283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 38
LLANELLY PLATE SIGNED BY SHUFFLEBOTHAM of circular form with green and red borders, painted with a centred portrait of a standing lady in Welsh costume with pipe-hat being Mari Jones ‘The Bible Girl’, titled ‘Wales’ to the border, initials SWS for Samuel Walter Shufflebotham, inscribed in green ‘Llanelly’ to the baseDimensions: 25cms diam.Provenance:private collection Cheshire, consigned via our Cardiff officeAuctioneer's Note:signed pieces such as this are rare as they were not produced commercially but were meant for members of Shufflebotham’s family or personal circleCondition Report:restoration and discolouration
Los 399
THOMAS BARKER OF BATH oil on canvas - portrait of a bearded peasant, title to plaque 'The Stick Gatherer'Dimensions: 122 x 96cmsProvenance:private collection South West England, consigned via our Cardiff officeAuctioneer's Note:Thomas Barker (1769–1847) was born at Trosnant near Pontypool, in Monmouthshire. He was the most talented and best known of the Barker family of artists, which included father Benjamin, and Thomas's brothers (Benjamin and Joseph) but also his sons, Thomas Jones and John Joseph. He was self-taught.When he was sixteen his family moved to Bath where the patronage of a wealthy coach-builder Charles Spackman allowed him to follow his talent as a painter. Initially he copied the works of the old Dutch and Flemish masters, then at the age of twenty-one he travelled to Rome with ample funds to maintain his position there as a gentleman. While in Rome he painted infrequently, mainly contenting himself with society life.Barker was a prolific and commercially extremely successful artist. He was an occasional exhibitor at the Royal Academy and the British Institution for almost fifty years, during which period he exhibited nearly one hundred pictures. His work 'The Woodman' (influenced by Gainsborough's painting of the same subject) was so popular that it was copied on to almost every material - Staffordshire pottery, Worcester china, Manchester cottons, and Glasgow linens. Barker amassed considerable property by the sale of his works, and spent a large sum in building a mansion for his residence at Sion Hill in Bath, where he established a gallery of sculpture and other art.Barker was also one of the first British artists to use lithography as a print medium. His series of 'Rustic Figures after Nature' published in Bath in 1813 is the first series of lithographs by a British single artist.Condition Report:framed, title / artist plaque to frame, ready to hang
Los 84
‡ EDGAR HOLLOWAY limited edition (3/50) etching - self portrait no. 24:Profile, 2nd state, after a 1937 etching, signed 'Edgar Holloway 1994', and written in pencil 'for Robert Meyrick - Christmas '94' Dimensions: 20 x 20cmsProvenance:private collection mid Wales, consigned via our Carmarthen officeCondition Report:framed and glazed
Los 270
‡ SIR KYFFIN WILLIAMS RA pencil and watercolour on Royal College of Art card - head and shoulders portrait of elderly Patagonian native lady holding her head with her hand, signed verso ‘Kyffin Williams’Dimensions: 15 x 10cmsProvenance:private collection Monmouthshire, consigned via our Cardiff office, Royal Academy ‘Secret Postcards’ exhAuctioneer's Note:Old Lady Trevelin to be found on p. 59 of Sir Kyffin's book 'Portraits'Condition Report:framed and glazed
Los 281
‡ SIR KYFFIN WILLIAMS RA oil on canvas - head and shoulders portrait of a young female, entitled verso 'Gwen', signed with initials, dated 1963Dimensions: 60 x 50cmsProvenance:private collection London, consigned via our Cardiff office, illustrated on p.72 in 'Portraits', Gomer PressCondition Report:framed
Los 77
Portrait der Madame A�ssé Französische Schule des 18. Jahrhunderts aus dem Kreis des Gaubert Öl/Lwd., doubl. 82 x 65 cm. - Charlotte A�ssé (Tscherkessien 1694-1733 Paris) war Tochter eines tscherkessischen Stammesobersten, wurde als Kind auf dem Sklavenmarkt nach Frankreich verkauft, wo sie in der Pariser Gesellschaft eine bekannte Persönlichkeit wurde.Damenbildnis, Gemälde, Malerei Frankreich
Los 332
Foy, Maximilien Atlas - Histoire de la Guerre de la Péninsule sous Napoléon Prédédée d'un Tableau politique et militaire des Puissances belligérantes. Atlas. Paris, Baudouin Frères 1827. 7 Kupferstiche, darunter Portrait des Generals nach Horace Vernet, drei Karten und drei Schlachtenpläne. Lex. 8° HLdr. - Ein Plan lose, Einband etwas bestoßen, Papier leicht fleckig. - Maximilien-Sébastien, comte Foy war ein französischer General und Staatsmann und Kommandeur Napoleons.antiquarisches Buch, Kriegsführung
Los 321
Warhol, Andy Zwei-Dollar-Banknote, 1976 (Pittsburgh 1928-1987 New York) Vorderseitig mit dem Portrait von Thomas Jefferson und der Seriennummer "F 10549429 A" sowie aufgeklebter US-Postage-Briefmarke Alexander Graham Bell Issue 13 Cent von 1976, abgestempelt in Atlanta am 13. April 1976; rückseitig Darstellung der Unabhängigkeitserklärung nach einem Gemälde von John Trumbull. Auf der Vorderseite handsigniert, auf der Rückseite Signaturstempel. 6,5 x 15,5 cm, in Plexiglasrahmen 15 x 20,3 cm. - Mit Zertifikat der Galerie 32 Nizza, Frankreich.amerikanischer Künstler, Amerikanischer Präsident, Andrew Warhola, Dollar bill, Pop Art, Ready-made, Two Dollar Jefferson
Los 37
Beaubrun, Charles oder Henri (Attrib.) Bildnis einer vornehmen Dame mit Blumenkorb (Amboise 1604-1692 Paris bzw. Amboise 1603-1677 Paris) Öl/Lwd., doubl. 95 x 73 cm. - Charles und sein Cousin Henri wirkten beide an den Höfen der Könige Ludwig XIII. und Ludwig XIV. und waren auf Portraitmalerei spezialisiert. - Blumen wohl von der Hand des Nicolas Baudesson.Adelsportrait, Gemälde, Malerei Frankreich, Portrait
Los 269
Orler, Davide "Ritratto di Silvio Alchini" (Mezzano 1931-2010) Portrait seines Künstlerfreundes an einer Fensterbrüstung sitzend und rauchend in einer Zeitung lesend, im Hintergrund Blick über eine Dachlandschaft. Öl/Lwd. Rechts unten sign. und dat. "Orler 58", verso ausführlich beschriftet und mit Ortsbez. "Venezia". 125 x 84 cm. - Abbgebildet bei Giampaolo Trotta: Davide Orler, Abb. 11.
Los 64
Totenbildnis Maximilian I. Wohl 17. Jh. Büste des 1519 im Alter von 60 Jahren auf der Burg Wels verstorbenen Kaisers mit roter Haube und bedeckt von einem Leichentuch, oben mit Inschrift "MAXIMILIAN REM SCHER KAISER. GEPOREN 1459 AM 22 Tag MARCI. VERSCHIEDEN 1519 AM 12 Tag JANUARI 1519 UND. DARNACH CONTERFET WORDEN". Tempera/Papier, auf Holz aufgezogen. Unten wohl Künstlermonogramm "A A". 42,5 x 28,5 cm. - Das erste bekannte Beispiel dieses von einem unbekannten Meister geschaffenen Totenbildes befindet sich in der Alten Galerie im Schloss Eggenberg in Graz und ist in der Folge viele weitere Male kopiert worden.Portrait
Los 5
A 9ct gold oval carved shell cameo brooch with Grecian style carved portrait of a lady with grapes and leaves in her headdress, in oval rub over setting complete with pin and pendant fastening, (4.5cm x 3cm) repair to left side, and a Victorian 15ct gold oval shaped hair locket brooch, with beaded decoration, (3.5cm x 2.5cm) with original fitted pin (4.46g) (2)
Los 2552
A GROUP OF THREE EARLY 19TH CENTURY PORTRAIT MINATURES Painted on ivory, depicting respectively a dark-haired gentleman wearing a blue coat with white cravat (a lock of hair attractively mounted verso), a similarly attired boy with long blond hair and a girl wearing a large lace bonnet with pale blue ribbon (having a woven hair backing) (3) Ivory declaration reference 1XVM4VXO Condition Report:Available upon request
Los 2793
A VICTORIAN DOUBLE-SIDED LOCKET the foliate chased and engraved frame is set with two hand painted portrait miniatures, of a lady and gentleman painted on ivory panels. Dimensions, length with bail 5.3cm, width 3.5cm, weight 17.9gms Ivory declaration reference: W4Q2YFRB Condition Report:Available upon request
Los 583
Brian Sewell signed FDC. 20th Century Art Portrait of Nina Hamnett Roger Fry 1866 - 1934 Double postmarked 11th May 93 Benham Cover. Good condition. All autographed items come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Los 1188
A Georgian portrait miniature watercolour on ivory panel bracelet, unmarked gold closed-back settings with multi-strand freshwater pearl bracelet, hand painted panel depicting child with flowers, unsigned, panel length 33.9mm, bracelet length 16cm, 27.5g. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference RALSDPVQNo damage or repair, light wear to high points and a few very minor dents on backing, clasp working, unmarked
Los 1187
A Georgian navette miniature portrait mourning ring, unmarked rose gold closed-back settings with miniature sepia watercolour on ivory panel, depicting female portrait beside and obelisk, setting height 35mm, size P, 6g. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres. Ivory declaration submission reference MRT6TGZXNo damage or repair, general wear to high points, convex crystal has general surface abrasions, shank slightly thin, unmarked
Los 1105
A Georgian portrait miniature sepia watercolour ivory memorial brooch, late 18th century, of elongated oval form with hand painted panel depicting woman holding a dove, within unmarked rose gold closed-back setting, with blue enamel and split pearl surround, suspended from later 9ct white gold sapphire and pearl bar brooch, panel height 28.8mm, bar brooch length 44.2mm, 7.7g. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres. Ivory declaration submission reference V85W4M5MIvory panel has a vertical split all the way through the image, enamel has several surface chips, all pearls present, some slightly discoloured, Georgian panel was once a clasp for a bracelet/necklace, brooch fitting on later suspending bar working perfectly, mark clear, stamped 9ct
Los 1189
A Georgian portrait miniature watercolour on ivory pendant/clasp, unmarked rose gold closed-back settings with hand painted depicting portrait of a gentleman with powdered wig, wearing a blue coat with buttons and a frilled white cravat, attributed to George Engleheart, pendant height 49.1mm, 20.2g. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference RQHBFV5RIvory panel has a small overpainted section along bottom edge of coat and a horizontal surface abrasion from left side of mouth to edge, no other splits or damage, pendant loop is a later attachment, clasp thumbpiece is broken but still just about removeable, settings unmarked
Los 1122
A 19th century miniature portrait brooch, hand painted watercolour on ceramic panel depicting portrait of a boy, in unmarked yellow metal rope twist frame, brooch height 42.8mm, 10.8gNo damage, light wear to high points, security chain plate has been re-soldered, brooch fitting working, unmarked
Loading...-
283284 Los(e)/Seite