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283287 Los(e)/Seite
Los 131
* Mixed items. A mixed collection of items, including a circular terracotta plaque probably late 18th century, with a relief portrait of a military officer, chipped, 6cm diameter, a circular oak lid of a box with ivory panel inscribed 'This box was part of the roof of the House of Commons destroyed by fire, Oct 16 1831, 6.5cm diameter, an 18th century ivory Corpus Christi, lacking arms, 11.5cm long, a Russian circular wax panel of Alexander I, c.1820, set in a brass mount, 5.5cm diameter, an 18th century horn mould for a medallion, engraved Minerva Sacra, 6 x 6cm, a treen whistle probably rosewood, 5.5cm long, four 18th century Bilston enamel boxes, all badly damaged and other itemsQty: (a small box)NOTESProvenance: Collection of Jack Webb (1923-2019), London.
Los 152
* Selvi (Antonio Francesco, 1679-1753). Richard Molesworth (1680-1758, 3rd Viscount Molesworth), 1712, bronze medal, the obverse with bust facing right in armour and ornate helmet, the reverse with Bellona grasping the arm of Fortune, 89mm, extremely fine and very rare, sold with a later composite frame with labels attached, and inscribed with provenanceQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London; Royal United Services Institute sale, Wallis & Wallis,1964 Vannel & . 133; MI II, 391/245; Eimer 453. A pupil of Massimiliano Soldani, Antonio Selvi is best known as the most prolific Baroque medallist in Florence during the twilight of the Medici. His earliest dated medal is 1711 and more than 109 portrait medals and a series of 111 medals commemorating the Medici dynasty are attributed to him. Selvi's style is indebted to Soldani and he is recorded as having worked in bronze and as a modeller in lead for works in porcelain and in wax for cameos. Field Marshal Richard Molesworth, 3rd Viscount Molesworth (1680-1758) was an Anglo-Irish military officer, politician and nobleman. He served with his regiment at the Battle of Blenheim before being appointed aide-de-camp to the Duke of Marlborough during the War of the Spanish Succession. During the Battle of Ramillies in 1706 Molesworth offered Marlborough his own horse after Marlborough fell from the saddle. Molesworth then recovered his commander's charger and slipped away, saving Marlborough's life. Molesworth went on to become Lieutenant of the Ordnance in Ireland, was wounded at the Battle of Preston during the Jacobite rising of 1715, and later became Commander-in-Chief of the Royal Irish Army.Richard Molesworth's older brother (John Molesworth, 2nd Viscount, 1679 - 1725) commissioned medals of himself and his brother Richard from Antonio Selvi while John was Ambassador Extraordinary to the Grand Duchy of Tuscany. Another example of this medal was sold at auction at Morton & Eden (London), Coins, Medals & Banknotes, 27 June 2018, lot 131.
Los 17
* Boer War. A group of three to Gunner F.C Heming, Royal Horse Artillery Queen's South Africa 1899-1902, four clasps, Relief of Kimberley, Johannesburg, Diamond Hill, Wittenbergen (4808 Gnr: F.C, Heming, R.B. R.H.A.), King's South Africa 1901-02, two clasps (4808 Gnr: F. Heming. R.H.A.), Army Long Service & G.C., G.V.R. (4808 Gnr: F.C. Heming. R.G.A.), very fine and better, with a small portrait photograph of the recipient seen wearing his medals and copied service papersQty: (3)NOTES4808 Gunner Frederick Charles Heming was born in Gloucester in 1877, he enlisted in the Royal Horse Artillery in 1894, he served during the Boer War with R Bty and was with General French in the Colesburg district. Thereafter was taken to Modder River. He accompanied the expedition to Koodosberg Drift in the beginning of February 1900; was with General French in the rush to Kimberley and the subsequent advances to Bloemfontein and Pretoria, he assisted Sir Archibald Hunter in the operations for the surrounding Prinsloo. In the beginning of 1901 operated with De Lisle in Cape Colony and afterwards in the Orange River Colony. Heming then re-engaged for service in 1906 to complete 21 years service and was discharged from service in 1916 having served 22 years with the Colours.
Los 195
* Buttons. A framed set of engraved button covers, French, circa 1770s/80s, 8 circular hand-coloured stipple engravings, each depicting a head-and-shoulders portrait of a lady wearing an elaborate hat, diameter 37 mm (1.5 ins), mounted together on card, framed and glazed, together with: A collection of 18th century and later buttons, including: 14 late 18th century mother of pearl studs, each finely carved with a star and central paste jewel, brass and mother or pearl back, 16 mm diameter; a pair of pair of silver and enamel buttons by J. Aitken & Sons Birmingham 1911, each with a simulated pearl design on a blue and white geometric ground, 35 mm diameter; a group of 5 19th century copper and brass buttons, engraved with a starburst within a chiselled edge border, 35 mm diameter; a large George III mother of pearl button engraved with a trap pulled by a pair of horses, 45 mm diameter; an 18th century mother of pearl button engraved with a rococo design of c-scrolls and lattice-work, 37 mm diameter; and various other buttons and cufflinks including 14 silverQty: (a small box)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Picture buttons first became popular in the 1770s, initially in France where they were known as 'boutons à miniature'. Such items were engraved or hand-drawn and usually mounted onto copper frames with a flat or slightly domed glass cover. They depicted a wide range of subjects, including architectural views, mythological scenes, historical events, and flora and fauna as well as images of ladies such as these. It is rare to find a set, seemingly unused. For similar see The Metropolitan Museum of Art (accession numbers 51.47.55–.58 and 50.231.167–.174).
Los 21
* Family Group. A WWI group of four to Sergeant G.A. Keey, Royal Army Service Corps 1914-15 Star (T-3005 Sjt. G.A. Keey, A.S.C.), British War and Victory Medals (3005 Sjt. G.A. Keey, A.S.C.), Territorial Force Efficiency Medal, G.V.R. (T4-244012 Sjt G.A. Keey. R.A.S.C.), extremely fine with part of official card packaging, original Territorial Force Embodiment slip dated 4 August 1918 plus copied service papers. British War and Victory Medals (237189 Pnr. C.E. Keey. R.E.), extremely fine, together with a small black and white portrait photograph of the recipient in uniform, framed plus a larger WWI group photograph (Keey, middle row second from the right)Qty: (6)NOTES3005 Sergeant George Augustus Keey was born in Hockley, Birmingham 1890, he served on the Western Front from 5 March 1915, his service papers record that on 3 June 1915 he was severely reprimanded for 'Being absent without leave 7.40pm to 8.30pm', he was also reprimanded on 21 December 1918. Keey was discharged from service on 25 April 1923. 237189 Pioneer Clifford Edgar Keey served during WWI with the Royal Engineers. After the war, he trained with Messrs. Carter & Co of Birmingham and qualified as A.C.A. in 1923. in 1927 he joined the Birmingham Aluminium Casting (1903) Co. Ltd as Commercial Manager and Accountant. Keey died in 1955, an original copy of The Birmirror Birmid Sports and Social Review dated July 1955 which features an obituary for Keey is included in the lot.
Los 30
* A WWII casualty group to Pilot Officer P.N. Hughes, Royal Air Force, killed in action over the English Channel on 14 September 1940 1939-1945 Star, Air Crew Europe Star, War Medal, extremely fine mounted on a cardboard for display with embroidered cap badge and Observers badge, with a hardbound book compiled by the recipient's brother in 1990, there is a large portrait photograph tipped in of Hughes, two Post Office Telegrams reporting Hughes missing, a letter of condolence to the family from his commanding officer dated 14 September 1940, another related letter, a Times newspaper cutting detailing the roll of honour, condolence slip issued with the medals and other related documents, plus copied service papers and researchQty: (3)NOTESPilot Officer Philip Leslie Norgrove Hughes was born in Dorridge, Warwickshire in 1918, he was educated at Cranleigh School, Surrey. He joined the RAF at the outbreak of WWII and was commissioned from the rank of Leading Aircraftman on 16 June 1940. He trained as an Observer with 15 Squadron who flew Blenheims. His first operation was on 11/12 September in aircraft R3777, the operation was to bomb the harbour and shipping at Ostend. On the 13/14 September the same crew flew R2768 on a similar raid on the channel ports but never returned home. There were no witnesses but they were the only crew from the Squadron to be lost on this raid. Hughes is commemorated on the Runnymede Memorial
Los 306
* Porcelain plaque. A young mother and her children in a landscape, mid 19th century, painted porcelain, showing a young peasant woman holding a baby aloft, and a small girl clutching her skirt, with trees and a cottage in the background, signed lower right and on label on verso 'Muller Fraiden', 17.5 x 12.5cm (7 x 5ins), with carved wooden rococo frame (broken with loss), together with: Berlin Porcelain. Portrait of an Italian Renaissance lady, circa 1890, finely painted porcelain plaque, in the style of the Kõnigliche Porzellan Manufaktur (KPM), Berlin, profile head and shoulders portrait of a young lady wearing a black dress with ruff and fur trim, and an elaborate headdress and veil, impressed 'G 106' on verso, 16 x 11.5 cm (6.25 x 4.5 in)
Los 32
* WWII. A group of six to Major A.J. Cobb, Royal Army Service Corps 1939-1945 Star, France and Germany Star, Defence and War Medals with MID oakleaf, General Service, 1918-62, G.VI.R., one clasp, Malaya (Lt. A.J.F. Cobb. R.A.S.C.), Army Long Service & G.C., G.VI.R., with 'Regular Army' bar suspension (S/52548 W.O.Cl.1. A.J.F. Cobb. R.A.M.C.), last two nicely toned, extremely fine, with a portrait photograph of the recipient in uniform and commission documentQty: (6)NOTESMID: London Gazette 10 May 1945
Los 701
CIRCLE OF GERRIT VAN HONTHORST; oil on panel, portrait of a woman wearing a hat and holding flowers, bearing signature and indistinct date top right, 76cm X 61cm, framed. In Van Honthorst's portrait of Princess Elizabeth II Van De Palts the sitter wears a nearly identical hat. Provenance: the property of a gentleman purchased from a country house auction many years ago.Additional Informationvertical split through the panel. Over painting noticeably top right where the signature is, also on the neck, hands and some small other areas. The paint is thin in parts and has clearly been cleaned. Some light surface marks and two small scratches.
Los 702
A 19th century oil on panel depicting a portrait of an elderly gentleman, indistinctly signed Phillippe Rat verso, together with 12 Victorian and later portrait miniature photographs.Additional InformationGeneral wear, minor chipping and wear to the frames, some of the images are faded and pushed/loose in the mounts/frames, oil on panel has a large are of chipping and wear.
Los 733
Two early 19th century portrait miniatures depicting James and Robert Campbell of Bridge End, Greenock, both identified with further detail verso, the former and larger 7.5 x 6.2cm (2).Additional InformationBoth frames are worn with some chips to the lacquered finish, both dirty, the latter and smaller somewhat unclear but this maybe also due to the condition of the glass. General wear and dirt, etc.
Los 762
J SCHMIERMANN (Dutch, 1875 - 1950); watercolour, 'Stoopers type' portrait of a gentleman wearing a hat, signed lower right, 17 x 15cm, in ornate gilt frame. (D)Additional InformationFrame measures 40 x 34.5cm and is a later example. Image has areas of foxing/water speckles around the image. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 769
AIMEE EUGENIE DELVILLE-CORDIER (1822-1899); watercolour, portrait of a lady wearing a headdress and floral dress, monogrammed lower left, bears Thomas Agnew & Sons of London, Liverpool and Manchester label verso, 33 x 23cm, framed.Additional InformationChipping and wear, minor craquelure to the gilt frame, image is strong with good colours.
Los 778
ERIC RICHARD STURGEON (1920-1999); watercolour, portrait of a girl sitting on a beach, signed, 33 x 49cm, framed and glazed. (D)Additional InformationWater/foxing marks throughout the image. General wear to the frame. Frame measures 55.5 x 70cm. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 783
GEORGE BROWN; watercolour, portrait of a Venetian street flower vendor with pigeons to foreground and canal to background, signed lower right, 87 x 59cm, framed and glazed.Additional InformationThe gilt frame has damage and losses throughout. The picture itself with a small surface loss to the letter G of the first name of the signature, some spotting and foxing.
Los 118
Two 19th century mother of pearl pendants including a circular example with portrait bust, diameter 7.5cm, the second example depicting Cupid beside a nude maiden, 6 x 8cm (2).Additional InformationEach with general wear, minor scratches especially to the Cupid example, also tiny chip to the Cupid ecxample.
Los 154
A Victorian portrait miniature photograph frame of typical oval form, with seed pearls around the outer edge, fitted in original case, 11 x 8cm, also a later yellow metal example, 10 x 8cm and two early 20th century brass counter bells, height of largest example 13.5cm.Additional InformationGeneral wear to each of the bells. The portrait miniature with the seed pearls has two of the seed pearls missing and the case does not quite fit, the backing of the case is a little bent compared to the front section, Each with general wear throughout.
Los 270
An album, containing mainly 18th and early 19th century portrait engravings of European Royalty, aristocracy and worthies, dated in ink 1836, with index, 52.5cm X 38cm, and three similar leather-bound albums, there being hundreds of portraits in total, together with three other folio volumes (7).
Los 38
Military Interest - A set of six wall plaques, each with an applied hand painted portrait of a soldier, comprising '5th Horse Officer 1693', '1st Horse Private 1751', '7th Dragoon Guards Private 1800', '4th (Royal Irish) Dragoon Guards 1815', '7th (Princess Royal's) Dragoon Guards 1829', '4th/7th Royal Dragoon Guards Officer 1961'.
Los 186
Pencil drawing design Lancashire Fusiliers regimental badge, lithograph print after Sir David Bone 'Taking the wounded on board the Western Australia', etching edition Portsmouth Harbour, after Muirhead Bone signed print and another, coloured lithograph Raymond Wood portrait of Lt-Gen Sir John Asser and pencil drawing study of exploding shell 1917, Captain Keith Henderson.
Los 34
Second quarter of 19th century unsigned oil miniature, head and shoulders portrait of Capt Thomas Baker, he wears a blue Naval tunic with white cravat, the frame inscribed in gilt "Capt Thomas Baker, H.M.S. Princess Royal, 1797. Now, Rear-Adml. Sir Thomas Baker. K K.C.B. & C. K K.C.B. & C. 1835". Note: Capt Thomas Baker, a Nelson contemporary, was engaged in several actions. Two were most important. On 25th July, with a squadron in company, he opened fire on the Danish frigate "Freyer" when the Danes refused to allow their ships to be searched. This was the cause of the rupture of the Northern Federation and the preliminary to the battle of Copenhagen. The second important action was when Baker, in the frigate "Phoenix" came across Domanoir's four 74-gun ships, which had escaped Trafalgar. Baker drew their shot and led them to Sir Richard Strachan's ships, who gave battle and overcame them. R.C.F. Provenance: Phillips, Bury, Lot No 460, 27th September 2000, 9cm x 7cm within original ebonised frame with engraved brass inner and hanger, overall frame size 15.5cm x 13cm
Los 35
19th century gold and enamelled framed portrait miniature of Viscount Lord Nelson, after Hoppner, the front bezel in dark blue and white enamel with eight garnet mounts, the back with central hair panel surrounded by dark blue enamelling and a gold outer, inscribed "A token of regard to Sir Hyde Parker from HN". Note: Sir Hyde Parker (1739-1807) was a contemporary of Lord Nelson, born in Devon, the second son of Admiral Sir Hyde Parker, 5th Baronet (1714-1782), in 1801 he was appointed to command the Baltic Fleet destined to break up the Northern Armed Neutrality, with Vice-Admiral Horatio Nelson as his second in command. The first objective of the expedition, fell in the battle of Copenhagen on the 2nd April 1801, to the fierce attack of Nelson's squadron - Parker, with the heavier ships taking little part due to the shallowness of the channel. At the height of the battle Parker, who was loth to infringe the customary rules of Naval warfare, raised the flag to disengage. Famously, Nelson ignored the order from his commander by raising his telescope to his blind eye and exclaiming "I really do not see the signal". This may or may not be purely a myth. Nelson pressed on with the action and ultimately compelled the Danish forces to capitulate. Parker's hesitation to advance at the Baltic Sea after his victory was later severely criticised. Soon afterwards he was recalled and Nelson succeeded him. Overall size of frame 10cm x 8cm within a later folding leather case Provenance: Vost's, Newmarket 21 November 1997 Lot 216 £400-600
Los 37
After Lemuel Francis Abbot, unsigned oil portrait on copper panel, head and shoulders portrait of Admiral Horatio Nelson wearing uniform decorated with orders. Note: the original by Abbot is in the Maritime Art Collection at Greenwich, 13cm x 10cm within an old gilt metal frame. Provenance: Christies, South Kensington, London, Lot 868, 8th July 1998
Los 38
After Arthur William Devis, inscribed "An original sketch by A W Devis" dated March 1804 verso, pencil and watercolour drawing, portrait of Admiral Horatio Nelson in full dress uniform with borders. Provenance: procured from the collection of Charles Letts, 1915. Christie's Maritime Sale 16th November 2005 Lot 323, size 13cm x 8cm black glass surround within an oval gilt frame
Los 4
Rare early 19th century pearlware silver lustre jug decorated with a portrait of Nelson at Trafalgar, the reverse with a cartouche of Britannia weeping over the funeral urn of Nelson with inscription below, the front with an inscription "John Shaw" dated 1810 (restored), 18cm high. Provenance: Phillips Sale of The Tristan Jones Collection, 26 Jan 1991 Lot 32.
Los 41
After R Cosway (1742-1821), unsigned oil miniature, portrait of a lady (possibly Lady Hamilton), pictured wearing a white hood. Note: a similar image appears in the J Paul Getty Museum Note: Lady Hamilton is here depicted in the same "white hood" in which Romney painted her. See illustration in Julia Frankav's "The Story of Emma Lady Hamilton" 1911, R.C.F. Provenance: Keys Picture Sale 30 March 2001 Lot 585
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283287 Los(e)/Seite