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Preisdatenbank abonnierenCabinet albumen photogr. by Benque & Klary, Paris, 14 x 9.7 cm, on the orig. mount. W. stamp of "Corns. M. Brack voorheen W.C. de Graaff Boekhandel enz. Haarlem" verso. Rare portrait. -and 3 other late 19th cent. cabinet portraits, incl. a photogr. of the Italian organist Maria Riozzi. (total 4)
ca 1914-1918, all 30 x 40 cm (a number w. more than 1 image on the leaf), numbered with stamps verso Occas. defects. Impressive series of large-sized photographs, depicting a.o. a blasted railway bridge over the river Olt, at Câineni, Romania (2x, identical), Carol I Mosque, Constanta, Romania with a plume of smoke behind it, a group-portrait of farmers, pictures of soldiers together with farmers, a submarine, the market square in Wittenberg, a group of German soldiers and officers, guns, a view of the municipal theatre at Piraeus, the inside of a German hospital, a destroyed tank, pictures of display-cabinets with contents, pictures of a state funeral, a picture of a mass-funeral and photographs of graveyards. (total 43)
3 engr. full-length portraits, all 47 x 29 cm (incl. engr. captions above and below), by Cornelis Bloemaert (1603-92, Bonifacius) and by Frederick Bloemaert (ca. 1614-90, Adelbertus, Odulphus and Marcellinus), the 1st and last mounted at upper margin. All sl. foxed/ yellowed, all w. folds, the 2nd and 3rd partly trimmed on/ inside the plate-mark. Added: (1) A large, similar engr. portrait of Lebuinus by Cornelis Visscher after Pieter Claesz. (2) Soutman, a large religious print after F. Boilly. -and a poor copy of the large engr. depicting the dawn of the golden age by Nicolaes de Bruyn after Abraham Bloemaert (dated 1604 in the plate). (total 7)
Guilielmus Nassavius princeps Auriacus, etc. Engr. portrait of William of Orange, 43.5 x 35.5 cm, after Pieter Soutman (1593-1657) and publ. by the same, signed and w. address in the plate. Remnants of former owner's ticket in right margin, collector's mark of Theodor Falkeisen (1768-1814) & Johann Friedrich Huber (1766-1823) (Lugt 1008) verso. Some restored sm. holes/ sm. tears, sl. foxed and traces of former mount verso. Very fine, contemp. impression on paper w. sun watermark. (2) Christoph Wilhelm Bock (1755-1836). "Iacobus Theophilus Rudolphus Volcamer (...)". Engr. portrait, 42.5 x 29 cm, after A. Urlaub (painting from 1776), signed in the plate. Sm. tears in (very wide) blank margins, some minor other imperfections, but a good copy of this fine large portrait. -and engr. portraits of Louis Marie Grave van Welderen (1784), Jan van Borssele (1754) and Sir Walter Raleigh (1739), and a tinted lithogr. portrait of Laurens Janszoon Coster. (total 6)
16th-19th cent., var. techniques and sizes. Incl. both portraits and historical prints. Incl. a.o.: a woodcut portrait in fine decorative borders after Tobias Stimmer (1539-84), publ. ca. 1575; an etching and an engr. by Theodor de Bry (1528-98), the etching dep. the arrival of Columbus in America; 6 portraits of Amerigo Vespucci; and 3 prints on Ferdinand Magellan. (total 30)
Gouache on vellum, Ø 4.5 cm, in contemp. frame w. paper description on back: "Te Nijkerk gedaan den 22 meij 1821. Wenceslaus Hendricus ten Brink geboren 15 januari 1817 als de zoon van: Nicolaas ten Brink en Maria Elisabeth Boelders." A few imperfections to paper and frame. Nice sm. portrait.
Contemp. handcol. etched full-length portrait, 27 x 17 cm, first half 17th cent. (?) Sl. foxed, occas. sm. stains, sm. repaired tear in lower margin, pieces of tape from former mount at upper corners verso. Most likely depicts Assaf Harofeh, "the Jewish Hippocrates". (2) "La dedicace de la synagogue des Juifs Portugais, à Amsterdam". Engr. interior view, 32 x 41 cm, by B. Picart, 1721. From A. Moubach, Naaukeurige beschryving der uitwendige godtsdienst-plichten, The Hague, 1727-38. Minor marginal imperfections. -and 1 other 18th cent. engr. ("gemaskerd bal, by gelegenheid van het Joodsche Purim-feest"). (total 3)
Partially handcol. lithogr. portrait of the prince on horseback, sheet size 45.5 x 30.5 cm. Marginal tears, fold. and yellowing. Interesting copy, w. signed dedication in pen in lower right corner: "To Mr. M.V. Milbank Esqre with H.R.H. the Prince of Orange best compliments." (2) "Francois Pisarre". Engr. portrait, 17 x 14 cm, on folio leaf 374 from André Thévet, Pourtraits et Vies des Hommes Illustres, vol. 3, Paris, 1584 (w. the text lvs. 375-78 preserved). -and 11 miscell. others. (total 13)
Engr., 32 x 41 cm, signed and dated 1743 in the plate. Vertical folds as publ. Curious erotic print, depicting a group of women worshipping a statue of Priapus, a fertility god who is usually identifiable by his oversized, permanent erection, which gave rise to the medical term "priapism". (2-3) Hendrick Goltzius (1558-1617) (after). 'Portraits of Titus Manlius Torquatus and Mucius Scaevola'. 2 engr. from the series of Roman heroes, both 24.5 x 15.3 cm, numb. 3 and 5 in the image and 4 and 6 in lower right corner, both w. engr. 4-line Latin verse below. Both creased. -and 9 other engr., 17th-18th cent., incl. a fine large portrait of Caius Octavius Augustus by Jeremias Falck (1610-77), signed and dated 1645 in the plate (waterst. and other defects, proof state before letters). (total 12)
Oil on porcelain, 10 x 7.5 cm (oval), in a partly gilt frame. Most likely 20th cent. (?) A curious portrait in the style of Dutch 17th cent. portraits, the dog wearing a black robe w. a broad white collar and a necklace w. a large jewel. The porcelain plaque fixed to the frame w. duct tape.
Le capitaine prudent." Circular engr., diameter 11.5 cm, w. central portrait in profile of Willem I van Oranje, surrounded by ornamental scenes w. captions in verse in Dutch and French, ca. 1577-78, mounted at left corners. A good impression on paper w. unidentified watermark. A few foxed spots, neatly repaired tear in upper margin and minor other imperfections. Hollstein 178. The engraving is a pendant of "De hoopman van narheit. Le capitaine des follie", depicting the duke Alva. (2) Johann Sadeler I (1550-1600). 'Ratio conquering Violentia'. Engr. after Maerten de Vos, 13.5 x 8 cm, dated 1579 in the plate, from a series of 9 prints depicting virtues conquering vices, under passepartout. A good impression, trimmed on/ near de plate mark. Hollstein 540. -and 2 others. (total 4)
pugnae bestiariorum: & mutuae bestiarum." Engr. frontisp., 19.5 x 25.5 cm, publ. by Philips Galle (1537-1612), unknown ed., under passepartout. A good impression on paper w. good margins. Sl. fingersoiled in lower right corner, a few minor other imperfections. See also lot 1527. (2) "Ioannes Stradanus, Brugens. Pict." Engr. portrait, 20 x 15.5 cm, above 4 line Latin verse, w. address "Pars III. Henr. Hondius excudit cum privil." Very fine impression on paper w. large watermark "TI", w. good margins. A few foxed spots, remnants of former mount verso. -and 2 others (portraits of Henricus Hondius and Guilielmus Hondius). (total 4)
Paris, P. Seghers, 1946, printed in 300 copies on vélin du Marais, 33,(5) p., w. 20 plates, contemp. giltlettered hcl. by S. Philippe (Liege), orig. frontwr. bound with, 4to. Traces of removed library stamp on title-p; unidentied owner's stamp incorporating the monogram "I.H." on frontwr., library stamp "M" on free endpaper and "Bib. PR. LG" on foot of spine. Intriguing copy, with an original painted portrait in oil and col. chalk on a prelimin. blank leaf, attributed to Fautrier but not signed (the letters below the painting are from the watermark "Marais").
Neoplastizismus. Nieuwe beelding. German translation R.F. Hartogh (and 1 article by M. Burchartz). Printed in Weimar by Dietsch & Brückner A.-G. for A. Langen in Munich, n.d. (1925), first ed., 66,(2) p., typography and orig. wr. by L. Moholy-Nagy, 4to. First and final p. browned from covers, occas. sl. foxed, library shelf-number ticket on first page. Wrappers torn, w. folds and lacking some very sm. portions. Bauhausbücher 5, ed. Walter Gropius and L. Moholy-Nagy. With AUTOGRAPH SIGNED DEDICATION in pen on first page: "Aan Paul en Lies Sanders van Piet Mondrian. Paris, Novembre '25". Paul Florus Sanders (1891-1986) was an art correspondent and friend of Piet Mondriaan. Sanders visited Mondriaan often at the time the artist lived in Paris. An online available photographic group-portrait taken at the Exposition des Arts Decoratifs in Paris, May 1925, shows Tieske Vantongerloo, Paul F. Sanders, Lucia Moholy-Nagy, László Moholy-Nagy, Piet Mondriaan and Georges Vantongerloo. See also Paul Sanders, Herinneringen aan Piet Mondriaan, article in Maatstaf: maandblad voor letteren, year 27, no. 12 (1979), p. 1-7 (online available on DBNL).
Amsterdam, Scheltema & Holkema/Groesbeek & Paul Nijhoff, n.d. (ca. 1904). 1st and only ed. Frontispiece portrait of Mesdag and 33 reproductions of paintings, incl. 1 tinted and 3 coloured. Gilt decorated cloth, upper edge gilt and vignettes in text by unknown designer (possibly Theo Nieuwenhuis?). Large folio (48 x 38 cm). Deluxe overview of masterpieces in the Mesdag Collection. It is quite exceptional for the era that tinted and coloured reproductions are found. Not in Braches' Documentatie 2006. Rare.
Grafisch werk 1940-1945 van Gerd Arntz voor de Nederlandse Stichting voor Statistiek, NSS. 12 calendar leaves of b/w linocuts, w. perforation line and spiral binding, in orig. cardboard box w. portrait label. No. '0070' of 1500 copies. Box 55.5 x 39.5 x 1.5 cm. Box sl. worn, calendar in good condition.
Associated Press Photo of Kees van Dongen presenting his portrait of His Higness Aga Khan. 1949. 15 x 20 cm. (2) M.J. Brusse. Het rosse leven en sterven van de Zandstraat. Rott., Brusse, 1912. 1st ed. Ill. by Van Dongen, a.o. Cl. Sl. dam. (3) Sous le signe de quelques jollies filles: liste des Grand Vins 1954. Aquarelles de Van Dongen. Comb binding sc. (4) Mieux vivre no. 3, Mars 1937: Peindre par Van Dongen. Sc. Added: 6 exhibition catalogues and 4 booklets by and on Van Dongen, 2 w. covers after Van Dongen. (total 14)
Ed. W. Brusse, Jaffé, Kloos, Rietveld, Sandberg and M. Stam. Rott., W.L. and J. Brusse, 1946/ n.d., 2 vols., (24); 32p. w. text in Dutch, French and English, (full-p.) ills. by G. Braque, Le Corbusier a.o., orig. wr. design by W. Sandberg, 4to. Both vols. wr. faded/ discol. along edges. All published. (3) Ptt 71. Publiek communicatie publiek. The Hague, printed by Staatsdrukkerij for Staatsbedrijf der ptt, 1972, 4 vols., typography, layout and orig. wr. des. by W. Sandberg and P.C. Cossee, together in orig. portfolio, sm. folio. Comprises: Jaarverslag 1971 ptt (77 p.), Jaarverslag Rijkspostspaarbank 1971 (35 p.), Verslag ptt-raad 1971, (7 p.) and Overzicht per 1 juni 1972 belangrijkste leidinggevende functionarissen van de ptt. Portfolio w. minimal defects. Very rare. (4) Le Corbusier. Vers une architecture. Extraits. Utr., Stichting De Roos, 1971, printed in 175 numb. copies (this copy "ex. hors série CL", 63 p., ills., typography and orig. wr. by W. Sandberg. Wr. a bit nibbled by silverfish and sunned at/ near spine. (5) Ulrich Serbser. Portrait des Artisten. Essay vom Widerspruch zwischen der Bildungsform und Abbildungsweise des Künstlers. Cologne, Galerie Der Spiegel, n.d., printed in 305 numb. copies (250), 34,(1) p. with concrete poetry, bound as a blockbook, orig. by W. Sandberg (fine copy). -and 6 others, incl. Experimenta typographica 4 and 11 and Piet Zwart. Sleutelwoorden. Keywords. (total 14 in 11 vols.)
Loose/ in loose photo album sheets. Views of var. places in the Netherlands, incl. a.o.: Groningen, Enkhuizen; Amsterdam, Emmen and Den Bosch. Some picture postcards w. street views/ of people. Also incl. a.o.: approx. 40 children's postcards, an interesting collection of silver gelatine picture postcards of farming operations in the countryside, namely 6 of a cattle farm "Veehallen" in Den Bosch and 1 postcard album entitled "Souvenir de Scheveningue" w. 14 postcards. Early to mid 20th cent., most b/w, both uncirculated and circulated. Added: approx. 42 portrait cabinet card photogr., ca. late 19th cent. Photographers incl. a.o.: F. Gräfe, Delft; J. Daniëls, Appingedam; K. Goudsmit, Groningen; Emma Kirchner, Delft; and T.J. Kousbroek, Leiden. -and approx. 20 other photogr. (total approx. 187)
with portrait of William III. 1852. Bronze. Rare medal celebrating the creation of approx. 17.5 acres of new land by building dikes which hold back the sea. Approx. 65 mm. Very good condition. Added: Medal "Drying out the Haarlemmermeer" by S.C. Elion. 1853. Silver. Neerlandia standing between Neptune on the left and the Leeghwater pumping station on the right, reverse w. 10 lines of text. Approx. 75 mm. Good condition. (total 2)
All 60 x 50 or 50 x 60 cm and mounted on wood, ca. 1970. The portrait of Theo Kley signed, dated 1973, titled "Requiem for a bicycle" and priced fl. 150 on verso of mount. Depicting a.o.: Fake operation by the members of the Insektensekte in a TV studio, a painted portrait of Cor Jaring on an easel and several of the Deskundologisch Laboratorium w. portraits of Theo Kley and other "Deskundologen". Some photogr. w. marginal damage. The Insektensekte, founded in 1969 after an oil disaster in the Waddenzee, was one of the 1st Dutch environmental movements, and its members were all active in the alternative Amst. artistic circuit. The most important members were dentist and artist Max Reneman, musician Hub Mathijsen, artist Theo Kley, and 'house-photographer' Cor Jaring. In the 1970s Reneman and Kley collaborated w. ex-provo member Robert Jasper Grootveld, which resulted in Deskundologie: "dat wat iedereen met zijn klompen aan kan voelen, en dat niemand boven de pet gaat.” (total 9)
and 3 other people posing for a group portrait at an unidentified happening. (2) Simon Vinkenoog making a speech at an anti H-bomb protest. (3-4) 2 photogr. of a theatrical performance w. Simon Vinkenoog as an onlooker. Vintage silver gelatine prints, 1 w. copyright stamp of Cor Jaring Commelinstraat verso, 1960s. 25 x 20 cm. (total 4)
2 photogr. showing the Vliegerfeest in Almere w. a portrait of Max Reneman and self portrait of Jaring. (2) The "Insektensekte" in Limburg on the terrain of the D.S.M. Holland Promotion. (3) Max Reneman in a lab coat on a bicycle, as part of the "Insektensekte". (4-5) 2 group portraits, 1 posing in front of the Magic Bus at Ruigoord w. the church in the background, another one posing next to a traffic sign and an old farm (also at Ruigoord?). Vintage silver gelatine prints, all but one w. copyright stamp of Cor Jaring verso, 1970s. 25 x 20 cm. (total 6)
Quinzomadaire. Directeur de publication: J(ean) P(aul) Sartre. (Paris). No. 8, 10, 11 and 15, 1971. 12/ 8 p. Nicely ill. w. a.o. photomontages and cartoons by Siné. Large folio. Some titles of (ill.) articles: "Je voudrais embrasser une fille sur le cul. Le procès des désirs enfantins", "Un ministère de la merde", "Attention cet homme pourrait être un toxicomane!" (w. a portrait of Sartre smoking a cigarette), "Monsieur Moshe Dayan Assasin" (cartoon by Siné), "Laos, Vietnam", "Une police vraiment spéciale", "Boia chi molla! Les lacheurs sont des salopes", "Psychiatres, je vous emmerdre!", "Ciel, les homosexuels nous attaquent!" and "Votre libération sexuelle n'est pas la nôtre!" -and 13 miscell. others. (total 17)
Ring binder w. title on spine. Contains 54 plastic folders w. miscell. items collected by Herman Hannink, officer of the Zwolle Branch of the Dickens Fellowship. Incl. a.o. (aside from the aforementioned subjects): newspaper clippings on collecting autographs and letters; documentation accompanying the orig. manuscripts and photogr. of (mostly Dutch) literary figures. A varied collection. Some of the most important items: (1) Etching w. 4 portraits of Simon Carmiggelt on 1 plate by Peter van Straaten, signed and dated '79 in pencil. (2) Photographic portrait of Carmiggelt in Café Hoppe, Spui Amsterdam, 25.4 x 17 cm, by Eddy Posthuma de Boer, w. his stamp verso. (3) Manuscript note signed by Antoon van Duinkerken dated 1940 accompanied by a photographic picture postcard portrait of the author. (4) Typescript letter signed "Hella S. Haasse" in pen w. stamped addressed envelope (1982). (5-6) Signature in pen "Felix Timmermans" on title-p. of De pastoor uit den bloeyenden Wijngaerdt and photographic picture postcard portrait of Timmermans at home, signed "Felix Timmermans Lier 20 juli 1931". (7) Annotation in pen by Hendrik Marsman, monogrammed "H", on both sides of a sm. slip of paper about the creation of the poem "Heerscher". (8) Postcard w. short signed letter by Simon Vestdijk to Ida Gerhardt, dated 26-3-1947. (9) Typescript invitation for a meeting of the Dickens Fellowship, w. extensive corrections in pen by Godfried Bomans, in stamped addressed envelope (1959). (10) Photogr. portrait of Marga Minco by Ewoud de Kat. (11) Photogr. portrait of Heinrich Böll, 23.7 x 7.7 cm, by Klaus Eschen, 1954, w. his stamp verso. (12) Photogr. portrait of Gerrit Komrij and Jan Cremer, signed Herman Vrijhoff (?) and dated '98. (13-14) 2 signatures in pen of Gertrud von le Fort on a short letter and a printed card. (15-16) Letter in pen signed by Jan Greshoff (1955), and a large photogr. portrait of the author. (17) Sm. card w. annotation in pen "Met oprechten dank van (signed) Theun de Vries. Najaar 1941". (18-20) Offset photogr. portrait of Antoon Coolen w. signed dedication in pen to Hans Roest, and 2 letters signed by Antoon Coolen on his personal stationary (dated 1936 and 1942). (21) Photogr. portrait of "Fritzi" (Harmsen van Beek) by Eddy Posthuma de Boer, w. his stamp verso. (22) Large anonymous photogr. portrait of Midas Dekkers, signed by him in pen. (23) Large, anonymous photogr. portrait of Jean Cocteau, Romy Schneider and her mother. (24) Photogr. of a drawn portrait of Gerard Walschap by his son. W. manuscript annotation verso. (25) Manuscript vellum bifolium, dated "12 janvier" 1744.
Autrement dict La Germanie Inferieure, ou Basse-Allemaigne. Lodovico Guicciardini (..) avec diverses cartes Geographiques dudit pais (..) Anvers. Guillaume Silvius, 1567. [1st French ed.] 4to., Leather, gilted title on spine. Rebound w. new endpapers, title w. vignette and typographic ornaments foll. by 2 other pages w. typographic ornaments, coat of arms and portrait of Philips II, (20),389 p. and index, folded gen. map, Brabant, Louvain, Brusselles, Anvers, Curia Antverpiana (washed copy), Bolduc, Malines, Hollande, Amsterdam, Flandres, Gendt, Brugae, Yprae, Hainault, Liege. Complete w. all maps and plans, mostly in woodcut. The Antwerp townhall was later inserted and originally not meant for this first French ed, Ref. Guicciardini Illustratus. Deys a.o. Utrecht. 2001. p. 30-31. New endpapers, title page w. name in ms., last pp w. water stains, ex-libris on last endpaper, binding w. a few scratches as usual. This 1st. Fr. ed. was preceded by an Italian ed., in the same year 1567.
geduurende de regeeringen van koningin Maria, en koning Jacobus den VI, tot diens komst op den Engelschen troon. Naar den laatsten druck, uit het Engelsch vertaald. Amst., Yntema en Tieboel, 1779-80, 4 vols. (incl. suppl.), w. engr. portrait after J. Reynolds, contemp. unif. calf, ribbed and gilt spines w. mor. letterpieces. Ex libris J. Hora Feith (who was director of the Noordelijk Scheepvaartmuseum) on all upper pastedowns. Some waterst. and foxing, but overall in good condition, an attractive set. (total 4)
Amst., J. Allart, 1791-8. 3 vols. (10),344; (2),383,(1); (2),342 p., w. 3 identical engr. titles, engr. portrait and 12 plates by R. Vinkeles, contemp. unif. marbled boards (uncut). Vols. 2 and 3 in first ed., vol. 1 in second ed. Bindings worn, front cover vol. 3 loosening. Buisman 1829; Muller 275. Rare. One of the first Dutch literary works w. slavery as an important theme. Elisabeth Post was inspired by her brother, who was owner of an estate in Demerary, British Guiana.
Episcopi Opera Tomis Undecim Comprehensa (...). Paris, n.publ., 1635-7. 11 parts in 7, w. engr. frontisp. portrait, title-p. in red and black and title-p. engr. (all vols.), contemp. unif. blindstamped leather over wooden sides, w. clasps, ribbed spines, folio. Manuscript title and vol. on fore edge of text block, owner's entry upper pastedown vol. 1. Bindings dam. (all clasps, some catches missing, tears), a few flylvs./ pastedowns dam., occas. foxing and sm. wormholes. Text itself is in good condition, a complete and fine set of the works of Aurelius Augustinus in an early ed. T.1. Possidius de vita Augustini. Opuscula varia (w. special title-p. dated 1635 and separate pagination). T.2. Epistolae. T.3-4. Ta? Didaktika. T.5. De civitate Dei. Cum commentariis novis & perpetuis L. Coquaei & L. Vivis. T.6. Ta polemika T.7. Reliqua pars ton polemikon. Annotations (...) in tomum septimum (w. special title-p. and separate pagination). Contra secundam Iuliani responsionem, operis imperfecti libri duo priores (...) Nunc vero? denuo? recensiti cum auctario notarum (w. special title-p. and separate pagination). T.8. Enarrationes in Psalmos. T.9. Expositiones (...) in Novum Testamentum, cum aliis varii generis opusculis. T.10. Sermones ad popvlvm et clervm. T.11. S. Aurelii Augustini (...) Vita a diversis authoribus relata. Cum omnibus totius operis indicibus. Ferdinandi Vellosilli Advertentiae theologiae scholasticae, sive Animadversiones in S. Augustini opera (w. special title-p. dated 1637 and separate pagination). (total 7)
haar gezondheidsbron, en omleggende landsdouwen, in kunstprenten verbeeld. Haarlem, J. Bosch, (1747). (2),63,(3) p. Large 8vo. Half-leather, ribbed spine w. gilt dec. and title, speckled paper boards. Engr. title-p. vignette, 10 (large) fold. engr. plates by H. Spilman after J. de Beyer w. Dutch and French captions, uncut. Binding worn, joints sl. loosening, some plates w. sm. (repaired) tears. Lavishly ill. description of the city of Cleves and its medicinal springs by one of the most important and most famous 18th cent. Dutch playwrights and poets, Pieter Langendyk. Around 1744 Langendyk visited the city of Cleves and its medicinal springs in an attempt to improve his declining health. Fine copy, rare in this condition. Bound w.: De gedichten van Pieter Langendyk. Haarlem, J. Bosch, (1751)-1760. 2nd ed. 4 vols. Large 8vo. Unif. bound in half-leather, ribbed spine w. gilt dec. and title, speckled paper boards. Engr. frontisp. by J. Wandelaar, all vols. w. engr. title-p. vignette and title in red and black, 5 full-p. plates (incl. portrait of Langendyk), 3 fold. engr., uncut. Bindings worn. Bound w.: Leeven van Pieter Langendyk. 34 p. (total 3 works in 4 vols.)
ou l'on montre quelle est l'etendue de nos connoisances certaines, et la manière dont nous y parvenons. French transl. Pierre Coste "sur la quatriéme edition (...)". Amst., H. Schelte, 1700. (58),936,(2) p., 4to. Contemp. vellum. Engr. frontisp. portrait by P. van Gunst after J. Greenhill. Double owner's stamp of Émile Glandy (St. Géniez or Génies) on title-p. and his signature and address stamp on leaf *4. Waterst. in upper blank margin at the beginning, occas. foxed, lower inner hinge broken (free endpapers loose/ lacking), binding sl. soiled. First French ed. of this transl. by Coste. The first English ed. was publ. in 1690. -and 5 miscellaneous others, incl. a vol. w. a school prize from the Institut de la Veuve J. Van Oostveen (Amst., 1827) and a letterpress booklet filled out in pen "Boekje van een metselaar, Abraham Stoel" (1811). (total 6)
Rott., Dirk Smits, 1750. (14),(38),(4),179,(3) p. Sm. 4to. Modern half linen. Ill. frontisp., ill. dedication and title-p. vignette by J. Punt, fold. portrait of Willem IV and full-p. portrait of the author by P. Tanjé after G. Sanders and D. à Nijmegen, 3 full-p. title engr. Lacks fold. map, spine and boards sl. dam.
van Nassouw, Haer leven en bedrijf. Met een historisch verhael tot den Jare 1664. (Arnoldus Montanus). Amst., Otto Barentsz Smient & Joost Otto Smient, 1664. (6),147,(7); (2),565,(15) p. 12mo. Contemp. vellum. Frontisp. w. portraits of William I and II, Maurice and Frederick Henry, 18 fold. copper engr. plates and 23 full-p. portrait woodcuts, and a few sm. in-text woodcuts. Ex libris Gerhard Karl Jacobs on upper pastedown, writing in pencil on upper flyleaf and back pastedown. Binding sl. soiled, upper hinge loosening, holding on cords, a few marginal stains, engr. of Grol lacking lower right corner, p. 415 dam.
des Nieuwen Testaments tot aan het Jaar onses Heeren 1688. Amst., Sebastiaan Petzold, 1701. 2 vols. (30),lxii,868,(28); (6),768,235,(20) p. Unif. full vellum, blindst. centerpieces on boards, raised spines w. gilt title and vol., sprinkled edges. Vol. 1 w. allegorical frontisp., 2 identical title-p. vignettes, 1 fold. portrait and 30 full-p., full-length portraits, all by Romeyn de Hooghe. Plate of Hus and Mahomet misbound in vol. 2 instead of vol. 1, fold. plate w. repaired tear on verso, 1 plate loosening, bindings sl. worn along extremities. Fine set. (total 2)
Johannes de Mey, (...). Amst., J. Rotterdam, 1742. 2 parts in 1 vol. (24),624; (12),534,(24) p. 4to. Contemp. vellum w. manuscript title on spine. Engr. title, incl. portrait of the author by J. Luyken, 2 engr. title-p. vignettes. Engr. title and title-p. reinforced, a few sm. tears repaired w. sellotape, sl. (water)st. and foxing. Overall in good condition. A description of biblical natural history. De Mey was Vicar in Middelburg. Van Eeghen/ v.d. Kellen, 43 (note); Thijssen-Schoute, Ned. Cartesianisme, p. 578-92. Rare.
Amst., J. van der Hey, 1816-1817, 4 vols., w. engr. titles by J.E. Marcus after J. Smies and H.W. Caspari, orig. unif. printed boards. (5-7) J. Kinker. Gedichten. Ibid., idem, 1819-1821, 3 vols., w. engr. titles by P. Velijn after J. Smies, orig. unif. printed boards. (8-10) J.F. Helmers. Gedichten. Rott., J. Immerzeel Jr., 1822-1823, 3 vols., w. engr. titles and stipple-engr. frontisp. portrait, orig. unif. printed boards. And 12 others in 14 vols., 1821-1838, all in orig. (printed) boards, by I. da Costa, A. van der Hoop Jr., Rhijnvis Feith a.o. Bindings of the lot w. occas. imperfections. (total 24)
Leijden in den jare 1574. Plegtig gevierd den 3en October 1824. Met onuitgegeven stukken betrekkelijk het beleg. Leyden, C.C. van der Boek, 1824, XVI,244 p., w. engr. title-p., orig. printed boards. Sm. internal and external defects. (2) Leyden ontzet, in 1574. Dichterlijk verhaal. Amst., printed by A. Zweesaardt for Brest van Kempen, 1833, XIV,(2),86 p., orig. printed boards (title on spine worn away). (3) Lofrede op Hermanus Boerhaave. Tweede en verbeterde uitgaaf. Printed in Ghent by P.F. De Goesin-Verhaeghe for D. Du Mortier en Zoon in Leyden, 1825, (6),VIII,75,(1) p., orig. printed boards. Some annots. in pen; top of spine dam. Rare. (4) W. Bilderdyk and M. Siegenbeek. Leyden's ramp. Amst., J. Allart and J. Ruis, 1808, XIV,(4),52,157,(2) p., w. 4 fold. engr. views by Vinkeles & Vrijdag and 2 portraits by Portman, contemp. boards w. paper letterpiece on spine. Occas. annots. in pen; one portrait w. offsetting from juxtaposed newspaper clipping. Paper over spine worn. From the Library of J. Hondius Hz., with his scattered stamps. -and 6 others, incl. 1 on Leiden's ontzet (1774), 1 on the gunpowder explosion of 1807 (1809) and 1 on Warmond. (total 9)
of the "Haagsche Fundatie van Renswoude" on both covers, within 2 beautiful gilt borders, gilt spine w. mor. letterpiece, marbled paper pastedowns and flylvs. and marbled edges, 4to. Front cover loose, final index leaf repaired, foxing. Very rare (prize?) binding of the The Hague section of the Fundatie van Renswoude, a foundation established in 1754, originally with the purpose of financially supporting young promising orphans. It still exists under the name of Stichting de Fundatie van de Vrijvrouwe van Renswoude te ’s-Gravenhage, and still provides study allowances to young students. Although this particular copy does not contain a prize, it is typically the type of book that would be presented to a talented schoolboy- or girl. On: J. Lulofs. Inleiding tot eene natuur- en wiskundige beschouwinge des aardkloots. Leyden/ Zutphen, J. and H. Verbeek and A.J. van Hoorn, 1750, (14),648,(14) p., engr. dedicatory plate, fold. portrait by A. Houbraken after J. Wandelaar, 15 fold. plates on mathematics, 4to.
verthoonende de heerelijckste deughden, daaden, leeringen en sententien, van de alder-doorluchtighste ende vermaertste mannen der werelt. Desen acht-en-twintighste druck, by na een vierde vermeerdert, van den atheurs nagelaten schriften. Amst., J. ten Hoorn, 1685, (8),712,(16) p., w. engr. frontisp. and full-p. portrait of the author by D.M. Penningen, contemp. hcalf, gilt and ribbed spine w. mor. letterpiece. Occas. cut a bit short, some staining. Outer corners bumped. (2) K. Gobinet. Onderwys der jeugt in de Christelyke godvruchtigheyt (...). Antw., J. Stichter, 1697, (8),470,(6) p., w. engr. frontisp. and woodcut title-vignette, contemp. vellum. Partly vaguely waterst., occas. folds and upper pastedown detached from side. -and 2 others, incl. Het Nieuwe Testament of Verbond van onsen Heere Jesus Christus (Amst., 1701). (total 4)
all but a few published in Amsterdam, var. publishers (8x by W. Holtrop), 1796-1831, all in contemp. (some orig.?) wr., sm. 8vo. Occas. defects. Incl. a few duplicates (in the same wr. as the other copies). Comprises a.o.: (1) De negers, tooneelspel; gevolgd naar het Hoogduitsch (...) door P.G. Witsen Geysbeek. Amst., J.R. Poster, 1796, XI,(1),131 p. (2) Loon der waarheid, tooneelspel in vijf bedrijven (...). Amst., J.W. Smit, 1801, (4),153 p. (3) Robert Maxwell, of de offerdood. Naar het Hoogduitsch (...). Amst., widow J. Dóll, 1798, (2),94,(1) p., w. 1 engr. plate. (4) Kwaade luim. Tooneelspel in vier bedryven (...). Amst., H. van Kesteren, 1799, (2),181,(1) p., w. engr. title-portrait of the author. (5) De weduwe en het rydpaard, blyspel; uit het Hoogduitsch (...). Amst., H. van Kesteren ("ter rekening van den vertaler"), 1796, 51 p., w. engr. title-vignette. W. nice annotation in pen on inside frontwr.: "20 april '98 de heer van Wissen (?) voor stalknecht" and with owner's entry "Eppo Cremers". (6) Verschijningen en droomen, op het einde der achttiende eeuw. Een groot treurspel in de manier van Iffland en Kotzebue (...). N.pl., "Te bekomen bij de meeste boekwinkels, in de Bataafsche Republiek, Het zesde jaar der Bataafsche Vrijheid" (1800), (4).70 p. (total 25)
in maart MDCCXCIII. Dordrecht & Amst., A. Blussé en Zoon & J. Allart, 1793. (24)144 p. Contemp. wr. Engr. title-p. silhouette portrait, silhouette portrait in the introd., engr. fold. plan, 4 fold. engr. plates, 2 engr. plates w. 13 silhouette portraits, uncut. Paper over spine worn, occas. foxing. The 1st and only ed. of this description of the defence of Willemstad against the French under Baron Van Boetzelaer. Rare.
Editio omnium novissima (...). Amst., printed by Borrit Jansz. Smit for J.J. Schipper, 1667 (all 9 vols.) and widow J.J. Schipper, 1681 (the vol. w. the added general title-p.), 9 vols., each 1667 vol. w. engr. title-portrait (looking to the left or right), the vol. w. the series title w. woodcut title-vignette, a fine full-p. engr. portrait of Calvin in his study-room, a coat-of arms on the vol.-title and a map of the Middle-East on p. 12, contemp. panelled blindst. vellum, folio. Vols. 2-9 with cut-out owner's entry neatly closed w. paper strip; vol. 8 waterst. at the beginning. Occas. minor other internal imperfections. Vols. 1 and 6 rebacked and w. renewed endpapers, hinges of a few vols. are starting to split. This being the first 'modern' edition of Calvin's massive complete works, it remained the definite scholarly edition for two centuries, when the Strasbourg edition of Baum, Cunitz and Reuss appeared (1863-1900). Divided into nine volumes, the first seven contain his commentaries on the Bible, the eighth volume contains his theological works and the final volume with his Institutes and letters. With a collective titlepage in volume one, dated 1671 all other volumes with their own titlepages, dated 1667. (total 9)
ofte Vernieude gedachtenisse van Godts oordeelen en weldaden (...). Hoorn, S.J. Korting, 1675. (42),245 p. Contemp. vellum, manuscript title on spine. 12mo. Shabby copy. (2) Aert Jansz Rynevelshorn. Wisse tijding van de nabyheydt des jongsten dags: in vijftien ware ken-tekenen, uyt het H. Woordt Godts, en veele opmerckens-noodige historien en exempelen (...). Amst., J. van Duisbergh, 1665. (18),268,(6) p. Engr. portrait of the author, engr. printer's device on last p. Contemp. vellum. 8vo. Worn copy. (total 2)
Rotterdam, Experiment Studio Rotterdam, 1967. Catalogue for a Gutai Group show, curated by Orez Gallery, with an introduction by Henk Peeters in Dutch. Comprises a printed folder, 21.5 x 15 cm, containing 17 loose inserts, printed on blue and yellow paper. Each artist is represented with a photo portrait, biographical information and images of their work. Participants include George Kikunami, Kazuo Shiraga, Takesada Matsutani, Toshio Yoshida, Shigeki Kitani and Minoru Yoshida et al. Beautiful rare item in very good condition.
B/w glossy silver gelatin print, 25.5 x 20.5 cm. Portrait of Warhol in a pensive pose, shot by Mike Tighe. Signed in black ink below the image, on the photo margin featuring the printed text 'Andy Warhol' and 'Photo: Mike Tighe'. Publicity shot (cropped from a 1976 photo 'Sylvia Miles & Andy Warhol at the Factory') in unknown edition. Very moderate creasing on photograph, verso with glue remnants, generally a good copy. Tighe photographed celebrated people in the arts through the 70s and was shooting regularly for Andy Warhol’s Interview Magazine.
Amsterdam, Parade, 1992. Wooden box with 2 screen prints by Nat Finkelstein on each lid. Includes a catalogue, a mirror, a portrait of Nico, a bottle of Greek wine and a green ball. No. 31 of the 200 numbered copies, signed by Finkelstein. Also contains a large plywood postcard used as announcement for the work. (total 2)
Leiden, Stelling Gallery/Museum De Lakenhal, 1994. Catalogue designed as calendar. Ringbound, 35 x 34 cm, 12 leaves. Early photographs by Van Lamsweerde featuring Westwood's 'On Liberty' collection, as well as an iconic portrait of the fashion maestro. Moderate toning and shelf-wear. (2) Added is the zine-like publication Vivienne Westwood, Andreas Kronthaler, Juergen Teller. Photographs by Juergen Teller for Vivienne Westwood, 1993 to 2017. London, In Other Words, 2017. (total 2)
Lodz, Correspondance des Arts III, 1991. Hardcover, sewn bound, 24 x 24 cm, 22 pp. with embossed typography on hand pressed white paper. Portrait of Emmett Williams on front and back cover. Artists' book produced for the International Artists' Museum in Lodz, translated in Polish by Piotr Bikont and Andrzej Chetko. Published in an edition of 95 copies, this one numbered 50/95 and signed in colophon. During the book presentation in Lodz the artist recited the poem in a room lit by candles. After reading each letter he blew out a candle so by the end of the poem the room was enclosed in darkness.
(1) Alexandre Iolas Paris, 1970. (2) Rudolf Zwirner Cologne (group show with Bengston, Goode, Graham, Moses, Price and Ruscha). (3) Multitude Paris, American Westcoast, 1970. (4) Boymans van Beuningen Rotterdam, Graphics and Books, 1970. (5) Rizzoli New York, invitation for the screening of Ruscha's film 'Miracle' on May 7 1975. Creased copy. (6) ACE Los Angeles, Various Miracles, 1975. (7) ACE Vancouver, Various Drawings, 1976. (8) Galerie Rilke Cologne, 1978. (9) ACE Venice California, Paintings, 1980. (10) Also includes the brochure: Edward Ruscha, Fotoprojekt in het kader van Sonsbeek 71, 1971. Brochure, 4 pp. Statement by Ruscha (in Dutch), with b/w portrait of the artist shooting pictures, and b/w ills. of the project which evolved into the artists' book Dutch Details. Copy with toning and creasing. (total 10)
Entertaining set of 3 posters, 10 invitation cards and 1 b/w picture. (1) Large poster for artists' record 'Die Rache Der Erinnerung'. Portrait of six German painters, partly nude, in a sauna. Band members are Kippenberger, Markus & Albert Oehlen, Immendorff, Büttner and A.R. Penck. 43.5 x 60 cm, folded. Very good copy. (2) Exhibition poster for a Kippenberger show at Galerie van Beveren March 23 - April 20 1985, Rotterdam, 'Hoe kom ik in vredestijd met botbreuken en futurisme klaar'. Silkscreen, colour printed, 85 x 59 cm. Folded in 8 parts. Rare, very good copy. (3) Kippenberger zum Thema Fiffen, Faufen und Ferfaufen. Exhibition poster for Studio F Ulm, 1982. Colour offset, 60 x 84 cm, folded in 8. Very good. (4) B/w photo portraying a young Kippenberger, holding a painting. 24 x 18 cm, unknown photographer. Invitation cards include: (5) Three cards by Max Hetzler Stuttgart, 1984, 1987 and 1989. (6) Two different cards for the same Kippenberger show at Galerie van Beveren Rotterdam, 1985. Includes a rare artists' card, 21 x 15 cm, featuring a portrait of the artist made by Günther Förg. (7) More cards from: Rudolf Zwirner Cologne, Dany Keller Munich, Galerie Klein Bonn (all 1983), Barbel Grässlin and Heiner Ehrhardt (both Frankfurt 1985). (total 14)
Vintage silver gelatine print of one of the most legendary bars in Jordaan, established in 1937. With: 23 other similar photos of Amsterdam cafés and bars, incl. a.o.: a waiter in front of Café 't Luifeltje, the barkeeper at Café Oosterling, 2 waiters at Café Bellevue, a group portrait in front of Café De Spiegel, and many other bar scenes and other horeca interiors and exteriors. All vintage silver gelatin prints, some w. copyright stamp of Cor Jaring on verso, ca. 1970-90. All 25 x 20 cm. 1 duplicate. (total 24)
Contenant une Description generale des XVII provinces. (...). Brussels, Francois Foppens, 1711. 3 vols. Title-p. in red and black, title-p. vignettes, complete w. 81 engr. plates (mostly fold.) by J. Harrewijn or P. Devel: 3 frontisp., 1 map of the 17 Provinces w. coats of arms, 1 portrait, 23 city maps, and 53 views. Unif. calf w. gilt centerpieces (upper and lower covers), fleurons and title on spine. Sm. 8vo. Ex libris upper pastedown 1st vol. Spines/ joints sl. worn, occas. foxing. (total 3)
Amst., I. Tirion, 1756-57. 2 vols. (4),670,(12); (8),642,(30) p. Complete w. 2 different engr. frontisp., 1 engr. portrait, 5 fold. maps, 4 fold. engr. w. 24 sm. circular plans, 3 fold. engr. views. Unif. contemp. hcalf w. speckled paper boards, gilt dec. and title on ribbed spine. 8vo. Covers sl. worn, occas. foxing/ browning. (total 2)
Dat is: De Katten De Voorouders der Batavieren, ofte de twee Katwijken, aan See en aan den Rijn. Met de Huisen te Britten en Sand. En van wegen de Naheid van Stoffe en Plaatsen, de Gedenkwaardigheden van het Dorp en Abdye van Rijnsburg (...). Ed. P. van der Schelling. Leiden/ Amst., J.A. Langerak/ G. de Groot, 1745. (122),604,(89) p. Engr. frontisp., armorial plate, portrait, 11 double-p./ fold. and 4 full-p. views and plates, a few sm. ills. throughout, untrimmed. Hcalf w. speckled paper boards. 8vo. Sm. ex libris front pastedown, some contemp. marginal annotations, incl. 2 tipped-in sheets, p. 381 and p. 471. Front cover loose, spine worn, portrait sl. torn, first few p. waterst. in upper left corner. (2) J. van Heemskerk. Batavische arcadia waar in: Onder 't Loof-werk van Liefkooserye, gehandelt werdt. Amst., A. & A. Schoonburg, 1751. (16),656,(48) p. Engr. frontisp., 5 fold. engr. plates (incl. a fold. perspective view of Batavia), untrimmed. Hcalf w. marbled paper boards. 8vo. Owner's entry on half-title. Covers and spine worn, hinges loose but holding on cords, first quire loosening. (total 2)
along the coast of Corea, to the Island of Lewchew; with an account of her subsequent shipwreck. London, J. Murray, 1818. 2nd ed. (6),323,(1) p. Engr. portrait, 5 col. aquatint plates. Later hcalf w. marbled paper boards, mor. letterp. on ribbed spine. 8vo. Former owner's entry upper flyleaf. Sl. browning/ foxing.
Amst., A. Borchers, (1781). (26),106,(2) p. Engr. title-p. vignette w. portrait of Catharine II by Wagenaar after G. Bogerts. Contemp. vellum. Sm. 8vo. Good condition. Rare work by the personal Dutch physician of Catharine II. Only 3 listed in WorldCat. Added: Idem, under pseud. Amurath-Effendi, Hekim-Bachi. De lantaarn voor 1796. Amst., In 't Nieuwe Licht, (1795). (10),206 p. Engr. title-p. w. vignette of a lantern, 9 etched plates. Contemp. ill. wr. 12mo. Irregularly publ. satirical yearbook (publ. under the guise of almanacs). It was anti-clerical, pro-Orangist and anti-French. (total 2)
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