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283287 Los(e)/Seite
Los 484
A large monochromatic print titled WAITING, by Edwardian portrait painter Sydney Percy Kendrick. Depicting a young lady wearing a large hat, standing posed near a garden wall, with rose bushes and other foliage. Signed in plate. Presented in a linen matte with gilt trim, and custom gilt wood frame. Dimensions: 31"W x 39"L framed Condition: Good
Los 122
SIR KYFFIN WILLIAMS RA linocut - humorous self portrait of the artist riding a ram chased by a sheep dog with farmer and stick, signed with initials, 19 x 28cms (framed and glazed) together with a copy of 'Across the Straits' with dust cover. Provenance: vendor's parents in the 1970s were curators of Plas Mawr in Conwy where the artist left the linocut pinned to an oak beam inside the property as a humorous gesture. The artist at the time was president of the Royal Cambrian Academy.
Los 226
ATTRIBUTED TO GWEN JOHN watercolour - portrait of a lady wearing bonnet and with her chin resting on her hand, unsigned, 19 x 14cms (framed and glazed) Provenance: label verso 'this is a painting of mother when she was aged 16 years. It was painted by Gwen John. Gwen John was a friend of Granny Rose, David Jones'
Los 304
SIR KYFFIN WILLIAMS RA mixed media drawing - head portrait of an unknown girl, signed with initials, 23 x 22cms (framed and glazed) Provenance: with letter addressed to a previous owner and dated 1996 explaining that the artist is unaware of who the sitter is but that he would frequently visit a school to draw the children. Letter signed by the artist and on Pwllfanogl headed paper
Los 61
A DILLWYN POTTERY COMMEMORATIVE PLATE FOR JAMES TEAR, PRESTON and inscribed 'The indefatigable advocate of total abstinence from all intoxicating liquors' beneath a half-portrait of the gentleman within a stylized vine and berry border, impressed mark, 21cms diam Condition Report: no apparent problems
Los 1001
RALEIGH, Sir Walter, History of the World, At London printed for Walter Burne 1614 (1617), folio, old calf raised bands, joints cracked, first five leaves coming loose, backing sheets have been put on The Minds of the Front and engraved title, engraved portrait on second title, six double page maps and two double page plans, lacks page 57/58, plan at pages 388/389 torn with approx 25% loss of the whole (1)
Los 1073
*A 19th century Vienna porcelain vase, of squat baluster form, the central panel hand-painted with a bust portrait of a semi-nude maiden, signed Wagner, having all-over raised gilt and enamelled decoration with birds, cornucopia and flowers, blue beehive mark verso, signed Gitonui(?), numbered 950 Depose, further numbered 5275-950579 to the rim, h.16cm. Three very small minor scratches to woman's hair. Slight wear to gilt rim. Very light gilt wear. Enamel decoration good.
Los 1233
A rare Harwood Automatic wristwatch, the signed round dial with black Arabic numerals and minute markers, luminous hands, rotating bezel, steel case, 28mm diameter, on later black strap, cased with original instruction leaflet John Harwood (1893–1964) was a British horologist and inventor of the first self-winding wristwatch. A chance observation of some children playing on a see-saw initially gave Harwood the idea of the self winding mechanism which would enable a closed movement, eliminating any chance of interference from damp or dust. The watch has no crown with the time being set by turning the bezel in one direction and the turning it in the opposite direction to re-engage the movement. First seen at Basel in Switzerland in 1926, Harwood went on to open the Harwood Self-Winding Watch Company in 1928 to market the watches in the UK, but the company failed in September 1931 due to their difficulty of manufacture and the effects of the Great Depression. Rolex went on to later develop the self winding mechanism and were highly successful with them. However, later in 1956, Harwood and Rolex exchanged correspondence with Rolex acknowledging Harwood as the inventor of the self winding mechanism and including his portrait in their advertising. In 1957 Harwood was awarded the Gold Medal by the British Horological Institute.. Appears to be currently working.Some discolouration to dial, with brownish mark running through name.Case lightly abraded with a few small scratches.Rear of case more abraded, worn and pitted.Crown turns and dot moves between light and dark.Please note: In accordance with accompanying instructions, we have not removed the back and are reluctant to do so as this can introduce dust to the movement. As far as we are aware it has never been opened.
Los 1254
19th century English school - Half-length profile portrait of a gentleman, watercolour on ivory, 8 x 7cm, in probably original red leather case; together with one other similar watercolour on paper, 8 x 6.5cm, again in probably original red leather case; and a Victorian portrait silhouette of a gentleman, 7.5 x 5.5cm, in inlaid walnut frame (3)
Los 1289
A circa 1900 continental gilt metal dressing table box, the hinged cover decorated with fleur de lis flanking porcelain inset portrait panel, 13cm; one other oval brass example inset with five porcelain panels depicting courtship scene over topographical views, 12cm; and one other smaller example with chased sides, 8cm (3). Large oval box – small dent to rope edge at base of back, minor age / handling wear.Square box – some bending to lid, gilt tarnished all over.Small box – slight dent to front, some age / handling wear, velvet inside is grubby.
Los 314
Follower of Marcus Gheeraerts the Younger (1561/62-1636) Portrait of a young child, standing full length, wearing a black dress, with a fine lace collar, a gold chatelaine and holding a chaffinch Dated 1616, 3 December, oil on canvas, 84cm by 61cm See illustration Relatively old re line, clean and re varnish. Section of over painting within the upper left hand corner around the inscription. Further patch of infilling/over painting in line with the child's left eye in the background approximately 1cm by 1cm. The outline/left hand side hair line and throughout the crown of hair has been in filled and strengthened. Further more minor and sporadic retouches throughout background within the upper half. More consistent strengthening to darker shadows and definition of the costume and within the foreground on which the figure stands. The shadow of the chin has been re painted and the lips of the child appear to have received some treatment. Some of these areas of re touching are visible with the eye and have probably been executed at various different times. Fine stable craquelure throughout, particularly more evident within the flesh tones where the surface dirt etc. compounds the craquelure. Covered in a relatively thick layer of discoloured varnish. The darker tones of the dress/surface generally slightly flatter and more abraded. Very slight push mark to left hand side collar at shoulder hight. In otherwise a fair and stable condition.
Los 327
Attributed to Marcus Gerards (Gheeraerts) the Younger (c.1561-1636) Flemish Portrait of a lady, half length seated, wearing a black dress with white ruff, broad brimmed black hat and decorated with pearl bracelets Oil on panel, 89cm by 77cm Provenance: Sotheby's, London, November 29 2001, The British Sale, lot 124 Historically known as a portrait of Anne of Denmark, wife of King James VI & I See illustration
Los 244
Hercules Brabazon Brabazon NEAC, PS (1821-1906) ''A Souvenir of Rembrandt'' Initialled and inscribed ''Rembrandt Louvre'', pencil, together with another by the same hand ''Portrait of a Woman in a White Collar'', 28cm by 20.5cm and 20cm by 15cm respectively (2) Provenance: Chris Beetles Limited, London See illustration
Los 321
After Thomas Gainsborough (1727-1788) Portrait of Gainsborough Dupont Oil on canvas, 50cm by 37cm (oval) Thomas Gainsborough's portrait of his nephew Gainsborough Dupont was described by his friend and biographer Philip Thicknesse as ''the finest head he ever painted''. This version may have been commissioned by Lord Bateman when he sold the original to Charles Wertheimer sometime before 1908. See illustration
Los 322
Sholto Johnstone Douglas (1871-1958) Portrait of Mary Catherine, Lady Stapleton (1849-1924) Signed, oil on canvas, 134cm by 100cm Mary Catherine (neé Gladstone) was the daughter of Adam Steuart Gladstone of Hazelwood, Hertfordshire. She married first Sir Francis Stapleton, 8th Baronet (1831-1899) but was widowed in 1899. In 1902 she married William Dalziel Mackenzie (1840-1928) Member of Parliament for Reading and later Truro and Woodstock. She lived with Mackenzie at his family seat, Fawley Court in Buckinghamshire, which was reputedly the inspiration for Toad Hall in Kenneth Graeme's Wind in the Willows. Sholto Johnstone Douglas was born in Edinburgh and studied in Paris, Antwerp and the Slade School of Fine Art. He was the third cousin of the 9th Marquess of Queensbury who as well as inventing the rules of modern boxing was also a key figure in the downfall of Oscar Wilde. During Wilde's trial for ''gross indecency'' he was released on bail and Sholto Johnstone Douglas stood surety for the bail money. See illustration
Los 320
Attributed to Michael Dahl (1659-1743) Swedish Portrait of Anne Smith Oil on canvas, 74cm by 62cm Anne Smith was the daughter of Sir Thomas Strickland, 2nd Baronet of Boynton Hall, East Yorkshire. She was raised in Beverley where he father was the Member of Parliament. In 1683 she married the Rt Hon. John Smith (1656-1723) of Tedworth House, Hampshire who was the Speaker of the House of Commons and served twice as Chancellor of the Exchequer. John Smith's portrait was painted by Sir Godfrey Kneller in 1707/8. See illustration
Los 324
John James Masquerier (1778-1855) Portrait of Miss Bristow Oil on canvas, 75cm by 63cm Provenance: Sotheby's, New York, 01/02/2018, Lot 647 Literature: See (RRM) Masquerier and his Circle, London, 1922, p.183. The sitter of this portrait, Miss Bristow, was a noted actress on Drury Lane and was married to the famous clown Joseph Grimaldi. Masquerier was known for portraying sitters from within London's theatrical and dramatic millieu. See illustration
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283287 Los(e)/Seite