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A CREAMWARE ARMORIAL PLATE, CIRCA 1800plain with wheatsheaf border, decorated in the centre with the coat of arms of Forster of Norfolk. This plate is reputed to have been owned by Captain Edward Berry (1768-1831), who married his cousin Louisa Forster in 1797. The plate was with him in HMS Agamemnon at the Battle of Trafalgar -- 8¼in. (20.5cm) diameter; together with a creamware mug, circa 1805, transfer-printed in black with a portrait of Vice-Admiral Horatio Nelson (1758-1805), inscribed above 'England Expects every Man to do his Duty', and below 'ADMIRAL LORD NELSON / Born Septr 29th 1758-Died Octr 21 1805 / Aged 47' (a similar example is in the collection of the National Maritime Museum AAA4819)(2)
THE DISPATCHES AND LETTERS OF VICE ADMIRAL LORD VISCOUNT NELSON WITH NOTES BY SIR NICHOLAS HARRISHenry Colburn, London, 1844-46, 7 vols, 2 folding lithographed charts, engraved portrait of Nelson and a plate, contemporary half leather, a few signs of wear -- 8½ x 5½ in. (21.5 x 14 cm.); and 3 other vols. pertaining to Nelson(10)Royal Naval Club & Royal Albert Yacht Club, Portsmouth
THE LIFE OF ADMIRAL LORD NELSON BY JAMES STANIER CLARKE AND JOHN MCARTHURfor T. Cadell and W. Davies, 1809, 2 vols., engraved portrait, plates and vignettes, modern blue calf morocco, THE DEDICATION COPY with the book-labels of William IV transferred from the earlier binding to this one -- 13¼ x 11in. (34 x 28cm.)(2)Royal Naval Club & Royal Albert Yacht Club, Portsmouth
FRANCE AND TONGKING, A NARRATIVE OF THE CAMPAIGN OF 1889 AND THE OCCUPATION OF FURTHER INDIA BY JAMES GEORGE SCOTTT. Fisher Unwin, London, 1885, folding lithographed map and two folding plans, original pictorial cloth - 8¾ x 5¾in. (22 x 15cm.); together with Lives of the British Admirals by John Campbell for C.J. Babbington, 1812, 8 vols., engraved portrait frontispiece, browned and offset, contemporary half roan, uncut, rubbed – 9 x 5½in. (23 x 14cm.)(9)Royal Naval Club & Royal Albert Yacht Club, Portsmouth
ROYAL PRESENTATION PORTRAITS OF QUEEN ELIZABETH II AND PRINCE PHILIPthe Queen’s signed Dorothy Wilding (lower left); the Prince’s signed Baron (lower right), both on autographed mounts dated ‘1956’ -- 15 x 12in. (38 x 30.5cm.); together with a bust-length portrait of Captain Louis Battenberg R.N. on autographed mount dated 1894 -- 11½ x 9¼in. (29 x 23.5cm.); and a presentation portrait of Earl Mountbatten, signed in manuscript Mountbatten of Burma A.F. -- 12 x 10in. (30.5 x 25.5cm)(4)Royal Naval Club & Royal Albert Yacht Club, Portsmouth
ROYAL PRESENTATION PORTRAITS OF GEORGE VI AND QUEEN ELIZABETHlithographic enlargement after a portrait by Hugh Cecil, published by Raphael Tuck and Sons Ltd., signed and dated ‘George R.I. 1942’, pl. -- 19¼ x 15½in. (49 x 39.5cm.); together with an autographed companion portrait of Queen ElizabethFramed dimension: 33½ x 25¼in. (85 x 64cm.)(2, a pair)Royal Naval Club & Royal Albert Yacht Club, Portsmouth
ROYAL PRESENTATION PORTRAIT OF KING EDWARD VIIcollotype, signed on the mount ‘Edward R.I. 1908’, pl.—19 x 15½in. (48 x 39.5 cm.), contained in original oak glazed frame. Frame size: 34 x 27in. (86.5 x 68.5cm.); together with a three-quarter length 19½ x 13½in. collotype portrait of King George V circa 1910; and a pair of 5½ x 4in. commemorative photographic portraits by Vandyk of King George V and Queen Mary, the Queen’s inscribed Mary R. 1936, the King’s inscribed in the same hand In remembrance of King George V 1936.(4)Royal Naval Club & Royal Albert Yacht Club, Portsmouth The mourning portrait of George V with spotting. The portrait of Edward with foxing.
AN AMERICAN MERCHANTMAN PORTRAIT FIGUREHEAD, CIRCA 1840bust length, depicting a typical gentleman owner with lamb chop whiskers, high collar with neckerchief, pleated shirt, shawl collar waistcoat and terminating in a cloak around his waist, the back with billet head (refinished) – 33 x 24in. (84 x 61cm.)Paint chips to nose
Große Deckelvase, w. Wien, um 1900, Prunkdeckelvase mit Portrait eines jungen Mädchens, re. sign. Wagner, ovoide Form mit seitlichen Henkeln und Lorbeergirlanden, auf rundem Fuß und quadratischem Postament, leicht gemuldeter Deckel mit Pinienknauf, bourdeauxroter lüstrierender Fond, reich dekoriert mit Goldornamenten, tws. gehöht, u. bez. 'Sommer', Ecke am Postament geklebt, Gesamth., 77 cm
Tasse mit Untertasse, KPM Berlin, um 1820, 1. W., Form Kalathos mit hohem Campanerhenkel, tlw. rosafarbener Fond, Tasse mit Malerei umlaufende Blütengirlande und ovales Medaillon mit Portrait in Scherenschnittmanier und Aufschrift 'Immer Dir nahe', Ut mit korrespondieren Girlandendekor, reiche Vergoldung, best., Gesamth. 10 cm
Walther Gasch (1886-1962), dt. Maler, Grafiker und Fünktionär der NSDAP aus Leipzig, stud. an der Dresdner Akademie u.a. bei Hegenbarth und Richard Müller, dessen Meisterschüler er war. Ab 1934 stellv. Direktor der Akademie der Gr. Künste Leipzig. Impressionistisch anmutendes Portrait einer älteren Dame vor geblümter Tapete, Öl auf Lwd., o. re. monogr. u. dat. 1913, verso bez., 62 x 50 cm, ger. 76 x 63 cm
Anonymer Altmeister, Ende 17./Anf. 18. Jh., Portrait eines Mannes mit langem Haar und dezentem Knebelbart im Oval, möglicherweise Kopie nach Frans Hals, Öl auf Lwd., bezeichnet o. re. ''Aetatis Suae ...45'', Wappen oben links mit Löwe nach links steigend, doubl., rest. u. retusch., 75 x 59 cm, ger. 91 x 75 cm
Jugendstil-Pokalglas mit Kupfermontage, um 1910, Entwurf wohl Georg Carl von Reichenbach für Kristallglasfabrik Benedikt von Poschinger, Oberzwiesel, runder Stand, gerader breiter Hohlschaft, Kuppa in Tonnenform, grünliches Blasenglas mit reicher polychromer Kaltemaillemalerei, Portrait eines Herrschers und geometrische Motive, Goldstaffage, H. 22 cm
Schokoladentasse mit UT, Frankreich, um 1844, Historismus Tasse mit Herrscherbildnis im Medaillon, polychrome Malerei, Portrait König Philipp IV der Schöne von Frankreich, auf der UT Reserven mit polychromen Blumenbouquets, auf grünem Fond mit Ziervergoldung, im Boden bez. in Gold 'Medaille d'or Exp. 1844', Provenienz: Anhänger 'Sammlung Johann Orth', H. 9 cm
Group of ten framed works and one frame to include: two Chinese watercolour paintings of birds and flowers, with calligraphy and real seal lower left, 35 x 21 cm; Thatched Cottage Scene with Ducks, watercolour and stumpwork, 58 x 42 cm; abstract pastel on paper, indistinctly signed and dated 1988 lower left; Portrait of a girl (early 20th century), watercolour over photo; Biblical print with gilt detail in moulded frame (19th century); two prints of birds signed 'Marion Barclay' in print; lithograph in diamond-form frame; and others (11)

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