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Los 179

NO RESERVE Music.- Engel (John) Uncommon Sound: the Left-Handed Guitar Players that Changed Music, 2 vol., illustrations, original cloth, dust-jackets, housed in original pictorial slip-case, fractional rubbing, Brussels, 2006 § Banks (Chris, editor) Sundry sorts of music books: Essays on the British Library Collections, portrait frontispiece, illustrations, original cloth, dust-jacket, slight creasing to edges, 1993; and 3 others, one of which comprises of a collection of bound sheet music, folio & 4to (5)

Los 107

NO RESERVE Fifteen Hundred Notable Things, comprehending a Choice Variety of Rare, Curious, and Important Receipts, second edition, engraved frontispiece, scattered spotting and staining, bookplate, new endpapers, contemporary calf, rebacked, Glasgow, n.d. § Furse (Charles Wellington) Illustrated Memoir ..., portrait frontispiece, plates, scattered faint spotting, original cloth, gilt, slight bumping to corners and extremities, for the Burlington Fine Arts Club, 1908; and others, v.s. (33).

Los 242

Jardine (Sir William) The Naturalist's Library, 40 vol., engraved portrait frontispiece, additional engraved titles, hand-coloured plates, cracked hinges, one or two broken hinges, original cloth, rebacked, rubbed and worn, Edinburgh, 1834-43; and 4 others, duplicates, 8vo, (44); sold as a periodical, not subject to return

Los 10

John Taylor Coleridge's copy.- Secundus (Joannes) Opera, engraved pictorial title and full-page portrait of the author, L12 blank, final f. colophon recto otherwise blank, ruled throughout in now faded red, Q5 tear to lower blank corner, occasional spotting, lightly browned, contemporary red morocco, gilt, spine in compartments, head of spine little chipped, corners little worn, rubbed, g.e.,, Leiden, Franciscus Heger, 1631; and 2 others, Elzeviers, 1 in contemporary red morocco, 12mo (3)⁂ Provenance: Sir John Taylor Coleridge (1790-1876), Heath's Court, July, 1870, English judge and nephew of the poet Samuel Taylor Coleridge (ink inscription to front free endpaper recording it as a gift from his son).

Los 4

NO RESERVE Machiavelli (Niccolò) Tutte le opere...divise in V. Parti., 5 parts in 1, collation: [*2] a-z aa-zz aaa-hhh4 : *4 a-r4 s2 : à4 è4 a-z aa-yy4 zz2 : a-z aa bb4 [cc2] : *2 a-z aa4, woodcut portraits to general and divisional titles, [cc2] a double-page battle plan, *4, è4, zz2 and aa4 at end blank, pencil underlining, occasional spotting and light staining, lightly browned, contemporary mottled calf, gilt spine in compartments and with green morocco label, backstrip all but detached and with small piece missing, rubbed, 4to, [?Geneva], no printer, 1550 [but c.1630].⁂ A 'Testina edition', which uses the woodcut portrait of Comin da Trino's 1541 edition of Il Principe. Dated 1550, but in fact published in the first half of the 17th century. Some of the later editions bear a Geneva imprint, hence the tentative attribution of this edition to Switzerland.Literature: Adams M9; EDIT 16 CNCE 64604.

Los 227

Martin (Thomas Commerford) The Inventions, Researches and Writings of Nikola Tesla, with Special Reference to his Work in Polyphase Currents and High Potential Lighting, second edition, half-title, portrait frontispiece, illustrations, ink stamps of The English Electric Co. to front free endpapers and fore-edge, a few spots of light soiling to first few leaves, endpapers toned, hinges weak, original orange cloth, quite rubbed and soiled, spine with ink library marking, rubbed causing loss to some text, spine ends chipped, lower joint with small split at head, 8vo, New York, The Electrical Engineer, 1894.⁂ A landmark text in the field of electrical engineering, comprehensively detailing Tesla's early research and inventions. The first edition sold out within a month, the second printed within the same year.

Los 39

Bindings.- Stow (John) Annales, or, A General Chronicle of England, woodcut title, trimmed and laid down, black letter, double column, loss to some corners and margins affecting text, 3O6 to 3P4 with holes and damage affecting text, photocopied ff. loosely inserted, browning and damp-staining, new endpapers, modern half-morocco, rubbed, Richard Meighen, 1631 § Harte (Bret) The Complete Works, 10 vol., half-titles, previous owner's ink inscription, contemporary calf, gilt, slight rubbing to corners and extremities, 1901 § Shakespeare (William) The Pictorial Edition of the Works ..., 8 vol., engraved portrait frontispiece, vignette titles, plates and illustrations, near contemporary half-morocco, rubbing to corners and extremities, n.d.; and others, v.s. (c.65)

Los 109

Bindings.- Hume (David) & Tobias Smollett. The History of England, 3 vol., engraved portrait frontispiece and additional engraved title, engraved plates, illustrations, tissue-guards, scattered spotting, contemporary calf, gilt, a little rubbed, bumping to corners and extremities, [c.1860] § Brockedon (W.) Finden's Illustrations of the Life and Works of Lord Byron, 3 vol., additional engraved titles and 120 plates, occasional marginal water-staining, later half-morocco, rubbed, bumping to corners and extremities, 1833; and others, bindings, v.s. (c.80)

Los 173

Mardersteig (Giovanni) The Officina Bodoni: An Account of the Work of a Hand Press 1923-1977, limited edition, plates and illustrations, original cloth, slipcase, rubbed, large tear, Verona, 1980 § Yeats (W. B.) Autobiographies, first edition, portrait frontispiece, occasional faint marginal spotting, original cloth, slight bumping to spine extremities, 1955 § Cameron (Kenneth Neill, editor) Shelley and his Circle 1773-1822, 2 vol., plates, original cloth, fractional bumping to spine extremities, dust-jacket, faint creasing to extremities, 1961 § Bell (Quentin) Virginia Woolf, 2 vol., vol. 2 first edition, portrait frontispieces, plates, original cloth, fractional bumping to spine extremities, dust-jackets, vol. 2 with short tear and old tape repair to top edge, a little rubbed, 1973-72; and others biography and bibliography, v.s. (c.80)

Los 260

World.- Cave (Henry W.) Golden Tips: a Description of Ceylon and its great Tea Industry, portrait frontispiece, folding map, plates and illustrations, advertisements at end, bookplate, original pictorial cloth, gilt, rubbed, bumping to corners and extremities, 1900 § Hunt (John) The Ascent of Everest, first edition, frontispiece, plates and illustrations, previous owner's ink inscription, original cloth, slight bumping to spine extremities, price-clipped dust-jacket, small tears and chipping to corners and spine extremities, 1953 § [Aitkin (Edward Hamilton)] The Tribes on my Frontier, frontispiece, vignette title, plates and illustrations, cracked hinges, original pictorial cloth, a little rubbed, bumping to corners and extremities, 1884 § [Vincent (J.)] An Atlas of Ancient Geography, 22 hand-coloured engraved double-page maps, scattered spotting, contemporary half-calf, printed paper label to upper cover, rubbed and worn, bumping and small loss to corners and spine extremities, 1829; and others World, v.s. (c.70)

Los 207

NO RESERVE British art.- Rohatgi (Pauline) Portraits in the India Office Library and Records, frontispiece, original cloth, fractional bumping to spine extremities, 1983 § Mallalieu (H. L.) The Dictionary of British Watercolour Artists up to 1920, scattered faint spotting, original cloth, slight bumping to spine extremities, dust-jacket, a little rubbed, creasing to edges, 1976 § Webb (M. I.) Michael Rysbrack Sculptor, portrait frontispiece, plates, original cloth, slight bumping to spine extremities, price-clipped dust-jacket, sunned spine, slight chipping and creasing to corners and extremities, 1954 § Levy (Mervyn) The Paintings of L.S. Lowry, frontispiece, plates, original cloth, dust-jacket, cockling, sunned spine, chipping and creasing to corners and extremities, 1978; and others similar, v.s. (c.30)

Los 99

Dickens (Charles) The Mystery of Edwin Drood, first edition in 6 original monthly parts, engraved portrait, additional pictorial title and 12 wood-engraved plates after Luke Fildes, lacking some rear advertisements, though with the fragile "Cork Hat" slip to part 2 present, publisher's blue-green pictorial wrappers after C.A. Collins, earliest issue of part 6 with the "eighteenpence" slip over the one shilling price on the upper wrapper, pencil ownership inscriptions to upper covers, wrappers faded and chipped with some loss, part 6 upper wrapper detached, housed in custom-made drop-back box (a little marked), [Eckel pp.96-98; Hatton & Cleaver pp.373-384], 8vo, 1870.

Los 247

TWO 18CT GOLD SIGNET RINGS approx 10.6grams, together with two lava stone portrait rings (4)

Los 139

Three 14ct yellow gold mourning brooch pendants. The first of the three has a swivel portrait pendant depicting a Victorian couple. This lot includes two more mourning pendants with portrait miniatures of gentlemen (steel pins) approx 48 x 42mm. The total weight is 45.2 gms. May Sale 12/05/2022Portrait miniature mourning pendant I - has a chip to the glass to one of the portraits with a little loss to the frame, steel pin. 

Los 17

Carved oak chest. The single door having a carved surround enclosing a portrait of Cardinal Wolsey "In Memory of Cardinal Wolsey" 1546. The cupboard door opens to reveal a fitted interior, ten pigeon holes and four short drawers, with a long drawer beneath.

Los 246

Self portrait of John Ruskin, chromolithograph with watercolour entitled J Ruskin, approx  17 x 22 h cms, after a watercolour by William Gershom Collingwood,  glazed and framed. Provenance: It came into the family in 1923 and was left to the current vendor by an aristocratic member of her family. William Gershom Collingwood (1854-1932):Portrait of John Ruskin, c. 1861Unmounted (ref: 1024)Signed by RuskinLithograph, 10 1/8 x 6 9/16 in. (25.8 x 16.7 cm.)William Gershom Collingwood (1854-1932):Portrait of John Ruskin, c. 1861Unmounted (ref: 1024)Signed by RuskinLithograph, 10 1/8 x 6 9/16 in. (25.8 x 16.7 cm.)

Los 620

John BoydDirect Gaze (Self-Portrait),signed and indistinctly dated,pastel on paper,36.5 x 28cms, in frame.

Los 621

John BoydStanding Figure with Cane (Self-Portrait),signed and indistinctly dated,pastel on paper,53 x 37cms, in frame.

Los 624

Tom Dack"Portrait of a Miner",signed lower right,charcoal on paper,28.5 x 20cms, in frame.

Los 746

Roy De MaistreBust Length Portrait of a Boy, signed and dated '49, and further signed verso, oil on canvasboard, 33.5 x 24cms, in frame.

Los 747

David Bomberg [Whitechapel Boys]Portrait of a woman (possibly Lilian, second wife of the Artist.)signed upper right, and dated 1953,oil on canvas,60 x 50cms, in frame.

Los 752

Manner of Umberto Boccioni Portrait foiled against wallpaper and door,with signature lower left,oil on board,50 x 50cms, in frame.

Los 1445

Romilly Fedden: A gilt framed original pencil drawing portrait entitled 'Faustine' - 21cm X 16cm

Los 1516

A pair of 19th Century rosewood and gilt lined framed profile portrait silhouettes, depicting a lady and gentleman

Los 1648

A. G. Day 83500: a collection of First World War and other ephemera including demobilisation paperwork, Ministry of Pensions, forms, letters, and Carte de Visite portrait of a seated lady, negatives, etc.

Los 1669

Two unframed mounted early First World War period monochrome photographs depicting the 2nd RBRE Engineers posed on wooden bridges - sold with a tinted photographic military figure portrait, a posed family group and tinted seated man playing a harp

Los 1691

A watercolour sketch book containing an image of Malta, portrait and dog studies, etc. - sold with a scrap book, signed Idris Evans sheet and other ephemera

Los 455

Music playing cards. Pack of New Cotillons variation, [London], circa 1775, the complete deck of 52 engraved playing cards in landscape format, each with several staves of music, the dance name above, with miniature hand-coloured playing card to upper right (in portrait format), variable spotting, mainly to versos and edges, blank versos, each card 63 x 93mm, 18 cards corner mounted onto a display board, encapsulated in clear plastic (not examined out of mount board), the remainder loosely contained in a clear plastic bag, the board 54.5 x 40cmQTY: (2)NOTE:Ortiz-Patino collection, no.21. Also see Fournier, British Isles 60 (for the New Cotillons cards, by Longman and Lukey, 1782).Rare: this set is unusual, compared to the more commonly found Longman & Lukey set, in that while the music is in landscape format, the miniature playing cards are in portrait. Most of the tunes represented are for the Cotillon, but also included are tunes for The Cossack's Dance, The Roman Dance, The Coventry Dance, The Lango Lee, etc.

Los 462

Harris (John & Wallis, John, publishers). Historical Pastime or a New Game of the History of England from the Conquest to the Accession of George the Third, London: J. Harris & J. Wallis, December 1st, 1803, hand-coloured engraved game, with 157 numbered pictorial circles, arranged in a spiral, terminating in a central oval portrait of King George III, sectionalised and mounted on linen, dust- and finger-soiled, some marks, several light pinpricks (mainly to blank areas), upper left blank corner with ink manuscript ownership inscription, a little wear to some linen folds, 55.7 x 53.5cm, together with 48pp. booklet ‘Rules and Directions for Playing the Historical Pastime …', 1810, half-title, first few leaves somewhat spotted and worn, original buff wrappers (strengthened inside and loosely resewn), housed together in original card slipcase (worn), engraved pictorial label to front panel (rubbed and soiled), also with a 19th century ink manuscript instruction booklet, part copied from the original, together with: Harris (John, publisher), The Jubilee, an Interesting Game, London, January 1st 1810, hand-coloured engraved game, with 149 numbered pictorial divisions, arranged in a spiral, leading to a central portrait of King George III enthroned, sectionalised and mounted on linen, dusty with a few marks, some staining to folds, 55.5 x 52.5cm QTY: (2)NOTE:Whitehouse pp. 27-28. The Historical Pastime game first appeared in 1802 and was regularly updated with the changing monarchs until the reign of Queen Victoria.First item: This historical race game, devised specifically for the education of young children, has 158 playing spaces numbered in a clockwise direction. They represent events and characters in English history from William I to George III. The Rules booklet here present is dated 1810. It clearly a reprint of the booklet that was first issued with this game edition (as indicated by the title and by the phrase on page [7] ‘... ending with the Accession of George the Third’). However, the final paragraph on page 47, which originally simply read ‘Son of Frederick, Prince of Wales, and grandson of George the Second, ascended to the throne in 1760’ has been updated by the addition of a description of George III’s reign. In 1810, John Harris published ‘The Jubilee’, a new game which focused on the years of George the Third’s reign, therefore this updated Rules booklet must have had a very short lifespan, as it was almost immediately superseded by the new game (see below). Second item: This variation on Harris’s Historical Pastime games was designed as a sequel to their first game of that name, picking-up where that game ended at the ascension of George III and continuing through the 50 years of his reign until the date of publication.

Los 464

Wallis (Edward & Harris, J. & Son, publishers). Historical Pastime, A New Game of the History of England from William 1st to Geoe. 4th [cover-title], London, [1828], hand-coloured engraved game, with 132 numbered pictorial circles, arranged in a spiral, terminating with space 133 depicting a horn of plenty, leading to a central portrait of King George IV, sectionalised and mounted on linen, dusty, some light spotting, few small marks, some staining to upper left blank corner and to right side centrally, 49.2 x 48cm, with original rules booklet dated 1828 (spine neatly oversewn), contained together in original card slipcase, rubbed with some wear to extremities, front panel with hand-coloured engraved pictorial label (rubbed and toned), together with: Historical Pastime, A New Game of the History of England from William 1st to William 4th [cover-title], London, [1832], hand-coloured engraved game, with 132 numbered pictorial circles, arranged in a spiral, terminating with space 133 depicting a horn of plenty, leading to a central portrait of King William IV, sectionalised and mounted on linen, dusty with some minor marks, several section corners chipped, some pale staining to lower margin, lower left blank corner with 18mm vertical cut, slight wear to linen where folds cross, 48.8 x 48.5cm, with original card slipcase, worn, front panel with hand-coloured engraved pictorial label (rubbed and toned), plus: Historical Pastime, A New Game of the History of England, London, [1840], hand-coloured engraved game, with 134 numbered pictorial circles, arranged in a spiral, leading to a central portrait of Queen Victoria, sectionalised and mounted on linen, dusty, few pale marks to blank margins, 48.8 x 48cm, with original gilt-stamped cloth slipcase, a trifle rubbed and faded QTY: (3)NOTE:Whitehouse pp. 29-30.

Los 556

Leslie (Shane). The Cuckoo Clock and Other Poems, privately printed at the Stanbrook Abbey Press, 1987, hand-coloured illustrations by Iris Leslie, original morocco-backed boards, acetate wrapper, folio QTY: (1)NOTE:Limited deluxe edition of 50 from a total edition of 200. This copy inscribed 'Dopsy from Iris, November 1988', with the name Luke Daniel (a new family member) added in manuscript to list of author Shane Leslie's great-grandchildren on the dedication leaf, signed by Iris Leslie, with a photographic portrait taken from an oil painting of the author mound to the front pastedown. A unique copy.

Los 581

Calligraphic Manuscript. A manuscript retirement presentation volume to Gwilwym Jones, Principal of Stroud School of Art, 1952, with manuscript verses on 10 leaves, extracted from Geoffrey Chaucer, Ben Jonson, Robert Browning, Rudyard Kipling, John Drinkwater and others, calligraphically executed in colours by various hands, with accompanying pen, ink and watercolour illustrations, opening with the lines 'Let men do these things if they will. Perhaps there is no harm in it; W.S. Landor, tipped-in etched portrait frontispiece, mezzotint view signed by Robert Dodd, 1952, with signatures of contributors including Edward R. Payne, L.W. Mildmay, Arthur D. Arnold, Ivanna M. Lees, Gladys Sharpley, Robert Dodd, Kathleen M. Blair, endpapers with original country scene in red crayon, original red morocco, upper cover with central diamond blue morocco onlay with initials 'G J' in gilt and corner onlays with stylised bird in gilt, some light marks, 4to, with a small descriptive note loosely inserted together with Selections from Catullus, Translated by Sir William Marris, with the Latin Text, circa 1935, 11 pages of calligraphic text, first words heightened in gold with decorative tailpieces, original green morocco gilt by Frank Garrett, Birmingham Municipal School of Art, spine faded to brown, slight darkening to cover margins, 8voQTY: (2)

Los 593

The Wood Lea Press. The Wood-Engravings of John Nash, compiled by Jeremy Greenwood, limited edition, Liverpool, 1987, tipped-in portrait frontispiece, numerous monochrome illustrations, publishers original cloth spine to decorated paper boards in slipcase, limited edition of 750 copies, folioThe Wood-Engravings of Paul Nash, compiled by Jeremy Greenwood, limited edition, Woodbridge,1997, numerous monochrome illustrations, publishers original cloth spine to decorated paper boards in slipcase, limited edition of 490, folio, both volumes in very good conditionQTY: (2)

Los 594

Anderson (Doris Garland). Nigger Lover, 1st edition, London: L. N. Fowler & Co., Ltd., [1938], photographic portrait frontispiece of the author, and two other full-page photographs of Garland Anderson and the couple leaving Honalulu, some light spotting to preliminary leaves and outer margins, ink presentation inscription from Garland Anderson to front endpaper 'All success from Garland Anderson to Mrs A. Hawkesford', original black cloth, lettered in white, lightly rubbed, 8voQTY: (1)NOTE:An impressionistic account of an inter-racial marriage between a white English woman and the black American Playwright Garland Anderson whose play Appearances was the first series play by a black writer to be produced on broadway, in 1925, where it ran for twenty-three performances before being transferred to London.

Los 649

Graves (Robert). Good-Bye to All That. An Autobiography, 1st edition, 1st issue, London: Jonathan Cape, 1929, portrait frontispiece, 7 plates, one or two light finger marks, original salmon cloth, dust jacket, professionally restored at spine ends, head of rear panel and folds, 8vo QTY: (1)NOTE:First edition, first state with the passages on pages 290 & 341-343. These were included without Siegfried Sassoon's permission and a second issue hastily printed with asterisks on the blank pages where the offending material had been removed.

Los 657

Heidegger (Martin). Identität und Differenz, Pfullingen: Verlag Günter Neske, 1957, inscribed by the author to front free endpaper, original orange paper boards, 8vo, together with:Der Feldweg, Frankfurt: Vittorio Klostermann, 1962, inscribed by the author to front free endpaper, original paper wrappers, 8vo, withGespräch mit Hebel, Lörrach: Hebelbund, 1956, inscribed by the author to front pastedown, signed to front free endpaper under mounted portrait photograph, original paper wrappers, covers spotted, 8voQTY: (3)

Los 23

UNKNOWN ARTIST Portrait of young indigenous woman.Gelatin print with silver salts.about 1906. . Cm 12,00 x 16,50.

Los 282

The Naval General Service Medal with Guadeloupe clasp to C. BROWN, MIDSHIPMAN. together with his portrait in oil.   Commander Brown (1789-1869), the Master of HMS Warspite, was the first to circumnavigate the globe in a British ship of the line. When news reached London that the Warspite had arrived safely in Portsmouth on July 28th 1827, the High Admiral, later William IV, coached down from London to give his congratulations. The NGSM and clasp relate to his service on the Lorna schooner at the taking of Guadeloupe in 1810, where he was frequently employed in her boats in the capture of enemy vessels. His c. 1875 portrait by the then-renowned copyist, Isabella May, is believed to be a copy of an original painting, or an original work based on his photograph. Provenance – by direct descent through the family. NAVAL AND MILITARY GAZETTE – Saturday 31 July 1869 Commander Charles Brown, R.N., died at 55 Hans Place, S.W., on July 19, aged 80. He entered the Navy on April 5, 1809, A.B. on board the Laura schooner, Lt-Com. C.N. Hunter. While attached to that vessel, of which he became Midshipman in the following September, and Master's Mate in October 1811, he assisted at the reduction of Guadeloupe, was much employed in her boats, and contributed to the capture of many vessels. On the evening Feb. 18, 1811, he was sent from Antigua to cruise off the island of St. Bartholomew, in a 25ft. cutter, carrying a small brass gun and ten men. At daylight the next morning, a heavy gale having sprung up during the night, the boat went down, about seven or eight miles from the island of St. Kitts. Turning out the gun, ballast, &c., she fortunately came to the surface again, and enabled Mr. Brown and five others, by occasionally holding on to the keel, remain afloat until, after buffeting the waves for six or seven hours, they were gradually blown on shore exhausted, and much hurt in driving through the surf. Of the five men who perished, one was for some time sustained by Mr Brown, whose failing strength at last compelled him to withdraw his support. In Sept. 1812, while navigating a prize to Halifax, he was captured by the American privateer Saratoga, and taken to New York. Being soon, however, exchanged, he proceeded to Halifax, and returned home thence as a Supernumerary, on board the Africa,64, flag-ship of Vice-Adm. H. Sawyer. From Feb. 1813, until Aug. 1815, he served as Master’s Mate and Second Master in the Duncan, 74, Capts. R. Lambert, T. Ussher, and S. Chambers, which ship, after cruising off Brest and Toulon was ordered to the Coast of Brazil for the purpose of conveying Don John of Portugal to Lisbon and actually bore, for a short time whilst lying at Rio de Janeiro, the flags, simultaneously, of Rear-Adms. M. Dixon and Sir J.P.  M. Dixon and Sir J P Beresford. On Aug. 2, 1815, Mr Brown passed the examination for Lieut., and the 6th of the following month he passed the one for Master, to which rank he was on the same day promoted. His succeeding appointments afloat were in nearly continuous succession—Sept. 6, 1815, to the Leveret, 10, Capt. J. Theed, on the St Helena Station; July 10, 1818, and June 3, 1820, to the Bann, 20, Capt. A. Mitchell, and Iphigenia, 42, Capt. H. Parker, both in the West Indies; Nov. 5, 1821, to the Andromache, 44, bearing the broad pendants of Commodores J. Nourse and C. R. Moorsom, at the Cape of Good Hope; Sept. 9, 1825, to the Warspite, 76, which ship he served in the East Indies under the flag of Rear-Adm W. H. Gage and the broad pendant of Sir J. Brisbane, returned home under the command of Capt. Hon. R. S. Dundas, and was further employed under the flag of Sir E. Codrington, in the Mediterranean; Jan. 21 and Sept. 17, 1829, and May 1, 1830, to the Kent, 78, Capt. J. F. Devonshire; St Vincent, 102, flag-ship of the Earl of Northesk, and Caledonia, 120, bearing the flags of Sir M. Dixon and Sir E. Codrington, all on the Homo Station; and Jan. 14, 1832, to the command, which he retained until Nov. 21, 1833, of the Romney troop-ship. When Master of the Bann, Mr Brown surveyed the Lasal Bank, in the Gulf of Mexico; and when in the Andromache at the island of Pemba, on the East Coast of Africa, he accomplished the survey of Chak-Chak Bay, which had been unavoidably left incomplete by Capt. W. F. Owen, of the Leven. He brought the Warspite home through Cook Strait, New Zealand, thus accomplishing the circuit of the globe in a line-of-battle ship, the first that ever performed the voyage. During the time he was in her he surveyed Man-of-War Bay in the island of Egeria. While commanding the Romney, Mr Brown was stationed at Lisbon for the reception of British subjects during the Civil war between Dom Pedro and Dom Miguel. He also visited the West Indies and North America. After he left the Romney he was successively employed—ln examining Warrant Officers’ accounts at the Admiralty, from Feb. 19, 1834, until Sept. 11, 1836; as Assistant Master-Attendant at Chatham from Sept. 12, 1836, until Feb. 9, 1837; at Sheerness from Feb. 10, 1837, until Aug. 22, 1840; and at Portsmouth from Aug. 23, 1840, until June 27, 1846; and as Master-Attendant at Portsmouth from June 28, 1846, until June 28, 1850. He was awarded Commander’s rank on the date last mentioned. Com. Brown had received a medal for the capture of Guadeloupe. . 

Los 332

A mid-19th century half-length portrait study of a young woman: she wears her hair tied in a bun, a chain and crucifix around her neck and a dark pleated dress with lace frill to the shoulders and gilded buckles, the portrait within an oval gilt-metal mount set in a polished wood glazed frame. (8.5cm x 7cm)

Los 335

A pair of early 20th century silver-gilt-cased male and female shoulder-length portrait studies on card: the gentleman with moustache, white shirt, spotted tie and beige jacket with a carnation buttonhole; the female viewing the artist head-on with high, tied-back curly dark hair, a pearl/diamond necklace and coral necklace, frilly cream dress with three graduated orange flowers; each signed and dated 'K.Hill 1901' (frame sizes 6.75cm (not including suspension loop) x 5.75cm ( a pair)

Los 336

A relatively large half-length portrait miniature on card of a British Major General, the frame with suspension loop and probably rose-gold-plated, gilt-tooled leather case (the portrait 15cm x 11cm)

Los 337

An early 19th century shoulder-length portrait miniature on card: young gentleman in white cravat, white shirt and dark coat, the reverse glazed section with a lock of hair with pearls, rose-gold-coloured frame with wirework-style suspension loop and within red Morocco case (portrait 7cm high x 5.5cm wide)

Los 425

Mid-19th century English School - A portrait of Barrington House, Dorking, oil on panel, titled verso, bears signature R P Bonington (8½in x 11¾in, 22cm x 30.5cm). Dirty varnish, superficial blemishes, losses and some thinnessesCondition Report: As per the lot description. There is a split coming in from the left-hand side horizontally, about halfway down, visible from both the front and the back. From the 'tree trunk' under the two windows below the roof on the right-hand side of the gable. Would benefit from a professional clean. 

Los 433

MARY BROWNING (Contemporary) - Portrait of a black Labrador, 'Lower Mill Clang', bred by Pat Wills, owned by H C Henderson, oil on canvas, signed lower right, titled and dated 1970 on a label verso (16in x 12in, 40.5cm x 30.5cm). Good condition

Los 452

19th century Japanese print - Portrait of an actor dressed as a warrior and carrying a large lacquer table or screen, printed slogan and signature laid down on board, unframed (13½in x 9in (34.5cm x 23cm). poor condition, discoloured, worm holes, losses and poor old restorations

Los 1161

A Victorian two piece Staffordshire garniture to include a pair of large graduating two handled vases, pink ground each decorated with a portrait of a young woman, unsigned (2) 

Los 2048

An early crystoleum depicting an 18th Century tavern scene with Gentleman smoking and punch bowl to fore, cased pike in background together with a French giltmetal ornate frame with silk portrait to interior; copy of Vermeer and Torboch framed and a Lady of Shalott framed print (5) 

Los 2337

A 19th Century chromolithograph, portrait of a lady, ebonised frame, a pair of lamier Paris abalone opera glasses, a Japanese Niello box, a collection of African souvenir busts, one dated Mombasa 1949, Continental Black Forest style figure, a Doulton D4031 plate, books etc

Los 1365

Rollbild. Verschiedene Gottheiten "Portrait of Lu". Tusche/Papier (besch./rest.). 170x 80 cm.

Los 142

Dose, Hutschenreuther. Flach kugelig auf drei hohen Beinen. Kobaltblauer Fond mit reicher Reliefgoldmalerei, Deckel mit bunt gemaltem Portrait einer eleganten, jungen Dame mit blumengeschmücktem Haar. Stempelmarke Hutschenreuther Hohenberg, Kunstabteilung Dresden, 1914-1945. H. 7,5, D. 10 cm.

Los 1551

Jugendstil-Kettenanhänger und -Collier. 925/000 bzw. 835/000 Silber. Anhänger je floral durchbrochen gearbeitet und mit Portrait einer jungen Schönheit, teils farbig emailliert und mit beweglich abgehängter Süßwasser-Zuchtperle. Anhänger bez. "DEPOSÉ". Anf. 20. Jh. Anhänger L. 4,5 bis 5 cm, Ketten-L. (1x Knoten) ca. 45 cm.

Los 1817

Brosche und Krawattennadel. Brosche mit wellenförmig durchbrochen gearbeiteter Doublé-Montage. Darin braune Muschelkamee (feine Haarrisse) mit Portrait der Göttin Diana. D. 4x 3,2 cm und b) Nadel mit glatter Doublé-Montage und brauner Muschelkamee mit Damenkopf. L. 7,5 cm. 2. Hälfte 19. Jh. (21-2878)

Los 1877

Zwei Herrenringe mit Kameen. 830/000 Silber. Unterschiedliche Ausführungen, je einmal mit zwei gestaffelten Portrait-Kameen aus Tigerauge bzw. Achat-Lagenstein. Um 1920. RW 66 bzw. 63.

Los 2043

Vier Kameenbroschen und Medaillonanhänger, broschiert. So genanntes "Schaumgold", zweimal Doublé, einmal wohl Horn und einmal Silber, geprüft. Viermal mit ovaler Muschelkamee (Risse, 1x rep. bzw. Haarrisse), je mit Darstellung geflügelter Genien, Medaillonanhänger mit vertikal schwenkbarem Einsatz, rückseitig verglast. Einmal wohl aus Horn geschnitztes Portrait im Stil der römischen Antike. Tragespuren, Nadeln teils verbogen bzw. kl. Rep. Mitte 19. Jh. bis um 1900. D. 3,3x 2,8 bis 6,2x 6 cm.

Los 3053

Holzschnitt (um 1563) Portrait des Johann der Beständige, Kurfürst von Sachsen (1469-1532). Holzschnitt/Papier (Kanten montiert, Altersspuren). Aus "Illustrim ducum Saxioniae effigies", Wittenberg 1563, so auf Unterkarton bez. Blattmaß 27,5x 25 cm.

Los 3449

Hickel, Anton Karl (1745 Leipa - Hamburg 1798), att. Portrait des Hamburger Bankiers "Johann Peter Averhoff, gemalt von Gröger Hamburg 1780", so verso vorn fremder Hand betitelt. Pastell. 40x 32 cm. Im Empire-Rahmen, Anf. 19. Jh., aus vergoldetem Holz, in den Ecken mit aufgelegten Voluten, Innenzierleiste mit Akanthusrelief (best.).

Los 3450

Hofmaler (Preußen, 18. Jh.) Portrait eines jungen Herren mit Perücke und Brokat-Uniformrock - wahrscheinlich Prinz Heinrich von Preußen (1726-1802). Pastell/Malpappe. 55x 45 cm. In Rocaillenrahmen. Prov.: Erworben bei Quentin, Berlin, 2017 Lot 405 für € 6.100.-.

Los 3679

Heinsius, Johann Julius (1740-1812) Portrait einer Frau mit weißer Spitzenhaube. Öl/Lwd. (doubliert, Altersspuren), li. o. sign. dat. 1806. Ca. 66x 53 cm. Prov.: Erworben bei Metz, 2014 Lot 580 für € 4.147,70.

Los 3717

Magnus, Edouard (1799 Berlin 1872) Biedermeier-Portrait eines Herrn mit Orden-Kettchen. Öl/Lwd. (doubliert, Kratzer, Flecken), um 1842. 64x 50 cm. In originalem Biedermeier-Rahmen (best.) mit Künstler-Plakette und Dat. 1842, geblattet.

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