English School, early 19th centuryPortrait of Miss Sophia Williams, full length, wearing a white dress and playing the harpoil on canvas195 x 148cmSophia Williams was Almoner of HRH Princess Augusta, Founder of the Princess Helena College, Hitchin, Hertfordshire. The school was formed in 1820, for the daughters of Anglican clergy and officers who had served during the Napoleonic Wars.Condition report: Oil on canvas which has been lined. The canvas tension is slightly slack but the picture is in plane overall. There a small hole in the canvas near the bottom edge with associated pant loss. The paint layer has localised areas of loss and flaking paint. Old damages in the background have been repaired through lining and have been filled and retouched. Areas overpaint are slightly mismatched to the original and matte. The painting has a varnish layer which is dull and has become yellowed with age. There is a thick layer of dust and dirt on both the front and reverse of the painting.
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English School, c.1830Portrait of a lady, thought to be HRH Princess Augusta Sophia, three-quarter length seated, in a red dress and feathered hat, holding a scrolloil on canvas127 x 102cm, in a heavy gilt frameCondition report: Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layers are stable but have textural issues caused as the paint layer has dried including drying cracks in the sitter’s face and uneven surface issues in the red dress and black hat. These issues are exacerbated by the degraded varnish which is no longer adequately saturating the darker paint layers. There are localised scuffs and scratches to the surface, most disturbingly above the sitter’s mouth. Areas of overpaint are present in the sitter’s face and hands, the overpaint is well matched to the original and covers cracks in the paint layer below. There is a thick layer of surface dirt on both the front and reverse of the canvas.
Emma Eleanor Kendrick (1788-1871)Portrait of Miss Harriet Walker, youngest daughter of General Sir George Walker KCB, half length seated, in a cream dressminiature13 x 10cmCondition report: In a gilt frame and colours are quite good. Some scuffing to the edges. Inscription to the reverse reads: 'Harriet, youngest daughter of General Sir George Walker KCB by Emma Eleanor Kendrick pinxit Duchess Street, Portman Place'
Austrian School, mid-19th centuryPortrait of a young gentleman, said to be the uncle of Cardinal Piffl, Archbishop of Vienna, half length, in a blue coat and yellow waistcoatoil on canvas58 x 47cmCondition report: Oil on canvas which is unlined. Numerous small holes and punctures in the canvas have been repaired from the reverse with canvas patches. The largest hole is above the sitter’s head with an area of paint loss that has not been filled and retouched. Smaller losses have been covered with overpaint which is poorly matched to the original. To the left of the sitter’s head is a line of raised paint, probably caused by impact from the reverse. There are other localised areas of raised paint across the surface. The varnish is dull and uneven with a layer of surface dirt present.
English School, 19th centuryPortrait of an Officer of the London Rifle Brigade, c.1870 oil on panel20 x 15cmThe subject wears an ‘imperial’ or goatee beard. This would not be permitted in British Regular units, but Volunteers were not so constrained.We are grateful to Christopher Joll for his assistance with this catalogue entry.Condition report: Oil on a small wooden panel. The support and paint layers are in a good condition overall. There is one localised area of raised paint to the right of the sitter’s head. The varnish is even and slightly dull with several matte splashes across the surface. The painting has been framed with a cut out cardboard oval, this appears to be stuck to the surface of the painting in some areas but it is possible the composition extends to the edges of the panel.
Follower of Pierre Gobert Portrait of a lady, said to be Félicité de Noailles, Duchesse d'Estrées, three-quarter length seated, dressed as a shepherdess and holding a bookoil on canvas103 x 83cm, ovalCondition report: Oil on canvas which has been lined. The canvas tension is adequate and the picture is in plane. In the upper half of the background is raised and vulnerable with a few scattered losses already present. The rest of the paint layer is stable, the lining process has caused the canvas texture to become prominent in the paint layer. There are localised areas of overpaint which have darkened and become matte. The varnish is dull and discoloured with a thick layer of surface dirt present.
*Frank Owen Salisbury (1874-1962)Portrait of a lady, three-quarter length seated, in a grey dress and holding a booksigned 'Frank O Salisbury' l.l., oil on canvas102 x 76.5cm,together with the bracelet worn by the sitter, a gold Edwardian gate bracelet set with turquoise cabochons and split pearls, marked 9ct (2)*Artist's Resale Right may apply to this lot.Condition report: Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layer is in a very good condition overall. There is an old, vertical damage below the sitter’s hands which has been repaired and retouching. At the top of the sitter’s hair and above this in the background are areas where the varnish is disrupted and there is darkened overpaint present. The varnish is glossy, clear and even. There are several accretions across the surface.
Vera Cummings (New Zealand, 1891-1949)Portrait of a Maorisigned 'V Cummings' l.r., oil on canvas30.5 x 23cmCondition report: Oil on canvas which is unlined. Stretcher bar marks have formed in the canvas and paint layers following the wooden stretcher behind. There are some minor undulations at the corners of the picture. There is abrasion at the corners of the painting, Overall the paint layers are in a good condition. The varnish is semi-matte and even.
*Richard Stone (b.1951)A portrait of HRH Princess Alice, Duchess of Gloucester, three-quarter length seated, by a table with a vase of yellow rosessigned 'Richard Stone' l.l., oil on canvas60 x 49cm*Artist's Resale Right may apply to this lot.Richard Stone records that the portrait was painted from sittings at Barnwell Manor, Northamptonshire.Condition report: Oil on linen canvas with a supplier’s stamp for Winsor & Newton on the reverse. The canvas is in plane with good tension and the paint layers are in a good condition overall. The painting does not have an overall varish layer, in areas of gloss it seems likely that a layer has been locally applied by the artist. In the background at the upper right corner are dark splashes. There is an uneven layer of surface dirt across the picture.
English School, late 19th centuryPortrait of a terrier wearing a spotted ruffoil on canvas61.5 x 50.5cmCondition report: The painting is executed in oil on a canvas support which has been lined. The canvas has good tension and the picture is in plane. The paint layer is stable but has suffered from abrasion and localised losses. In localised paint passages a fine network of age cracks has formed. Areas of overpaint are applied quite liberally across the background and covers some of the deeper scratches in the paint layer. The varnish is dull and has become brittle with age with abrasion and scuffs. There is a layer of surface dirt present.
Herbert Thomas Dicksee RE (1862-1942)Three-quarter portrait of a lion’s headoriginal etching on paper, signed artist proof, rare (not published) image 15 x 14.1cmProvenance: Purchased from the artist’s grandson/widow;The Bryan Steele Collection.Condition report: A couple of tiny specks of foxing in the lower margin and a faint smudge of dirt. A speck of dirt in the right margin. No other obvious flaws. Not seen outside of glazed frame.
Matthew Snelling (fl.1644-1670)Portrait of a gentleman, facing right in a black doublet with gold buttons, white lawn collar with tassels, a black cloak, shoulder-length brown hair, beard and moustachesigned and dated on the reverse 'M:S fc Novembur, 1647', miniature on vellum laid on card, with inscription and two hearts in watercolour to the reverse, oval6.2 x 5cm, silver frame with spiral cresting and hanging loopProvenance: Sotheby's London, 12 December 1966, lot 46;Christie's London, 21 November 2000, lot 68.
Alexander Cooper (1609-1660)Portrait of a nobleman, full face in slashed black doublet to reveal white, large lawn collar, wearing a blue sash, beard and moustacheon vellum, oval 2.4 x 2.1cmProvenance: Christie's London, 30 April 1996, lot 31.An inscription on the reverse of the miniature identifies the sitter as Prince Rupert, but the sitter bears more resemblance to the Winter King. Other very similar miniatures by Alexander Cooper are in the Bode Museum, Berlin.Condition report: Quite a lot of loss of colour and discolouration to the background.Glass loose.Mount is gilt metal.
English School, 17th centuryPortrait of Mary Killigrew, in a black and gold dress, white lace ruff and long gold necklace with diamonds, a pearl brooch in her hair, pearl earrings, and a pink flower at her breastinscribed on the reverse 'Mary Wife of Peter Killigrew the First and mother of Sir Peter Killigrew the Last, Sister to the Duchess of Newcastle, as also of Lord Lucas, and of Sir Charles Lucas, Shott [sic] in Cold Blood by Sir Tho. Fairfax, on the Surrender of Colchester', miniature, oval5.2 x 4.4cm, in a gold mount, tested as approximately 18ct goldMary Lucas was born c.1622 and married Sir Peter Killigrew in October 1625. Adriaen Hanneman painted Mary Lucas in 1636 and the portrait is part of the collection of the National Gallery of Victoria, Australia. Mary Lucas came from a family of Royalists and her brother, Sir Charles Lucas, was executed by firing squad in 1648 following the siege of Colchester. Her sister, Margaret Cavendish, Duchess of Newcastle, has received significant literary attention as she lived in exile as Queen Henrietta Maria's lady-in-waiting at the court of Louis XIV, but is best remembered for her publications of poetry and philosophical writings.Condition report: Paint loss at lower left edge. Dust under the glass. Some tiny brown spots throughout, but most noticeable on the face, chest and ruff. Overall the colours are a little dull. Some very light scratches to the glass. On case verso there is a small dent lower right and some remnants of old stickers.
David Loggan (1635-1692)Portrait of the 1st Earl of Shaftesbury (1621-1683) in robes, with lace jabot and long curled hairsigned with initials and dated 'DL/1676' l.r., plumbago, oval 13 x 10cm, in a black frameExhibited: On loan to V&A Museum, 1900-1929 (old inscription to the reverse refers).Condition report: There is some discolouration to the background and around the edges but the portrait itself is very fine and clear. Plain black frame inscribed to the reverse with sitter's details.
Circle of Christian Friedrich Zincke (c.1685-1767)Portrait of a gentleman in a brown coat and a white cravatminiature, oval 4.8 x 4cm, in a gold mount, tested as approximately 18ct gold, with metal hanging loopCondition report: Some loss of discolouration and browning. Indecipherable paper inscription to the reverse. A little dirty, including a grey spot on the jacket. A scratch centre-left by the edge. Light scratches on the glass. Remnants of old stickers on case verso.
Circle of Peter Cross (d.1724)Portrait miniature of Lord Russell, wearing a long curled wig and russet cloak and stockminiature, oval3 x 2.5cm, mounted in a gold frame, tested as approximately 9ct goldCondition report: Label saying 'Lord Russell' to the reverse. Possibly slightly yellowed. A very faint spot on the sitter’s forehead. Some stickiness on the case verso plus other old sticky labels.
Jean Petitot the Elder (French, 1607-1691)Portrait of a gentleman wearing a suit of armour and white lace jabotminiature, oval2.4 x 2.8cm, in a silver gilt and gold mount, tested as approximately 14ct gold, with hanging loopThe sitter appears to be Royal and wearing the Order of Saint EspritCondition report: Lots of small bubbles under the enamel, to the left and right of the face. Some very tiny faint cracks in the enamel also, most visible in lower section, these are only really noticeable under a raking light and with a magnifying glass. A tiny white dot on the sitters jawline. A couple of tiny flakes of paint loss at the extreme edges.
English School, mid-18th centuryPortrait of Robert Dodsley (1703-1764) poet, playwright and dramatist, holding a letterindistinctly monogrammed l.r., signed 'F. Cotes' and inscribed 'Robert Dodsley, Poet, Dramatist and Artist' on artist's label verso, miniature on ivory12.5 x 9.5cmCondition report: Condition appears fine.
Noah Seaman (fl.1721-1741)Portrait of a gentleman wearing a royal blue coat, orange waistcoat with gold frogging, a frilled chemise and white stockenamel on copper, oval 4.3 x 3.5cm, in a gold mount, tested as approximately 18ct gold with 9ct gold fittingsProvenance: Bonhams, London, 23 May 2007, lot 30.Condition report: Condition appears fine.The mount tested as approximately 18ct gold, with 9ct gold brooch pin and 'C' catch.The suspension loop is gilt metal, and has been later glued to the mount.
Attributed to Christian Friedrich Zincke (1683/84-1767)Portrait of a gentleman in a full bottomed powdered wig, wearing a blue coatenamel on copper, oval4.5 x 3.8cm, in a gold mount with scroll engraving and monogram to the reverse, tested as approximately 9ct and 18ct goldCondition report: Several small superficial chips however generally in good order.The front of mount tested as approximately 9ct gold, the back as approximately 18ct gold. Possibly a later marriage.
English School, 18th centuryPortrait of a woman, her hair piled up in curls, and with curls around her shoulders, wearing a blue and gold dress and white lace fichuenamel on copper, oval3.6 x 3.1cm, in a gold mount with a split pearl frame, tested as approximately 15ct goldCondition report: Condition appears fine.
Attributed to Francis Sykes, mid-18th centuryPortrait of a gentleman called John, Baron Kingston, wearing a purple coat, white lace stock, and with his curled grey wig tied with a black ribbonframe engraved 'John Ld Baron Kingston' verso, enamel on copper, oval3 x 3.5cmProvenance: Bonhams London, 24 May 2006, lot 60.Condition report: some chips to the extreme bottom edge.Mount is gilt metal.
Luke Sullivan (1705-1771) Portrait of a gentleman, facing right, in a white coat with gold frogging and epaulettes, wearing a blue the sash, powdered hair en queue signed 'LS' and dated '1762', miniature on ivory 3.4 x 4.1cm, oval in a silver bracelet-clasped frame with foiled gem surroundWe are grateful to Christopher Bryant for his assistance with this catalogue entry.Condition report: Colours lightly faded. Possibly a very light scratch under the sitter’s hair to the left of the head. The frame is a little dirty. Remnants of old stickers on case verso. Some of the gems are different tones.
English School, c.1805Portrait of a General officer in uniformminiature on ivory7.1 x 5.7cm, oval, in a gold frame with blue enamel, plaited hair and vacant collets verso, tested as approximately 9ct goldThis is a portrait of a General officer of the period c.1805. His exact rank is determined by the arrangement of the buttons on his tunic and the chain pattern lace on the facings. The sitter’s buttons and lace are grouped in threes, as worn by a Lieutenant General. The curious black line across his brow looks to be an eye patch, albeit that the patch itself appears to be over the sitter's right ear. This unusual arrangement may have been for reasons of both vanity and accuracy.We are grateful to Christopher Joll for his assistance with this catalogue entry.Condition report: Colours a little faded. Some yellowing, especially in the sky and on the white blouse. Some flecks of dirt lower left. There appears to be a little damage in the form of tiny scratches to the left of the buttons although these may be intentional, also in the armpit. The paint on the shoulder looks a little faint, possibly rubbed. Dirt on the glass. Some deep scratches to the glass near the centre. A couple of light dents to the cases, and stickers and remnants of stickers verso. There are spaces where once there were pearls verso.
George Place (Irish, c.1755-c.1805)Portrait of Colonel Hutchinson, wearing a red uniform with white trimmed facings, 1799signed and dated 'G Place/1799' l.l., and inscribed 'Colonel Hutchinson' verso, miniature on card9.8 x 7.8cm, ovalProvenance: Bonhams London, 2 July 2001, lot 129.Condition report: Very faded and browned. Some brown staining and the occasional very small spot of foxing. A couple of tiny dents to the edge of the case, very minor.
Circle of John Smart (1741-1811)Portrait of a gentleman wearing a red coat, white waistcoat and stock, his grey wig curled and tied with a black ribbonminiature on ivory3 .8 x 3.1cm, oval, in a silver necklace clasp, set with a foiled gem borderCondition report: The miniature and glass are not attached to the jewelled frame. Some scratched and light abrasions to the paint at edges, and the paint looks a little rubbed and thin in places throughout. Some pale cloudy areas, although this is not obvious. The right side of the sitter’s coat appears overpainted as it is a darker colour. There appears to be some overpainted damage at left and right edges. Dust and surface dirt. A few tiny dents to frame. One jewel is slightly different colour and shape to the others, so could be a replacement. The case is worn, dirty, with scratches and there are remnants of stickers verso. Hinged for a bracelet.
Alexander Galloway (1794-1812)Portrait miniature of a gentleman wearing a powdered wig, and scarlet coat with blue collar and white waistcoat, c.1795watercolour5.8 x 4.7cmCondition report: Uneven and slightly curved. Cracking to the paint of the coat and collar. A few tiny paint blisters on the coat. Some small white specks of dust in places. The case is a little rubbed and there are a couple of old stickers and tape on case verso.
Scottish School, 18th centuryPortrait of a Highland Officer, in a feathered tam-o'-shanterminiature on ivoryoval 4.4 x 3.4cm, in an engraved gold mount with bright-cut decoration to the reverse, tested as approximately 18ct gold with 9ct gold fittingsThis is a portrait of an officer in a Highland regiment of the period c.1805-1815, before the full feather bonnet was adopted. Assuming that the colours in the present portrait are accurate, the only Highland regiment to have buff facings and silver lace was the 71st Highland Regiment (Light Infantry), later the Highland Light Infantry.We are grateful to Christopher Joll for his assistance with this catalogue entry.Condition report: There is a little area of rub to the left of the sitter's face
Patrick McMoreland (1741-c.1809)Portrait of James Hudson, facing right in a blue coat, white waistcoat and cravat, powdered wig en queue signed with initials 'PMc' l.r., miniature on ivory, oval 4 x 3cm, gold fausse-montre frame with green glass surround with glazed reverse, tested as approximately 9ct goldProvenance: Christies London, 21 November 2000, lot 131.Condition report: Some warping to the ivory. the miniature and glass are loose in the surround.
William Bate (c.1759-c.1845)Portrait of The Lady Elizabeth Hamilton as 'Beatrice Cenci' by Guido Reni (1575-1642) with long fair hair, wearing a white turban and gownsigned 'W Bate' and signed and dated 'W Bate/1838' verso enamel on copper, oval 8 x 6cm, gold bezel, tested as approximately 9ct goldBeatrice Cenci, a Roman noblewoman, plotted in 1598 with three family members to murder her abusive father, Count Francesco Cenci. He had been sent to prison for his abuse to her and her family, but released early because of his noble status. Feeling there was no other option, the family conspired to kill him. When the plot was discovered after his disappearance, the family were arrested. The much publicised trial in 1599 Rome gave rise to an enduring legend about her and she has become a symbol of defiance against the arrogance of the ruling class. She, along with her co-conspirators, was beheaded in 1599.
John Keyse Sherwin (1751-1790)Portrait of David Garrick, the actor (1717-1779) shown in profile, with powdered hair tied back with a black ribbon, wearing an olive coatinscribed 'David Garrick by J K Sherwin' versominiature on ivory, oval7 x 6cm, in a gold frame, verre églomisé border with gilt bezel, within a black frame, 19.8 x 18.5cm overallCondition report: The watercolour appears fine - the gilt bezel is a little rubbed.
Nathaniel Hone RA (Irish, 1718-1784) Portrait of a lady wearing a lace-trimmed blue dress and black velvet chokersigned and dated with initials 'NH/1763' l.r., miniature on ivoryoverall 5.5 x 7.5cm, in a faux tortoiseshell and gilt frameCondition report: Faded and slightly yellow. Surface dirt and possible stains close to edges. The paint looks a little faint in places, it could be a little rubbed, for example on the mouth. Dust and a little yellow dirt on the neck.. The case is lightly worn and dirty, and there is a little damage lower left. There are remnants of stickers verso, and the metal verso is distorted and uneven and with many small indents.
John Edmund Halpin (Irish, b.1764)Portrait miniature of a gentleman wearing a buttoned black coat, white ruffled chemise and tied cravat, his hair worn en queuesigned and dated 'I.E.H./1780', miniature on ivory, oval 6.1 x 4.8cm, in an engraved gold frame, reverse with blue glass border around empty aperture, tested as approximately 9ct goldProvenance: Bonhams London, 27 April 2005, lot 68.Halpin was born in Dublin and studied under his father Patrick Halpin, F R West and J J Barralet. He moved to London to pursue a career as an actor, but when this failed, he returned to Dublin and worked as a successful miniaturist. Later in life, he moved back to London and continued painting miniatures.Condition report: A little loss of colour.A crack to the glass border verso, woven hair and glazed panel deficient from centre.
English School, 18th centuryPortrait of a gentleman in a blue coat, with a red and gold waistcoat and white stockminiature on ivory, oval 4.5 x 3.3cm, in a gold frame fitted as a brooch, tested as approximately 9ct gold with metal fittingsCondition report: The gold mount is a little raised and there is slight discolouration to the background of the miniature.
Attributed to Edward Nash (1778-1821)Portrait of Charles Pavins as a young boy holding a red shoe in his right hand, wearing a white dress and lace mob cap, with foliate backgroundminiature on ivory, oval 6.8 x 5.4cm, in a split pearl border, tested as approximately 9ct gold, inside the frame a lock of hair in paper with the sitter's name onProvenance: Phillips London, 27 February 1985, lot 345;Sotheby's Chester, 16-17 January 1990, lot 542;Christie's London, 7th December 2004, lot 231.Condition report: Two brown marks to the lower edge of the watercolour may be the artist's intention. Colours a little faded. Slightly yellowed. The miniature is not quite oval, with straight edges visible at the sides and at the top. A scratch in the foliage lower right. The case is dirty with one or two tiny nicks. 9 ct split pearl frame. Hanging loop to the top and clasp to the reverse. Brooch pin deficient.
English School, 18th centuryPortrait of a young boy in a white lace shirt and red coat with gold buttonsminiature on ivory, oval 3.4 x 3cmCondition report: Possibly very slightly concave in shape. Possibly a light rub to the hair, or this may have been the artist’s intention to show shine. Very slightly faded/yellowed.
Gervase Jarvis Spencer (c.1715-1763)Portrait of Martin Folkes, wearing a red double-breasted jacket with lace collar, 1756signed 'G Spencer pinxit' verso, inscribed and dated 'Martin Folkes/Oct. 7th 1756' verso, enamel on copper, oval 3 x 2.5cm, in a silver gilt mountCondition report: Condition appears fine.
Richard Crosse (1742-1810)Portrait miniature of a gentleman, powdered hair en queue, blue coat and lace-frilled stockwatercolour on ivory, oval 3.2 x 2.8cm, in a gold bracelet clasp, tested as approximately 9ct goldProvenance: Sotheby's, 15 February 1995, lot 1634.Condition report: Faded and very slightly yellowed, on the face especially. Scratches to the glass. The scratch over the sitter’s cheek is on the glass only. Possibly a little rubbing to the blue paint on the coat. A couple of scratches to the case and some stickers and remnants of stickers on case verso.
English School, mid-18th centuryPortrait of a young woman wearing a white-bordered blue dress, hair worn up and adorned with pearls, with sepia landscape versominiature on enamel, oval 1.1 x 1.4cm, overall 2.1 x 1.6cm, in a split pearl and gold frame, surmounted by a bow in pearls, tested as approximately 18ct goldProvenance: Sotheby's London, 28 April 1981, lot 93;Christie's London, 'The Gordon Collection of Portrait Miniatures', 20 November 2007, lot 26.
Abraham Daniel (c.1760-1806)Portrait miniature of a young girl with red hair in ringlets down her back, tied with ribbons, wearing a gold and cream high-waisted dresswatercolour on ivory, with a starburst hair back with a lock of hair set with split pearls, with a split pearl and blue glass, tested as approximately 9ct gold, oval6.5 x 5cmCondition report: Slightly yellowed and some faint yellow stains to the background. The white paint on the dress is a little cloudy and scratched. There is some dirt by the right edge. A little dust and paint loss at the lower edge, minor. The case edges are slightly rubbed and there is a little damage verso on the left side adjacent to the pearls. Dust and dirt verso.
John Downman RA (1750-1824)Portrait of Philip Jackson of Rainton Hall, County Durham, c.1790miniature on ivory, in a gold frame, the reverse with locks of hair tied with seed pearls on an opalescent ground within a split pearl border, tested as approximately 9ct gold, oval7.5 x 5.5cmProvenance: Phillips, London, 7 November 2001, lot 414;with Ellison Fine Art, 2002.Condition report: Some discolouration to the background of the sitter and one white spot on his coat. Condition is good on the lovely case with hairwork back.
English School, 18th centuryPortrait miniature of a young nobleman with powdered hair, wearing a blue coat with black lapels and white tied stockwatercolour on ivory, oval5.7 x 5.5cm, in a gold frame with a gem set surround of garnets and white gems in silver cut down collets, with initials 'HH' verso, with hanging loop, tested as approximately 9ct gold and silverCondition report: Faded and slightly yellowed. Yellowing around the eyes. A little wear to the gold edging. Some dirt to the jewels and remnants of stickers verso. Wear to the edges of the jewelled border.
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283284 Los(e)/Seite