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283287 Los(e)/Seite
Los 581
An Edwardian mahogany, boxwood strung and florally painted break bow fronted vitrine, the stepped swept cornice over a ribbon tied swag frieze over three glazed doors enclosing two shelves, the base with a florally reserved portrait decorated cupboard door flanked by panels of swags and trophies on square tapering legs and spade feet, 210 x 120cm
Los 4004
Fine and large early-mid 19th century lap-style carved meerschaum and silver mounted pipe, bas-relief carved in celebration of Napoleon, with continuous battle scene frieze and profile portrait to foot and reciprocated to the windcap, with Continental silver mounts, probably Austrian, 19cm high x 17cm wide CONDITION REPORT Meerschaum in good condition, a few minor chips, losses, front edge of frieze, loss to sword which lies on ground towards lower edge, otherwise the meerschaum appears intact - good original condition.
Los 4021
Group of five novelty carved meerschaum cheroot holders - to include example carved as a hand holding a skull, finely carved male portrait mask, the case with label for A. E. Morris, Montreal, two well-carved examples with female heads, another modelled as a hand holding a cup, the largest 13cm long - all cased CONDITION REPORT female head missing mouthpiecehand with cup missing mouthpiece (associated case)hand with skull - bowl only, smoked, good condition, otherwise condition ok
Los 425
An Indian portrait of a Ruler, Mewar, Rajasthan, late 18th century, the plump one-eyed figure carrying sword and shield and holding an emerald in his left hand, gouache with gold on paper, 23.5cm x 15cm (image) This image probably depicts Maharana Sangram Singh I of Mewar, who ruled 1509-1527 and lost his eye fighting in battle.
Los 133
An unusual and historically interesting Georgian dress sword by Samuel Brunn, 70cm flattened diamond section two-stage lightweight flexible blade etched with the motto NEMO ME IMPUNE LACESSIT within a garter, this partially obscured by patination, Further swag below containing the word ROYALS, copper gilt hilt in the Romanesque manner, the neoclassical crossguard with stylized spatulate acanthus terminals, domed pommel with laurel wreath band, tapering copper wire bound grip, contained in its copper gilt mounted black leather scabbard bearing maker's panel for S. BRUNN Sword Cutler to H.R.H. The Prince of Wales 56 Charing Cross London, the upper mount also engraved with owner's initials JPK, a contemporarily added copper gilt mount states The Gift of J.P. Kemble Esq. to J. Cooper 1817. John Philip Kemble (1757-1823) was famous for having a duel with the Irish actor James Aickin in 1792, having been challenged by his deputy manager after a row over working practices at the Drury Lane Theatre where Kemble was manager. They set up the duel in Marylebone; Aickin took aim at Kemble with his pistol and missed. Kemble refused to return fire and after discussion the two men were reconciled. An English actor famed particularly for his Shakespearian roles, Kemble was the brother of actress Sarah Siddons who was immortalised in Gainsborough's famous portrait. There are numerous portraits of Kemble by artists such as Sir Thomas Lawrence, James Gillray, William Beechey and Benjamin Holl. Known for playing dramatic roles, he is often depicted carrying a sword, for example in the roles of Rolla, Hamlet, Cato and Richard III. After playing his final role as Coriolanus (one of many Roman characters that he portrayed), he retired from acting in 1817, the year that this sword is inscribed as a gift from Kemble to J. Cooper.
Los 1011
A selection of collectables, including a Regency portrait miniature of a lady, a pair of Georgian painted silhouettes of a husband and wife and another ebonised miniature frame, a boxed set of steel and brass scales with weight, French tortoiseshell coin-purse, small Art Nouveau enamel frame, jewellery box and contents including watches, miniature glass items, agate specimen, drawing instruments, etc. (box)
Los 1
Robert Taylor Carson HRUA (1919-2008) COOLING OFF, 1978 oil on panel signed lower left; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 23 by 36in. (58.4 by 91.4cm)
Los 199
Various including Colin Middleton, Pauline Bewick and Hilary Heron among others COLLECTION OF CHRISTMAS AND GREETING CARDS AND SOME ORIGINAL ARTWORKS variously signed, inscribed and dated Collection includes: Colin Middleton (several), Tom Carr, Pauline Bewick, Jane O'Malley (original print), Brian Ferran, Deinse Ferran, Gerald Davis, Carl Tait, Louis Dubois, Faith Shannon among others and some small original artworks (Hilary Heron, Cat) and prints (John Foley, etching 1/4) as well as a photographic portrait of Paul Nietsche, signed, dedicated and dated March 1946. Some unsigned or unidentified. (70 items approx.)
Los 24
Robert Taylor Carson HRUA (1919-2008) DANCING BY THE MAY MOON, 1973 oil on panel signed lower right; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 23 by 19.50in. (58.4 by 49.5cm)
Los 35
Robert Taylor Carson HRUA (1919-2008) TORREMOLINOS II, SPAIN oil on panel signed lower right; signed and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 12 by 16in. (30.5 by 40.6cm)
Los 38
Robert Taylor Carson HRUA (1919-2008) LAS PALMAS BEACH, GRAN CANARIA, 1984 oil on panel signed lower left; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 12 by 16in. (30.5 by 40.6cm)
Los 39
Robert Taylor Carson HRUA (1919-2008) WEST DONEGAL, 1995 oil on canvas signed lower right; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 12 by 16in. (30.5 by 40.6cm)
Los 56
Robert Taylor Carson HRUA (1919-2008) GRECIAN GYPSIES, 1980 oil on panel signed lower left; signed, dated and inscribed with title on reverse Estate of the artist Robert Taylor Carson documented a well-travelled life in paint, from his early years in the Belfast College of Art - where he studied under scholarship from the age of fourteen - to his time travelling Ireland with his young family, and abroad to the United States and Europe. His subject matter is wide-ranging but an interest in people and their way of life is a common thread throughout his oeuvre. In the mid 1940s Taylor Carson became an unofficial war artist capturing the daily life of American troops based in Northern Ireland. This endeavour led to significant portrait commissions in the US. Numerous exhibitions of Taylor Carson's work have taken place throughout Ireland and the UK as well as New York and Chicago. He was also a regular contributor to the Royal Hibernian Academy, Dublin and the Royal Ulster Academy. Among his contemporaries and friends were Maurice Canning Wilks and Rowel Friers with whom he travelled and painted from counties Donegal to Kerry. 12 by 16in. (30.5 by 40.6cm)
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283287 Los(e)/Seite