Postcards - READING. Approximately ninety-two mainly topographical cards, including four real photographic views of an old ceiling, Reading, 1630; with views of Reading West Station; St. Mary Butts in 1886; Southampton Street & St. Giles Church (by Heelas of Reading); Caversham Bridge (by Farr of Caversham); Church Street, Reading; Wycliffe Chapel, Reading (by Dee, East Reading Library); Tilehurst Station; Norcot Road, Tilehurst (by Drew of Tilehurst); Bath Road, Reading (by Dee); Elm Park Hall, Oxford Road (photo Walton Adams; by Farrer of Reading); the old Green Girls School, Broad Street; and Huntley & Palmer`s Factory, Reading (by Turner Bros. of Reading); with a portrait of Rufus Isaacs [M.P. for Reading] with printed 1904 election result verso;
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Autographs - A collection, including Diana Dors, Bruce Forsyth, Billy Cotton, Tommy Cooper, Victor Silvester, Jim Dale, Eddie Calvert, Frankie Howerd, Lonnie Donegan, Peter Brough, Jimmy Edwards, Humphrey Lyttelton, Mel Torme, Bristol Rovers Football Team (undated portrait postcard, circa 1950s, signed verso, including Geoff Bradford), and assorted other football and cricket; also a collection of signed and facsimile signed portrait postcards and photographs, the signed including Kenny Baker, Dickie Valentine, Mel Torme, Frankie Howerd, Humphrey Lyttelton, Jimmy [James] Stewart (scarred), and Max Miller, (three albums).
Autographs - Stan Laurel (1890-1965) & Oliver Hardy (1892-1957), comedy actors. A black and white portrait photograph, signed in blue ink `Thanks Leslie / For Your Support. Greatly Appreciated. Regard & Best Always - / Stan Laurel / (Stan)`, and in (much faded) blue biro ink `We will always / be indebted to / you `Leslie` / your pal / Oliver Hardy / Ollie`, 25.5cm x 20.5cm.
Autographs - Stan Laurel (1890-1965) & Oliver Hardy (1892-1957), comedy actors. A black and white portrait photograph, signed in black ink `Stan Laurel` and with lilac facsimile signature `Oliver Hardy`, dated verso in an unknown hand 17th July 1947; together with a programme from the Bristol Hippodrome for a variety show featuring Laurel & Hardy, dated the week commencing 14th July 1947, (2).
Autographs - Fifty-three mainly signed portrait postcards, the signed subjects including Henry Irving, Austen Chamberlain, Ellen Terry, Luke Fildes, F. Seymour Lucas, Emile Waldteupel, General Baden-Powell, Earl Roberts, Clara Butt, Zena Dare, Phyllis Dare, L. Alma-Tadema, Edward Poynter, Lucy Kemp-Welch (signed card laid into postcard), General Sir Redvers Buller, and General Sir John French, (album).
Autographs - Anna Pavlova (1881-1931), ballerina. A sepia full-length portrait photograph, inscribed to a Frederick Boorne and signed in black ink at Leeds, 28.5cm x 18cm (trimmed to one side), unframed.. Note: This probably dates to January 1912, when Anna Pavlova appeared at the Grand Theatre, Leeds, with the Imperial Russian Ballet.
Autographs - Harry Houdini (1874-1926), magician and escapologist. A black and white three-quarter length portrait postcard, titled `Harry Handcuff Houdini`, and signed in black ink `Houdini` (oxidized and trimmed); with assorted other autographs, several of other performers at Bristol theatres, circa 1920s, including Kitty Emson (portrait postcard); Geo. Clarke; Kitty Colyer (portrait postcard); and Jim Jessiman, (album).
![Autographs - Mae West (1893-1980), actress; William Clarke Dukenfield [W.C. Fields] (1880-1946), comedian and actor; Gary Coo](http://lot-images.atgmedia.com/SR/10054/2840987/465-201174175354_468x382.jpg)
Autographs - Mae West (1893-1980), actress; William Clarke Dukenfield [W.C. Fields] (1880-1946), comedian and actor; Gary Cooper (1901-1961), actor; and Wesley Ruggles (1889-1972), director. A black and white portrait group photograph, boldly signed in a variety of inks, dated 1931, 25cm x 20cm.
Football - An autograph collection, mainly signed magazine and newspaper portraits, the subjects including Ian St. John, Ron Yeats and Roger Hunt (with two others, Liverpool team portrait, 1961-62); Derek Dougan (Aston Villa); David Herd (Manchester United); Jimmy Baxter (Glasgow Rangers) and others, including further team groups; two Ty-Phoo Tea team group cards, comprising Glasgow Rangers (with fourteen signatures) and Aston Villa; and twenty-nine Sun 3-D Football Stars portraits, circa 1972.
Sir William Blake Richmond, RA (1842-1931) A monument to the artist George Richmond, RA (1809-1896), his head in profile with a skull cap within a laurel wreath flanked by two angels, each with an arm resting on the wreath, the other holding a torch Plaster relief 31 x 41cm. Provenance: The artist`s family, thence by descent. The provenance suggests that this plaster relief is likely to have come from William Blake Richmond`s studio and was possibly the cast for the bronze monument of his father made for St Paul`s Cathedral and which is now mounted on the wall of the Chapel of St. Faith in the Crypt. The monument was dedicated on 15th December, 1897, when the Dean referred to George Richmond`s membership of the first committee for the decoration of the Cathedral. It is not known how many plaster casts exist, but another is in the collection of the National Portrait Gallery. The bronze (see photo below) is set above a rosso antico marble panel with the memorial inscription in Latin in raised lettering and within an elaborate marble frame carved with scrolling acanthus and flowers and surmounted by a shield with fleur-de-lys. The initials `W.B.R. sculp J.R. desin F&B excud` inscribed on the monument indicate that the bronze was made by William Blake Richmond. John Richmond adapted the marble tablet from an ancient altar figured in C.H.Tatham`s book on classical ornament and the text of the Latin inscription is ascribed to Mr Justice Kennedy; Tatham was George Richmond`s father-in-law. F & B possibly refers to the stonemasons who carved the marble or to the brass foundry.
Francis Cotes RA (1726-1770) PORTRAIT OF MARY DERING, SEATED THREE-QUARTER LENGTH, IN A GOLD EMBROIDERED PALE BLUE AND OYSTER DRESS, HOLDING A GILT MIRROR, IN A WOODED LANDSCAPE Oil on canvas 100 x 75cm. The sitter was the daughter of Sir Edward Dering, 5th Bt of Surrendon-Dering. On 28th September 1769, she married Sir Robert D`Arcy Hildyard, 4th Bt. of Patrington, Winestead. He served as High Sheriff for Yorkshire in 1783.
After Marcantonio Raimondi, Italian c.1480-1527/1534- "Neptune Calming the Tempest which Aeoluis Raised aginst Aeneas` Fleet", after Raphael; engraving, 41x32.5cm: After Marcantonio Raimondi, Italian c.1480-1527/1534- Venus sitting on a bank extracting a thorn from her foot; engraving, 26x17cm: After Anea Vico, Italian 1523-1567- "The Entombment", after Raphael; engraving, 27.7x20cm: After Aegidius Sadeler 1570-1629- "Virgin and Child on a Grassy Bank", after Albrecht Durer; engraving, 32x24cm: After Heironymus Hopfer c.1500-1563- "Portrait of Charles V, Emperor"; etching and stipple engraving, 32.5x15.3cm: Follower of Martin Schongauer 1430-1491- The Adoration of the Magi; engraving, 26x19.5cm: Georg Pencz, German c.1500-1550- The money lender; engraving, 11.3x7.5cm: together with a further quantity of old master prints by and after different hands, (a lot) (7) (unframed)
Georg Friedrich Schmidt, German 1712-1775- Self Portrait, after Rembrandt van Rijn; etching, signed inscribed and dated 1753 within the plate, 12.5x9.5cm: together with a quantity of etchings, prints and reproductions, many after Rembrandt van Rijn, by and after different hands, (a lot) (unframed)
Richard Ziegler, German 1891-1992- "The Nativity", Christmas Card; pen and black/grey ink over pencil, signed, inscribed and dated 1938, 16x12.5cm: R Clover, mid-late 20th century- "Resting, Whitby"; pen and black ink, signed, inscribed and dated 1976 on artist`s own label attached to the reverse of the frame, 22x15cm: together a watercolour of a girl on a swing, oval and a pen an ink drawing of a courtier and a lady in elegant dress, both by different hands and a pair of oval Le Blond prints: J Fielding, No 23 Paternoster Row, London, publ July 27 1782- "Jerusalem"; engraving, 17.5x33.6cm: A Houghton, British, 20th century- Figure strolling through an autumnal landscape; watercolour, signed, 23.5x20.3cm: Follower of Charles Jones 1836-1892- Wheat fields with farm house, oil on board, 34.8x45.6cm: British School, early/mid 20th century- Portrait of a gentleman wearing a cravat and blue jacket; pastel on paper, signed with monogram `MW` and dated 1937: Doris Chesterton, mid/late 20th century- `Rocks`; oil on board, bears The Mall Galleries label to verso, exhibited August 21st-Sept 6th 1979, 41.5x51cm: together a number of late 20th/early 21st century oil on board studies, a quantity of watercolours, works in oil and prints (may be subject to Droit de Suite) (a lot) (part unframed)
Valdes, Spanish, mid 20th century- Portrait of three clowns; oil on board, signed, 32.5x46cm: Kopel, mid-late 20th century- Nude; oil on canvas laid down on board, 26x41cm: Noel Bidden, mid-late 20th century- Dancers; oil on canvas laid down on board, signed, 36.7x51cm., (3) (unframed) (may be subject to Droit de Suite)
A Portrait Miniature, English School, mid 19th century, depicting a gentleman seated half-length turned to the right in a black coat, mounted in a glazed ebonised frame with gilt aperture, 8.5x7cm: Manner of Van Dyck, a Portrait Miniature, depicting a gentleman in a red coat, mounted in a glazed ebonised frame, 7.2x6cm: together with a quantity of various small format paintings, miniatures and prints in one box, (a quantity) (a lot)
A Portrait Miniature, English School, late 18th century, depicting a gentleman quarter-length turned to the right in a brown coat, oval, oval gilt aperture, rectangular ebonised frame, 6.5x5cm: A Portrait Miniature, English School, early 19th century, depicting a gentleman head and shoulders turned to the left in a blue coat, oval, oval gilt aperture with verre eglomise, black rectangular ebonised frame, 3.5x3cm: A Portrait Miniature, 19th century, depicting a lady head and shoulders, oval ebonised frame, 4x3cm., (3)
Attributed to Thomas Pennethorne, British1799-1819- "West Cowes"; pencil and ink, heightened with white, 15x33cm, together with a pen and watercolour attributed to the same hand depicting "Cowes, Isle of Wight", 14x21cm: British School, late 19th/early 20th century- Portrait of a girl; pastel, oval, 43x32.5cm: Andy Small, 21st century- "Tree Bark"; triptych, pigment inks printed on canvas laid on board, signed, 50x32.5cm and smaller, (6) (part unframed)
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