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283284 Los(e)/Seite
ROY SMITH (R.W.A. Wedgwood sculptor). Signed verso, dated 1946 and titled ‘Gretta’, plaster sculpture, Art Deco style female portrait bust, approx. height 42cm, with newspaper clipping reproduction. Provenance: passed down through sculptors family. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
ROY SMITH (R.W.A. Wedgwood sculptor). Carved original plaster mould plaque, Art Deco style profile portrait of female looking downwards, fine detail to dress, hair and headwear, 53cm x 36cm. Provenance: passed down through sculptors family. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
A pair of Victorian daguerotypes of young girls, in gilt frames and leather bound cases; another, oval and smaller; an In Memorium portrait of an seated gentleman, the reverse with a lock of hair, in a scrolling gilt metal mount; and a leather bound miniature case with a pair of doors (parcel)
A late 18th/early 19th century, French, rolled paper reliquary, centered with an ink and wash portrait of a saint in oval gilt rolled paper frame, flanked by gilt and coloured rolled paper cornucopiae, with seven pockets labelled in French containing relics, in gilt frame, total height 19" (48cm), width 23" (58cm). Rolled paper reliquaries were made in convents as a devotional expression of faith.
Beaslai, Piaras. Michael Collins and the Making of a New Ireland. Phoenix, Dublin, 1926, 2 volumes, 8vo, green cloth, gilt embossed portrait of Collins to front. Also, The Voice of Ireland, a Survey of the Race and Nation from All Angles By the Foremost Leaders at Home and Abroad, Fitzgerald, William (Ed), Virtue and Company Ltd, Dublin and London [1925]. (3)
Medal of Irish physician Henry Quin (1717?91) by William Mossop (1751?1805), white metal medal, 61mm, portrait bust HENRICUS QUIN M.D., in gilt mounted black lacquer frame, 3½" x 3¼" (8 x 9.5cm). Henry Quin promoted the development of modern medical teaching in Ireland. Registrar of the Royal College of Physicians of Ireland (1755?6), Quin was elected president of the college six times from 1758 to 1781. He is remembered in a comic poem ?He teaches youth the cure, the remedies / And various causes for all maladies; / The speculative theoretic rule / And the best practice, in the physic school?.
Joyce, James. Dubliners. Folio society, London, 2003, 8vo, brown cloth, book F in F slipcase, together with, Joyce, James. The Portrait of the Artist as a Young Man. Folio Society, London, 1965, 8vo, brown cloth decorated front cover, book F in nF slipcase, and Joyce, James. Giacomo Joyce. Viking, New York, 1968, 8vo, maroon spine with grey boards, book F in nF slipcase. (3)
Longley, Michael. Love Poet, Carpenter Michael Longley at Seventy. Enitharmon Press, London, 2009, 8vo, first edition, number 91 of 195 in a limited edition, signed by all the contributors except one who was ill. 59 signatures including Heaney, Banville, Mahon etc., signed by author on the title page. Blue cloth with portrait of Longley on upper cover and gilt title on spine, book F in a slipcase of matching blue cloth, also F.
Joseph McEntee (19th/20thC) Irish John Redmond MP Pencil on paper, 26" x 19" (66 x 48cm) Signed. A large scale portrait in pencil of the Irish Parliamentary Party leader. Together with four letters 13 October to 7 November, 1913, discussing the creation of the portrait and its delivery to Carrigtwohill. Provenance: By descent to the current owner.
A group of three early 19th century Berlin factory porcelain cabinet plates, two with reticulated rims, finely decorated with floral sprays and gilt highlights, with underglaze blue sceptre mark and red KPM Imperial orb mark, impressed, each 23cm, together with three Ridgways treacle glaze plates, each printed with a royal portrait, depicting King George V, 23cm, King Edward VII, a/f damaged, 23cm, and Queen Mary of Teck, 26cm. (6)
Doreen Kern (British, 1931-2021): a bronzed resin bust of Haile Selassie (1892-1975, Emperor of Ethiopia), raised upon a wooden plinth, , a bronze version of the bust was exhibited in the Royal Portrait Gallery in London, 19 by 21 by 36cm high overall together with accompanying ephemera, including a facsimile letter announcing a gold medal to be awarded to the Kern in recognition of her work.Provenance - From Doreen Kern's collection and artist's studio (Artist and Sculptor 1931-2021)
A group of eight Coalport figurines, 'Golden Age' and 'Femmes Fatales' series, together with a Lladro figurine of a girl holding up an umbrella and four ducks at her feet, and a Coalport figurine modelled as 'Diana Princess of Wales 29th July 1981', in her wedding dress, CW438, limited edition 8948/12500, with wooden stand, and a book 'Diana The Portrait'. (11)
A pair of 19th century French porcelain portrait cabinet plates, the cobalt blue rims heavily gilt decorated with griffins, the centres bearing portraits of Jerome Bonaparte and Caroline Bonaparte, titled verso, bearing Manufactory Imperiale de Sevres red mark verso, dia.24cm (2)Condition report: Minor gilt wear to rims.Otherwise no apparent faults.
A yellow metal, sapphire and diamond enamel brooch, comprising an oval panel in red guilloche enamel within a white enamel belt inscribed 'Dieu et Mon Droit', with an articulated monogram suspended below set with 27 vari-sized Old European cut diamonds, with a hook fastening and safety chain, sapphire dimensions approx 6 x 5.2 x 2.89mm, weight estimated as 0.80 carats, the four surrounding Old European cut diamond dimensions each approx 4 x 3.15mm, total weight estimated as 1.28 carats, Old European cut diamonds in monogram dimensions between approx 0.8 x 0.4mm and 1.85 x 1.51mm, total weight estimated as 0.33 carats, assessed mounted collectively colour I to J and clarity SI1 to SI2, brooch dimensions 31 x 38mm, gross weight 14.1g, not marked but tested as 18ct.The vendor states that this brooch previously belonged to Lady Monica Lilly Bullough (1869-1967), whose husband Sir George Bullough owned the Isle of Rum in Scotland and built Kinloch Castle. Lady Monica may be wearing this brooch in a portrait taken in 1909 by Hugh Goldwin Rivière (although it is not an exact depiction if so); this portrait still resides in Kinloch Castle and can be seen on the Art Treasures of Kinloch Castle blog. George Bullough established Longholes Stud in Newmarket in the 1920s, while Lady Monica and sir George lived at Warren Hill until her death in 1967, and from whence the brooch apparently passed into the vendor's family. According to the vendor's family history, the brooch was gifted to the vendor's aunt, Lady Bullough's lady's maid who, along with her butler/chauffeur husband, accompanied Lady Bullough to Scotland every summer until the late 1950s.Close-up image of the brooch in the portrait kindly provided by George Randall, Co-founder of the Kinloch Castle Friends Association and author of the Art Treasures of Kinloch Castle blog.Condition report: Some damage to the enamel.Abraded facets to the sapphire.One diamond has a conchoidal fracture.Colour zoning to the sapphire to one edge is visible under lens only.Sapphire is medium blue.Some surface scratches to sapphire.
Late 19th century English school - enamelled miniature portrait plaque, depicting a young woman in a loose dress wearing a ribboned bonnet, unsigned, in 18ct gold surround, with later brooch pin attachment, gross dimensions 6.5 x 5.5cmCondition report: No chips or cracks.Minor paint losses at 12 and 2 o’clock.Mount good.
19th century English school - double-sided portrait miniature mourning locket, one side bearing portrait of Oliver Cromwell, watercolour on ivory, monogrammed KR at 9 o'clock, the other side displaying braided hair, under glass and in chased gilt metal mount with suspension loop, suspended within a modern recessed gilded hardwood frame, locket dimensions 52 x 40mm
A Georgian double-sided portrait mourning locket, one side being a miniature watercolour on ivory depicting head and shoulders portrait of a young man wearing black jacket and white cravat, the reverse having opalescent ground set with seed pearl and arranged hair, in yellow metal (untested) mount, glazed, 7 x 5.5cmCondition report: No splits.Glass good.Light fading only.Mount with light tarnishing.
Mid-19th century English school - a pair of portrait miniatures, each being bust portraits of young women, watercolours on ivory with white highlights, framed as ovals, housed in ebonised easel photograph frames with gilt detail, image dimensions 8 x 6cm, frame dimensions 16 x 14cm (2)Condition report: One frame badly cracked in two places
Early 19th century English school after Sir Anthony van Dyck- Half-length portrait of Margaret Lemon, wearing a pearl necklace and with a bouquet of flowers, miniature watercolour on paper heightened with white, paper label verso naming Margaret Lemon, 14 x 11cmNote: Margaret Lemon was Van Dyck's model and mistress for several years during his stay in England.
Walter Rowlands Ingram (act. late C19th) - Bust portrait of a lady in white marble, modelled with her hair in a chignon, wearing a buttoned blouse fastened at the lace collar with an angel brooch and with pendant necklace below, inscribed verso W.R. INGRAM SG(?) 1888, on a circular socle base, gross h.35.5cm Condition report: Damage to socle.
Philipp Hoyoll (German 1818-1876) - Half-length portrait of a girl holding a kitten, oil on canvas, framed as an oval, signed Hoyoll London 2.65 upper left, 31 x 36.5cmCondition report: Original canvas.Some craquelure but paint good and stable, no losses.Has all been lightly varnished.Colours good and vibrant.
After Sir Peter Lely (1618-1680) - bust portrait of Queen Henrietta Maria, oil on canvas, 72 x 57cmCondition report: Has been re-lined.Paint good and stable.Some craquelure but generally light other than the lower left quarter where more visible.Some obvious areas of overpainting to left of nose, right shoulder, and below bust at centre.Canvas good.Frame tarnished, otherwise good.
Late 18th century English school - Half-length portrait of a lady with landscape beyond, oil on canvas, 91 x 70cmCondition report: Three small areas of loss.Varnish residue to canvas.Some craquelure. Original canvas and stretchers.Losses to extremities where rubbed by frame, particularly to right hand side.Signs of some overpainting to face.
A 17th century joined oak two-panel coffer, the two plank top blind carved with a portrait of Oliver Cromwell bearing arms, and further annotated Oliver Cromwell 1653, on replacement steel hinges, the front with lozenge carving to each panel, all raised on stile end supports, w.97cm, d.54cm, h.71cm

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283284 Los(e)/Seite