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Henry Scott TUKE (1858-1929) Black and white etching Portrait of Willie Tuke (Henry Scott Tuke’s eldest brother who died in 1883) Signed within the plate and dated 1878 7.75” x 6.25” plate size (19.7cm x 16cm) wide margins Note: This etching was done at the Slade and is probably taken from a drawing of Tuke’s elder brother William Tuke (who died 1883) which is illustrated in the biography of Tuke by Maria Tuke Sainsbury.: ‘Henry Scott Tuke – Paintings from Cornwall’ by Catherine Wallace, page 16 & ‘Catching the Light – The Art & Life of Henry Scott Tuke, by Catherine Wallace, page 21 Provenance: Geoffrey Sainsbury, B.D. Price to the present owner.
Astridus Amandus De CLERCK (1841-1889?) Watercolour, gouache, black ink and pencil Ship portrait – ‘Riviera of Hayle Captain James Glanville Inscribed Signed and dated 1885 21.5” x 34” (54.6cm x 86.4cm) Note: the painting shows the Riviera of Hayle in the North Sea, near West Hinder lightship and approached by a pilot vessel about to put a pilot aboard for voyage up the R. Scheldt to Antwerp. The iron sailing ship was built by the Cornish Copper Company of Hayle in about 1860. Capt. Glanville was a local man
Attributed to John Henry MOHRMANN (1857-1916) Gouache, body colour and pencil Ship portrait S.S. Montrose Bears initials JHM 15” x 23” (38cm x 58.4cm) Note: the S.S. Montrose was a passenger vessel from the transition period (sail to steam). The artist was born near Hanover but the family moved to San Francisco when he was three and he became an American citizen. In the 1880’s he worked as a ship portrait artist in Antwerp.
Attributed to Antonio de SIMONE(c.1850-1920) Neapolitan School Gouache Ship portrait ‘R.M.S. ORTONA’ Inscribed Unsigned 14.5” x 23.5” (36.8cm x 59.7cm) Note: Maiden voyage 1899 and worked as passenger ship to Australia. In 1906 acquired by Royal Mail Steam Packet Company. Later renamed The Arcadian and became a troop ship in 1915. It was torpedoed in 1917.
RUSSIA, COMMEMERATIVE MEDAL. On the establishment of the Moscow Foundling House on September 1st, 1763, struck in gold, by T. IVANOV/J.G.WAECHNER. Obverse: By the Grace of God Catherine II, Empress and Autocrat of all Russia. Crowned and mantled bust of Catherine II right: above the portrait signature of engraver: TIMOFEY IVANOB. Reverse: Ye Shall Live Also. St. John14:19. Faith Holding a cross on her shoulder beside a woman with infant in her hands. Building with the monogram of Catherine II to right, a column with the signature of engraved I.G.WAECHTER FECIT; In exergue: September, First Day, Year 1763. IVANOVICH BETSKOJ was a Russian school reformer who served as Catherine the Great's advisor on education, and President of the Imperial Academy of the Arts for thirty years (1764-94). He established Russia's first unified system of public education and documented the above medal: 'On the obverse side of the medal was depicted a half length portrait of Catherine the Great, while on the reverse we can see the personification of the Christian symbol of faith (the creed) under the veil, who is holding a cross in her right hand. The Faith is leaning on the pedestal of the church building and commands the humanity presented as a young woman. To pick up the child and to bring it to the charity based Sovereign House (Moscow Foundling Home) Above the visible words of the Saviour, 'Ye Shall Live Also' St.John14:19, on the bottom... is the line 'September, 1st Day, in 1763. Catherine the Great was presented with five golden, two silver and six bronze medals, and her son Pavel Petrovich received one of each kind...' The medal on offer is believed to be one of the finest examples known and has minimal wear only visible on the highest points. The proof like fields complementing the fine frosted designs in relief. Provenance: The Batten Family, Church Farm, Ryme Intrinseca, Dorset This medal is purported to have been gifted to Mr John Chamberlaine (1745-1812). He was an antiquary and held the position of the Keeper of Drawings, Coins and Medals to King George III (1760-1820), from 1791 until his death in 1812. J. Chamberlaine, along with Frederick Augusta Barnard, published the well-known Holbein drawings of Tudor worthies in the Royal Collection. The work was titled 'Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty for the Portraits of Illustrious Persons of the Court of Henry VIII. He then published many other books in George III's collection. It is possible that during this time that he had dealing with the Russian Court and was presented these medals. J. Chamberlaine was admitted as a member of the Society of Antiquaries on June 7th 1792. He was also a member of the Society of Arts. J. Chamberlaine's grand-daughter was married to John Beardmore, from whose daughter the Batten family decended. These medals were given to H.C.C. Batten in April 1906 by his Uncle.
RUSSIA, COMMEMORATIVE MEDAL. Transportation of the granite monolith for the monument to Peter I, 1770, struck in gold, by J.C.G.Jaeger. Obverse: Laureate bust of Catherine II left, mantled and wearing star and ribbon: above the portrait signature of engraver J.C.G JAEGAR. Reverse: A panoramic view of the transport of the granite block with the Tsarina, workers, and spectators. The reverse of this medal is based on an engraving by I.F.Schley of the drawings by Y.M.Felten. The block of granite used as a pedestal for the monument was called 'The Thunder Stone', and was considered to be the largest stone ever moved by man. Its weight was calculated at 15,000 tonne, it was moved 6km overland to the Gulf of Finland and then by barge to St. Petersburg. The project was considered a historic engineering feat, all work was done by men, no animals or machines were used in the transport of the stone. The engineer in charge was a Greek serving as a Leftenant Colonel in the Russian Army, Marinos Carburis. He was the first Greek to hold a diploma in engineering. The medal is believed to be one of the finest of the few known and has minimal wear appearing in its original state with proof-like fields and finely engraved frosted relief. The medal is being offered contained in what appears to be its original turned wood box. Provenance: The Batten Family, Church Farm, Ryme Intrinseca, Dorset This medal is purported to have been gifted to Mr John Chamberlaine (1745-1812). He was an antiquary and held the position of the Keeper of Drawings, Coins and Medals to King George III (1760-1820), from 1791 until his death in 1812. J. Chamberlaine, along with Frederick Augusta Barnard, published the well-known Holbein drawings of Tudor worthies in the Royal Collection. The work was titled 'Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty for the Portraits of Illustrious Persons of the Court of Henry VIII. He then published many other books in George III's collection. It is possible that during this time that he had dealing with the Russian Court and was presented these medals. J. Chamberlaine was admitted as a member of the Society of Antiquaries on June 7th 1792. He was also a member of the Society of Arts. J. Chamberlaine's grand-daughter was married to John Beardmore, from whose daughter the Batten family decended. These medals were given to H.C.C. Batten in April 1906 by his Uncle.
SIR WINSTON CHURCHILL (1874-1965) "The Second World War", six volumes by Winston S. Churchill, each volume signed and inscribed to Miss Mabel Johnson, O.B.E. Miss Mabel Johnson worked for the British Red Cross alongside Lady Spencer Churchill organising Russian food convoys during World War II, and became friends. As a result of this Lady Spencer Churchill gave Mabel Johnson this set of books. Included with this lot is a photograph of Miss M. Johnson beside Lady Churchill talking to a Russian Diplomat in 1943, an oil portrait of Miss M. Johnson, in a glazed frame, Miss Johnson's OBE and miniature First World War medals, and various newspaper cuttings. The Times, Monday June 27th 1955. Lady Churchill writes: "Miss Mabel Johnson, OBE, worked for the British Red Cross Society in both great wars. In the years between she was a member of the Conservative Central Office and held the post of Constituency Organiser and afterwards District Agent for the North and North West of England. She was well-known and well-loved by all who had to do with her in this work. In the First World War she was a member of a Red Cross Ambulance Unit, one of the women who replaced the men drivers in the lines of communication and were known for their energy and fearlessness. Miss Johnson returned to the Red Cross and the Order of St. John in the early days of World War Two; there she distinguished herself as a first class organiser, notably as secretary to the Central Hospital Supply Service and later in the War as Director of Civilian Relief. But it is of Miss Johnson's work for Russia that I can write with personal knowledge. In 1941 she became secretary of the Red Cross Aid to Russia Fund and in 1944 she went to Russia to establish Red Cross contacts. Her visit was a solid achievement and the next year we went to Russia together as guests of the Soviet Government. During the years 1941-1948 links were forged and strengthened between the two societies, largely by Miss Johnson's capacity, her training, her knowledge, and her lovable nature; these links have, alas, been frozen by the 'Cold War', but perhaps the seed industriously sowed and fostered may be alive, though buried, and may bear fruit some day. Miss Johnson was an officer of the Order of St. John of Jerusalem. She also held two Russian declarations, the medal of the Red Banner of Labour and Distinguished Service Badge of the Russian Red Cross and Red Crescent." Provenance: Miss Mabel Johnson was the vendor's Aunt.
Attributed to Walter Sickert (1860-1942) - Pencil and watercolour studies - In Hyde Park, London, being seven female head and shoulder portraits, signed in pencil, 7cm x 14cm, framed together with one other framed pair of studies - being a half length portrait of a lady, 9cm x 5.5cm and a full length rear portrait of a lady, 6cm x 3.5cm, the first signed in pencil, the reverse annotated 'Bought at Bonhams 3rd March 1976 lot 129 being part of the collection of the late Russell S Reeve from Sickert's sketch book done between 1878 and 1880 before he enrolled at the Slade', Condition: Minor foxing - ** General condition consistent with age
Reuben Sayers (1815-1888) - Oil on canvas - Master Mettham, being a half length portrait of a young boy seated at a table, unsigned, inscribed, titled and dated 1869 to verso, 74.5cm x 62cm Condition: A little loose on stretchers, areas of bitumen build-up - ** General condition consistent with age
William Thomas Roden (1817-1892) - Circular oil on canvas - Portrait of the young Percy Solomon of Sutton Coldfield, three quarter length, standing in a cloudy landscape, cradling wild flowers in his apron, unsigned, 56cm diameter Provenance - By direct descent. Percy Solomon was the current owner's great uncle Condition: Some very minor flaking, minor crackelure across whole surface - ** General condition consistent with age
Joseph.W. Slater (1779-1837) - Rectangular miniature on ivory - Portrait of a young lady wearing a lace cap and blue dress, signed J.W. Slater and dated 1826, verso inscribed 'J.W. Slater Pinxt, 70 Newman St, 1826. Done at Worcester', 8.75cm x 7.5cm. With red Morocco case Condition: ** General condition consistent with age
Philip Stretton (Fl. 1884-1919) - Seven pen and ink and pencil sketches - portrait studies the majority dated 1880 and signed, mounted on a single card, framed, the smallest measuring 8cm x 6cm, the largest 19cm x 15cm Condition: Some minor foxing and staining - ** General condition consistent with age
A 19th century oil painting on board, portrait of a gentleman. 29 cm x 24 cm, in gilt frame. CONDITION REPORT: This painting is in generally good, original, untouched, unrestored condition. There are no losses to the paintwork and only very minor surface blemishes which are in our opinion of no major significance. The original gilt frame has been badly repainted.
Frank L. King, oil painting on canvas, "Captain Redhead" (South Shields family ship builders). 29 ins x 24 ins, framed, signed. CONDITION REPORT: The areas of white on the portrait are probably a combination of both bloom and paint. The area to the right of the face and chin is probably bloom which should relatively easily clean. The shoulder strap and belt are intentionally painted with a grey coloured paint. On the cross strap this is definitely not bloom but on the belt it probably partially is . Again in our opinion this should easily clean. Other than the areas mentioned, the painting is in generally very good condition and there are no holes in the canvas. The picture has not and does not need relining. The frame is likely to be original and is in generally very good order with only minor surface scuffs and blemishes. There are no significant losses to the frame. The bloom refered to is far less significant in the flesh than appears on our image.
A garniture of three Bohemian green glass portrait vases. Each height 14 ins. CONDITION REPORT: The centre vase has a metal collar repair around the knop beneath the stem and the upper section. There is also a loss at this point which should be visible from our image. The gilding is also slightly rubbed in places but other than the two problems mentioned the piece is in generally good order. The left hand vase has a completely missing handle and the other handle has been broken and badly repaired in three places. The glasswork is however undamaged. The gilding is rubbed in places. The second vase has also had a broken and repaired right hand handle. There are old metal bracing hoops to top and bottom. The vase has been drilled and soldered to effect this repair. The glasswork is not damaged and there is some minor rubbing to the gilding.
AFTER DENNIS FLANDERS Keble College, Oxford, Limited Edition colour print, pencil signed by the artist and numbered 262/350, 29.5 x 45cm; and four further various items to include: J Lewis Stand - 'Magdalen Tower', etching; engraved view of Oxford from Headington Hill; a monochrome photograph of Magdalen Tower; and a portrait of a girl amongst honeysuckle (5)
'19TH CENTURY ENGLISH SCHOOL Portrait of Margaret Craigie, born 29 August 1818 and painted 1822', the sitter seated in a woodland setting with bonnet to one hand and stroking a small dog with the other, inscribed with title verso and also inscribed '? Dr N Gregor painter', oils on canvas, 80 x 59cm

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