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A METTLACH STONEWARE PLAQUE, c.1899, of plain circular form, centrally incised and painted in sombre colours by C.R. Thevenin with an art nouveau maiden's head portrait gazing at an extensive river landscape with swans and foliage, within a stylised shell and seaweed border, signed, impressed and numbered 2542, 15 3/4" diameter (Est. plus 21% premium inc. VAT)
AN EDWARDIAN PAINTED SATINWOOD KNEEHOLE DESK of oblong form with stringing, the leather(?) lined top over fascia with two small drawers, gilt brass handles, flanking a concave central drawer, raised on square tapering legs and spade feet, painted with ribbon tied floral festoons centred by portrait patera, 35 1/2" x 19 1/4" x 29 1/2" (Est. plus 21% premium inc. VAT)
Caspar (Gaspar) Netscher (Heidelberg 1639-1684 The Hague), Portrait of a young girl in a white dress with a blue shawl, seated next to a rug and beside pink roses, signed, dated and inscribed C Netcher fecit Ad 1680 (lower right) and bears plaque detailed 'Gaspar Netscher 1639-1684' (to frame) and inscribed 'Collection of Lady ***' (verso), oil on canvas, 53 x 42cm.Private collection UK.Illustrated
Three pairs of larger format steel scissors comprising two pairs with portrait medallions, the first stamped 'AN' and with portraits of Edward VII and Queen Alexandra, 15cm, another pair stamped 'Janetisk' with portrait medallions of King Haakon VII and Drenningmall of Norway, 15.5cm and a pair of novice scissors, 15cm (3)
Six pairs of larger format steel scissors comprising a pair of 18th century probably Turkish scissors with hollow ground blades, 18.5cm, two Chinese pairs 19.5cm, a pair for a novice stamped 'Halma', 17.5cm, another pair, 13cm, and a pair with portrait medallions of Edward VII and Queen Alexandra, stamped 'SB', 15cm (6)
MILTON. JOHN, Paradise Lost, poem in 12 books, printed for Jacob Thomson, London 1725. CONDITION REPORT: The book is in generally good condition commensurate with age. The fly leaf has been cut out and there are three names on the inner front board. The corners of the boards are bumped, the spine slightly rubber and there is a small split starting to appear on the front board connecting to the spine. There is a small loss to the bottom of the spine of +/- 1/2 cm. Internally the book is complete and the pages are very clean. It has 12 full page illustrated pages and a frontispiece portrait of Milton.
Dorothy Turton RMS, "Henrietta Maria (circa 1609-69)" and a Gainsborough style beauty, each monogrammed and mounted in ebonised frames and embossed metal mount and suspension ring, a further portrait miniature of a child initialled DAG, and a portrait miniature of a young lady in profile, inscribed verso Harriet Stockdale, daughter of the late Reverend J Stockdale... this likeness was taken in 1822. 6.5 cm x 5 cm.
ACM Sir Denis Barnett GCB, CBE, DFC Former CO No. 84 Bomber Sqn. signed RAF 60th Anniversary No 84 Squadron flown cover. RAFM HA13. Cover dedicated to Flt. Lt. A. W. Beauchamp-Proctor VC. Cover has a portrait of Beauchamp-Proctor and illustrates No. 84 Sqn. over the Western Front in August 1918. Special hand-stamp Anniversary of the Formation of No. 84 Squadron, 16 Feb. 1977. Signed ACM Sir Denis Barnett GCB, CBE, DFC Former CO No. 84 Bomber Sqn. . Good condition Est.
ACM Sir Michael Beetham GCB, CBE, DFC, AFC, ADC Chief of Air Staff signed RAF 60TH anniversary flown cover. RAFM HA24. Cover dedicated to MRAF The Viscount Trenchard of Wolfeton. Cover has a portrait of Viscount Trenchard and illustrates a Bristol F2B over RAF Staff College at Bracknell. Special hand-stamp Anniversary of the 60th Anniversary 1918 - 1978, Formation of the Royal Air Force, 1 April 1978. Signed ACM Sir Michael Beetham GCB, CBE, DFC, AFC, ADC Chief of Air Staff. Good condition Est.
An English Silver-Hilted Small-SwordLondon Silver Hallmarks For 1732With sharply tapering blade (some wear and rust patination) of hollow triangular section retaining traces of etched foliate decoration on one side of the forte, and on the other with a crowned monster in an oval against a patterned ground between foliage, hilt cast and chased with profile portrait medallions between fruiting swags and demi-figures, all on punched grounds and comprising asymmetrical double shell-guard, slender arms, lobed rear quillon, knuckle-guard, globular pommel with tang button, and grip bound with two thicknesses of twisted silver wire 73.8 cm. blade
A Rapier With Chiselled Steel HiltMid-17th Century, Probably EnglishWith tapering double-edged blade of flattened diamond section, the forte on each side etched with a bird perched on foliage, an arm emerging from a cloud holding a falchion between Latin inscriptions, and surmounted by tulips, hilt comprising downbent lobed rear quillon chiselled in relief with a male profile head and foliage, side-guard chiselled with foliage and central male and female portrait busts facing each other, small side-guard chased with leaves (inner guard missing), knuckle-guard with a female portrait bust and foliage, pear-shaped lobed pommel, each lobe chiselled with a foliate monster-head above a scroll, and later grip bound with twisted steel wire between Turk's heads; together with a Spanish rapier, late 17th/18th century, with tapering double-edged blade of flattened hexagonal section, the forte on both sides with indistinct Spanish inscription along the fuller, steel hilt (pitted, cup-guard missing) comprising arms, slender quillons with button terminals, knuckle-guard, compressed globular pommel, and grip bound with twisted steel wire (2)85 cm. and 103.5 cm. bladesThis lot is subject to the following lot symbols: *
A Neapolitan 16-Bore Miquelet-Lock Belt Pistol Circa 1770With two-stage barrel turned at the muzzle and girdle, octagonal breech section with gold-lined mark for Naples (Neue Støckel, 8672) below two gold-lined fleur-de-lys marks on the top flat in front of the plain tang, the left flat stamped with an 'H' mark, flat bevelled patilla lock, figured full stock (old chip and split beneath the lock) inlaid with pierced brass panels engraved with foliage, the panel on the fore-end involving a grotesque mask, and the one around the barrel tang with a female portrait bust in contemporary costume including a feathered hat, ball pommel inlaid with brass en suite and centred on an engraved martial trophy, brass side-plate and fore-end cap engraved with foliage against a hatched ground and both inhabited by a bird, iron mounts including spur trigger-guard chiselled with a scallop shell, and scroll trigger (ramrod missing) 19.5 cm. barrel
A Fine Silver-Hilted Small-SwordMid-Late 18th Century, Probably FrenchWith colichemarde blade (light rust patination) of sharply tapering hollow triangular section etched and gilt over most of its length on each side with panels of foliated strapwork and inscribed 'Adeux Saison', the forte on one side with a sun-in-splendour, inscribed 'A la Victoire' and with a female figure of Victory above a panel inscribed 'Cussaignard Md Fourbisseur Du Roi et Maitre Arquebusier Prés De La Hourse à Nantes', and on the other with crowned royal arms above 'Vive Le Roy' and a panel inscribed 'De La Manufacture De La Marque au Raisin à Solingen', heavy hilt finely cast and chased in relief against finely punched grounds and comprising asymmetrical double shell-guard with roses on the outer sides, the inner sides respectively with a Classical figure of Mars and a female figure of Plenty, a pair of cornucopia above and below, one of foliage and the other of flame, quillon-block with a Classical trophy of arms on one side and further cornucopia on the other, plain faceted arms, recurved quillons each with lobed foliate tip, knuckle-guard with central helmeted portrait bust and foliate terminal screwed to the pommel, the latter with a male portrait bust on each side and surmounted by a lobed tang button, and swelling grip with Minerva on one side and Veritas on the other, both beneath the same baldachin 83 cm. blade
Three Indian Chahar Ayneh Plates, A Persian Dhal And Bazu Band, And A Pair Of Stirrups 18th/19th CenturyAll of steel, the first of rectangular form slightly curved to the body, the outer surface with brass-inlaid central cartouche of arabesques framing the basmalah in thulth, the two top corners inlaid in silver with the nada'ali quatrain each within a border of brass-inlaid arabesques, the outer borders with silver-inlaid call to God to bless the Fourteen Innocents in thulth and within brass-inlaid double line borders, and retaining its brass-inlaid buckles (outer reinforcing strips incomplete); the second forming a pair and of similar form to the last, the outer surfaces deeply etched with Persian verses in four panels divided by cartouches chiselled with symmetrical arabesques and retaining some gold-damascening, the outer borders chiselled and gold-damascened with running arabesques en suite (some wear and rust patination); the dhal and bazu band each of characteristic form, the outer surfaces etched with cartouches containing a demon, portrait busts, birds and animals, all against etched foliage and silver-damascened scrollwork, and with borders of etched calligraphy; the last each of arched form with crude brass-inlaid decoration over each side (surface rust and some pitting) (7)The first 28 cm. high X 22.5 cm. wide
A Rare Pair Of 16-Bore Flintlock Silver-Mounted PistolsBy Clarkson, London, Circa 1720With swamped barrels (some wear and scattered light pitting) each signed within a chiselled foliate panel at the breech and with engraved ovoidal silver fore-sight, border engraved tangs each decorated with a Classical portrait bust on a pedestal, signed rounded locks (one mainspring an old replacement), plain cocks (one expertly replaced) and steels each with slender raised border, figured moulded half-stocks (one a working life replacement) with rounded butts and each carved with foliage behind the barrel tang, cast and chased mounts comprising pierced side-plates of foliate scrolls involving two grotesque profile heads and a flower-head, foliate escutcheons each engraved with owner's crest within an oval, pommels each with engraved spurs and ovoidal cap engraved with further owner's crest within foliate borders, the latter centred on borders of foliate strapwork involving grotesque masks including one of human form emerging from the silver, trigger-guards each with foliate finial and bow with moulded borders, fore-end cap also forming the ramrod-entry and with foliate and scroll borders, single baluster ramrod-pipes each on a foliate mount, and silver-tipped wooden ramrods, probably original, London proof marks (2)27 cm. barrels
KUPPLEMAYR (MAX)Waffen-Sammlung Kupplemayr, edited by Rudolph Kupplemayr, frontispiece portrait, 30 photographic plates, printed tissue guards, publisher's stiff wrappers, folio, Munich, 1895 - HILTL (G.): Die Waffensammlung Sr. Königlichen Hoheit Des Prinzen Carl Von Preussen, 61 photographic plates and introductory text, loose in publisher's marbled portfolio boards (minor damage) with ties, folio, n.d. [1877] - together with a large format albumin print of a pair of German wheel-lock pistols, and another of three views of a German wheel-lock rifle with elaborately inlaid stock (4)This lot is subject to the following lot symbols: •
An All-Steel Priming-Flask In Italian Early 17th Century Style, And Another In 17th Century Style Both Probably 19th CenturyThe first with triangular body of plano-convex section decorated on the outside with vertical panels damascened in gold and silver with foliate scrollwork, all between vertical fluting inlaid with slender gold and silver lines, diagonally fluted tapering nozzle of circular section, baluster cut-off lever, belt hook, and four rings for suspension; the second with steel body of triangular form decorated with applied brass putti, Classical helmeted profile busts, demi-figures, masks and foliage, all with roped brass borders, a cameo portrait bust of a gentleman on one side, and a lady on the other, baluster nozzle, and two suspension rings (2)11.4 cm. and 9 cm. high
An Extremely Rare Italian Short-Sword Or Dagger (Cinquedea) In Original Cuir-Boulli ScabbardLate 15th/Early 16th CenturyWith broad triangular double-edged bright blade (minor areas of scattered light pitting) cut with two shallow fullers forming a low medial ridge over each side, the left fuller on both sides struck with a bladesmith's mark, a small star, the forte on both sides etched and gilt with panels of scrolling foliage issuing from cornucopiae on one side and from a vase on the other, all against hatched grounds, and divided by a flattened tapering panel etched and gilt in Latin 'FIDELITAS ET AMOR' against a hatched ground on one side, and 'ANTE ME VENTURA' on the other, hilt comprising flat arched tapering iron quillons etched and gilt with flowering foliage along both sides, one side centred on a male profile portrait medallion, and along the upper surfaces with overlapping scales, flat arched pommel (pommel-cap missing) and grip formed of two dark horn scales (minor insect damage, one with old split beneath the pommel) each against a brass shim and inset with four roundels of Gothic tracery in iron filigree, the grip with bevelled edges drawn-out to a central point on both sides, gilt-bronze grip strap (incomplete) embossed along each side 'DACES FOTRTUAT [UM?]', and retaining much of its original gilding, in exceptionally rare original cuir-boulli scabbard (open at the tip) tooled along the outside with two symmetrical panels of acanthus between double line borders and against finely stippled grounds, and at the top with two pairs of vertical lines and central pocket for a by-knife (missing) tooled en suite, the inner side cut with tabs for suspension 54.8 cm. blade, 68 cm. overall
Scarf pin with portrait of a Bull dog by John William Bailey, 1831-1914, artist in enamels, the reverse with painted signature and dated 1892, mount testing as 15 ct, together with a modern Smokey quartz pendant set in silver, and other items . CONDITIONSilver gross weight 15.2 grams9 ct gross weight 1.8 grams15 ct gross weight 6.8 grams Please see ewbanks.co.uk for condition reports and further images
A cameo brooch depicting a piper and a dancing goat, and two portrait cameos, largest 4 cm . CONDITIONSmallest cameo mount stamped 9 ct, gross weight 3.4 grams, measuring approximately 2.3 x 1.7 cm, pin and catch fitting opening and closing securely medium cameo, mount testing as 9 ct, gross weight 10.1 grams, measuring approximately 4 x 3.2cm, pin and catch fitting opening and closing securely Piper and dancing goat mounted in base metal, mount is mis-shapen, there is evidence of lead solder, measuring approximately 4 x 3.5cm, gross weight 12.2 grams Please see ewbanks.co.uk for condition reports and further images

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283287 Los(e)/Seite