283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 2275
A circa 1830 English school group portrait of the Paget family children, depicted within a landscape, miniature watercolour on ivory, 15.5x21.5cm in embossed, probably original gilt frame, with reproduced annotations versoCondition report: 4cm split to ivory lower left cornerSmall number of surface scratchesLight fadingFrame with some gilt losses
Los 2277
Early 20th century school bust portrait of a maiden miniature on ivory, framed as an oval, 6.2x5.2cm, together with one other of a maiden with attendant dove, framed as a circle, dia. 6.2cm (2)Condition report: Oval picture - no apparent faults.Round picture - losses to edge at 9 o'clock, minor paint loss/wear.
Los 2281
A Victorian ivory frame for portrait miniatures being ogee moulded with leaf carved applied corner mounts and frieze, 29x20cmCondition report: Quite crudely repaired to the reverse with small screws.Some small losses to the largest carved section.The bottom section of the frame has a split emerging.The back of the main carved section has the remnants of sticky tape and spots of glue residue.Otherwise the frame is quite impressive and appears largely intact from the front.Weight excluding blue velvet backing 175g.
Los 2348
After Jan van Haelbeck & Charles Turner - Henri IV, Roy de France & Navarre, watercolour, equestrian portrait of the king on horseback wearing wreath, sash and armour, with battle scene beyond, titled lower right, after an original 1609 engraving by Jan van Haelbeck and later reproduced by Charles Turner in 1814, with hand-written potted biography of Henri IV attached verso, 32x25cm, in gilded glazed frameCondition report: 32 x 25cm.Paper good.Light fading and browning all over.Some losses to frame.
Los 2359
Josiah Gilbert (1814-1892)- Half-length portrait of a young Lambert Broughton wearing a blue neck scarf, pastel, indistinctly signed and dated 1850, 53 x 40cmNote: Lambert Broughton (1831-1914) of Tunstall Hall, Shropshire, and Almington Hall, Staffordshire, married Anne Selina Adderley on 11th October 1859. Their daughter Rosamund married a cousin, Sir Lewis Delves Broughton, 10 Bart. in April 1881. Their son and the grandson of the sitter, Sir Henry John Delves Broughton (known as Jock), gained notoriety as the alleged murderer of Jocelyn Hay, 22nd Earl of Erroll; a crime which scandalised the Happy Valley Set in January 1941. This set comprised a group of hedonistic British & Anglo-Irish aristocrats and adventurers who settled in the Wanjohi Valley in colonial Kenya. Delves Broughton was found not guilty at the subsequent trial and later returned to England where he committed suicide in 1942.
Los 225
A late 19th / early 20th century portrait miniature signed 'Verné: female blue-eyed subject in her finery and wearing a gold and pearl hairpin and matching earrings; cast gilt-metal frame surmounted with a bow and with foliate ornament in late 18th century neo-classical-style; the reverse with old script reading 'Hand painted miniature signed on ivory. Signed Lady Townsend ...' (frame size 11.25cm x 8cm)
Los 414
An interesting selection to include a desk blotter, a wooden stationery rack, a pair of wooden candlesticks, a pair of butter pats and two single pats, two World War II gas masks (one in its original tin tube, the other in its original C.E. & Co. Ltd cardboard box), a 1950s compact with a portrait of Queen Elizabeth II and a silk cushion cover with intricate wirework embroidery (for restoration)
Los 1011
William Kay Blacklock (1872-1922) Portrait of a lady undertaking needlework beside a window, believed to be the artist's wife, Nellie Signed, watercolour, 60cm by 44cmCondition report: Glazed. Some debris trapped under glass mostly to mount. Cockling in evidence to sheet, sporadic small-medium sized foxing spots mostly to top edge although not exclusively. Approx 0.5cm down from mount at top edge, there is a horizontal line across the whole sheet likely caused by an old mount. Maintains good colour depth. Not examined out of the frame.
Los 1040
Attributed to Theodore Russell (1614-1689)Portrait of Penelope Hill, The Hon. Mrs Russell, half-length, wearing an ochre coloured satin dress and wearing a suite of pearl jewelleryInscribed with the sitter's name, oil on canvas, 38cm by 29cm Condition report: Relined, cleaned and revarnished. Areas of general strengthening throughout background with evidence of more sporadic and delicate spots of retouching which is more concentrated on right-hand side half and which extends through the upper part of the sitter's hair and to a lesser extent the lower tendrils. The folds and definition throughout her left sleeve also show signs of general strengthening. Face and flesh broadly intact with odd possibly very minor retouch. Further sporadic retouching within bodice. Now covered in a relatively thick layer of discoloured dirt and varnish. Two small surface nicks to the upper left-hand corner and odd minor abrasion mostly to edges. Small amount of transferred gilt paint to parts of outer edges. Surface slightly flattened from restoration process in general otherwise in a broadly stable state of preservation.
Los 1041
Circle of John Michael Wright (1617-1694)Portrait of a gentlemen, head and shoulders, wearing a fine lace cravat and a dark red robe, in a feigned ovalOil on canvas, 70cm by 56cmCondition report: Relined, cleaned and revarnished, slight stretcher shadow. Slight push mark to upper left of feigned oval, repair to tear lower left corner. Pronounced medium sized cracquelure throughout. This was likely stabilized by the restoration process but remains very noticable. Sporadic areas of retouching and infilling throughout, most notably infilling to cracquelre of sitter's face.
Los 1042
Circle of John Riley (1646-1691)Portrait of a lady, half-length before a landscape, wearing a white silk dress and chemise with a red sash and a necklace of pearlsOil on canvas, 70cm by 58cmCondition report: Odd reline (see images). With potential slight extension to edges which is more extensive towards the upper edge and right-hand side at approximately 2-2.5cm at widest point, see images for change of surface and texture. Covered in a thick layer of dirt and discoloured varnish with some general rubbing and abrasions to outer edges and odd minor surface imperfection/scuff. Isolated areas of essentially fine stable cracquelure. Surface is somewhat flattened from the restoration process and the paint is thin in places such as her hair and drapery. All four edges showing general later paint most likely as a result of extension / odd losses and damage. There is little to discern in terms of later paint accepting aforementioned outer edges however it is likely that the outline between the face and hairline, her right-hand eyebrow and parts of the hair have received some general strengthening of some age. Otherwise in a broadly stable state of preservation.
Los 1043
Circle of Jonathan Richardson (1667-1745)Portrait of the Rev. Sir Francis Head, three-quarter length seated, wearing a powdered wigExtensively inscribed; Fourth baronet born 1694, married 1726 Mary daughter of Sir William Boys, Ke M.D. Died 1708.9 and father of Anna married 1753 Moses Mendez. Maria who married 1753 Henry 11th Lord Teynham. Elizabeth married 1761, Rev Dr Lill (Sic) Oil on canvas, 127cm by 101cm, unframedCondition report: Original canvas, canvas coming away from the stretcher, various junctures around the edge, canvas sagging on stretcher. Visible stretcher shadow. General surface dirt and discoloured varnish. Two tears to upper right-hand corner of canvas, one approx 5cm, the other slightly smaller (see images). A further tear to canvas mid-left approx 3cm by 2cm, assorted other nicks, scuffs, holes etc to canvas. Assorted push marks. Horizontal scuff marks through the sitter's chest with associated losses. Text to the upper left-hand corner has undergone treatment which has deteriorated making the text hard to read, milky/opaque in appearance (see images). The sitter's face and wig show signs of restoration, likely infilling and stabilizing cracquelure. The passage from the top of the chair through the sitter's shoulders and collar show evidence of restoration as do the sitter's hands. Further odd patches throughout the canvas. Overall in a distressed condition, see further images. Please contact the department for further information.
Los 1044
Circle of John Riley (1646-1691)Portrait of Mrs S Dumarage, head and shoulders, wearing a grey silk dress with white chemise, in a decorative feigned ovalOil on canvas, 31.5cm by 26cm Condition report: Relined cleaned and revarnished. Areas of general strengthening throughout background with finer and more sporadic retouches which extend across the sitter's hair. Small tear-shaped retouch at corner of her right eye (hair side). Otherwise, the flesh is seemingly largely intact. Surface is slightly flattened from the restoration process and the paint is slightly thin in places within parts of her hair. A more prominent horizontal line or texture to the canvas can be perceived across the eye area. Fine stable cracquelure to decollatage. Covered in a layer of dirt and discoloured varnish. Odd minor surface abrasion/scuff. Otherwise in a broadly stable state of preservation.
Los 1046
Circle of Salomon de Bray (1597-1664) DutchA Shepherdess (c.1630)Oil on canvas, 77.5cm by 64.5cm Footnote: A pastoral portrait of considerable presence, comparable in numerous respects with known works by de Bray. See, for example, A Shepherdess, c.1625, Bristol Museum and Art Gallery (K2834)Condition report: Relined, cleaned and revarnished. Slight surface dirt and discoloured varnish. Paint surface slightly flattened by the restoration process. Fine stable cracquelure throughout. Several passages of infilling, retouching and overpainting. Most notably to all four edges, throughout the sitter's right hand, a patch of her right sleeve and a further patch on her chest below her white shawl. Other areas mostly to the background show signs of restoration.
Los 1047
Follower of Sir Godfrey Kneller (1646-1723)Portrait of an elegant lady, half-length, wearing a green velvet robe over a white chemiseOil on canvas, 60cm dia. (oval)Condition report: In fully restored condition. Slightly stiffly relined, cleaned and revarnished. The varnish has started to deteriorate and is showing as white or chalky within the craquelure mostly within the background and across her left shoulder. Some general rubbing and abrasions to outer edges. Surface somewhat flattened from restoration process. Vaguely H shaped patch of retouching and overpainting directly below the lady's chin, likely to repair old tear or damage. Horizontal line of retouching running from the base of the lady's neck outwards into the background approx. 4-5cm in length and another broadly number 7 shaped patch within the background to the right of this. Retouching across upper curv. 2-3 futher fairly small patches of retouching to the upper right background. Her eyelids have been delicately strengthened. Retouching to lower right hand side curve. The two curls across her forehead have been delciately strengthened. Some of aformentioned retouching has slightly deteriorated and is visible with the naked eye. Otherwise in a stable and reasonably presentable state of preservation.
Los 1048
Follower of Sir Peter Lely (1618-1680)Self portrait, head and shouldersOil on canvas, with Christie's stencils 390FF & VJ475 to stretcher verso, various other indistinct markings to frame and stretcher, 46cm dia. (oval) The National Portrait Gallery, London, hold an example of a larger autograph self portrait by Sir Peter Lely (NPG 3897)Condition report: Potential Ducal stamped crown above capital A to upright stretcher reverse. Relined cleaned and revarnished. Good sized swaithe of general strengthening within background above his right-hand shoulder approximately 7 by 10 cm overall (irregular in shape). Further general strengthening retouching across his right shoulder and extending down across his chest in a more streamlined and linear fashion to denote general shadowing and definition of drapery. The triangular area directly below the sitter's chin in shadow shows evidence of later paint and restoration approximately 6 cm across below his chin tapering in width at a length of approximately 10cm in total. There is further evidence of strengthening to the shadows and outline of the sitter's face, general shadowing around his mouth, more prominently around his left eye and the curls across his forehead. Further general strengthening within background right-hand side. Some slight flattening to the surface in general with a degree of impasto still perceptible. Isolated patches of varying sized cracquelure throughout surface, the paint is slightly thin in places and the varnish shows signs of deteriorating and taking on a slightly opaque quality. Tiny paint loss to hair in line with right-hand side eye and odd other minor surface imperfection etc. Otherwise in a stable and entirely presentable state of preservation.
Los 1055
Attributed to Charles Jervas (1675-1739) IrishPortrait of a young lady, half-length, wearing a brown satin dress with white chemise and royal blue silk wrap, in a feigned ovalOil on canvas, 72cm by 59.5cmCondition report: In fully restored condition, relined cleaned and revarnished. Slightly stiff wax reline however surface retains a reasonable amount of texture and feel although some of the original impasto has clearly been slightly flattened from the restoration process. Delicate and sporadic retouching to upper left-hand corner with slightly larger retouches in evidence within the upper right-hand corner. Tiny retouches to old flaked paint within the face which is of a minimal amount and a slightly more concentrated patch of retouching within the upper right-hand side of her hair. The dark pigments at her left-hand shoulder running down to the bust is likely overpainted. Some of the general orche tone within her dress across right-hand sleeve and bodice have likely undergone strengthening as has the overall outline of her frame and the darker coloured drapery at her left-hand side elbow. Some of the finer wisps of her hair possibly strengthened in addition to elements of her eyebrows. The shadows and definition within the right-hand side white sleeve would look to have received some general strengthening. Areas of varying sized cracquelure and otherwise in a highly presentable state of preservation.
Los 1056
Attributed to Robert Edge Pine (1727-1788)Portrait of a gentleman, half-length, wearing a mauve silk waistcoat and jacket decorated with gold buttons and a powdered wig, in a feigned ovalOil on canvas, 74.5cm by 61.5cmProvenance: Collection of Baron Rees-Mogg, Quondam Editor and Director of The Times, Vice Chairman of the BBC, Chairman of the Arts Council & High Sheriff of Somerset, Ston Easton Park, Somerset (by repute)Condition report: In fully restored condition. Relined, cleaned and revarnished. Sporadic patches of retouching, infilling and overpainting to background. Notable patch of restoration to upper right-hand corner. Minor, delicate notes of restoration within the sitter's forehead, nose and powdered wig. There are minor patches of retouching to his waistcoat and jacket. Relatively widely spaced cracquelure throughout. Brushwork slightly flattened by reline. Areas of retouching within background slightly deteriorated and are visible with the naked eye. Otherwise appears sound.
Los 1058
Circle of Jens Jeul (1745-1802) DanishPortrait of Frau Frankenburger von Schuyler (according to label on reverse) half-length, wearing a fine and elaborate green dress and bodice, sumptuously decorated with flowers and bows, with fine lace trimmings and holding a fanOil on canvas, 84.5cm by 66cm
Los 1059
Follower of Marcus Gheeraerts the Younger (1561-1635) Flemish Portrait of a noble woman, three quarter length, wearing a fine black silk dress with highly decorated bodice and trimmed with lace at the sleeves, a white lace ruff and a headdress decorated with lace With coat of arms to upper left corner, oil on canvas, 82cm by 69.5cm
Los 1061
Johan Henrik Scheffel (1690-1781) Swedish Portrait of the nobleman Gustav Philip (Filip) Creutz (1731-1785), head and shoulders, wearing a dark blue jacket with light blue silk lining and a white cravat Oil on panel, 39.5cm by 34.5cmThe sitter is mentioned in the books as a Privy Councillor and poet. Another very similar portrait of Creutz is referenced in the Stig Roth book of 1936, in addition to the current work as catalogue No. 103. According to the book the painting was owned by the Manager/ President Mr Otto Lindeberg. The current painting is also mentioned in The Swedish Portrait Gallery held at the National Museum as No. 1916:588. Scheffel was probably a pupil at the Berlin Academy and later in Paris. In the 1720's he moved to Stockholm and became a popular portrait artist of the French way, both in aristocratic and Bourgeois circles. His work is represented in Stockholm at Gripsholm Castle.
Los 1066
Circle of Sir Hubert Von Herkomer RA, RWS, CVO (1849-1914)Portrait of an elegant lady, head and shoulders, wearing a jade green dress and her hair in a chignonMonogrammed and dated 1893, oil on canvas, 50cm by 60cmCondition report: In an overall very good state of original preservation. Glazed. Possible very slight horizontal scratch to surface towards lower right hand corner, no more than approx. 0.5cm in length.
Los 1074
Maud Earl (1863-1943)Portrait of a cat, seated wearing a green bowSigned and dated 1907 in pencil, oil on canvas, 44.5cm by 34cmCondition report: Light surface dirt and discoloured varnish. Visible stretcher shadow, canvas buckling to corners. Several raised marks to lower edge in line with stretcher and one centre of right edge, very fine of cracking throughout canvas mostly in a vertical fashion. Possible retouching upper left and upper right corner?
Los 1090
{} Circle of Paul Falconer Poole (1807-1879) Portrait of a lady wearing a red shawl, head and shouldersOil on panel, 39cm by 28.5cmCondition report: Some light surface dirt and discoloured varnish. Evidence of frame rubbing to edges. Pin holes to all four corners. Loss approximately 0.5cm to centre of left edge caused by a protruding nail. Superficial surface scratch approx 3cm in length to left of her eyes within her hair and one to the background above this approx 1cm. Granular texture to the paint, possibly by design or possible shrinkage?, most noticeable to the sitter's hair, face and cheek. Not examined out of the frame.
Los 19
An English Porcelain Plaque in the Manner of Thomas Bott, circa 1860, painted in Limoges enamels with a bust portrait of a girl after Jean Baptiste Greuze, 24cm by 19cm, in a giltwood and gesso frameFootnote: Having worked in Birmingham in a glass factory and as a portrait painter, Thomas Bott joined the Worcester factory in 1852, where he developed the technique of imitating Limoges enamels on porcelain. His work was exhibited at the 1855 Paris Exposition and the 1862 London International Exhibition.Condition report: Some minor surface scratching.
Los 359
{} An Edwardian Satinwood and Polychrome Painted Work Table, early 20th century, in Neo-Classical style, the oval lid decorated with a circular panel depicting a portrait of a lady issuing flowerbells and flower garlands, the removable tray above a gathered silk workbox below, on slender tapering legs joined by an X stretcher, 48cm by 35cm by 71cmCondition report: Panel some crazing - as photographed, the interior, the lift-out tray is difficult to remove, timber rather dry with some small veneer losses, interior and end panel as photographed, paintwork generally good, otherwise good condition
Los 63
A KPM Berlin Porcelain Plaque, mid 19th century, of oval form, painted with a bust portrait of a girl in Turkish costume in landscape with a ruined temple beyond, impressed sceptre, KPM and F5 marks, 26.5cm by 21.5cm, in a giltwood and gesso frameCondition report: Plaque in good condition. Frame with some splits, losses and wear.
Loading...-
283284 Los(e)/Seite