283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 210
After Sir Godfrey Kneller, Bt. Portrait of Thomas Parker, 1st Earl of Macclesfield Three quarter length, wearing robes of office, Oil on canvas, 125cm x 100cm. Provenance: Wormsley Park; Bought by Francis Fane from the Executors of the late F. W. Fane for £15 in 1933 Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of Thomas Parker Esq, Earl of Macclesfield Lord Chancellor of Great Britian, painted between the years 1710 and 1715 when Lord Chief Justice, by Sir Godfrey Kneller". Thomas Parker, 1st Earl of Macclesfield (1666-1733), an eminent lawyer and one of Her Majesty`s counsel in the reign of Queen Anne, was appointed Queen`s Serjeant and knighted on 8th June, 1705. Five years later he was nominated Chief Justice of the Court of Queen`s Bench before elevation to the peerage as Lord Parker, Baron of Macclesfield, co. Chester by George I on 10th March, 1716. Lord Parker was constituted Lord High Chancellor of Great Britian on 12th May, 1718. On 15th November, 1721 Baron Parker was advanced to the dignities of Viscount Parker of Ewelme, co. Oxford and Earl of Macclesfield. In default of male issue remainder of the dignities of Baroness, Viscountess and Countess devolved upon his daughter Elizabeth, wife of William Heathcote, and the dignities of Baron, Viscount and Earl to her male issue. A similar version of this painting is in the collection at The National Portrait Gallery, London Visit www.dnfa.com for condition reports
Los 211
Follower of Sir Godfrey Kneller, Bt. Portrait of a gentleman, Half length, wearing a claret robe and soft cap, Oil on canvas, 74cm x 62cm. Provenance: Wormsley Park, Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of a gentleman, name unknown, painted by W. Hogarth" Visit www.dnfa.com for condition reports
Los 213
Attributed to Thomas Murray (1663-1735) Portrait of John Scrope, Half length, wearing a blue robe, in a feigned oval, Oil on canvas, Inscribed John Scrope lower right, 74cm x 60cm. Provenance: Wormsley Park; Bought by Francis Fane from the Executors of the late F. W. Fane for £12 in 1933, Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of John Scrope Esq., Painted by Sir G. Kneller". . The present lot has previously been attributed to Jonathan Richardson (1665-1745) John Scrope (1668-1752) was the son of Thomas Scrope and brother of Anne Scrope, wife of Henry Fane (1669-1726). John Scrope Esq of Wormsley descended from the family of the Scropes of Bolton. He was a lawyer and managed to so emininently distinguish himself that he was appointed a Baron of Exchequer in Scotland and upon the union of the two Kingdoms sent there as the most fit person to introduce the laws into that part of Great Britian. In 1710 he was for a short time one of the Commissioners of the Great seal and coming into Parliament in 1722, accepted the office of Secretary of the Treasury which he continued until his death in 1752 Visit www.dnfa.com for condition reports
Los 214
Attributed to Sir Godfrey Kneller, Bt. (1646-1723) Portrait of Katharine, wife of the Earl of Westmorland, Half length, wearing a blue and gold dress, Oil on canvas, Inscribed Katharine wife of, Thos. Earl of Westmorland lower left, 74cm x 61cm, Katharine Stringer (d. 1729-30) widow of Richard Beaumont of Whitley and daughter of Thomas Stringer of Sharleston, married Thomas Fane, 6th Earl of Westmorland in 1708. Visit www.dnfa.com for condition reports
Los 216
Circle of Sir Godfrey Kneller, Bt. Portrait of Henry Fane, Half length, wearing a russet and green cloak and lace cravat, Oil on canvas, Oval, 71cm x 59cm. Provenance: Wormsley Park, Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of H. Fane Esq., Painted by Sir Godfrey Kneller". Henry Fane (b.1669-1726) was the son of Sir Francis Fane and Hannah Rushworth, and married Anne Scrope daughter of Thomas Scrope. Visit www.dnfa.com for condition reports
Los 220
Circle of Thomas Gainsborough, Portrait of a member of the Luther family, Half length, wearing a claret waistcoat and coat, in a feigned oval, Oil on canvas, 75cm x 62cm, Literature (probably): (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of William Luther Esq., Brother of Richard Luther, Painted by T. Gainsborough". The present lot has in the past been attributed to William Hoare (1707-1792) Visit www.dnfa.com for condition reports
Los 221
Thomas Gainsborough R.A. (1727-1788) Portrait of Henry Fane, Half length wearing a lilac coat embroidered with gold, a tricorn under his left arm, in a feigned oval, Oil on canvas 74cm x 62cm. Provenance: Wormsley Park, Literature: E.K. Waterhouse, "Preliminary Check List of Portraits by Thomas Gainsborough", Walpole Society 1948-50, XXXIII, 1953, p. 38 (2); E.K. Waterhouse, Gainsborough, London 1958, p. 66 (no. 248); (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of Richard Luther Esq., Painted by T. Gainsborough". It is unusual for a regional auction house to offer a fine portrait by Thomas Gainsborough from the early 1760s. The portrait was painted at a time when the artist was rapidly establishing a national reputation in Bath. Gainsborough had visited Bath in the autumn of 1758 and decided that with so many visitors attracted by the spa it could sustain an ambitious artist better than Ipswich where he was then living. He returned to East Anglia in the spring of 1759, sold his belongings and returned to the West Country and set up his studio. Early the following year he leased a large property opposite the west front of the Abbey, renting out rooms to tourists and, a little later, his sister, Mrs Gibbon, opened a millinery shop in part of the building. The location was perfect. It provided a showcase for his work and a visit to his studio became an essential part of visiting Bath. Amongst his visitors in the early 1760s was Henry Fane who took the opportunity to commission two portraits from him. The canvases are almost identical, presumably made at the same time and painted brushstroke by brushstroke on two separate easels set up in front of the sitter. Fane, plump and self-possessed, wears a long bob wig with a pinkish-brown suit decorated with volutes of gold embroidery Ñ "lace" as the eighteenth-century termed it Ñ with, as contemporary etiquette dictated, his right hand is tucked into his waistcoat and his black tricorn held under his left arm. The better known portrait of Henry Fane, in a private collection, descended in the family of the sitter`s daughter, Mary, who married Sir Thomas Stapleton, 5th Bt. The painting on offer remained with the sitter and must have been one of the first pictures to decorate Wormsley Park on the border of Oxfordshire and Buckinghamshire, an estate Fane had inherited in 1757, via his brother, from his maternal uncle. Henry was the third son of a Henry Fane born in 1669 and his wife Anne. In April 1752 John Scrope, Anne`s unmarried brother, died and, to quote Lord Pelham, he left "a vast fortune to Frank Fane; he will in all [probability get] at least £2000 a year in land and above £100000 in money". Frank was the eldest son and, together with his fortune, he inherited the two parliamentary seats at Lyme Regis which he shared with his brother Thomas. Frank died in 1757 and had property passed to Thomas and the parliamentary seat to his younger brother, Henry. In 1762 Thomas, now the eldest surviving son, succeeded a distant cousin and became the 8th Earl of Westmorland and marked his elevation by sitting to Thomas Gainsborough in his newly-acquired peer`s robes. It would have been at about this time that Henry sat for his two portraits. We would like to thank Hugh Belsey MBE for his assistance in cataloguing this lot. The present lot shall be included in Hugh Belsey`s forthcoming catalogue on portraits by Gainsborough which will be published by Yale University Press. Visit www.dnfa.com for condition reports
Los 222
Follower of Thomas Gainsborough, Portrait of John Luther, Half length, wearing a grey coat and short white wig, in a feigned oval, Oil on canvas 74cm x 51cm. Provenance: Wormsley Park, Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of John Luther Esq. of Essex, painted by T. Gainsborough". John Luther of Essex (d. 1786) married Levina Bennet in 1762 and was brother of Charlotte Luther who married Henry Fane Visit www.dnfa.com for condition reports
Los 225
Circle of William Owen, Portrait of Mary, Dowager Countess of Macclesfield, Three quarter length, seated in a red chair, wearing a black dress and white bonnet, Oil on canvas, 75cm x 62cm. Provenance: Wormsley Park, Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Mary Dowager Coutess of Macclesfield, Painted by W. Owen R. A.". Mary Heathcote, wife of Thomas Parker, 3rd Earl of Macclesfield, daughter of Sir William and Lady Elizabeth Heathcote of Hursley Lodge, Hampshire. Aged eighty-eight, January 10th 1807 Visit www.dnfa.com for condition reports
Los 226
After George RomneyA portrait of John Fane, Lord Burghersh, later 10th Earl of WestmorlandFull length, wearing a yellow skeleton suit and standing in a landscapeOil on canvasInscribed John Fane, Baron Burghersh lower rightInscribed Copied from the original 1923 on reverse122cm x 99cmThe original of this painting is recorded in: Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as `Portrait of John Fane, Baron Burghersh, By G. Romney`. It was later recorded in `Paintings (10 Downing Street), 29th October 1987` as `Painting, Romney George, Westmorland, John Fane, Lord Burghersh, 10th Earl of`
Los 231
William Henry Davis (1783-1865) A grey in a stable, Oil on cavnas, Signed lower right, 49cm x 59cm. Provenance: Wormsley Park, Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Interior of a stable with a portrait of a white horse., painted by W. H. Davis" Visit www.dnfa.com for condition reports
Los 232
Attributed to Margaret Sarah Carpenter (nee Geddes) (1793-1872) Portrait of Lady Ellen Fane, Half length, wearing a black silk dress and tartan shawl, Oil on canvas, Oval, 75cm x 62cm. Provenance: Wormsley Park, Literature: (unpublished) Catalogue of The Collection of Pictures & Drawings at Wormsley, The Property of F. W. Fane as "Portrait of Lady Ellen Fane, Drawn by Mrs Wm. Carpenter". Lady Ellen Catherine Parker (1800-1844) was the daughter of Thomas Parker, 5th Earl of Macclesfield, and married Colonel John William Fane (1804-1875) on 3rd November 1829. Visit www.dnfa.com for condition reports
Los 240
A collection of Fane family prints and photographs: Tournament at Wormsley 6th August 1840, two aquatints, images 17cm x 52cm and 17cm x 27cm; Three Victorian sepia photographs of Wormsley; John Fane M.P., a print; "Myles`s Essex", two prints (former home of Francis Fane and John Luther - see silver lots 18, 19 & 20 in this sale which are engraved with arms for the marriage of John Luther of Myles to Levina Bennet on the 10th January 1762) and see lot 222 for a portrait of John Luther, "A Fine Old English Gentleman...", a print; French Salutation, English Salutation, a pair of hand-coloured engravings; and J. Fane Esq., a print Visit www.dnfa.com for condition reports
Los 257
Boyle (Hon. Robert) The Works, 6 vol., engraved portrait, title-vignettes and 24 plates on 16 sheets, occasional soiling, contemporary russia, gilt, a little rubbed, lower cover of vol.6 marked, some wear to joints and spine ends, [Fulton 241], 4to, for J. and F. Rivington, 1772 Visit www.dnfa.com for condition reports
Los 262
Canini (Jean-Ange) Images des Heros et des Grands Hommes de l"Antiquite, engraved portrait, title vignette and 116 plates by Picart le Romain, plates lightly browned, some light foxing, contemporary sheep-backed boards, uncut, a little worn, 4to, Amsterdam, B.Picart and J.F.Bernard, 1731. Visit www.dnfa.com for condition reports
Los 267
Cheyne (George) An Essay of Health and Long Life, second edition, 1724 - Mead (Richard) The Medical Works, first edition, folding mezzotint portrait, 5 folding engraved plates, 1762 Ñ Quincy (John, translator) Medicina Statica: Being the Aphorisms of Sanctorius, engraved frontispiece and folding plate, 1712 - James (R.) Pharmacopoeia Universalis: or, a New Universal Dispensatory, third edition, 1764 Ñ New Dispensatory (The), second edition, 1765, some foxing and browning, contemporary calf, the first panelled, rubbed, some joints cracked, some spine ends worn; and 3 others, medicine, 8vo & 4to (8) Visit www.dnfa.com for condition reports
Los 273
De Lolme The Constitution of England, fourth edition, engraved portrait, 1784¯[Hatsell (John)] A Collection of Cases of Privilege of Parliament [Precedents of Proceedings in the House of Commons] 3 vol., contemporary inscription "From the Oxfordshire Freeholders to the Worthy Representative John Fane Esq..", 1776-85¯Collection (A) of the Several Statutes Relating to High Treason, by Charles Bill, 1709¯Cay (John) An Abridgment of the Publick Statutes, 2 vol., R. Gosling, 1739, some browning and soiling, contemporary calf, gilt, the last 2 with Royal arms, a few joints cracked; and a quantity of others, law, mostly statutes, v.s. (6 boxes) Visit www.dnfa.com for condition reports
Los 282
Granger (Rev. J.) A Biographical History of England from Egbert the Great to the Revolution, stipple-engraved portrait, a little foxed, mostly at beginnings and ends, bookplate of Francis Luther Fane, contemporary calf, spines gilt with red and black morocco labels, a little rubbed, joints split, slight wear to spine ends, 4to, for T.Davies, 1769-74 Visit www.dnfa.com for condition reports
Los 285
Guicciardini (Francesco) The History of Italy, 10 vol., list of subscribers, occasional browning, contemporary calf, morocco labels, 1755-56 - Clarendon (Edward, Earl of ) The History of the Rebellion and Civil Wars in England, 4 vol. (including The Life), engraved portrait frontispieces and decorations, contemporary sprinkled calf, morocco labels, some joints cracked and extremities worn, Oxford, 1702-04 & 1759; and c.85 others, history etc., v.s. (5 boxes) Visit www.dnfa.com for condition reports
Los 287
Harrington (James) The Oceana..., title in red and black, engraved frontispiece, portrait and full-page illustration, advertisement leaf at end, wide margins, a little dust-soiling, contemporary mottled calf, a little worn, joints split, [Wing H816], folio, 1700 Visit www.dnfa.com for condition reports
Los 288
Henry (Robert) The History of Great Britain, 12 vol., second edition, folding engraved portrait and maps, some foxing and browning, near uniform contemporary tree calf, spines gilt with red and green morocco labels (one or two chipped or lacking), a little rubbed, 1738-95; and 2 vol. continuation by Andrew in similar binding, one vol. worn, 8vo (14) Visit www.dnfa.com for condition reports
Los 297
Jones (Inigo) The Designs consisting of Plans and Elevations for Publick and Private Buildings, Publish"d by William Kent, with some Additional Designs, 2 vol. in 1, first edition, engraved title-vignettes, head- & tail-pieces and initials, 136 engraved plates and plans on 97 sheets, 29 folding and/or double-page, lacking engraved portrait frontispiece, light foxing and browning, occasional soiling, one or two plates slightly frayed at edges, contemporary calf, a little worn, upper cover, folio, 1727. *** List of subscribers includes Colen Campbell, Sir Hans Sloan and Christopher Wren as well as Hon. Col. Fane and Lady Fane Visit www.dnfa.com for condition reports
Los 300
[Vanity Fair: A Weekly Show of Political, Social and Literary Wares], 1 vol. only, 60 chromolithographed portraits by Ape and others, printed biographical details pasted in opposite plates, with another portrait by Spy from 1892 vol. loosely inserted (browned and frayed at edges), contemporary half calf, spine gilt, slightly rubbed, folio, 1870-71. *** Including Bismarck, Carlyle, Charles Spurgeon, the King of Prussia, Prof. Huxley, Millais, Tennyson and Henry Cole Visit www.dnfa.com for condition reports
Los 316
Milton (John) Paradise Lost, 2 vol., engraved portrait and plates, 1749 - Warton (Thomas) The History of English Poetry, 3 vol., 1775-81, some foxing and browning, contemporary half calf, gilt, joints cracking, a little rubbed; and 14 others, 18th century literature, 4to (2 boxes) Visit www.dnfa.com for condition reports
Los 325
Park (Mungo) Travels in the Interior Districts of Africa, first edition, half-title ,list of subscribers, engraved portrait, 5 plates and 2 sheets of musical notation, 3 folding engraved maps, 1 with routes hand-coloured (soiled, creased and torn), some soiling and browning, contemporary half sprinkled calf, red morocco label, a little rubbed, 4to, printed by W.Bulmer and Co. for the author, 1799 Visit www.dnfa.com for condition reports
Los 327
Plinius Secundus (Gaius) Historiae naturalis libri xxxvii, 3 vol., engraved plates, vol.1 title holed with slight loss of text, contemporary calf, spines gilt, joints cracked, rubbed, Paris, 1723 - Diodorus Siculus. Bibliothecae historicae, 2 vol., vol.1 with additional engraved title and portrait frontispiece, titles in red and black with engraved vignette, Greek & Latin text, contemporary calf, lacking one spine label, rubbed, joints cracked, Amsterdam, 1746; and 2 others, similar, in contemporary calf folio Visit www.dnfa.com for condition reports
Los 337
Spon (Jacob) Recherches curieuses d"antiquite, additional engraved title, title-vignette and illustrations, contemporary sheep, spine gilt, rubbed, joints split, head of spine worn, Lyons, 1683 - Lequien de la Neufville (M.) Histoire Generale de Portugal, 2 vol., engraved portrait and decorations, some light browning and soiling, contemporary calf, spines gilt, lacking labels, rubbed, joints and spine ends worn, Paris, 1700; and c.80 others, continental literature and history, v.s.(2 boxes) Visit www.dnfa.com for condition reports
Los 342
Sydney (Algernon) Discourses concerning Government, engraved portrait frontispiece, some soiling, contemporary calf, spine gilt, joints cracked, extremities worn, 1763 - Lyttelton (George, Lord) The History of the Life of King Henry the Second, 3 vol., occasional foxing and soiling, contemporary calf, rubbed, joints cracked, 1767-71; and a quantity of others, history, mostly 18th century in contemporary bindings, v.s. (6 boxes) Visit www.dnfa.com for condition reports
Los 343
Tasso (Torquato) Godfrey of Boulogne: or the Recouerie of Ierusalem, translated by Edward Fairefax, title with elaborate woodcut architectural border, woodcut ornaments and initials, lacking portrait, fore-edge of title shaved, title and final leaf soiled, light water-staining to upper margin, later panelled calf, morocco label, a little rubbed, joints cracked, lower corners slightly worn, [STC 23699], folio, by John Bill, 1624 Visit www.dnfa.com for condition reports
Los 80
Landseer (George) Arabella Montagu Wyatt half length in oval pastel and charcoal on buff paper 600 x 500mm. signed and dated lower right in ornate antique gilt frame 1856. ***The National Portrait Gallery London holds the oil portrait by George Landseer of the British architect Thomas Henry Wyatt (1807-1880) husband of Arabella. .
Los 158
Lacey (Edward Hill) Head of a young girl red chalk with touches of charcoal 350 x 280mm. signed and obscurely dated; with 4 head studies of a young girl 4 pencil drawings each c.270 x 220mm. all signed and dated one with a similar study on verso 1919(5) ***The subject of this portrait has been identified by the vendor as Vilma a fisherman`s daughter..
Los 175
Seago (Edward) Portrait of Spessivtseva left profile portrait head with 3 studies of her feet on an adjacent sheet brown pastel drawings on 2 sheets each c.295 x 215mm. the portrait head sheet signed titled and dated lower left mounted side by side framed and glazed 1938; with a copy of Tribute to Ballet in Poems by John Masefield and in Pictures by Edward Seago (Collins 1938) in which this portrait with one of the foot studies inset is reproduced opposite page 38(2)
Los 314
The Works of William Hogarth with essay and explanation by John Nichols 150 etched and engraved plates including the 2 portraits and a few plates containing several images on 116 sheets with 3 suppressed plates loosely inserted in pocket of lower board frontispiece portrait and title with surface dirt and a marginal dampstain occasional marginal surface dirt to other plates contemporary half red morocco worn spine gilt tooled in compartments folio Baldwin Cradock and Joy 1822.
Los 348
Rembrandt Harmensz. van Rijn. Self Portrait second state etching 95 x 60mm. narrow margins top and bottom trimmed just on the platemark at sides and inset within the image into front free endpaper of a copy of Philip Gilbert Hamerton`s Etching and Etchers Macmillan 1876 (opposite title illustrated with the same image) F.H. Gall`s copy with his pencil ownership inscription upper left a pencil note of purchase from the Heywood Collection Sotheby`s December 1879 below and his collector`s inkstamp on verso of plate [Lugt 2935] some showthrough of stamp on recto also with the earlier collector`s inkstamp of Charles Scarisbrick [Lugt 522] slight spotting a printer`s crease not apparently affecting printing [Bartsch 26] c.1642.
Los 359
a group of classical figure studies by or after Vanloo Boutheux Bouchardon Roubiliac Petit De Marteau Bonne and others 10 soft-ground etchings printed in sanguine v.s. surface dirt creases a few tears and occassional losses mostly marginal 18th century; with 6 plates of decorative ornament in a similar manner by Lucien after Cailloüet; also a small portrait head in red chalk; and 2 others(19)
Los 362
Cruger (Teodoro) Vita D. Joannis Baptistae ex archaetypo Andreae Sartii Flor. engraved title with dedication to Cosimo II de` Medici engraved portrait and the set of 12 plates engraved by Croger (or Kröger) after the Scalzo frescoes by Andrea del Sarto each trimmed close and corner-mounted on support sheets of laid paper light spotting to title occasional light browning small loss in title area of one plate Florence 1618 bound with Punt (Jean) [Ceiling paintings of the Jesuit Church at Antwerp] 24 (?of 36) plates drawn by J.de Wit and engraved by Punt from the paintings by Rubens 6 trimmed close and corner-mounted on support sheets of laid paper Amsterdam 1747-1759 half calf marbled boards worn upper cover detached bookplate of Earl de Grey Wrest Park oblong folio; sold as a collection of plates not subject to return ***Thomas Philip 2nd Earl de Grey (1781-1859) was the first president of the R.I.B.A..
Los 375
Reynolds (S.W.) George III Reviewing troops on the 4th June 1799 equestrian portrait after R.K. Porter mezzotint 570 x 670mm. repairs to splits on two printer`s creases slight wear to creasing in upper right corner framed and glazed Jeffryes & Co. 1800; with an earlier half-length portrait of George III mezzotint before letters 385 x 300mm. framed and glazed later 18th century(2)
Los 391
Bridgwater (H. Scott) Benjamin Disraeli three quarter length portrait after Sir John Everett Millais mezzotint printed in colours 225 x 170mm. signed by the engraver lower right Printsellers` Association blindstamp lower left framed and glazed Museum Galleries c.1910; with a small mixed group of portraits of British prime ministers including Pitt Peel Palmerston Wellington and others mezzotints engravings and lithographs v.s. various conditions unframed 19th century(13)
Los 404
Tsar Nicholas and the Imperial Family chromolithograph based on a photograph 245 x 180mm. creases and minor surface defects c.1905; Group portrait of four Tsarist officers silver print 190 x 125mm. c.1910; Printed programme of a recital at the Palais Petrowsky including pieces by Tchaikowsky Gounod and Mendelsohn single sheet printed in blue with gold head-piece 290 x 220mm. 1896 and a group portrait photograph of the Imperial Family copy print; all framed and glazed(4)
Los 416
Farrell (Frederick) The Law Courts etching 265 x 330mm. signed in pencil lower right Fine Art Trade Guild blindstamps lower left framed and glazed § Abbé (Salomon van) Portrait of a judge etching with drypoint 260 x 255mm. signed in pencil lower right numbered 5/50 lower left framed and glazed early 20th century(2)
Los 424
Lacey (Edward Hill) Self Portrait etching with drypoint and monochrome ink wash on BFK cream wove paper 195 x 155mm. signed in pencil below captioned and dated at lower sheet edge 1929; with another self portrait from the following year etching with aquatint on white wove paper 265 x 200mm. signed and dated in the plate 1930(2)
Los 24
A LOUIS XVI STYLE ORMOLU AND SEVRES STYLE PORCELAIN MANTEL CLOCK, FRENCH, LATE 19TH CENTURY of domed form surmounted by a portrait oval of Marie Antoinette with floral finial and swags, the jewelled panels painted with landscapes, butterflies, cherubs and maidens, on toupie feet, eight day bell striking movement, complete with pendulum and key -- 50cm high
Loading...-
283284 Los(e)/Seite