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Voyages.- Harris (John) Navigantium atque Itinerantium Bibliotheca. Or, A Complete Collection of Voyages and Travels, [edited by John Campbell], 2 vol., second edition, licence leaf, titles in red and black, 22 engraved maps (15 double-page and/or folding) and 39 portraits, plates and plans, some light foxing or browning, a few stains, vol.1 with small tear to 6A2, stain to plate of Chinese prostitute and tear to foot of map of Africa at fold, vol.2 with a few plates/maps slightly shaved at edges (map of North Pole also a little damp-stained at upper edge), plate of Siberia/Skamansky waterfall soiled and frayed at edge with slight loss to lower outer corner, contemporary blind-stamped reversed calf, rather worn and scuffed, joints broken and frayed, [Hill 775; Sabin 30483], folio, T.Woodward [& others], 1744-48.⁂ The second and best edition of this important collection of voyages including Emmanuel Bowen's map of Georgia and the first English map of New Holland (Australia). "This is the revised and enlarged version of the 1705 first edition ...[This] edition, especially prized for its maps, has been called the most complete by several authorities. Particularly valuable is the inclusion of Tasman's original map and two short articles printed on the map ...". HillAs well as important accounts of voyages the plates include a view of Macao, plans of Canton and Peking, the Pharos at Alexandria, Cortes and Moctezuma, Bering's expedition, whaling and a portrait of Sir Francis Drake.
Gardens.- Evelyn (John).- Quintinye (Jean de la) The Compleat Gard'ner: or, Directions for Cultivating and Right Ordering of Fruit Gardens and Kitchen-Gardens...to which is added His Treatise of Orange-Trees, with the Raising of Melons, translated by John Evelyn, first English edition, engraved portrait frontispiece, title printed in red and black, 11 engraved plates, of which 2 double-page, charming engraved vignettes, a few small engraved or woodcut illustrations within text, some light foxing or staining, 20th century calf-backed marbled boards, gilt spine in compartments and with red morocco label, [Henrey 218; Hunt 388; Keynes 103; Wing L431], folio, Printed for Matthew Gillyflower...and James Partridge, 1693.⁂ The author was director of the fruit and kitchen gardens of the French royal households from 1670 to 1688. Includes a section on Orange-Trees and Melons, not found in the French editions..
Emblemata.- Montenay (Georgette de) Stamm Buch, Darinnen Christlicher Tugenden Beyspiel, Einhundert auszerlesener Emblemata, text in French, Latin, Spanish, Italian, German, English and Dutch, engraved architectural title by Peter Rolos, portrait of the author, and 100 half-page emblems by Pierre Woeriot, A1&2 detached, some staining and foxing, 19th century blind-stamped panelled calf, covers detached, spine ends chipped, corners worn, rubbed, [Landwehr, German, 445; Praz p.431], 8vo, Frankfurt, Johann-Carl Unckels, 1619.⁂ The first polyglot edition of the emblems of Georgette de Montenay (1540-1571), poet and Protestant lady in waiting to Jeanne d'Albret, Queen of Navarre, to whom there is dedicatory verse at the end. 'The book was intended as [an] album amicorum, with a blank for entries at the end of each emblem' (Landwehr).
Aeschylus. Tragoediæ VII, edited by Willem Canter, collation: A-Z8, first Canter edition, title with woodcut printer's device, woodcut head- and tail-pieces and decorative initials, trimmed at head and foot, touching a few headlines or signatures, some staining, lightly browned, 19th century calf, gilt, corners little worn, little stained, rubbed, [Adams A270], Antwerp, Christopher Plantin, 1580 § Plinius Secundus (Gaius) Historiae naturalis libri XXXVII, 3 vol., first Elzevier edition, engraved pictorial title to vol.1, small circular woodcut portrait of author, spotted, occasional staining, contemporary red morocco, richly gilt, spines in compartments and with double morocco labels, vol.3 lacking 1 spine label, spines darkened, some fading, rubbed, [Willems 428], Leiden, House of Elzevier, 1635; and 3 others, Continental, 1 an odd vol., v.s. (7)
Spinoza (Baruch) Réflexions curieuses d'un esprit des-interessé sur les matières les plus importantes au salut, tant public que particulier, [translated by Gabriel de Saint-Glen], etched portrait frontispiece of the author (not called for), woodcut ornament to title, errata f. and 30pp. of 'Remarques' at end, occasional light spotting, contemporary red morocco, covers with triple gilt filet borders, spine in compartments, all but one compartment with central rosette tool within double filet borders with foliage corner-pieces, upper part of lower cover faded, rubbed at extremities, g.e., [Van der Linde, 11; Wolf 371], 12mo (book block 140 x 72mm.; binding 147 x 89mm.), Cologne [but Amsterdam], Claude Emanuel , 1678.⁂ First French edition of Spinoza's great Tractatus Theologico-Politicus. With two other title-pages with fictitious imprints bound in at start: Traitté des cérémonies des juifs tant anciens que modernes, Amsterdam, Jacob Smith, 1678 and La Clef du santuaire, Leiden, Pierre Warnaer, 1678.
[Croce (Giulio Cesare)] Bertoldo Bertoldino e Cacasenno in ottava rima. Con Argomenti, Allegorie, e Figure in Rame, commentary by Giovanni Andrea Barotti, engraved frontispiece depicting the author's family, fox printer's device to title, 20 plates, a folding table, portrait of the author, and vignettes by Lodovico Mattioli after J.M. Crespi, and others, some water-staining, lightly foxed, contemporary vellum, spine in compartments, corners worn, marked, [Gamba 2156], 4to, Bologna, Lelio dalla Volpe, 1736. ⁂ First edition in 'ottava rime' of this comic masterpiece with splendid illustrations.
Extra-illustrated album of old master prints.- [Harding (George Perfect, 1780-1853)] [The Holy Bible, vol. 5.], extra illustrated volume accompanying text, with original watercolour title page by Harding, and over 200 prints by and after old masters neatly presented, including Jacques Callot's suite of 16 engravings 'Martiryum Appostolorum', 14 (of 16) plates from 'Les Grands Apôtres', a suite of 16 engravings after Marcantonio Raimondi's Apostles series after Raphael, published by Frederick de Wit, and others by Bernardinus Passarus, Johannes Sadeler, Adriaen Collaert, Hieronymous Wierix, and Bernard Picart after Rembrandt, and others after Paul Bril, Marten de Vos, Jan van der Straet, Bloemaert, and others, engravings and etchings, all neatly inset onto album leaves, some double-page, various sizes, straight-grained morocco, gilt, scuffed and worn, 4to, compiled circa 1810-12.⁂ George Perfect Harding was an English portrait-painter and copyist, and was particularly well known for his watercolour copies of historical portraits.
Binding.- Byron (George Gordon Noel, Lord) The Works, engraved portrait, additional vignette title and dedication (foxed), presentation copy from John Griffiths to his uncle inscribed on front free endpaper, handsomely bound in red morocco, ?by John Griffiths, with shaped onlays in green, olive and tan morocco and elaborately tooled in gilt, spine gilt in compartments with onlays, gilt-tooled olive morocco doublures and natural morocco flyleaves, the latter with panels painted in outline in viridian, g.e. decorated with leafy tendril highlighted in viridian and pink, very slightly rubbed at edges, 8vo, 1837.
Hardy (Thomas).- Strang (William, painter and printmaker, 1859-1921) Portrait of the author, signed by Hardy in pencil under image, etching with drypoint, presentation inscription in pencil: "Lionel Johnson from Elkin Mathews and John Lane", signed by all three men, framed and glazed, portrait 230 x 152mm., [c. 1900].⁂ [Strang's] "etching of the novelist became in the late twentieth century something of an icon." - Oxford DNB.Lionel Johnson (1867-1902), poet and literary scholar; author of The Art of Thomas Hardy, 1894.
Gandhi, Mohandas Karamchand.- Eichenberg (Fritz, German-American illustrator, promoter of social justice and nonviolence, 1901-1990) Autograph inscription by Ghandi with celebrated bust-length portrait by Eichenberg, wood-engraving with pen and ink inscription by Ghandi that reads "God is Truth", signed 'MKGhandi' below, further pencil dedication note underneath that reads 'To Eva Aug. 16th, 1948 with love from Fritz' and signed 'Fritz Eichenberg', the engraving a proof impression on thin japan, sheet 305 x 230 mm. (12 x 9 in), light exposure lines with browning showing outside the image, minor handling creases, unframed, circa 1942.⁂ One of the most famous graphic images of Gandhi, signed and inscribed with the core tenet of his religious philosophy: "God is Truth". The present portrait by Eichenberg was originally created for The Catholic Worker, a Christian newspaper in the cause of social justice, and was subsequently used in multiple other publications. Signed copies of this image are exceptionally rare."The word satya (Truth) is derived from Sat which means 'being'. Nothing is or exists in reality except Truth. That is why Sat or Truth is perhaps the most important name of God [...] In such selfless search for Truth nobody can lose his bearings for long. Directly he takes to the wrong path he stumbles, and is thus redirected to the right path. Therefore the pursuit of Truth is true bhakti (devotion). It is the path that leads to God." [Ghandi, January 1st, 1927]
Donne (John) LXXX sermons preached by that learned and reverend divine, engraved additional architectural title with an oval portrait of Donne at its centre (second state), woodcut head- and tail-pieces and decorative initials, lacking initial and final blanks, Aa5 outer margin torn with loss of a few printed side-notes, some water-staining, last few index ff. stained, occasional spotting, lightly browned, contemporary calf, sympathetically rebacked, spine in compartments with red morocco label, [STC 7038; Grolier/Donne 62; Grolier/Wither to Prior 293; Keynes, Donne, 29], folio, printed [by Miles Flesher] for Richard Royston, in Ivie-lane, and Richard Marriot in S. Dunstans Church-yard in Fleetstreet, 1640. ⁂ First edition of the first folio collection of Donne's sermons. The prefatory essay is the first printing of Izaak Walton's classic Life of Donne.
Monck (General George, Duke of Albermarle) Collection of 8 pamphlets by or relating to George Monck, including: Monck (George) A Letter..., 7pp., [Wing A861], John Redmayn, 1660 bound with [Morris (Richard) A Letter to General Monck, 8pp., [Wing M2809], R. Lowndes, 1659 bound with [Sir Morice (William)] Animadversions Upon Generall Monck's Letter to the Gentry of Devon, 8pp., [Wing M2761], n.p., 1659 bound with The Lord General Monck His Speech Delivered by Him in the Parliament On Munday, Feb. 6. 1659, 7pp., title edges chipped, last f. torn at head with loss of one word, [Wing A869], John Macock, 1660, bound with 4 other pamphlets relating to George Monck, together with 4 strikes of an engraved portrait of Monck not called for in any text by ESTC, some foxing and browning, head and tail margins shaved, 19th century bookplate of Mark Rolle on front pastedown, 19th century diced calf, rubbed, gilt spine, rubbed, sm. 4to.
Sparrow (Anthony) A Rationale upon the Book of Common-Prayer of The Church of England, engraved frontispiece portrait of Richard Hooker, additional title, interior of a church during the Litany and 2 portraits, browned, 18th century ink inscriptions by John and Anne Parry at beginning and end, bound in an unusual late 17th or early 18th century multi-coloured gilt panelled vellum binding, in shades of green, tan and brown, corners and edges bumped and rubbed, rebacked with most of the original spine laid down, g.e., 12mo, [Wing S4829], London: T. Garthwait, 1661.⁂ For a similar binding see, Pearson, English Bookbinding styles, 1450-1800.
Binding.- The Book of Common Prayer, hand-coloured engraved frontispiece, portrait of Queen Anne and 51 plates, ruled throughout in red, handsome contemporary red panelled morocco, gilt, covers with black morocco inlays and various gilt floral and foliage tools, spine in compartments and with black morocco inlays and floral and foliage decorations, rebacked preserving original backstrip, corners worn, gilt gauffered edges with tulip designs, 8vo, John Baskett, 1713.
Dublin & Belfast printing.- Murder.- Some authentic particulars of the life of the late John Macnaghton, Esq; of Benvardon; who was executed in Ireland, on Tuesday the 15th of December, for the murder of Miss Mary Ann Knox; Only daughter of Andrew Knox, Esq; of Prehen; Representative in the late and present Parliament for the County of Donegal , title with woodcut ornament, woodcut head- and tail-piece and decorative initials, title soiled, some staining, [Dublin], London printed: and Dublin re-printed by G. Faulkner, in Essex-Street, 1762 bound with Burke (Edmund) The History of American Taxation, third edition, half-title, printed by J. Dodsley: and, Dublin: printed for John Exshaw, 1775 and 6 others 18th century works, all but one printed in Dublin or Belfast, occasional spotting or staining, contemporary calf, worn, but holding firm § McKenzie (Andrew) Poems and Songs on different subjects, aquatint portrait frontispiece, list of subscribers, spotted, contemporary dark blue straight-grain half morocco, spine gilt, rubbed, Belfast, 1810; and 2 others, Irish printing, 8vo (4)
Architecture.- Aldrich (Henry) Elementa architecturae civilis.. [The Elements of Civil Architecture], 2 parts in 1 [Latin and English], first edition in English, stipple-engraved portrait after Kneller, list of subscribers, 55 engraved plates at end, some foxing, occasional staining, contemporary red morocco, richly gilt, covers with inner wide borders made up of flowers in ornamental vases, within an outer border of intertwined ribbons between single filets, spine in 6 compartments, all but one with large medallion centre-piece and floral corner-pieces, the other with black morocco label, head of spine little worn, lower corners worn, rubbed and marked, g.e., [Harris 17], small 4to (binding 242x 158mm.), Oxford, D. Prince, J. Cooke [and others], 1789.
Catherine the Great's Architect.- Johnson (Samuel) The Works, 12 vol., engraved portrait frontispiece, some light foxing and browning, contemporary continental (?Russian) binding of diced russia, gilt, gilt arms of Cameron of Lochiel to upper covers, spines gilt, a little rubbed and bumped, 8vo, Printed for T. Longman [&c.], 1792.⁂ Ownership stamp of Charles Cameron A.M.I.R. on each title and the initials below the arms in gilt on each upper cover. Cameron (c.1745-1812) was a Scottish architect who had a successful career at the Imperial Court in St. Petersburg, in particular designing and decorating buildings for Catherine the Great. We have been unable to establish for certain what the designatory letters A.M.I.R. stand for, but possibly 'Architecte de sa Majeste Imperiale Russe'. Cameron's library was sold at auction in 1812 but this set is not individually listed in the catalogue, though there are several group lots of "miscellaneous volumes"; furthermore, according to a 1943 work on Cameron by Georges Loukomski, in 1798, after he lost his Royal patronage and thus main source of income, Cameron was forced to sell some of his books to a painter called Argounov.
Beckford-Rosebery copy.- Dalrymple (Sir David, Lord Hailes) Annals of Scotland, 3 vol., engraved portrait frontispiece to vol.1, contemporary russia, gilt, by Kalthoeber (with ticket in vol.1), pink silk bookmarkers with silver-gilt tassles (missing in vol.1), g.e., a fine set, the Beckford-Rosebery copy, 8vo, Edinburgh, Printed for William Creech, 1797.⁂ In beautiful condition. Lot 508 in the William Beckford sale with pencil note "1882 3 vols. £6/6/" on front free endpaper. Further ink and pencil notes to endpapers.
West Country Poet.- Webb (Francis) Poems On Wisdom, On the Deity, On Genius, first edition, half-title, with mezzotint portrait of Webb tipped in as frontispiece (trimmed), Salisbury, E.Easton, 1790; Hymn to the Dryads inscribed to Dr. Turton, 1796; Ode to the Rural Nymphs, written at Comb-Bank inscribed to Lord Frederick Campbell, 1801; Somerset, a Poem, with final blank, 1811, Friendship: a Poem inscribed to a Friend..., presentation copy from the author to Maria Milner inscribed at head of half-title (partly erased by water and lightly stained), etched title vignette, for G.Kearsly..., 1769; An Epistle to the Rev. Mr.Kell with an Ode to Fortitude, Salisbury, E.Easton, 1788, together 6 works in 1 vol., first editions, the second, third and fourth items with engraved head-piece, Hannah Webb's copy with her signature and manuscript list of contents on front free endpaper, some light foxing, mostly to fourth item, slight worming to outer margin of last two works, contemporary calf, spine gilt, rubbed, head of spine worn, 4to⁂ Francis Webb (1735-1815) was born in Taunton and was a non-conformist minister but in 1766 he retired from the ministry and became a writer, including mistakenly giving his support to William Henry Ireland's Shakespearian forgeries being genuine. In 1801 he travelled to Europe as Francis Jackson's secretary at the negotiations for the Treaty of Amiens and acted as an intermediary with the French. He married Hannah Milner of Poole in 1764. Although the fifth item Friendship, a Poem is anonymous and the author unidentified on ESTC and COPAC it is clear that the author must be Webb.All the items are scarce, with between 2 and 4 UK copies of each listed by ESTC or COPAC (all in BL, and mostly Oxford and/or Cambridge).
Ricketts (Charles).- Bottomley (Gordon) A Vision of Giorgione: Three Variations on a Venetian Theme, letter C of 10 hors commerce copies signed by the author, from an edition limited to 60, 1922; Poems of Thirty Years, letter D of 12 copies for presentation signed by the author, from an edition limited to 87, frontispiece portrait after Charles Shannon, 1925, both signed presentation copies from the author inscribed "To Charles Ricketts and Charles Shannon, from their affectionate Gordon Bottomleey. Silverdale, Christmas 1922" on front free endpapers (second inscription varies slightly), some light foxing, book-label of John Lowe, original cream decorated cloth, gilt, designed by Charles Ricketts (not uniform), t.e.g., others uncut, some very light soiling, slight cockling to lower edge of upper cover of the first, very good copies preserved together in modern morocco-backed-marbled board drop-back box by Sangorski & Sutcliffe, 4to (2)
Wilde (Oscar).- Cowan (Robert Ernest) and William Andrews Clark Jr. [Library Catalogue] The Library of William Andrews Clark, Jr.: Wilde and Wildeiana, 5 vol. plus additional vol. Oscar Wilde. Reproduced from a Portrait made by an unknown Artist, one of 100 copies, printed in orange and black, frontispiece to 3 vol., vol.1 with 2 pp. crossed through in blue crayon as if cancelled, vol.3 hinges weak, original cloth-backed boards, spines faded, 4to, San Francisco, John Henry Nash, 1922-31.⁂ A very good set of the catalogue of the greatest Wilde collection ever assembled.
India.- Hunter (Lt. James) Picturesque Scenery in the Kingdom of Mysore, Parts 1-8 & 10 only (of 10), first edition, hand-coloured stipple-engraved portrait of Tippoo Sultan and 36 fine hand-coloured aquatint plates, tissue guards, light foxing to title and portrait, some light marginal soiling to plates, plates of Part 7 (26-29) with a few damp spots, stitched in the original blue wrappers with hexagonal stipple-engraved pictorial labels depicting camel to upper covers and numbered in manuscript (one or two lacking or detached and loosely inserted), contemporary ink signature to upper outer corner of wrappers or first plate of each part, soiled and marked, some paper spines lacking or detached, [Tooley 275; cf. Abbey, Travel 424], oblong folio, W.Bulmer & Co. for Edward Orme, 1805.⁂ One of the finest colour-plate books of India with superb views and scenes of everyday life, and rare to be found in the original parts. It was later issued with Daniell and Ward's Twenty-Four Views in Hindostan as Blagdon's Brief History of Ancient and Modern India.
Levant.- Asmar (Maria Theresa) Memoirs of a Babylonian Princess.. written by herself, 2 vol., first English edition, engraved portrait frontispiece, occasional very light foxing, original cloth, spines faded, covers a little spotted but a sharp and excellent copy overall, [not in Atabey or Blackmer], 8vo, 1844.⁂ A superb copy of a rare account of travels through Turkey, Syria, Lebanon, and Palestine. Asmar (1804-c.1870) managed, against tremendous obstacles, to set up a school for women in Baghdad. She then welcomed in western Christian missionaries who promptly bribed the Turkish government to hand over the licence to them and then terminated Asmar's project.
JACKFIELD BLACK GLAZED POTTERY TEA KETTLE AND STAND, decorated in mat turquoise and gilt with stylised borders, unmarked, together with a LOVATTS LANGLEY WARE TEAPOT AND COVER, floral pained on a blue and matt green ?rough lace? ground, unmarked, SET OF THREE GOSS CHINA BEAKERS, each with floral initial, ?J?, ?P?, ?S?, 4? (10.2cm) high, one cracked, and THREE CHINA RACK PLATES, include two with portrait centres, various marks, (9)
Miscellaneous - Ewald (Alexander Charles, F.S.A.), The Right Hon. Benjamin Disraeli, Earl of Beaconsfield, K.G., and His Times, five-volume set, William Mackenzie, London 1881 - 1882, each volume illustrated throughout with full-page portrait steel engravings of statesmen by the Stodarts, contemporary blue pebble cloth gilt as issued, all edges gilt, pale yellow endpapers, 20th century Armorial bookplates to each pastedown: Robert Innes-Smith, 4to, (5); Hughenden Edition, Novels & Tales by the Earl of Beaconsfield, nine volumes, Longman, Green, and Co, London 1881, contemporary cloth gilt as issued, William Morris style endpapers, 19th crest bookplates of William Charles Scott, 20th century Armorial bookplates of Robert Innes-Smith, small 8vo, (9); Grant (James), Memoirs of Sir George Sinclair, Bart., of Ulster, Tinsley Brothers, London 1870, contemporary pebble cloth, bookseller's ticket for J.T. Cook, The Library, Richmond, Sussex, 8vo; The Letters of Queen Victoria [...], 1837 - 1861, three-volume set, John Murray, London 1908, red cloth with the monarch's crowned monogram, as issued, 12mo, (3); The Royal Shakespeare [...] with Illustrations on Steel and Wood, from Original Designs, two-volume set, Cassell & Company, Limited, London [1881], contemporary quarter oxblood stained calf and pebble cloth boards, marbled endpapers, 4to, (2); Wilson (H.W.), After Pretoria: The Guerilla War [...], with Many Illustrations, Mainly from Photographs taken at the Seat of War, two-volume set, The Amalgamated Press, Limited, [London] 1902, contemporary pictorial red cloth, crown folios, (2); The Illustrated London News, 1900 -1901, various editions including Boer War, Queen Victoria's death and Edward VII's succession, bound as two, medium folios, (2), [24]
Miscellaneous - Local Provenance, the Ilam Hall Copy, Gibbon (Edward), The History of the Decline and Fall of the Roman Empire, with Notes by Dean Milman and M. Guizot [...], eight-volume set, John Murray, London 1855, engraved portrait fronitspiece of the author to volume I, volumes II to VIII frontispieces of fold-out maps, contemporary Rugby School prize binding of calf gilt, school arms to upper cover, the lower cover inscribed: Robert William Hanbury Honoris Causa [1845-1903, Conservative politician], marbled edges and endpapers, Plain Armorial bookplates to each pastedown: Ilam Hall, 8vo, (8); The Works of Lord Byron: with a Life and Illustrative Notes by William Anderson, two-volume set, A. Fullarton & Co., Edinburgh [n.d., c. 1850], full-page stipple engravings, contemporary calf, blind panelled and gilt ruled covers, the spines gilt enclosing portrait busts of the poet, marbled endpapers, 4to, (2); Motley (John Lothrop), The Rise of the Dutch Republic: A History, three-volume set, Routledge, Warne, and Routledge, London 1862, contemporary calf, gilt ruled covers, marbled edges and endpapers, 12mo, (3), [13]
The Book of Common Prayer [...] [&] Holy Bible, Containing The Old Teftament (sic) and The New [...], Printed by Charles Bill, and the Executrix of Thomas Newcomb (sic), deceas'd; Printers to the Queens moft (sic) Excellent Majefty (sic), London 1703, [with] The Whole Book of Psalms: Collected into English Metre by Thomas Sternhold, John Hopkins, and others [...], Printed by W.B. for the Company of Stationers, London 1703, etched and engraved portrait frontispiece of Queen Anne to BCP, etched and engraved architectural frontispiece to Holy Bible by John Sturt (1658 - 1730), which is unusually 'By His Majefties (sic) Special Command', further full-page engraved Biblical plates and woodcut initials throughout each text of BCP and Bible, rebacked and repaired worn fragmentary panelled red morocco gilt, contemporaneous ink MS ownership and presentation inscription to BoC: This Booke (sic) was given by John Wellins to his Brother Edward Wellins and his for [...] Witnefs (sic) his (?) bands -, John Wellins 1708, small folio
The Book of Common Prayer, And Adminiftration (sic) of the Sacraments [...], Together with the Psalter or Psalms of David, Pointed as they are to be Sung or Said in Churches, Printed by the Univerfity-Printers (sic), Oxford 1708 - 1709, engraved regnal portrait frontispiece of Queen by John Sturt (1658 - 1730), engraved title-page by John Sturt (1658 - 1730) after Bernard Lens II (1659 - 1725), the text with 53 full-page engravings of scenes from the Bible, the Gunpowder Plot, Martyrdom of Charles I and Restoration of Charles II, chamfered pages, in-keeping recent panelled black calf binding, the spine gilt titled and dated in the second and seventh compartment, few minor 19th century repairs to margins, the recto pastedown preserving contemporary woodcut Royal Arms and a fragmentary early 19th century ink MS note, 12mo; The Book of Common Prayer [...], Printed by John Baskett, Printer to the King's Moft (sic) Excellent Majefty (sic), Univerfity (sic) of Oxford, 1716, printed in red and black, full-page engravings, in-keeping recent panelled brown calf binding, gilt lettered spine, contemporary red speckled edges, 12mo; another, Printed by John Baskett [...], London 1720, printed in black throughout, some Gothic Black Letter, bound similar to the latter, [3]
The Studio - Modern Etching and Engraving, edited by Charles Holme, 1902; The Royal Academy, from Reynolds to Millais, edited by Charles Holme, 1904; Nash (Joseph), The Mansions of England in the Olden Time, 1906; Royal Scottish Academy, edited by Charles Holme, 1907; Vallance (Aymer), Art in England During the Elizabethan and Stuart Periods, 1908; Rawlinson (W.G.), The Water-Colours of J.M.W. Turner, 1909; Williamson (Dr George C.), Portrait Miniatures, 1910; Peasant Art in Sweden, Lapland and Iceland, edited by Charles Holme, 1910; Pen, Pencil and Chalk: A Series of Drawings by Contemporary European Artists, edited by Charles Holme, 1911; Peasant Art in Russia, edited by Charles Holme, 1912; Salaman (Malcolm C.), The Great Painter-Etchers, from Rembrandt to Whistler, 1914, each uniformly bound by J. Dratwa of Vienna, stamped, in contemporary tan half-morocco and marbled boards, raised bands gilt with meander, lettered in the second and fourth compartments, Art Nouveau endpapers, 4to, [11]
The Works of Sir William Jones, six-volume set, Printed for G.G. and J. Robinson [...], London 1799, volume I with portrait frontispiece of the Orientalist by James Heath (1757 - 1834) after Sir Joshua Reynolds PRA (1723 - 1792), contemporary quarter-calf and marbled paper boards (worn & disbound), the spines lettered in the second, third and fourth compartments, flanked by raised bands enclosing foliate bosses, spines of volumes I and II erroneously numbered, slightly later Plain Armorial bookplates to each pastedown: George Scott, Ravenscourt, small folios, [6]
English School (19th century)Portrait of a Saint Bernardsigned with initials H.C.J., oil on canvas, 40cm x 44cm Condition Report: There are several areas of paint loss, mainly to the centre area of the canvas, there are also two tears to this area, one approximately 4cm in length, and the other approximately 3cm. The painting is rather dirty and requires cleaning. There is some discolouration to the paint/varnish. Some crazing to the painted surface. See photos
Miscellaneous coins and banknotes: Elizabeth II (1952-), Proof sets (6), 1970, 2000 , 2001, 2007, 2008 and 2008 Royal Shield of Arms, the 2001, 2007 and 2008 in leather cases, all in cases of issue with certificates; brilliant uncirculated crowns (2), both 2006; Britannia £2, 2008 and a Royal Shield collection, 2008, in original packaging; Venezuela 2-coin silver set, 1975, 50 and 25 Bolivares, 63.28g of sterling silver, in case of issue with certificates; an album/box of British and world banknotes containing nearly 100 notes including Bank of England £1 notes, a consecutive run of six Page portrait issues (B322), Page Newton issue (20) some consecutive (B337), £20, Gill, 2 consecutive (B355), £20, Gill and Kentfield (B358 and B375), £5, Gill, two pairs of consecutive notes (B353). The coins generally as struck, the notes mostly extremely fine to uncirculated
Great Britain, Bank of England, Hollom, £5 blue (3), 1963, series C portrait issue, D13 and L54 (B297), and a replacement note M04, (B298); £1 green (7), a consecutive run of 4 notes E95X 707528 to 531 (B288) and a consecutive run of 3 notes with 'G' reverse, D76T 228401 to 403, plus one other, (B292); 10 shillings red brown (11), (B294 and B295). Generally extremely fine to almost uncirculated
Bank of England Banknotes (11) comprising: three consecutively numbered £20 Bailey, Series 'E' New Historical Issue (January 2004) serial numbers ED53 953970/71/72; three consecutively numbered £20 Bailey, Series 'F' Third Historical Issue (March 2007) serial numbers CB49 740009/10/11 and five consecutively numbered £1 Page 'Portrait' issue (1970), serial numbers HU40 124862/63/64/65/66. All mint state as issued
Battle of Copenhagen, white metal medal, 1801, Justice standing, two portraits of H. Parker and L. Nelson, rev. view of naval engagement, 38mm, (Eimer 933, BHM 510); Death of Lord Nelson, white metal medal, 1805, Victory standing on the prow of a galley holding a portrait of Admiral Nelson, rev. inscription within closed wreath of laurel and palm, 39 mm (BHM 582). Extremely fine or better

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283287 Los(e)/Seite