Follower of James Loden of Bath (1784-1854)oil on canvasPortrait of a gentleman on a bay hunter with two spaniels in a landscape28.5 x 35.5in.CONDITION: Oil on canvas wax relined 20 - 30 years ago or so, canvas remains tight, paint perhaps slightly dirty but otherwise in good order, signs of old stretcher marks and a fine but stable craquelure through most of the paint, some retouching directly in the sky below the horse's head and along the right hand stretcher mark, housed in an associated French giltwood frame.
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283287 Los(e)/Seite
18th century English Schooloil on canvasDouble portrait of a husband and wife29.5 x 24.5in.CONDITION: Oil on canvas relined many years ago, canvas remains tight, paint looks rather dirty with a fine but stable craquelure running principally through the flesh tones, possibly cut down from a larger work, housed in a tatty gilt and ebonised later frame, no labels verso.
Albert de Belleroche (1864-1944)oil on canvasPortrait of an auburn haired woman31 x 25in.CONDITION: Oil on original canvas in honest untouched condition, some slight undulation of the canvas and may well benefit from a light clean but no real faults noted, not signed, housed in a later gilt scroll frame, label verso stating purchased from Gordon Anderson of Brighton 2017.
George G. Fish (American 1822-1906) after John Singleton Copley (American 1738-1815)oil on canvasPortrait of Timothy Folger50.75 x 40in.CONDITION: Oil on original canvas which is slightly sagging, paint very dirty with bitumous bubbling in the darker areas, a broad craquelure running throughout and some flaking at 1 and 9 o'clock, a short 4 inch tear just to the right of his cravat, another short tear approximately 1 inch lower left, housed in the original gilt gesso frame which is now very tatty, relatively recent hand written labels verso giving details of the work and saying commissioned by Edward Folger Starbuck.
Albert de Belleroche (1864-1944)oil on canvasPortrait of a woman wearing a lace veil27 x 22.25in., unframedCONDITION: Oil on original canvas which is slightly undulating with stretcher marks showing down the sides, paint a little dirty with some light scuffing and rubbing around the edges, has been re-stretched relatively recently, label verso stating purchased from Gordon Anderson of Brighton in 2017.
Attributed to Jean Guerin (1760-1836)watercolourPortrait of General Klebertitle plaque verso8.75 x 6.75in., ornate gilt gesso frameCONDITION: In good untouched condition, very slight scuffing to the paint around the edges particularly between 9 and 4 o'clock, slight undulation of the paper, apparently unsigned, housed in an ornate giltwood and gesso frame which has some rubbing around the edges, title plaque verso.
George Watson PSA (1767-1837)oil on canvas laid on to boardHead and shoulder portrait of the artist George N. Smith28.5 x 24in.CONDITION: Oil on canvas looks to have been laid on to board within the past 10 years or so, paint remains rather dirty with a fine craquelure and little bitumous bubbling in the darker areas, various scuffs and scratches to the paint and a circular ring mark to the left of his head, not signed, extensive inscriptions verso and signs of handling at some point by Sotheby's.
Charles Keith Miller (1836-1907)oil on canvasPortrait of a three master passing a lighthouseinitialled and dated 189823.5 x 43.75in.CONDITION: Oil on canvas cleaned and relined within the past 10 years or so, canvas remains tight, paint possibly slightly dirty with a fine but stable craquelure throughout, signed and dated lower left, housed in a later gilt frame which is in good condition, remnant of probably a Sotheby's bar code label verso.
Late 18th Century English Schooloil on canvasFull length portrait of a child wearing classical robes seated beside a spaniel29 x 24.5in.CONDITION: Oil on canvas relined many years ago, canvas remains tight, paint a little dirty but otherwise good, one or two small tiny dents and dirt marks, housed in a later frame which is now rather tatty, no labels verso.
Late 17th century English Schooloil on canvasPortrait of a lady with brooch in her hair and ermine trimmed robes15.5 x 11.5in.CONDITION: Oil on canvas relined many years ago, canvas slightly undulating, paint rather dirty with a fine but stable craquelure running through the skin tones, appears to have been overpainted through much of the brown background and probably some of the robes, housed in old but not original giltwood and gesso frame which is rather tatty, old label verso for T. Bull Picture Frame Maker of Eaton Square.
18th century French Schooloil on canvas laid on boardPortrait of a lady holding a bouquet of flowers32.5 x 25.25in.CONDITION: Oil on canvas laid on to hardboard within the past 20 years ago or so, paint looks rather dry with slight bitumous bubbling in the darker areas and a fine craquelure throughout, signs of retouching probably to the black collar and certainly to the folds of the dress and down the side of the arm, no sign of any signature, housed in an 18th century plain wooden frame, label verso for Venables Fine Arts of Washington DC.
John Ernest Breun (1862-1921)oil on canvasPortrait of a young womansigned, label verso inscribed 'Minna O'Conor (nee Hope) St Petersburg'23.5 x 19.5in.CONDITION: Oil on original canvas in honest slightly neglected condition, paint is rather dirty with a little stable craquelure showing above the forehead and near the shoulders, two small patched holes running through the head and forehead that have been reasonable well retouched, housed in the original oak and gilt gesso frame which is now rather tatty, hand written label verso along with London Canvas Makers stamp.
Wilhelm Trautschold (German, 1815-1877)oil on canvasThree quarter length double portrait of Edmund Knowles Muspratt (1833-1923) and his sister Emma Jessie, with a lake beyond28 x 24.5in.CONDITION: Oil on original canvas in honest untouched condition, canvas is undulating and requires re-stretching, a little fine craquelure in the blue of the sky which has flaked above his head otherwise a little dirty and a few small scuff marks in the lower left corner, apparently unsigned, housed in the original gilt gesso frame which has been overpainted gold and suffers several losses. Christie's labels verso.
Attributed to Kenneth Center (1903-)oil on canvasPortrait of a Lady wearing a fur collared coat, resemblance to Georgette Heyer29 x 24.25in.CONDITION: Oil on original canvas in honest untouched condition, would benefit from a light clean but no other faults noted, not signed, housed in what looks to be the original gilt gesso frame which now has a few small losses, old Sotheby's labels verso. Provenance; From the Studio of Frank Brangwyn.
Good quality late 19th/early 20th Century walnut and parcel gilt display easel, the pierced carved surmount above a lyre shaped base with sliding support and adjustable back stand, 70ins high approximatelyGood condition, no damage or restoration. Adjustments go down low with sliding top clamp, so a large portrait may work but a landscape not so much. 31ins maximum height. Width of lower support is 23.5ins.It is steady, does have scratches and scuffs to the wood and would benefit from polishing. No provenance.
Fine quality leather bound volume ' Letters of Feodora, Princess of Hohenolhe-Langenburg 1828-72 ' First Edition, presentation copy, signed by Queen Victoria to Lady Gainsborough, annotations by Theodora to Lady G. together with a photographic portrait of Theodora, together with one volume ' Poetical Works of Coleridge, Shelley and Keats ', leather bound

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283287 Los(e)/Seite