Circle of Sir Godfrey Kneller (British, 1646-1723) Portrait of a lady in a red dress with lace fichu oil on canvas, oval 57 x 46cm (22 x 18in) Lined canvas on rectangular stretcher. Paint layer is raised, flaking and brittle in several areas, notably to the top and left edges. Undulations to canvas which appear to be in the lining - canvas bowing slightly in the frame. Several areas of retouching, especially along the lower edge. Thin, even varnish layer. Gilding on frame is worn in several areas.
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Michiel Janszoon van Mierevelt (Dutch, 1567-1641) Portrait of a gentleman in black with a lawn and lace collar signed lower left "Mierevelt" oil on panel 69 x 59cm (27 x 23in) Oil on panel which is formed from three boards in vertical alignment - flat with cradle on reverse, with mould on the reverse. Paint layer thinly applied, raised in areas along the wood grain. Retouching along wood grain in face and along panel joins. Hair of the sitter is very worn and possibly reinforced. Varnish is even, semi matte. Chips and losses to gilding on frame. Unknown sitter.
Lucas van de Kaey (Dutch, c.1645-1672) Portrait of a lady, half length, in black with a white cap and collar, holding a Bible inscribed with a "B" signed lower left "Aetatis 35 / Lucas Van de Kaey / Fecit 1666" oil on canvas 79 x 69cm (31 x 27in) Lined canvas. Small scattered paint losses across the surface and some raised craquelure. Some retouching - especially in the hands. Varnish is very matte and uneven with surface dirt. Modern frame. Old stretcher bar marks can be seen from the front. Old Christie's stencil - 89 DW. Together with a 19th Century frame which at some point belonged to the portrait
Circle of William Wissing (Dutch, 1656-1687) Portrait of a lady in a gold dress and blue cloak, with pearls in her ears, half-length oil on canvas, oval, in an English wooden carved frame decorated with oak leaves, acorns and sunflowers 85 x 74cm (33 x 29in) Lined canvas - lined with patches and wax on reverse of lining. Uneven texture to paint layer in background. Fresh paint quite worn and abraded. Large areas of extensive retouching in face and chest and hair has been heavily reinforced. Varnish clear and even, glossy. Three old repaired tears. Italian carved wooden frame.
Follower of Jean Raoux (French, 1677-1734) Portrait of a young girl in a white chemise leaning on a cushion oil on canvas 89 x 60cm (35 x 23in) Oil on canvas lined onto a very coarse weave canvas. There is an old tear with deformation and associated paint loss. Raised craquelure and localised paint blistering. Large areas of retouching - noticeably in the flesh. Uneven varnish. Various damages and condition is poor.
Hugh Douglas Hamilton, RHA (Irish, 1739-1808) Portrait of the Rt. Hon. Walter Hussey Burgh, Chief Baron of the Exchequer, MP in the Irish Parliament (1743-1783), half-length, wearing a black coat pastel, oval 23 x 19cm (9 x 7in) A little dirt under the glass but fine. Old gilt frame has chips. At least five autograph versions are known, and this one is listed but not reproduced in the "Dictionary of Pastellists" and in Strickland.
Follower of Joseph-Siffrede Duplessis (French, 1725-1802) Portrait of Louis XVI of France (1754-1793), as Dauphin of France, wearing the silver breast-star of the Royal French Order of the Holy Ghost and the badge of the French Royal Military Order of St Louis oil on canvas, in a grey painted frame with fleur-de-lys in the spandrels 62 x 50cm (24 x 20in) Relined. Craquelure overall. Painted frame needs attention. Probably painted in 1772. Frame is probably the original as it has fleur-de-lys in the spandrels.
English Provincial School (19th Century) Portrait of a young boy with a King Charles Spaniel puppy in a landscape oil on canvas 77 x 61cm (30 x 24in) Unlined canvas. Paint layer stable and secure. Prominent craquleure pattern, most notable in the lighter passages. Slight deformations to canvas. Stretcher bar marks. Slightly yellowed varnish which is matte and uneven.
Dutch School (18th-19th Century) Portrait of a bearded man oil on canvas 46 x 36cm (18 x 14in) Lined canvas. Paint layer has slightly raised edges along the craquelure pattern. Some retouching present - mainly along the bottom edge. Varnish is semi-matte and even. There are splits in the verneer on the frame and open miters.
§ Joseph Oppenheimer (German, 1876-1966) Portrait of the Orbach and des Salles children - Gaston and Heloise des Salles, Donald and John Orbach signed upper left "Joseph Oppenheimer" oil on canvas, in a leaf and berry frame with a rope twist sight 137 x 102cm (53 x 40in) Lined canvas. Canvas tension is poor with undulations across the surface. Deformation, impact damage at upper middle. Generally stable and secure paint layer. Localised areas of retouching. The gilding to the frame is worn with losses. A little loose in frame
Quentin Bell (1910-1996) a Fulham Pottery plate painted with a female portrait, in shades of blue, yellow and aubergine, and another Fulham Pottery plate by Quentin Bell painted and sgraffito etched with a mermaid, painted B to first, mermaid plate signed Fulham Pottery Quentin Bell 25.5cm. diam. (2) Provenance purchased by the present owner from Quentin Bell at the Fulham Pottery directly.
W.Andresen (British, 19th/20th century) Portrait of Dorothy Edith Goring, head and shoulders wearing a white dress and bonnett with pink roses Portrait of Barbara Yelverton Goring, head and shoulders wearing a white dress and a blue bonnett a pair each signed lower right, dated Feb 1904, inscribed 'Wellington N.Z' pencil, charcoal and watercolour 71 by 52 cm (2)
Circle of John Hoppner (1758-1810) Portrait of Lady Durham, half length inscribed 'lady Durham' on the reverse oil on canvas 77 by 64 cm Provenance: Christies stencil number 713EE: Sold 22 March 1926 as part of lot 5 together with a portrait of the Earl of Northumberland. The inscription 'lady Durham' could be a reference to one of the wives of John George Lambton, 1st Earl of Durham (1792-1840). He married Harriet Cholmondeley in 1812 (she died in 1815) and Lady Louisa Grey in 1816 (She died in 1841).
After Laurence Stephen Lowry (1887-1976) Self portrait and the artist's mother both prints signed in pencil lower right by the artist from a limited edition of 300 each 33.5 by 24 cm (SH) together with an unsigned print of the artist's father; with alterations, part of the margin has been cut out where a signature might have been (3) Please note this lot is subject to Artist's Resale Rights.
A CONTINENTAL DECORATIVE PORTRAIT MINIATURE OF MARIE ANTOINETTE, C1900 ivory, oval, 5.2 x 4cm, giltmetal frame, a Continental porcelain plaque painted with Beatrice Cenci, a Victorian turned bone parasol shaped bodkin case and a Victorian Vulcanite commemorative book shaped vesta case (4) ++All in satisfactory condition and apparently complete
WILLIAM EGLEY (1798-1870) A GENTLEMAN OF THE PHILLIPS FAMILY half length in a black coat and stock seated in a red chair, arched top, signed verso Painted by William Egley 4a Louden St Fitzroy Square and dated Octr 1842, further inscribed in a later hand Henry Arthur Phillips Esq, Beadlam Grange, Nr Hemsley Yorkshire, 11.5 x 8.5cm, in ornate gilt moulded frame and brown velvet lined rosewood box frame and a wax portrait relief of a man, signed on the truncation R.T.A., laid on black glass, contemporary ornate early Victorian frame (2) ++Miniature small spot of rubbing of the medium extreme upper right. Wax portrait in fine condition
CHARLES ERNEST BUTLER (1864-1933) PORTRAIT OF A GENTLEMAN seated three quarter length in an interior, signed and dated 14, oil on canvas, 110 x 84.5cm ++Some localised paint shrinkage but in entirely original condition, unlined, undisturbed in the original gilt rosetti frame by William Whitely Ltd, London, the frame with one or two small losses to the mouldings
CHINESE SCHOOL, 19TH CENTURY PORTRAIT OF THE CHINA TRADE CLIPPER "GOLDEN SPUR" inscribed, oil on canvas, 44.5 x 58cm, in the original Chinese wood frame The "Golden Spur" of Guernsey was the largest ship to be built on the island. It was launched at St Samson in 1864 by Miss Ellen Rougier for the owners G F Carrington & Co. The vessel established a record time of 90 days for a voyage from Cardiff to Hong Kong in 1872. She was wrecked when she ran aground off Hong Kong in March 1879. In the present portrait the vessel is flying the Chinese flag for protection. ++In entirely original unrestored condition with two tears, paint shrinkage mainly in the extreme lower quarter of the painting and much dirt, on the original stretcher and in the original black painted and carved wood frame
CAPTAIN ADRIAN JONES (1845-1938) PORTRAIT OF A STALLION BY A STABLE DOOR signed and dated 1891, oil on canvas, 48.5 x 60cm ++In untouched original condition, the support not lined, the varnish dirty and requiring a light clean. Small, approx 1cm tear on upper stable door. Undisturbed in the original good quality Victorian oak cavetto frame with gilt slip
†MIGUEL VILADRICH VILA (1887-1956) PORTRAIT OF HIS EXCELLENCY SENOR DON JOSE MARIA DE SOLANO three quarter length in uniform, signed, inscribed and dated 1923, signed again with more lengthy inscription verso, oil on panel, 88.5 x 60.5cm ++Minor shrinkage crack in the support and some old restoration, some pigments rather dark, the varnish discoloured with age in narrow gilt slip frame
WILLIAM ROOS (1808-1878) PORTRAIT OF A HORSE AND TWO DOGS IN A HILLY LANDSCAPE signed and dated W ROOS pinxit 1857 (in red), 51 x 60.5cm ++Lined and with some localised restoration/retouching; old ingrained dirt mainly in the clouds. In what is probably the mid Victorian giltwood and composition frame
BRITISH PIERHEAD PAINTER (C1900) PORTRAIT OF THE FRENCH BARQUE "PACIFIQUE" inscribed, oil on panel, 51 x 41.5cm "Pacifique" sailed from Penarth on the 21st October 1916 for Port Arthur, Texas. She was lost on route and the location of the wreck is unknown. ++Requiring a clean but in otherwise good condition in inappropriate narrow silver painted wood frame
†WINIFRED ADA BOYNTON (1890-1973) PORTRAIT OF A LADY signed, signed again and inscribed on the artist's label verso, oil on canvas laid on board, 58.5 x 47.5cm ++In good original condition with some ingrained dirt, the varnish cleaned in the recent past, small scratch near subject's right eye. In the original bolection moulded and painted frame, loss to frame

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