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283284 Los(e)/Seite
Los 128
A Large 19th Century Brass Charger. The dished centre embossed with a portrait of Henry IV of France within a circular border ornamented with scrolls of foliage. The rim embossed with fleur-de-lis and large convex roundel; one stamped H IV with a ropetwist edge. Measuring 25 ins (64 cms) in diameter.
Los 273
Follower of Henry Bone. A Fine Group of Nine Portrait Miniatures of 17th Century Sitters Circa 1830, including Queen Henrietta Maria, Robert Dormer, Earl of Caernarvon, Lucius Carey, Viscount Falkland, Lady Anne Clifford, Thomas Wentworth, Earl of Stafford, Lady Stafford and the Marquis of Worcester, presented in a tortoiseshell and ebony frame measuring 28 ins x 22 ins (71 cms x 46 cms).
Los 274
Circle of Pieter Nason, Circa 1675. An Oil on Canvas: Half Length Portrait of a Gentleman, 38½ ins x 30 ins (98 cms x 76 cms) set in a carved frame 43½ ins x 35½ ins (111 cms x 90 cms) inclusive. [Provenance: Kasteel Slangenburg, Netherlands, Central Picture Galleries, New York U.S.A. C. 1955]
Los 275
English School. A 17th Century Oil on Canvas; A Portrait of Thomas Robinson wearing a suit of armour and having a coat of arms in the top right corner above the inscription; `Thomas Robinson of Rookby Park in the County of York Esq`.. 29 ins x 24 ins (74 cms x 61 cms). In an 18th century carved & giltwood frame measuring 36 ½ ins x 31¾ ins (93 cms x 81 cms).
Los 277
A Large 16th Century Oil on Panel. A Portrait of a Gentleman wearing a large ruff collar and gold chain with a boar pendant. Bearing a coat of arms to the top right corner. 34½ ins x 25 ins (88 cms x 63 cms). In a large ripple-moulded gilt & ebonised frame 46 ins x 36½ ins (117 cms x 93 cms) inclusive.
Los 278
Sir Antonio More (1512-c.1582). A Fine Oil on Board: A Portrait of Mary Queen of Scots, depicted wearing a white headdress and a black robe with a bow topped crest in the right hand corner. 22½ ins x 17 ins (57 cms x 43 cms). In a carved and moulded oak & ebonised frame with inscribed plaque 30 ½ ins x 24½ ins (78 cms x 63 cms).
Los 282
William Aikman (1682-1731): An Oil on Canvas: Portrait of Elizabeth Campbell (c.1677-1758) painted in detail in a feigned oval with an inscription to the upper left hand corner; `Elizabeth Dau. of John 8th Lord Alphinstone. M. J. Campbell of Mamore, Mother of John IV Duke of Argyle. Na. 1673 Obt. 1758`. 29½ ins x 24½ ins (75 cms x 62 cms), within a gilded 19th century frame 37¼ ins x 32¼ ins (95 cms x 82 cms) inclusive. [Provenance: By family descent]. The sitter was the daughter of John, 8th Lord Elphinstone (1649-1718) and Isabel Maitland, daughter of Charles 3rd Earl of Lauderdale. Her father fought at Bothwell Bridge in 1679 against the Covenanters and was a staunch supporter in the succession of the Protestant William of Orange. Elizabeth married in 1692 the Hon. John Campbell (1655-1729) M.P. of Dumbarton and son of Archibald, 9th Earl of Argyll. She, in turn, was mother of General Sir John Campbell, 4th Duke of Argyll who was famously painted by Thomas Gainsborough.
Los 283
Circle of Sir Joshua Reynolds, Circa 1770: An Oil on Canvas: Portrait of Sir Griffith Boynton, 6th Bt. (1744-1778) 24 ins x 20 ins (61 cms x 51 cms) held in a period carved & gilded frame 31 ins x 27 ins (79 cms x 69 cms) inclusive. Sir Griffith Boynton, 6th Bt. was born of 22nd February C. 1744 at Wallingwells, Nottinghamshire, the son of Sir Griffith Boynton 5th Bt. and Anne White. He married firstly Charlotte, daughter of Francis Topham, May 1762 at York Minster, and secondly Mary, daughter of James Heblethwayte in August 1768 at Burton Agnes, Yorkshire. Educated at Corpus Christi College, Cambridge he succeeded to the title of 6th Baronet Boynton of Barmston Co. York on 18th October 1761. He held office of Sherriff of Yorkshire between 1771 and 1772 and Member of Parliament for Beverley between May 1772 and 1774. He died from a fever on 6th January 1778 aged just 32 at Burton Agnes Yorkshire.
Los 305
A Pair of 18th Century Painted Italian Hall Chairs. The gadrooned top rails above carved friezes and arcaded back panels centred by protuberant portrait heads. The edge-moulded seats on column turned legs united by H-form stretchers and terminating on squat bun feet. 42½ ins (108 cms) high, 19 cms (48 cms) wide.
Los 56
* Portrait Miniature. Head and shoulders portrait of a naval officer, c. 1830, oval watercolour on ivory, unsigned, set in a silk lined hinge red straight-grained red morocco case with two hooks in working order, image 65 x 53mm (2.5 x 2ins) Provenance: From a Lechlade family and believed to possibly be a portrait of Captain William John Cole, R.N., K.H., 1794 (?)-1856 (see Gentleman`s Magazine, vol. 201, July-December 1856, pp. 247-8. (1)
Los 68
* Scottish School. Portrait of a boy by Henrietta A. Hay Drummond, after James Roberts, early 19th c. watercolour heightened with bodycolour, 30 x 24cm, contemp. gilt frame, glazed. Contemporary handwritten label pasted to verso: `This Portrait in Water Colours was Painted and Reduced by my dearest Daughter Henrietta A. Hay Drummond, April 1827. From a large Portrait in Oils on the Back of which are written these words by my Beloved Friend Sir English Dolben. "Painted by James Roberts who Died 1806. And Purchased at his Sale in the same year by me John English Dolben. I Lament that I did not ask Roberts whose Portrait it was" June 13, 1827, E R Hay Drummond D.D.`. (1)
Los 112
* English School. Portrait of Richard Burton (1821-1890), oil on canvas portrait, one small hole to left of image, canvas with water staining to left hand margin, not affecting image, mounted on contemp. oak stretcher, 75 x 64cm (29.5 x 25ins) Sir Richard Francis Burton was an explorer, soldier, translator, orientalist, linguist, poet and diplomat. He is well known as the translator of the Arabian Nights and the Kama Sutra. He travelled with John Speke to discover the source of the Nile and fought in the Crimean war. He was engaged by the Royal Geographical Society to explore the east coast of Africa and with the help of native guides discovered Lake Tanganyika. This painting is clearly based on the famous portrait by Frederic Leighton, which was finished in 1875 and which now hangs in the National Portrait Gallery. (1)
Los 121
* Hudson (Thomas, 1701-1779). Portrait of a Gentleman, possibly a Self Portrait, half length oil on canvas portrait, wearing a brown coat and holding a snuff box, 73 x 61cm (29 x 24in), framed. Thomas Hudson (bap. 1701-1779), portrait painter and art collector was born in Devon. He was taught by the London artist Jonathan Richardson and married his daughter Mary. Until Richardson`s retirement in 1740 Hudson painted portraits primarily in the west country, including Devon and Bath. On Richardson`s retirement Hudson gained a number of his master`s clients and became more prominent in London. During his career Hudson painted at least 400 portraits, about eighty of which were engraved. Sitters included members of the aristocracy, landed gentry, political leaders, Anglican clergy, and popular figures in music and the theatre and he was particularly active in the 1740s and 1750s. Among his best-known portraits are Charles Spencer, Third Duke of Marlborough, and his family (c.1755; Blenheim Palace, Oxfordshire), and two portraits of George Frederic Handel (Staats- und Universitotsbibliothek, Hamburg; and NPG).Hudson`s success attracted apprentices, among them Joshua Reynolds, Joseph Wright of Derby, and John Hamilton Mortimer. After the mid-1750s, Reynolds began to receive commissions from Hudson`s patrons and a rivalry developed. Although Hudson exhibited with the Society of Artists in 1761 and 1766 he was receiving fewer commissions by this time, and he retired to his villa in Twickenham. (1)
Los 156
* Gunn (Sir Herbert James). Portrait of a British Officer, First World War, pencil on buff paper, signed, dated October 1st 1916, with additional later inscription `Delighted to see this again. Let us meet & see what the years have done to eager youth. James Gunn, 1956`, 18 x 11cm (7 x 4.25ins), framed and glazed, with Parker Gallery label to verso (1)
Los 173
* Etching Plates. A collection of nineteen original English and Continental copper etching plates, 17th-late 19th century, including several Dutch etchings of bible scenes, emblems, etc., a small mezzotint copper plate portrait of a man in tunic, probably 18th c., two 19th c. etched plates after Poussin and Pynacker, seven late 19th c. (or early 20th c.) English landscapes, including two harbour scenes, all by the same hand, etc., various sizes (19)
Los 319
* Gere (Margaret, 1878-1965). Portrait of a boy, chalk and pastel, of a young boy dressed in blue, signed and dated to lower right, approx. 375 x 268mm (14.75 x 10.5ins), mounted, framed and glazed. Margaret Gere, closely associated with the Birmingham Group of Artists-Craftsmen which included Joseph Southall, Arthur Gaskin, Bernard Sleigh and others, studied first at the Birmingham School of Art under her brother Charles M. Gere, and later at the Slade School. Her first joint exhibition was held with her brother at the Carfax Gallery in 1912. She exhibited at the New English Art Club from 1910 and became a member in 1925. (1)
Los 339
* McBryde (N., late 19th/early 20th c.). A pair of artist`s sketchbooks, c.1899-1904, together two sketchbooks, containing pencil sketches, pen & ink drawings, and watercolours, of Breton costumes at Carnac and Vitre, shipping studies, flowers, and portraits, incl. eight portrait studies in pencil of Claude Ralston, a watercolour and wash view of Quiberon, and a pencil study of Foug?res, both 4to (229 x 183 mm), together with several other similar late Victorian/Edwardian artists` sketchbooks, incl. a small pocket album belonging to R.S. Hilton, containing pencil views of Tenby, Totnes, Dartmouth, Brixham, Plymouth, Dartmoor, Tavistock, Torquay, etc., and a few figure studies, 85 x 130 mm, and two albums belonging to A.W. Pybus of Malvern, containing pencil and watercolour studies, of Indian dancers, musicians, children, animals, figure studies, etc., both 8vo (178 x 115 mm), and one belonging to William Vance, containing pencil sketches of oriental figures, landscape studies, portrait heads, etc., 4to (205 x 165 mm), plus a small autograph book, dated 1928, containing sketches and poems (7)
Los 389
* Hitchens (Ivon Sydney, 1893-1979). Head-and-shoulders portrait of a young woman, oil on canvas, signed lower left, 37 x 31cm (14.5 x 12.25ins), period painted wood frame with patterned decoration Provenance: From the estate of the late Michael Sutherland, recently removed from Ettington, Warwickshire. It is believed that this portrait depicts the maternal grandmother of Michael Sutherland as a young woman, from the early 1920s. Ivon Hitchens` style was already modernist in character by the mid 1920s, and became increasingly abstract by the mid 1930s. (1)
Los 23
Hardy (Thomas). The Dynasts. An Epic-Drama of the War with Napoleon, 3 vols., 1927, etched portrait frontispiece by Francis Dodd, signed by the artist, a few light spots to preliminaries, original vellum-backed boards, slight yellowing to spines, d.j.s., spines a little rubbed and darkened, chip at head of vol. I, 4to. Limited edition, one of 525 large paper copies, signed by the author. (3)
Los 35
Kipling (Rudyard). Poems 1886-1929, 3 vols., pub. Macmillan, 1929, etched portrait frontispiece, signed by the artist Francis Dodd, original crushed red morocco, spines with raised bands and lettered in gilt, d.j.s, a couple of minor closed tears, edges slightly rubbed, t.e.g., 4to, contained in original drop-back marbled card box, some wear. Limited edition, 450/525 copies, signed by the author. A fine set. (3)
Los 139
* Dunlop (Marion Wallace, 1864-1942). Fairies and hop flowers, oil on canvas, of a fairy in a diaphanous blue dress seated amongst hop flowers, and surrounded by four baby elves, initialled in right-hand corner 'MWD' and dated 1902, 245 x 195 mm (9.75 x 7.75 ins), framed Marion Wallace Dunlop was a portrait painter, figure artist and illustrator. She worked in London from 1871, and exhibited at the Royal Academy and the Society of Women Artists, amongst other places. She illustrated 'Fairies, Elves and Flower Babies' and 'The Magic Fruit Garden' (both published 1899). Dunlop is also famous for her involvement in the Suffragette Movement. She was the first female suffragette to go on hunger strike, in 1909, after being arrested and sentenced to a month's imprisonment for painting a clause from the Bill of Rights on the House of Commons. She was committed to Holloway on the 1st July and began refusing food on the 5th July. She maintained her fast for 91 hours of fasting before she was released on the grounds of ill health. (1)
Los 148
* Uptton (Clive, 1911-2006). A set of original illustrations for a Lilliputian tale, pub. Princess magazine, 1964, together fifteen grisaille watercolour illustrations, on artist's board, most signed, image size approx. 250 x 420 mm (10 x 16.5 ins) and sl. smaller. Clive Uptton was a prolific cartoonist, poster artist, illustrator and painter. He studied at Southend Art School and then at the Central School of Art in London, but turned professional before completing his studies. Some of his earliest paid work was as an illustrator for the Strand Magazine, and he also contributed regularly to Good Housekeeping, Woman's Illustrated (including stories by Barbara Cartland), Tit-Bits, Tatler, Radio Times, Look & Learn, Sphere (including covers), John Bull (including covers) and others. In 1940 he became political cartoonist on the Daily Sketch and Sunday Graphic, and later worked for the Ministry of Information and National Savings Committee producing propaganda cartoons, drawings and paintings. Perhaps Uptton's best- known wartime work was his large and prophetic D-Day landings drawing, 'This is the Year' and 'We Kneel Only to Thee', both of which were widely reproduced as posters. Uptton later won prizes for his posters in the National Outdoor Advertising Awards in 1958 and 1959. He continued to work as a landscape and portrait painter (commissions included portraits of Harold Macmillan and Anthony Eden) and as a book illustrator (notably for Warner Press) until 1987, when his eyesight began to fail. (15)
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283284 Los(e)/Seite