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283287 Los(e)/Seite
Los 1159
HARRY POTTER AND THE PHILOSOPHER'S STONE (2001) - Wizard PortraitA portrait of a wizard from Chris Columbus' fantasy adventure Harry Potter and the Philosopher's Stone. Portraits were hung throughout the corridors of Hogwarts, most notably by the moving staircases. This portrait depicts an ancient wizard sitting in a chair while holding a magic stone. The portrait's frame is made of resin and painted gold, while the artwork itself is printed on to card. A sheet of metal behind the portrait secures the card within its frame. Marked "6A" in grey pen, the metal sheet was likely also used to magnetically attach the portrait to the walls on set. There is a break in the lower right side of the frame. Dimensions: 50 cm x 32 cm x 2.5 cm (19 3/4" x 12 1/2" x 1")Estimate: £1,000 - 2,000 M View all lots from HARRY POTTER AND THE PHILOSOPHER'S STONE (2001)View all lots from HARRY POTTER - ALL ITEMSBidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.
Los 1271
JAMES BOND: LICENCE TO KILL (1989) - Peter Nelson Collection: Bond's Passport Photo, Business Card and X-ray PolaroidBond's passport photo and business card, and an x-ray Polaroid, from John Glen's Bond film Licence to Kill. When CIA agent Pam Bouvier (Carey Lowell) took a photo with Q's (Desmond Llewelyn) Polaroid camera, she accidentally shot a laser beam from it. The resulting picture showed an infrared image of James Bond (Timothy Dalton) and Q dodging the laser beam. This production-made Polaroid shows a slightly different crop of the infrared image seen on screen. Accompanying it is a small passport portrait of Bond and a "Universal Exports" business card, which features 007's full name handwritten at the bottom in black pen. The lot exhibits discolouration, surface marks and peeling of the Polaroid from production use and age. Dimensions (Polaroid): 10.5 cm x 10 cm (4 1/4" x 4")From the personal collection of Peter Nelson, previously displayed at his two museums, "The Cars of the Stars" and "The Bond Museum" in Keswick, Cumbria, until they closed in 2011.Estimate: £700 - 1,400 M View all lots from JAMES BOND: LICENCE TO KILL (1989)View all lots from JAMES BOND - ALL ITEMSBidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.
Los 285
PAN'S LABYRINTH (2006) - Screen-matched Book of Crossroads Autographed by Guillermo del ToroA screen-matched and authenticated Book of Crossroads autographed by Guillermo del Toro, from del Toro's fantasy drama Pan's Labyrinth. The whole film centres around the book. Given to Ofelia (Ivana Baquero) by the Faun (Doug Jones), the book itself guided her to complete three tasks which will grant her immortality and return to her underworld kingdom. One of only two made for the production, intentional distress and markings on the cover screen match the book to the scene in which Ofelia is first handed it. The book is bound in leather, with a mystical tree decoration on its covers. Most of the pages are blank and tied together with nylon thread to allow the book to open on the correct page. However, one page halfway through features a caricature self-portrait and autograph from del Toro with a handwritten speech bubble reading "Genuine Prop 'Screen Used' 1 of 2 authenticated by Guillermo del Toro". Del Toro donated it from his personal archive to a charity auction in 2022 where it was bought by the consignor. Dimensions: 33 cm x 25 cm x 3 cm (13" x 9 3/4" x 1 1/4")Estimate: £4,000 - 8,000 M View all lots from PAN'S LABYRINTH (2006)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
Los 107
NO RESERVE Bewick (Thomas).- Robinson (Robert) Bewick Memento. Catalogue with Purchasers' Names and Prices Realised of the Scarce and Curious Collection...sold by Auction..., title in red & black, plates, advertisements at end, foxing, bookplate and ink inscription of Thomas Parkin, original half cloth, Leadenhall Press, 1884 § Hugo (Thomas) Bewick's Woodcuts: Impressions of upwards of Two Thousand Wood-Blocks..., engraved portrait, plates, portrait heavily damp-stained and loose, original cloth, damp-stained, joints repaired, 1870 § Somervile (William) The Chace, a Poem, one of 375 copies, illustrations by Bewick, from the library of T.E.Lawrence with Clouds Hill book-label, original cloth, uncut, slip-case, Lawrence book-label to upper cover, worn and defective, Garden City, NY, 1929; and 2 others, Bewick, and an envelope of Bewick ephemera, v.s. (a bundle)
Los 141
Chaucer (Geoffrey) The Nonnes Preestes Tale of the Cok and Hen, letter Q of 26 illuminated copies, from an edition limited to 526, illuminated title and 6 initials by William Cushing Bamburgh, portrait and plates, 3pp. glossary loosely inserted, original limp vellum with ties, uncut, a little soiled, New York, Grafton Press, 1902; and an illuminated calligraphic manuscript of Kipling's L'Envoi of 1918, 4to (2)
Los 146
Gibbings (Robert) Sweet Thames Run Softly, 1940; Coming Down the Wye, 1942; Coming Down the Seine, 1953; The Wood Engravings..., edited by Patience Empson, prospectus loosely inserted, 1959 § Andrews (Martin J.) The Life and Work of Robert Gibbings, prospectus loosely inserted, Bicester, 2003 § Bates (H.E.) Through the Woods, signed and inscribed by the author on front free endpaper, wood-engraved illustrations by Agnes Miller Parker, 1936; Down the River, wood-engraved illustrations by Agnes Miller Parker, 1937 § Young (Francis Brett) Portrait of a Village, wood-engraved illustrations by Joan Hassall, some spotting, 1937 § Shaw (G.B.) The Adventures of the Black Girl in her Search for God, wood-engraved illustrations by John Farleigh, original boards, glacine wrapper torn and frayed, 1932, first editions, the first four with wood-engraved illustrations by Gibbings, original cloth or boards, all but the sixth and last two with dust-jackets, some a little rubbed, the first frayed at spine ends; and c.20 others, illustrated with wood-engravings, 8vo & 4to (c.30)
Los 151
Limited Editions Club.- Tennyson (Alfred, Lord) The Poems, wood-engravings by Reynolds Stone, 1974 § Wordsworth (William) The Poems, illustrated by John O'Connor, 1973 § Shelley (Percy Bysshe) The Poems, wood-engravings by Richard Shirley Smith, 1971 § Keats (John) The Poems, illustrated by David Gentleman, 1966 § Browning (Robert) The Poems, wood-engravings by Peter Reddick, 1969 § Yeats (W.B.) The Poems, illustrated by Robin Jacques, 1970, limited editions, each signed by the artist, plates and illustrations, some colour, similar original calf- or morocco-backed cloth with relief portrait mounted on upper covers, all but the second with slip-cases, some rubbed at edges, 8vo, Cambridge, Limited Editions Club (6)
![Darwin (Charles) Postanak Vrsta. [On the Origin of Species], portrait plate and folding genealogical tree, the latter with sh](https://cdn.globalauctionplatform.com/f0ae31c5-a0e0-4793-81f8-b0a800b52273/5d6522f1-2abc-41d1-8f08-b0a800fc7e22/468x382.jpg)
Los 18
Darwin (Charles) Postanak Vrsta. [On the Origin of Species], portrait plate and folding genealogical tree, the latter with short tear to fold without loss, light browning, original cloth-backed boards, corners lightly bumped, a few light stains, a little heavier to head of lower cover, 8vo, Belgrade, Prosveta, 1948.⁂ The first Serbo-Croatian edition to be written in Latin alphabet. The work was first published in Serbia in 1878, translated into Cyrillic alphabet.
Los 214
NO RESERVE Pok (Marie) Olivier Dwek: Architectures 2001-2015, Photographs by Serge Anton, Brussels, 2014 § Shulman (Julius) Architektur und Fotografie, Cologne, 1998 § Cowboys Stadium: Architecture, Art, Entertainment in the Twenty-First Century, New York, 2010 § Cholmondely (David) & Andrew Moore. Houghton Hall: Portrait of an English Country House, New York, 2014 § Lightscape: James Turrell at Houghton Hall, 2015 § Ai Weiwei at Blenheim Palace, Woodstock, 2015 § Joana Vasconcelos: Versailles, Paris, 2012, illustrations, many colour, original cloth or boards, all but the sixth with dust-jackets; and c.25 others, mostly architecture, 4to & 8vo (c.30)
Los 223
NO RESERVE Wateridge (Jonathan) Enclave/Expatria, 2019 § Fadi Yazigi, Damascus, 2009 § Zvavahera (Portia) I'm with You, Cape Town, 2017 § Dadi (Iftikhar, editor) Anwar Jalal Shemza, 2015 § Shamma (Sara) Modern Slavery, 2019 § Fuhrer (Ronald) David Nipo: About a Portrait, presentation copy from the author inscribed on half-title, Tel Aviv, 2012; and c.20 others, contemporary African, Middle Eastern & Indian art, 4to & 8vo (1 box)
Los 283
Japan.- Golovnin (Vasily Mikhailavich) Begebenheiten des...Gesangenschaft bei den Japanern..., 2 vol. in 1, translated by Carl Johann Schultz, engraved portrait and 6 folding map and plans (1 with small tear), browned, contemporary half calf, new leather label on spine, [Cordier, BJ 464; Henze II, 366], 8vo, Leipzig, Gerhard Fleischer, 1817-18.⁂ Captain Golovnin (1776-1831) was captured by the Japanese while mapping and exploring the coast of Kamchatka, Alaska and the Kurile Islands to which he had been sent by the Russian authorities in 1807 (he was the first to provide an accurate map of the Kurile Islands). He was kept imprisoned in Japan for two years (1811-1813). The work contains notes written by Golovnin of his imprisonment, based on his experience and observations.
Los 34
Artists.- Group of letters of nineteenth-century artists, comprising: John Collier (1850-1934), portrait painter, (11); William Etty (1787-1849), painter (1); Jean Louis Hamon, (1821-74), French painter (1); Thomas Holloway (1748-1827), engraver (1); George Jones (1786-1869), painter (1); Sir Gerald Kelly (1879-1972), portrait painter (1); Sir Edwin Landseer (1802-73), animal painter, (2); Richard James Lane (1800-72), line-engraver and lithographer (1); Frederick Leighton (1830-96), painter (1); James Linton (1840-1916), painter (1), folds, 8vo (21).⁂ "I feel that I can now be satisfied that the idea of your father that I have endeavoured to convey in my portrait will not be a misleading one. It is a great responsibility making a pictorial record of an eminent man and even should the general public approve of it I should not be happy about it unless I had also the approval of his family... ." - Collier.
Los 43
Tyndall (John, physicist and mountaineer, 1820-93) 40 Autograph Letters signed or initialled to a variety of correspondents, mostly from the Royal Institution, c. 48pp. & 1 envelope, 8vo, 1875-93, an extensive collection, the earliest letter mentions his inaugural oration at the Royal Institution, from which the majority of this correspondence originates, other letters are brief or of a business-like or social nature , one gives access to his lectures to Miss Hooker and "Master Brian Hooker", another refers his correspondent to Frankland, Tyndall reminiscences with Burdon Sanderson about glaciers, refers another to Fragments of Science, declines or accepts invitations to lectures and social events etc., in science terms, he discusses accumulators, engines and lightings etc., 1 letter laid down; and 3 others, comprising: sepia portrait photograph of Tyndall, note relating to Tyndall's lectures and an ALs from Tyndall's wife, Louisa explaining that some of the letters signed by Tyndall were written by her, folds, v.s., v.d. (43).⁂ An extensive collection of correspondence by an outstanding nineteenth century scientist.
![NO RESERVE [North (Dudley, 3rd Baron)] A forest promiscuous of several seasons productions, second edition, first f. blank, l](https://cdn.globalauctionplatform.com/f0ae31c5-a0e0-4793-81f8-b0a800b52273/185cf400-6693-483b-9d46-b0a800fced07/468x382.jpg)
Los 56
NO RESERVE [North (Dudley, 3rd Baron)] A forest promiscuous of several seasons productions, second edition, first f. blank, lacking L2 (supplied in typescript), 4 preliminary ff. misbound between pp.330 and 331, little loss to inner gutter of title and B1, 3B3 small burn hole within text with loss of a few letters, occasional spotting or staining, lightly browned, contemporary calf, rebacked, corners repaired, covers rubbed and scuffed, [Wing N1284], small folio, Printed by Daniel Pakeman, 1659.⁂ Rare at auction, with the last copy we can trace being in 1984. This collection of prose and verse first appeared in 1645 as A forest of varieties. Provenance: Joseph Knight (portrait bookplate to front pastedown).
Los 61
Addison (Joseph) The Works..., 4 vol., engraved portrait frontispiece, 3 engraved plates (1 with repaired tear), several ff. of illustrations, bookplates, occasional foxing, contemporary tree calf, gilt with red and morocco labels to spines, lower cover vol. 1 with a few holes, minor cracking to some joints, 4to, Birmingham, John Baskerville, 1761.
Los 94
NO RESERVE Palmer (Herbert Edward) In Autumn, one of 250 copies signed by the author, lightly toned, some light spotting and minor dust-soiling, original boards, a little rubbed and browned, some light soiling, a few small chips to spine, privately printed, 1931 § Warner (Rex) E. M. Forster, portrait frontispiece, original printed wrappers, staples a little rusted, 1950 § Smith (Logan Persall) Bitter Cold. After the Chinese of Po Chü-I, [4 copies], woodcut illustration to title, single sheet folded as issued, one lightly dust-soiled, Mill House Press, 1967-68; and others, various subjects but most opera related, libretti, concert programmes &tc, some duplicates, v.s. (c.80)
Los 1162
Nachlass Rudolf Rieser - - Roth, Dieter. Containers 1971/73. Mit 33 (23 signiert und nummeriert) Drucken in verschiedenen Techniken auf verschiedenen Papieren. London, Petersburg Press und Solothurn, Dieter Roth, 1973. Lose in Original-Pappmappe mit montierter signierter Graphik (schnelle Trollis) in Original-Kassette mit einer Original-Filzstiftzeichnung und 2 Adressetiketten der Petersburg Press mit der Adresse von Rudolf Rieser (Kassette berieben, bestoßen und etwas fleckig).Eins von 85 (GA 95) nummerierten und signierten Exemplaren. - Dobke 276 - Schnepel R5-72. - "Maybe Roth's most important portfolio of prints... In this work, which consits of 33 different prints, he combined many of the printing techniques and innovations he had developed during the 1960s. Even the Folder and the cardboard cassette in which it was shipped or sold was incorporated into the work: each cassette bore an original, stylised outline of a sel-portrait drawn in felt tip..." (Dobke S. 18). - Die umfangreiche Mappe enthält: I. 9 Behälter. 9 (8 collagierte) Zinkätzungen. - II. 5 trolleys. Große Trollis. Zwei Farbserigraphien, vorder- und rückseitig auf gefaltetem Papier. - Riesentrolli. Zinkätzung von vier Platten auf gefaltetem Bütten. - Riesentrolli. Abklatsch der Zinkätzung auf Seidenpapier mit Collage. - Schnelle Trollis. Zwei Farbvarianten. Je 10 (statt 12) farbige Offsetdrucke auf verso gummierten und perforierten Briefmarkenbögen. Unsigniert. - Trolli. Vier farbige collagierte Offsetdrucke auf gefaltetem und gerissenem Papier. - III. 3 kipfirstich. Beine - Herzen - Atlas. 3 Kupferstiche auf verschiedenfarbigem Bütten. - IV. accompagnationspapiere. Programmheft 8 Bl. (Offset), Titelblatt, Graphik Apfel und Inhaltsverzeichnis. - Die Graphiken in Formaten von 31,5 x 57 cm bis 100 x 100 cm. - Sehr guter Zustand. - Provenienz: Nachlass Rudolf Rieser.
Los 1216
Nachlass Rudolf Rieser - - Roth, Dieter. P.o.th.A.a.Vfb. (Portrait of the Artist as Vogelfutterbüste). Graphik auf Bütten. Links unten signiert und datiert, rechts unten nummeriert. Exemplar: 7/30. 1970. Motivmaße: 31,5 x 22 cm. Blattmaße: 78 x 53,5 cm.Dobke 128. - Gleichmäßig leicht gebräunt, etwas knickspurig und gewellt, mit 10 Nadellöchern im äußeren Rand, unterer Rand ca. 1 cm eingerissen. - Provenienz: Nachlass Rudolf Rieser.
Los 1217
Nachlass Rudolf Rieser - - Roth, Dieter. P.o.th.A.a.Vfb. (Portrait of the Artist as Vogelfutterbüste). Graphik auf Bütten. Links unten signiert und datiert, rechts unten nummeriert. Exemplar: 4/30. 1970. Motivmaße: 31,5 x 22 cm. Blattmaße: 78,5 x 53,5 cm.Dobke 128. - Weißer Rand minimal fingerfleckig, Ecke links unten leicht knickspurig. - Provenienz: Nachlass Rudolf Rieser.
Los 1676
Johns, Jasper - - Namuth, Hans. Jasper Johns bei der Arbeit im Studio der Universal Limited Art Editions (ULEA). Verso mit dem Photographenstempel. West Islip, N.Y., 1962. Blattmaße: 28 x 22 cm.Vgl. Smithonian National Portrait Gallery NPG.95.141 - Seltene Aufnahme der US-amerikanischen Pop-Art-Ikone Jasper Johns im Atelier der von Tatyana Grosman in New York gegründeten Kunstdruckerei ULEA. - Ecken knickspurig, Schichtschaden im Bereich des Ellenbogens.
Los 412
A Chinese Famille Rose octagonal plate, circa 1755-1780, the centre finely painted with a basket of flowers, the en grisaille border with a crest and butterfly, interspersed with bianco-supra-bianco flower sprays and a small Chinese puce camaieu and bianco-supra-bianco sauce tureen stand, Qianlong circa 1755-1780, with Verelst crest and basket of flowers, gilt and iron red details, 20cm diameter (2)The Verelst family settled in England in the 17th Century and amongst its members was the celebrated Antwerp flower and portrait artist Simon Verelst. These services made for his grandson, Harry Verelst (1733-1785). The crest is that of a ship's rudder. In 1767 Harry Verelst succeeded Robert, Lord Clive, as Governor of Bengal and in 1771 he was appointed director of the East India Company. 清十八世紀 外銷粉彩徽章紋八方盤等一組兩件 Condition Report: both in good condition other than minor wear throughout wear to gilt rims Condition Report Disclaimer
Los 246
ENGLISH SCHOOL, LATE 18TH CENTURY A portrait of John Alexander Phillips oil on board, inscribed to verso 'General Phillips (as a boy)', 24.5cm x 19.5cmProvenance: Purchased from Clevedon Salerooms Fine Arts Sale, 20th November 2014, Lot 146. Note: John Alexander Phillips was born at Plymouth Dock in 1790, son of Alexander, a Naval Master, and Ann. He was Midshipman on the HMS Bellisle at Trafalgar aged 15. He transferred to the Royal Marines in 1806, was commissioned as a 2nd Lt on the 26th of August 1806, and rose to rank of Lieut-General. Died 17th November 1865, aged 75.
Los 249
STEVE MCCURRY (AMERICAN b. 1950), SHARBAT GULA, AFGHAN GIRL, PAKISTAN offset lithographic colour print, signed in pen lower right mounted, framed and under glassimage size 49cm x 33cm, overall size 76cm x 58cm Note: Steve McCurry took his most recognised portrait, ''Afghan Girl'', in a refugee camp near Peshawar, Pakistan in 1984. The image itself was named as ''the most recognised photograph'' in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the ''Afghan Girl'' remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002.
Los 849
A Staffordshire figure portrait group, from the factory of Thomas Parr, likely depicting Queen Victoria and Prince Albert with the royal children. Painted in overglaze enamels with gilt highlights and border. Diameter of base at widest 21.4cm The hand of the older female figure is broken and not present.
Los 126
A blue ground lacquered music box decorated with a lady with a fan near a temple; metal sculpture of a snowy owl in flight, 32cm high; together with a mini pottery throwing wheel, and two portrait miniatures of two young girls on resin (5)Owl condition is good, some light scratching and wear as you would expect, no major damageMusic box, makes noise while the lid is open, exterior decoration heavily knocked
Los 555
English Naive School, 19th century Portrait of a catoil on canvas24 x 31cmThe entire paint layer has age-related craquelure throughout, with two variations, with the majority being stable. There are small areas of paint loss with the largest being 4mm x 4mm (above the cat's head). There are abrasians marks along the border of the canvas where the frame has been in contact. There are also areas of general scuff marks, in particular, below the belly of the cat and at the corners of the composition. The canvas is unlined and as such, the canvas stretcher bar is visible through the front. The paint layer has seeped through the canvas, being visible on the verso. A professional restoration and clean would be recommend. Please refer to the addtional photos
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283287 Los(e)/Seite