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283284 Los(e)/Seite
ROYAL DOULTON SIGNED PLATE - VISCOUNTESS ANDORA painted with a portrait of Viscountess Andora, and with a rich gilded border (signed F N Sutton). Also with a plate painted with Pheasants in a landscape, signed C Hart. Andora Plate marked, Royal Doulton, Tiffany & Co. 8 3/4ins (22cms) diameter. (2)
Early 20th Century Oil on Panel, Portrait of a Scot, "Sir John Soonclear, Over the Border ye ken". Unsigned. Titled Upper Right. Good Condition. Measures 40 Inches Tall and 30 Inches Wide, Frame Measures 44 Inches Tall and 33-1/2 Inches Wide. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.
Mary Anne Criddle, A.O.W.S. (Née Alabaster, British, 1805-1880): 'Ellen, Lady of the Lake', watercolour, titled, signed with initials & dated May 1833, H 18 x W 13 cm. Provenance: Acquired from the Crosshall Gallery, Huntingdon. Note: A photograph of the artist by Cundall, Downes & Co exists in the National Portrait Gallery
Clara Klinghoffer (British, 1900-1972): Portrait of a lady reading, oil on canvas, signed lower right & dated December 1930, H 71 x W 51 cm, labelled & stencilled verso. Note: A poor and utterly known girl from the East End, Klinghoffer rose to prominence at a young age when her first exhibition at the Hampstead Gallery took the artistic world by storm in 1919. She studied at the Slade from 1918 to 1919 and her work was much admired by her many mentors such as Bernard Meninsky, Alfred Wolmark and Sir Jacob Epstein who recommended her to the gallery. Please note that Artist's Resale Rights may apply to this lot CONDITION REPORT: One small area of paint loss as illustrated, otherwise in good, clean, stable condition
A Collection of Four 19th Century Persian Enamelled Tiles: all painted in blue, green, white and brown. To include: a larger tile with the portrait of a lady in a medallion, two tiles with similar decoration of a central flower motif, a smaller tile decorated with a central flower spray on a deep blue ground CONDITION REPORT: All in good original condition no restoration. Largest tile 21.5 x 20.5cm medium pair 16 x 15.5cm smallest 14.5 x 14.5cm
Two portrait bust plaques, late 19th century, the first of Wellington, by WH Kerr & Co, after WB Kirk RHA, rare printed mark in puce 1856-62, 6cm, gilt metal mounted as a brooch, the other of Nelson in white on a blue jasper ground, 9cm, the Nelson plaque seems to have been moulded after a Wedgwood original
A late 19th Century French Gilt Spelter and Porcelain Mounted Mantel Clock, the drum case surmounted by portrait of a lady within scrolling floral and foliate mounts and side pieces and beneath a flaming urn, on a shaped and stepped base, to an enamel dial with Roman lozenges and cobalt blue background (repairs throughout), to gilt spade hands, to a circular brass movement with back-mounted count wheel and anchor escapement, strike on a bell, height 13" 80-90
A collection of ten 18th/early 19th. century boxes in ivory, tortoiseshell, gold etc. , including a turned ivory box with painted miniature attributed to Abraham Daniel of Plymouth, in gilt mount, a gold mounted turned ivory box with portrait of a young girl, a rectangular cut corner maple box with gold framed portrait of a lady, signed Delaplace 1825, etc.
An oil painting on board in the abstract manner in tones of yellow and white, signed bottom right Annand and dated 1972, inscribed Sun on Snow, with label verso Louise Annand with Glasgow address, 52 x 50 cm, a coloured signed print of a street scene and figures viewed through an archway, signed bottom right D Y Cameron, published by Alfred Bell 1930, with Fine Art Trade Guild blind embossed stamp, 36 x 43 cm, also together with a print of a shoulder length portrait of a young girl, probably after Toulouse Lautrec, 40 x 31 cm, all framed
An early 19th century coloured engraving - An exact representation of the grand funeral car which carried the remains of Lord Nelson to St Paul's on Thursday January 9th 1806, published January 13th 1806 by S W Fores of Piccadilly, 26 x 24 cm approx., unframed, an early 19th century watercolour study of a street scene with church, inscribed verso Martock Church, Somerset, painted by Caroline Way (?), 21 x 30 cm, and a black and white print after Pouchre of a coaching scene, both unframed together with a miniature portrait of a man with a blue cravat, 5 cm maximum oval and a 19th century engraved miniature portrait of a young woman, 8 cm oval maximum, both in black frames

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283284 Los(e)/Seite