Henrietta Maria, silver medal, 1628, conjoined crowned shields of England and France, rev. a tree in the foreground of a grove, date in exergue, (E.110); George III recovery of health, copper medal, 1789, laureate bust right, rev. snake entwined around a tripod with burning alter, date in exergue, (E.827); House of Hanover, copper medal, 1814, busts of George I, II and III right, rev. Peace seated on sea shore holding a portrait of George Prince Regent, 50mm, (E.1057, BHM 781); Coronation of George IV, silver medal, 1821, official Royal Mint issue, bust left by Pistrucci, rev. George IV enthroned, crowned by Victory etc. 35mm, (E.1146, BHM 1070), in later case; George IV, Patron of the Arts, copper medal, 1828, by T Halliday, bare head left, rev. within olive wreath, PATRON OF THE ARTS, 42mm (E.1204, BHM 1333), in later case. The first two about fine, the third, pierced and plugged otherwise very fine, the others almost as struck
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Hampshire, Sussex and Kent Halfpenny Tokens (11), 1794, Chichester and Portsmouth, bust of John Howard, rev. arms of the town of Portsmouth with the Chichester arms over, edge PAYABLE AT SHARPS PORTSMOUTH AND CHALDECOTTS CHICHESTER (2); 1794, Chichester, Dally and son, portrait of Elizabeth I, rev. view of Chichester cross, edge, PAYABLE AT DALLYS CHICHESTER; 1794, Hampshire, Emsworth, figure sitting between an anchor and a globe, with a lion in front of her, rev. dove carrying olive branch flying over cornucopia (2), edges PAYABLE IN HULL AND IN LONDON and CURRENT EVERY WHERE; 1794, arms of Chichester, rev. arms of Canterbury, date below, edge PAYABLE BY I GIBBS LAMBERHURST (2); 1795, arms and supporters of the borough of Maidstone, rev. figure of Justice standing (2), edges PAYABLE BY HENRY OLIVERS and PAYABLE AT THE TEMPLE OF THE MUSES; 1794, Hyth, medieval ship, rev. arms of Hythe, edge RICHARD SHIPDEN; Sandwich, undated, antique ship with men on board, rev. Town arms, edge PAYABLE AT THOMAS BUNDOCK. The last about fine otherwise generally very fine to extremely fine
Elizabeth I (1558-1603) silver coins (16) including a sixth issue shilling, mm. crescent, sixpences (5), 1561, 1571? (overdate) 1572, 1579, 1599, threepence 1563, halfgroats (5) and smaller denominations; Edward VI (1547-1551), Groat, portrait of Henry VIII , Southwark, mm. -/lis, bust 5; Charles I (1625-1649), Shilling (2), Sixpence, penny, and copper farthings (4), all Tower mint. Varied state but generally poor to fine
A 19th century French Revivalist gilt-patinated bronze circular dish, cast in high and low relief, centred by a portrait bust of a Phrygian statesman, the field with three shaped reserves of peacocks, sheep and dogs, classical lyres and garlands, the outer border with winged lion masks, cornucopia and garlands, 30cm diam, c.1870
A Continental terracotta portrait bust, of Ludwig van Beethoven (1770 - 1827), turquoise glazed socle, 27cm high, Austrian/German, c.1870 Condition Report: Firing stress to bust, repaired head with associated losses, further nibbles here and there, some darkening grime, easily cleaned? socle discoloured and crazed, rattle to inside, standing well
A pair of Minton, Hollins & Co Heads of Ancient Tribes series tiles, Saxon and Gael, each moulded in relief with a profile portrait bust of an Aesthetic beauty, glazed in tones of green, 15.5cm square, impressed marks, c.1885 Condition Report: both impressed with makers marks, generally good, nibbles to edges only, some crazing, see additional images
Attributed to John Scarlet Davis (1804 - 1845)Portrait of Margaret, Wife of George Crowther of Churwell, nr Leeds, Daughter of Blencowe Dunn of Howdenlabel to verso dated 1828, pencil drawing, oval mount, 13cm x 10cm; W Cannon (early 19th century)Portrait of a Young Ladysigned, dated July 1823, pencil drawing, 15.5cm x 12.5cm (2)
English Naive School (second-quarter, 19th century), a portrait miniature of a young gentleman, half-length, wearing an upturned white ruff collar, black stock and jacket, white waistcoat and trousers, oval, watercolour on paper, 8cm x 5.5cm, framed; French School (19th century), a pastiche miniature, of The Morning Walk: Mr and Mrs William Hallett, after Thomas Gainsborough, oval, watercolour on ivorine, 8cm x 6.5cm; a Victorian daguerreotype portrait photograph, of a lady, half-length and seated holding a parasol, 5.5cm x 4cm, typical milled gilt-brass mount and leather frame; other daguerreotype frames, similar, (4); "The Twencent" Pocket Album, partially filled with later 19th century clipped portrait faces; etc
Hugh Bridport (Anglo-American, 1794 - c. 1868)Portrait of Daniel W. Lewis, bust-length, wearing a black coat with a pronounced white wing collar, stock and shirt, the spectacles unusually painted on the inside of the glassinscribed to verso: Mr Lewis, Painted by H. Bridport, Augt 18214, Ge***, watercolour, 20cm x 17cm, 19th century rectangular glazed giltwood and gesso frame, 28cm x 25cm overall , fragments of newspaper clippings to verso relating to Ontario and to Daniel W. Lewis and his self-nomination as a candidate in the Congressional electionThe Metropolitan Museum, New York, has three portrait miniatures by Bridport and two lithographs produced in his own lifetime. Their research states that Bridport was born in London in 1794 and died c. 1868 in Philadelphia, Pennsylvania.
RMS Titanic - Transport/Maritime Incident - newspaper, The Daily Mirror, No. 2648, April 19, 1912, headline: Why Were There Only Twenty Lifeboats For 2,207 People on Board The Ill-Fated Titanic?, pp: 8, the cover illustrated with a passenger's photograph of the deck, the interior pages with portrait photographs of passengers and crew with notices or hypotheses of their fate, etc., 37cm x 29.5cm overall
A Compleat (sic) History of the Bible [...], Collected from Prideaux, Stackhouse, Howel (sic), and other Writers on the Sacred Scriptures, by Laurence Clarke, A.M., volume I only: The Old Testament, Printed for the Author, and Sold by Bookfellers (sic) in Town and Country, London 1739, title printed in red and black ink, engraved portrait frontispiece of the author, full-page Biblical engravings accompanying text throughout, woodcut tail pieces and ornaments, contemporary panelled calf, 4to
Baconiana: Or Certain Genuine Remains of S[ir] Francis Bacon, Baron of Verulam, and Vifcount (sic) of St. Albans; In Arguments Civil and Moral, Natural, Medical, Theological, and Bibliographical; Now the Firft (sic) time faithfully Publifhed (sic), An Account of thefe (sic) Remains, and of all his Lordfhip's (sic) other Works, is given by the Publifher (sic), in a Difcourfe (sic) by way of Introduction, first edition, Printed by J.D. for Richard Chifwell (sic), at the Rofe (sic) and Crown in St. Paul's Church-Yard, London 1679, engraved portrait frontispiece of Bacon by Frederick Hendrik Van Hove (1628 - 1698), pp: [ii], [ii], 3 - 104, [8], [ii], 3 - 270, later 19th century panelled calf, the spine gilt lettered in the second compartment and banded with gilt foliage throughout, marbled endpapers, indistinct 18th/19th century ink MS ownership inscription to title-page, 12mo, (Wing B269)
Binding - Burton (John Hill, D.C.L., LL.D.), The Book-Hunter etc., A New Edition with a Memoir of the Author, numbered limited edition 87/1000, William Blackwood and Sons, Edinburgh and London 1882, pp: [vi], x, civ, 427, [i], portrait frontispiece etching of the author by William Brassey Hole RSA (1846 - 1917), further full-page lithographic plate of a library, woodcut borders, vignettes, head and tail pieces and initials, full contemporary red crushed morocco gilt, by Zaehnsdorf, stamped, the covers with a triple-fillet and flowerhead bosses to angles, the spine with six compartments tooled with Pliny's doves in scrolling foliate compartments, titled in the second and dated in the seventh compartments with gilt-lettered green morocco labels, further gilt scroll cross dentelles, marbled endpapers, top edge gilt, contemporaneous ink MS gift inscription to front free endpaper dated 1889, thick 8vo
Burkitt (William, M.A., Late Vicar and Lecturer of Dedham in Essex), Expository Notes, with Practical Obfervations (sic), on the New-Testament of Our Lord and Saviour Jesus Christ [...], sixth edition, Printed for John Wyat, at the Rofe (sic) [...], London 1716, engraved portrait frontispiece of the clergyman by Robert White (1645 - 1703), rebacked contemporary panelled calf and gilt lettered morocco title-label, later endpapers, crown folio; two modern pamphlets relating to the parish of Dedham, Essex, and Burkitt as as past incumbent, [3]
Byronmania - Byron's Letters and Journals, edited by Leslie A. Marchand, seven volumes: 1798 - 1820, John Murray, London 1973 - 1977, h/b, d/j, 8vo, (7); Marchand (Leslie A.), Byron: A Portrait, John Murray, London 1971, h/b, d/j, 8vo; Origo (Iris), The Last Attachment: The Story of Byron and Teresa Guiccioli, John Murray, London 1972, h/b, d/j, 8vo; Moore (Doris Langley), Lord Byron Accounts Rendered, John Murray, London 1974, h/b, d/j, 8vo; Elwin (Malcolm), Lord Byron's Family: Annabella, Ada and Augusta, 1816 - 1824, John Murray, London 1975, h/b, d/j; Lady Blessington's Conversations of Lord Byron, edited by Ernest J. Lovell, Jr., Princeton University Press, 1969, h/b, d/j, 8vo; other studies of Byron, his life and connections, including Peter Quennell and A.L. Rowse; The Byron Journal, Volume 2, 1974, Byron, Victoria & Albert Museum Exhibition Guide, London 1974, [26]
Classics - The Works of Lucian, from the Greek, by Thomas Francklin [...], four-volume set, Printed for T. Cadell, London 1781, engraved portrait vignettes of the author by Isaac Taylor (1730 - 1807), contemporary mottled calf boards, gilt Neoclassical spines, 8vo, (4); The Works of Cornelius Tacitus; with an Essay on His Life and Genius [...] by Arthur Murphy, two-volume set, Printed by W. Green & T. Chaplin, London 1813, contemporary mottled calf gilt, marbled endpapers, 8vo, (2); The General History of Polybius, Translated from the Greek by Mr Hampton, fourth edition, three-volume set, Printed for J. Johnson [...], London 1809, contemporary diced calf, gilt spines, marbled endpapers, Plain Armorial bookplates: Blakiston Houston, 8vo, (3); Arnold (Thomas), History of Rome, three-volume set, T. Fellowes [...], London 1857, Marlborough College full calf gilt prize bindings, marbled endpapers and edges, 8vo, (3); Lucretius, Juvenal, Virgil, Cicero, Latin grammar; etc
Cookery - Jarrin (W.A.), The Italian Confectioner; or, Complete Economy of Desserts, According to the Most Modern and Approved Practice, New Edition, Revised and Enlarged, Routledge, Warne, and Routledge, London 1861, pp: engraved portrait frontispiece, [iii], iv - xxxiv, 35 - 298, fold-out engraved plate, 1- 19, [3], 20th century green cloth, gilt ruled spine enclosing lettered red leather label, 16mo; Provincial Imprint, [Rundell (Maria Eliza)], A New System of Domestic Cookery: Formed Upon Principles of Economy, and Adapted to the Use of Private Families by a Lady, with the Addition of Many New Recipes, Milner and Sowerby, Halifax 1854, pp: engraved Still Life frontispiece by William Home Lizars (1788 - 1859), [iv], 10 full-page wooducts of meat, poultry and fish, [ii], 350, contemporary black cloth gilt and blind, 12mo; Beeton (Mrs Isabella), The Book of Household Management [...], Entirely New Edition, Revised and Corrected, with New Coloured Engravings, Ward, Lock, and Tyler, London [1869], further line engraved diagrams throughout text, contemporary quarter-calf and cloth (disbound), contemporary ink MS ownership inscription to front endpaper, large 12mo; The Lady's Companion [...], volume II only, sixth edition, Printed for J. Hodges, London 1753, contemporary panelled calf (disbound), 12mo, [4]
Eighteenth-Century Bindings - Classical Literature and Belles-lettres - Elzevir Press, Horace, Opera, [edited by Daniel Heinsius], [Leiden] 1629, volumes II & III only, later 18th century crimson morocco gilt, marbled endpapers, 16mo, (2); Vadé (Jean-Joseph), Å’uvres, volumes I-III only, Geneva 1777, engraved portrait frontispiece to first volume, contemporary crimson morocco gilt, marbled endpapers, 32mo, (3); Terence, Publii Terentii Afri ComÅ“diæ [...], volume II only, Natalem Le Loup & Jacobum Merigot, Lutetiæ Parisiorum [Paris] 1753, title-page portrait vignette of the author by Jacques-Philippe Lebas (1707-1783) after Hubert-François Gravelot (1699-1773), contemporary Parisian crimson morocco, the covers gilt with a triple-fillett border and floral bosses to angles, gilt spine, all edges gilt, embossed floral endpapers, contemporary ink MS shelf number to front free endpaper, 16mo; Ménage [Gilles], Menagiana, ou Les Bons Mots [...], volume I only, E van. Harrevelt, Amsterdam 1762, engraved allegorical frontispiece, contemporary Parisian crimson morocco gilt, marbled endpapers, 18mo; Fénélon (François Salignac de la Mothe), Les Aventures de Télémaque, Fils d'Ulysse, volumes I & III only, P. Didot L'aîné, Paris 1796, contemporary crimson morocco gilt, blue silk endpapers, 18mo, (2); an earlier edition, volume IV only, Paris 1783, contemporary crimson morocco gilt, marbled endpapers, contemporary armorial bookplate to pastedown: Elizabeth Duchefs (sic) Dowager of Manchester (widow of the 4th Duke, Ambassador to France in 1783), 18mo; Ovid, Opera Quæ Extant, volumes I, III, IV & V only, J. Brindley, [London] 1745, volume I with double-page engraved title-page by Bernard Picart (1673 - 1733), contemporary crimson morocco gilt, marbled endpapers, 18mo, (4); Tasso (Torquato), Il Goffredo, Overo Gierusalemme [...], volume I only, Thomaso Jolly, Parugia 1678, etched full-page plates, contemporary crimson morocco, 32mo; etc, [16]
Lt. Cdr John Bridge GC, GM* (British bomb disposal expert RNVR) signed Benham Cover. WWII - 1943 - Operation Husky. Cover features a portrait of General Sir Bernard Montgomery, commanding the British 8th Army and Allied soldiers unloading a tank from landing craft. Cancelled Portsmouth 9 Jul 2003. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

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283287 Los(e)/Seite