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283287 Los(e)/Seite
Los 300
THREE EARLY 19TH CENTURY PENDANT FOB SEALS (3)Comprising: a lapis lazuli seal, unengraved, a chalcedony seal, monogram engraved, and a foil backed rock crystal seal, engraved with a youthful portrait, fitted with suspension loopsCondition ReportThe seals are likely to be gold cased, that is a thick outer coating of gold, but perhaps eventually down to a base metal, this would be a typical construction of early 19th century seals, there is an old repair to the top of the mount of the lapis lazuli seal, the chalcedony seal is in good condition for its age, the foil backed rock crystal seal is also in fairly good condition for its age. Height of largest chalcedony seal 29mm, combined gross weight 18 grams
Los 1279
A set of four Copeland Spode Aesthetic period, outside decorated four seasons portrait plates, circa 1880, housed in ebonised wood frames, overall 31cm in diameter. Condition - fair, three frames cracked The plates are 'dished' and painted over the glaze. There are occasional minor surface scratches. We are unable to verify the condition of the rims due to the frames.
Los 1026
A VICTORIAN PORTRAIT OF A GENTLEMAN, the seated portrait depicts him sitting in a chair a holding a pair of glasses in his right hand, indistinct writing to the white band above the red fabric on the left of the painting, oil on canvas, approximate size 41cm x 34cm, Condition Report: craquelure across the whole surface with some paint loss, some over-painting in places, replacement frame has some losses
Los 878
A COLLECTION OF CRESTED WARES AND SUNDRY ITEMS ETC, crested wares include items adorned with Military crests - Life Guards 2, Coldstream Guards, Royal Military College Camberley, The Devonshire Regiment, Royal Artillery, Liverpool Regiment, Lincolnshire Regiment, Seaforth Highlanders, Australian Commonwealth Forces, Army Ordnance Corps etc, with two Paragon China cup and saucers, Aynsley ceramic plaques with Military crests, medals awarded for service in The Special Constabulary awarded by George V and VI, West Midlands and Surrey Fire Brigade badges, a watercolour portrait of a Highland Light Infantry soldier dated 1900, a Goffering iron etc
Los 130
Richard Drew, known as Zacron (British, 1943-2012) homage to Zacron: One off archival print featuring his iconic white bowler, 1960s black and white photographic portrait of Zacron, together with a tabletop cabinet housing a collection of artefacts relating to Zacron's career; his iconic white bowler, shoes and sundries, the cabinet 35cm wide
Los 145
Splendid antique oil on canvas painted in a 19th century English Romantic style that depicts the portrait of a life-size British Border Collie wearing a reddish pink collar. He is sitting in front of a faraway seascape that is basked in sunset light. As his signature, the artist painted himself below the legs of the dog in plein-air holding a large umbrella. The canvas has been professionally re-attached to its original oval handmade wood support with copper nails. Artwork dimensions with stretchers: 29"L x 36"H x 1"W. Issued: 19th centuryCondition: Age related wear. Minor paint loss on image and paint loss on edges. Vertical crease on left side with beginning of tear in its center.
Los 155
'Tugg' Wilson (1930-2006), four humorous prints of naval theme, mounted, to include 'Ring the AA!', and others, overall size 30cm x 37cm (4). In addition to Jo Beer (1968-) limited edition print of Chad Varah (founder of the Samaritans), signed and titled in pencil 'We Listen.. Chad Varah', from local BBC portrait finalist, mounted, overall size 41cm x 41cm (1), with a collection of cricket magazines and annuals, to include 'Playfair', 'Wisdens', etc approx 31 pieces. (36)
Los 43
Portrait miniature on ivory, in the manner of Andrew Plimer, showing a woman with ringlets in her hair and wearing a lace edged chemise, set in a gilt metal frame, approx 5.5 x 4cm(Please note: Franklin Browns have applied for a de minimis exemption licence for the ivory in this lot YZLDGE57)
Los 217
A Sevres 'Chateau des Tuileries' porcelain cabinet plate depicting 'Madame de Chatelet' hand-painted portrait to centre surrounded by lattice pink and cream rim with raised gilt decoration, signed 'Morin' to bottom left. Madame de Chatelet (1706-1749) is a celebrated mathematician and physicist who shared a close relationship with Voltaire and translated Isaac Newton's Philosophiæ Naturalis Principia MathematicaIn good condition, no cracks, chips or restoration. Minor wear and marks to gilt.
Los 589
Attributed to Anton Ebert (1845-1896) GermanPortrait of a lady, head and shoulders, wearing a mauve shawlSigned, oil on canvas, 35cm dia. ovalUnlined, three keys missing, fairly slack tension. Quantity of dirt and debris and a slip of paper behind stretcher. Slight undulations/draws across the canvas from the lack of tension. Stretcher bar cracks, slightly raised but stable, and broadt brittle age and impact cracks throughout, also slightly raised but stable. No apparent losses or restoration. Flyspotting in passages, and a dark sweep of material below the 'v' of the neckline. Old ingrained dirt and varnish, and a slightly uneven varnish layer, likely a little yellowed. Light surface dirt.
Los 610
R* Harrington (later 19th century) Portrait of a prize bull, standing before a fence, with a view of a landscape beyond Signed, oil on canvas, 43.5cm by 62cm Unlined, only one key present, fairly slack canvas. The rear turnover margins are split in places. There is one old canvas patch to the bottom right hand corner from the reverse, approx 6.x 5 inches and a quantity of beige material on the back of the canvas to the left of this. The patch is associated with repairs to three old tears, which have not been retouched, behind the bull. In addition there are two tears: a one inch curving tear above the back of the bull and a one inch inverted L tear above right of the horns. There is one puncture and one break to the left of the latter tear, and an old puncture to the middle right edge. There is loss of paint and ground associated with the tears and punctures, and none have been retouched. There is also minor active flaking associated with the fresher tears (see images in raking light). There is old brittle age craquelure and impact cracks throughout, slightly lifted/cupped, but mostly secure. There are a few scattered tiny unrestored losses, including in the tree canopy and to the top of the sky.There are bumps along the bottom edge from material trapped behind the stretcher bar at the reverse (see image in raking light). There has been some abrasion to the paint from cleaning in the past, for example to the darkest passages of the sky, along the top of the bull's back, to a rear hoof, the bottom of the fence and the fence on the right. There is a fairly lean and slightly uneven varnish, not appreciably yellowed. There is a whitish substance on the surface at the edges in places. There are dark transfer marks along the top edge in places. Old ingrained dirt and varnish in the troughs of the paint and canvas weave, and surface dirt, dust and debris including fly spotting.
Los 538
Follower of Joseph Highmore (1692-1780) Portrait of a gentleman, head and shoulders in profile, wearing a powdered wig Indistinctly inscribed and dated Aug 13th 1784 verso, with further inscription and later date, pastel, together with a further 19th-century pastel portrait of a gentleman, head and shoulders, 19cm dia. (oval) and 23.5cm by 19cm respectively (2)Provenance: The Boydell Galleries, Liverpool (for the first example)
Los 548
Circle of Sir George Hayter (1792-1871) Portrait of Richard Shard Gubbins Portrait of Fanny Gubbins Double portraits of Gubbins children Portrait of a Gubbins girl Some inscribed with details of the sitters verso, watercolour, 28.5cm by 23cm, 21cm by 17cm, 23.5cm by 27.5cm and 28.5cm by 23.5cm respectively (4)Provenance: Mrs Gubbins widow of Lt. Col. Gubbins CB Sophia Gubbins Her Nephew Edward Ernest Gubbins Richard Roald Gubbins Thence by decent, according to handwritten note reverse of the double portrait The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins
Los 541
Circle of George Richmond RA (1809-1896)Portrait of Edward George Percy Littleton (Later 3rd Baron Hatherton), head and shoulders, in a feigned ovalWith indistinctly inscribed note affixed to reverse "EGP Littleton (1848) age 6 years, afterwards 3rd Lord Hatherton", oil on canvas, 41.5cm by 34cmUnlined, six keys missing, slightly lacking in tension. Old patch to pucture/tear to bottom centre of canvas, visible as a lump at the face of the painting with a large area of brushy overpaint surrounding it. Slipped slightly in frame, top edge of canvas visible. Brittle age craquelure in passages throughout, not elevated and all appears secure - but most noticable in pale forehead. A few areas of drying cracks, mostly to the hair and shoulder, some opened slightly (see images). There has been some abrasion to the delicate thin paint layers, particularly in the hair and half tones of the face around the left eye and in the neck. Possibly a little thinning to the blue background and the faux oval. There is a line of thick blue overpaint to cover rubbing and traces of gold from where it was previously framed as an oval. Scattered fruther minor losses and rubbing in areas, and scattered old minor touches of overpaint. Old ingrained dirt and varnish, possibly slightly yelowed upper varnish. White scuffs to varnish middle left side, minor surface accretions and dirt/splashes. A few minor scratches to varnish at top, and rubbing at edges.
Los 620
Follower of Sir Peter Lely (1618-1680)Portrait of Sir Edward Littleton (1st Baronet) standing in a landscape wearing classical attire and with the accoutrements for huntingInscribed "Sr. Edwd. Littleton", Aet. 6, dated 1680, oil on canvas, 98.5cm by 69.5cmLined, two keys lacking, fairly slack. Likely a pressed from lining process. Old brittle age and impact cracks throughout, slighly raised/textured but all secure at present. Likely secured during lining (see images in raking light). Scattered tiny old losses associated with flaking, mostly unretouched. Scattered further slightly larger but minor losses, filled and retouched, including one to the chest and one to the left of the hair. Extensive abrasion, leaving tops of canvas weave visible in places (see images), and reducing upper paint layers. Dark canvas is visible in lighter areas, and lighter patches of ground and canvas visible in darker areas. See dog's head, face and hair of figure, around the stag/hound. Dark glazes of the drapery reduced too. There has been some minor suppression of cracks and abrasion with retouching mostly in the face, neck and shoulders, which appears beige in the chest. Difficult to see if there is other retouching in the background as an older varnish has been left on in darker passages. . Further retouching to losses at edges. Fairly patchy varnish with uneven gloss, and scratches in the varnish above the head and by the left foot. A layer of surface dirt.
Los 545
Attributed to Ramsay Richard Reinagle RA, POWS (1775-1862) Portrait of a young man, head and shoulders, historically known as a self-portrait Inscribed verso in a later hand "Ramsey (sic) by himself, by repute", pencil, 20.5cm by 15.5cmProvenance: L G Duke Esq. CBE; His sale, Christie's, 22nd October 1970, Lot 151 Theodore Besterman; His sale, Christie's, 15th December 1981, Lot 96 (by repute) Spink, London
Los 512
Follower of Cecil Aldin (1870-1935)Portrait of a West Highland White Terrier seatedIndistinctly signed and dated (19)35, chalk, 38cm by 29cmBroad scale horizontal undulations across the sheet. No creases or tears. Light oxidisation/darkening of paper at edges where in contact with the mount. Paper scraped/roughed up in the dog's eyes - artist's technique. Please note that the spots visible in photographs are associated with marks on the glass casting shadows.
Los 2042
A Silver-Mounted Sulphide Scent-Bottle, Probably by Apsley Pellatt and Co., London, Circa 1820 shaped oval, one side with a portrait bust of a young man in a high collared shirt with epaulets and a medal, the other side lobed, the hinged cover reeded and incised with lines, with detachable stopper75mm highThere are no hallmarks on the silver mounts. There is some overall surface scratching and some very minor chips to the glass, particularly along the bottom edge where the bottle rests. With a detachable stopper.
Los 2075
A German Silver Desk-Seal, With Spurious Marks for Augsburg, Probably Hanau, Second Half 19th Century baluster and stamped with portrait busts within ribbon-tied husk surrounds, separated by foliage and flowers and with further swags, the matrix carved with a crest, perhaps that of Haliburton11.5cm high, 3oz 16dwt, 118grMarked near base with spurious marks. The marks with some minor wear but genereally legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a very minor sortening to the high points.
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283287 Los(e)/Seite