’ labels; and a black tall bicorn hat of military style with a loop of flat silver lace and gold bullion tassels, upright white over red feather plume; and a blue silk lined magistrates full hood with a cowl; together with a VICTORIAN DEPUTY LIEUTENANT COURTSWORD, by Morgan & Co, London, with etched blade decorated with foliage and the retailer's details, gilt-brass hilt including down-turned shell-guard decorated with the crowned Royal cypher and foliage, solid crown pommel, with bullion sword knot, in a leather covered wooden scabbard with gilt brass single stud on the locketDimensions:sword 91cm longProvenance:Provenance: Henryson-Caird Collection, Cassencarie HouseNote: Note: Belonging to Sir James Caird KCB FRS (Scottish 1816 - 1892), who served as magistrate and deputy-lieutenant of the Scottish county of Wigtownshire at the end of his career. Sir James can be seen wearing the black coatee with his Order of Bath medal in the portrait accompanying lot 34.
VICTORIAN CASED ORDER OF BATH MEDAL AWARDED TO SIR JAMES CAIRD KCB FRS (SCOTTISH 1816-1892) The Most Honourable Order of the Bath, K.C.B. (Civil) Knight Commanders set of insignia, comprising neck badge hallmarked 18ct yellow gold, maker R & S Garrard & Co, London 1881, with red full neck cravat complete with gold clasp fitments; and breast star in white metal, gilt and enamel, the reverse fitted with pin for wearing, in original Garrard presentation case; together with a HALF LENGTH PORTRAIT OF SIR JAMES CAIRD WEARING HIS K.C.B, oil on canvas, framedDimensions:Case 22cm long, 10cm wideProvenance:Provenance: Henryson-Caird Collection, Cassencarie House
Y ENGLISH SCHOOL, PORTRAIT MINIATURE OF A GENTLEMAN FROM THE STEVENSON FAMILY LATE 18TH/ EARLY 19TH CENTURY oval, watercolour and body colour on ivory, the sitter with grey hair, red coat with black stock and white cravat, the reverse with an oval glazed aperture, in an unmarked yellow metal frame with suspension loop; together with an ENGLISH SCHOOL, PORTRAIT MINIATURE OF J.W. STEVENSON, EARLY 19TH CENTURY, square, watercolour and body colour on ivory, the sitter with brown hair in a red full dress uniform with gilt epaulettes and collar, in leather frame case with arched brass mount, 7.5cm high, 5.5cm wide Dimensions:8cm high, 5.5cm wide Provenance:Provenance: Stevenson Collection Note: Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference GZV61SUA (oval) and M8CL4FMZ (rectangular)Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
ANGELO GARINO (ITALIAN 1860-1945) HALF LENGTH PORTRAIT OF MONA CAIRD Signed, inscribed and dated 'Nice 1918', oil on canvas Dimensions:89cm x 71cm (35in x 28in) Provenance:Provenance: Henryson-Caird Collection, Cassencarie House Note: Note: Mona Caird was born Alice Mona Alison on 24 May, 1854 to an affluent family on the Isle of Wight. Also known by her married name Alice Mona Henryson-Caird, she was a writer and essayist dubbed a ‘priestess of revolt’ by the mainstream press at the time. A notorious First Wave feminist writer, she wrote seven published novels, short stories, a travel book, tracts on anti-vivisection, and many articles on the ‘Woman Question’ and other social and political issues. Her writings challenged Victorian conceptions of femininity, filial duty, marriage and domesticity.In 1877, at the age of 23, Mona married James Alexander Henryson-Caird, who was eight years her senior. His estate, Cassencarie in Kirkcudbrightshire on the South coast of Scotland, figures prominently in her fictional works. Despite clearly being taken with the romantic Gothic mansion and its surrounding idyllic countryside, which provided the setting for a number of her novels, the stifling traditional life that came with it was not to her liking. This resulted in her only spending two months of the year there, while spending the rest in London or travelling abroad mostly on her own, with her husband stayin at Cassencarie to manage the estate. They lived parallel but distinctly different lives, with separate circles of friends that reflected their differing interests and views on specific issues. Their marriage produced a son, Alister James, who was raised mainly in Scotland with his father, and whose subsequent military career was at odds with Mona’s beliefs and writings.Her work stimulated widespread discussion of such controversial subjects as undesired marital sex, birth control, unwanted pregnancy, single motherhood, wages for housework, public child care, free relationships and the right to adultery after marital breakdown. Mona Caird’s importance as an early feminist writer has recently been re-discovered by academics and Feminist scholars and her works provoke ongoing discussion on women’s issues.
19TH CENTURY BRITISH SCHOOL HALF LENGTH PORTRAIT OF CAPTAIN ROBERT HENRYSON IN UNIFORM pastelDimensions:52cm x 43cm (20.5in x 17in)Provenance:Provenance: Henryson-Caird Collection, Cassencarie HouseNote: Note: According to a plaque attached to the frame, the sitter was involved in the construction of the British defences at Gibraltar.
Y PETER PAILLOU (BRITISH CIRCA 1757-1831) PORTRAIT MINIATURE OF A GENTLEMAN FROM THE STEVENSON FAMILY oval, painted with watercolour and body colour on ivory, signed 'P Paillou 1799', the sitter a man with a grey hair, blue coat with white stock and cravat, the reverse with a ring of pearlescent enamel enclosing an oval with seed pearl set initial 'L' mounted on woven plaits of hair, in an unmarked yellow metal frame with suspension loop, in a period locket case with red leather cover Dimensions:9.5cm high, 6.5cm wide Provenance:Provenance: Stevenson Collection Note: Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference TBLV44WEPlease be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
18TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF JOHANNES HENRYSON Oil on canvasDimensions:79cm x 62.5cm (31in x 25.5in)Provenance:Provenance: Henryson-Caird Collection, Cassencarie HouseNote: Note: By repute Henryson was a supporter of the Jacobite cause and raised his tenantry and fought for Charles in 1745. A note on the frame states he was physician to Charles Stuart, although this seems unlikely, as it is well-documented that his physician was Sir Stuart Threipland.
16TH CENTURY NETHERLANDISH SCHOOL PORTRAIT OF A MAN IN FUR CAPE HOLDING A HEARTSEASE Oil on panel Dimensions:34cm x 28cm (13.5in x 11in) Provenance:Note: A handwritten letter verso states that 'This portrait painted by Hans Holbein was bought at the sale of Alexander Stuart of Dunearn's Paintings, 24th July 1786 [indistinct], Price Five Guineas'. Letter also states: 'Sir Thomas More. "Like Cato firm, like Aristides justLike rigid Cincinnatus nobly poor,A dauntless soul erect who smiled on death".James Thomson's Summer, line 1479'. Provenance: Sale of paintings of Alexander Stuart, Esq, of Dunearn at the Royal Exchange, Edinburgh, 24th July 1786, lot 131
David Martin (Scottish 1737 - 1797) Portrait of Colonel William Hunter, 1772, bust length in scarlet military uniform with blue facings with identifying inscription oil on canvas 29.5 x 24.5 in (74.9 x 62.2 cm)Condition report:Not re-linedClean with some restorationsStretcher lines showing through.Light crackling showing throughScratch and losses to right armMarginal scratches around entire picture
David Martin (Scottish 1737 - 1797). Portrait of Robert Hunter of Thurston (d. 1810), half-length in a dark-red coat and waistcoat, his left hand on a book. Oil on canvas 76.2 cms x 63.5 cms Condition report: The painting was consigned by the Hunter Blair family of Blairquhan in Ayrshire. It would have hung in the public rooms in Blairquhan since the present Castle was completed in the 1820’s.The canvas is unsigned, please see additional images of the back of the canvas.Re-lined canvasNo frays or cracks notedIn generally clean conditionSlight losses to edge of frame and occasional rubbingPossible restoration in area of lip.
E. Newcomb (British 19th Century)'A portrait of a Persian gentleman', watercolour and gouache, signed lower left, mounted and framedwithin frame 45.5 x 36.5m, overall 64 x 52.2cm Condition: There is a slight staining to the outer margins along the top edge and left and right corners. Retains much of its original colour.
A Victorian silver Masonic medal and further Masonic piecesLondon, 1885, Aloes Risle, the central portrait within an openwork engraved surround headed by a gryphon, the red and white band with two further clips, one initialled, 'P.C.N', rear inscribed, 'O.G.O.T.A.S.P Presented by The Officers & Bros. of the Jabez Inwards Lodge to P.C.N.Bro J Steggle as a mark of Respect For Past Services April 26th 1886', boxed, together with a silver plated shield form medal, on a white and dark red band, inscribed with a dedication to 'Bro. J Steggle April 26th 1886', a silver Past Master collar jewel, Edward VII, London, 1907, G. Kennington & Sons, for A J Palmer, 1908, a silver plate example, dated for 1976-1977, a Victorian silver medal, Birmingham, 1901, two silver plate stick pins, a silver gilt and gilt medal, Birmingham, 1976, Toye, Kenning & Spencer, the medal dated 1976-77, 'No 3757 City of London National Guard Lodge' and a modern oval silver plate metal, (9)large medal height 17cm, width 8.5cm, weighable silver 4.76oztCondition: All in good order, staining to Victorian ribbons.
Portraittasse mit UntererKPM, Berlin, wohl 19. Jh., Porzellan, glasiert und mit sehr feiner Aufglasurmalerei und Goldstaffage versehen, jeweils mit polierten Goldrändern dekoriert, die Tasse auf der Außenwandung mit ovaler Reserve, darin das Portrait des preussischen Generalfeldmarschalls Gebhard Leberecht von Blücher (1742-1819), umrandet von Lorbeerkranzgirlanden, die Innenwandung mit Goldfond, trichterförmige Tasse mit hohem Campanerhenkel, die Untere im Spiegel bez. "Blücher", die Böden je mit unterglasurblauer Zeptermarke, mit Pinsel- und Presszeichen, H: bis 8,5 cm (Tasse), D: bis 13,5 cm (Untere). Part. Alters- und Gebrauchsspuren, part. min. ber. und best..
Miniaturmaler des 19./20. Jh."Portrait einer älteren Dame", Profilbildnis mit schwarzem Kleid und weißem Kopftuch, monogr. WB, Emaillemalerei, HxB: 6/5 cm (oval). Mit Rahmen. In Etui. Provenienz: Objekt aus Schloss Friedrichshafen, aus dem Besitz der Wilhelmine Marie Herzogin von Württemberg.
Ackermann, Prof. MaxBerlin 1887 - 1975 Unterlengenhardt, Maler und Grafiker, Stud. an der Kunstschule Weimar bei van de Velde, bei Richard Müller in Dresden, bei Stuck in München und Hölzel-Schüler in Stuttgart. "Portrait eines Mannes", sign., monogr., Passepartout bez. und dat. 1927, Tuschezeichnung/Papier, HxB: 19/13,5 cm (Sichtmaß). Altersspuren, leicht gebräunt, fleckig. Mit Passepartout hinter Glas gerahmt.
Heckel, Erich1883 - 1970, deutscher Maler, Grafiker und Holzschnitzer, Mitbegründer der Brücke, Prof.. 16. Jahresblatt: "Erinnerung an H. B.", 1946, Portrait eines Herren vor Farn, unterhalb der Platte mit Bleistift von Hand gewidmet und sign. "Mit guten Wünschen, Heckel", Holzschnitt/Bütten, HxB: 15,5/12 cm (Plattenmaße). Im Passepartout hinter Glas gerahmt. Lit.: Annemarie und Wolf-Dieter Dube, Erich Heckel, Das graphische Werk I, WVZ-Nr. 378.
Pozzo, AndreaDer Mahler und Baumeister Perspectiv, worinnen gezeigt wird, wie man auf das allergeschwindeste und leichteste alles, was zur Architectur und Baukunst gehöret, ins Perspektiv bringen solle. Inventiert, gezeichnet und heraus gegeben in Rom, Augsburg, Bürglen, 1800, 2 Bde., 44+47 S. mit 102/100 bzw. 119 fast ausschließlich mehrfach gefalteten Kupfertafeln, mit gestochenem Portrait und Frontispizen, umgehender Farbschnitt, Halblederbände auf 6 Bünden mit goldgeprägten Rückenschildchen, Quart. Stärkere Altersspuren, part. besch./fleckig, Stempel, sehr vereinzelt Bleistifteintragungen, vorderer Buchdeckel des zweiten Bandes lose.
Hartwig, Walter1874 - 1942, deutscher Maler. "Portrait eines Soldaten", Darstellung in Uniform, mit sächsischer Bürgemeisterkette, Stahlhelm, Abzeichen, und 4 Ordensspangen, Albrechtskreuz tragend u. a. , unten rechts sign. und dat. (19)34, Öl/Leinwand, HxB: 105/70 cm. Altersspuren, min. Farbabrieb, ret., Reichsadler auf der Mütze übermalt. Mit Rahmen.
Fetting, RainerWilhelmshaven 1949, Bildhauer und Maler, Stud. an der Hochschule für Künste in Berlin, Mitbegründer der Gruppe "Neue Wilde|Junge Wilde|Moritzboys". "Indianer III", Portrait eines jungen Mannes mit blauem Federschmuck, unten rechts sign. und dat. (19)92, unten links bet. und num. 150/100, Farbradierung/Papier, HxB: 90/60 cm (Plattenmaß). Randläsur, gewellt, Farbabdruck auf der Glasinnenseite. Mit verglastem Rahmen.
Mariota Bosanquet (1923-2022). Portrait of a gentleman, oil on canvas, 23cm x 18cm and another inscribed verso. (2) Biography: St. Martins School of Art (1945-1949) Exhibitions: 1954 Whitechapel Gallery, Suffolk Galleries, Leicester Galleries 1955 Piccadilly Galleries 1967/8 Highbury 1977 Home of Artists Islington 1983 Royal Academy Summer 1991 Usher Art Gallery 1996 Winchester Contemporary, Alresford Gallery 1997 The Mall Galleries
Mariota Bosanquet (1923-2022). Half length portrait oa young lady, oil on board, 29.5cm x 23cm. Artist label verso and another. (2) Biography: St. Martins School of Art (1945-1949) Exhibitions: 1954 Whitechapel Gallery, Suffolk Galleries, Leicester Galleries 1955 Piccadilly Galleries 1967/8 Highbury 1977 Home of Artists Islington 1983 Royal Academy Summer 1991 Usher Art Gallery 1996 Winchester Contemporary, Alresford Gallery 1997 The Mall Galleries
Mariota Bosanquet (1923-2022). Head and shoulders portrait - Claire Fletcher, oil onboard, signed and titled verso, 44.5cm x 29cm. Inscribed verso - Bosanquet 513A Finchley Road, NW3. Biography: St. Martins School of Art (1945-1949) Exhibitions: 1954 Whitechapel Gallery, Suffolk Galleries, Leicester Galleries 1955 Piccadilly Galleries 1967/8 Highbury 1977 Home of Artists Islington 1983 Royal Academy Summer 1991 Usher Art Gallery 1996 Winchester Contemporary, Alresford Gallery 1997 The Mall Galleries
Mariota Bosanquet (1923-2022). Half length portrait, oil on canvas, 47cm x 40cm and three others. (4) Biography: St. Martins School of Art (1945-1949) Exhibitions: 1954 Whitechapel Gallery, Suffolk Galleries, Leicester Galleries 1955 Piccadilly Galleries 1967/8 Highbury 1977 Home of Artists Islington 1983 Royal Academy Summer 1991 Usher Art Gallery 1996 Winchester Contemporary, Alresford Gallery 1997 The Mall Galleries

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