283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren7 fishing books - 'The Complete Fly-Fisher' by C.F. Walker, 'The River Within' by William B. Currie, 'A History of Angling' by Charles Chenevix Trench, 'Portrait of the Tweed' by Ian Bavington Jones, 'Fishing Forays 1992' by David Birley & Tom Lawrence, 'The Perfect Cast' by Tom Quinn and 'Fishing The Complete Book' by Tre Tryckare & E. Cagner
8 fishing books - 'The Art of Fishing' by Rev. Oliver Raymond, 'The Angler in the Lake District' by John Davy, 'Angling Songs' by Thomas Tod Stoddart, 'Fishing With Mr Crabtree in All Waters' by Daily Mirror, 'Trout Fly Recognition' by John Goddard, 'The Illustrated Encyclopedia of Fly-Fishing' by Silvio Calabi, 'A Portrait of Salmon Fishing' by Geoffrey Nickson and Tim Havers, and 'Rivers of Joy' with the paintings of Shirley Deterding
Kevin Bacon, actor. The original signed 10x8 inch photo is a copy of the photograph taken by top American portrait photographer Annie Leibovitz and titled "Kevin Bacon, Actor New York City, 1997". She took the famous photo of John Lennon, five hours before his murder and is considered one of Rolling Stone magazine's most famous cover photographs. Good condition Est.
Albin Roberts BURT (1783-1842) Portrait of the writer William Danby (1752-1833) Watercolour and pencil, signed and inscribed, drawn at St Leonard's near Windsor, 25.5cm x 18cm, 48cm x 40cm in period heavy rosewood frame. William Danby was an accomplished scholar and writer. He served as High Sheriff of Yorkshire in 1784 and as Vice-President of Yorkshire Philosophical Society in 1824. Shipping is available from £25.22 to a UK Mainland address.
James Lynn PITT (1875-1922) Fine Weather Oil on lined canvas, signed, titled verso, 30cm x 45cm, 40.5cm x 56cm framed. Oil on canvas, signed, 29cm x 45cm, 41cm x 56cm framed. The artist, a member of the notable Pitt family, which had produced two former prime ministers, arrived in St Ives accompanied by a manservant to assist him, as he was disabled and confined to a wheelchair. One of his sisters lived nearby in Norway Square, while two other sisters stayed at the family home in Clifton, Bristol. His work is signed Lynn Pitt and for many years, when it turned up in salerooms, it was assumed to be a female artist. It was only since Marion Whybrow researched her book 'St Ives, 1883-1993, Portrait of an Art Colony', that he has been identified as one of the early St Ives artists and, during his lifetime, was very well known and respected. Pitt worked from the White Studio, a wooden chalet on the cliffs at Porthmeor Beach, which was open to the public and is now the site of the St Ives Tate Gallery. He painted views of The Island and Clodgy Point and showcased his work during the St Ives Show Days in 1911 and 1913. After returning from Clifton in 1920 following an illness, he discovered that his studio had been broken into and it was eventually destroyed in a storm. He is buried in Barnoon Cemetery, where a headstone in the form of a painter's palette marks his grave. Shipping is available from £32.50 to a UK Mainland address.
James Lynn PITT (1875-1922) The End Of The Fine Weather Oil on canvas, signed, 29cm x 45cm, 41cm x 56cm framed. The artist, a member of the notable Pitt family, which had produced two former prime ministers, arrived in St Ives accompanied by a manservant to assist him, as he was disabled and confined to a wheelchair. One of his sisters lived nearby in Norway Square, while two other sisters stayed at the family home in Clifton, Bristol. His work is signed Lynn Pitt and for many years, when it turned up in salerooms, it was assumed to be a female artist. It was only since Marion Whybrow researched her book 'St Ives, 1883-1993, Portrait of an Art Colony', that he has been identified as one of the early St Ives artists and, during his lifetime, was very well known and respected. Pitt worked from the White Studio, a wooden chalet on the cliffs at Porthmeor Beach, which was open to the public and is now the site of the St Ives Tate Gallery. He painted views of The Island and Clodgy Point and showcased his work during the St Ives Show Days in 1911 and 1913. After returning from Clifton in 1920 following an illness, he discovered that his studio had been broken into and it was eventually destroyed in a storm. He is buried in Barnoon Cemetery, where a headstone in the form of a painter's palette marks his grave. Provenance: Previously sold WH Lane & Son, 26th January, 2006.
Attributed to Claude Allin SHEPPERSON (1867-1921) Portrait of Dorothy Macleod Dignes De La Touche, Motor Cylist WRAF Bircham Newton, 1918 - before uniforms were issued, graphite on paper, attribution verso, 31cm x 21cm; together with a nude pencil studies and a silver point print both by Charles Prosper Sainton, 24.5cm x 34cm and 34cm x 20cm (3) Shipping is available from £32.50 to a UK Mainland address.
BA NYAN (BURMESE, 1897-1945) - A PASTEL PORTRAIT OF A GIRL Pastel on paper, signed lower left within the image 61 x 40cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property of Pierre Prunier
Artist: Eisen Keisai (1790-1848)Title: Portrait of a beauty at Hirasei, FukagawaSeries: Collection of fashionable restaurants of the dayPublisher: Sanoya KiheiDate: c.1791-1804Size: 25.3 x 37.1 cmCondition:Minor creases on the edges. Paper residue on the back. Some stains at the top and a restored wormhole.Ref: JG111602-5
1936 Austin 18/6 Chalfont Limousine (Man) – DKJ 973Registering on the 26th October 1936, this car was sold to Lady Colyer-Fergusson – whose photo portraits are at the national portrait gallery. Daughter of Sir Thomas Colyer-Fergusson, 3rd Bt. The car has an aristocratic feel. Its assumed it was used to chauffeur Lady Colyer-Fergusson up from Kent to London, or for afternoon tea with other likemindeds. The car was sold on in 1945 and again in 1946. From there we think one keeper between this and Lord Of Cannock. Again, the car wears Lord Cannock’s coat of arms. The body work presents well. The only shame is the carpet missing in the rear View more - https://hansonsclassics.com/car/1936-austin-18-6-chalfont-limousine-manual/
Nach REMBRANDT VAN RIJN (1606-1669) "Porträtpaar" Öl auf Mahagoni, rückseitig mit verschiedenen Wachssiegeln, sowie verschiedenen handgeschriebenen Papieretiketten mit Angaben zum Maler REMBRANDT VAN RIJN (1606-1669), HxB: 33/26 cm. Rest. und retouschiert. Rahmen, HxB: 41/34 cm.| After REMBRANDT VAN RIJN (1606-1669) ‘Portrait Couple’Oil on mahogany, on the reverse with various wax seals, as well as various handwritten paper labels with information on the painter REMBRANDT VAN RIJN (1606-1669), HxW: 33/26 cm. Rest. and retouched. Frame, hxw: 41/34 cm.
D'ESTIENNE, HENRY (1872-1949) "Portrait von Marie d'Estienne" Öl auf Karton, signiert "H d'Estienne"D: 62 cm. Farbverluste an den Rändern. Rahmen, HxB: 80/78 cm. | D'ESTIENNE, HENRY (1872-1949) ‘Portrait of Marie d'Estienne’Oil on card, signed ‘H d'Estienne ’D: 62 cm. Loss of colour to the edges. Frame, HxW: 80/78 cm.
School of Duncan Grant (Scottish, 1885-1978). Pencil sketch portrait of an unknown lady sitter signed and dated 1960. Member of the Bloomsbury Group Grant became one of the most iconic artists of his time and his legacy lives strong until this day with his works being found in the collections of the Tate, National Gallery of Scotland etc. 22 x 16cm
School of Duncan Grant (Scottish, 1885-1978) Pencil sketch full body portrait of a scantily clad (nude) female model, monogrammed, with gallery label to verso. Member of the Bloomsbury Group Grant became one of the most iconic artists of his time and his legacy lives strong until this day with his works being found in the collections of the Tate, National Gallery of Scotland etc. 27 x 20cm
A bronze Roman coin featuring Romulus and Remus suckling with she-wolf, verso a head with plumed helmet facing left, 19 by 12mm, Roman Empire Commemorative Series, struck under Constantine I the 'Great' 307/10-337 AD, 2g, Urbs Roma series, probably struck circa 335-339 AD. PLUS A Queen Victoria “Cumberland Jack’ token coin, 1867, Portrait left, VICTORIA REGINA, verso TO HANOVER 1837, figure riding a horse on the reverse. (2)Note: The tokens & counters that bear the words "To Hanover" were produced as satirical counters. The history behind these pieces is that when Victoria was crowned as Queen, she was unable to fulfil the role of King of Hanover under Salic Law, due to the fact that she was a female. Her unpopular Uncle (Ernest Augustus, the Duke of Cumberland) who was the oldest male heir to the throne was sent off to Hanover instead to fulfil the role, and the counters/tokens were produced to commemorate (celebrate) his departure. They were produced around the time of Victoria's ascension to the throne in 1837 and continued to be produced for the next few decades, they were finally made illegal in 1883.
A white metal and moonstone bracelet (two stones missing) a silver and synthetic opal ring (lacking one stone), a white metal Art Deco brooch (stones missing), a miniature silver bucket, an oriental vesta case (hinge a/f), a gilt metal bracelet, a piece of jet with portrait plaque and a plated drop brooch
Marjorie Cox, pet portrait, Suzie, pastel, signed and dated 1993, 43 x 33 cm pet portrait, Talla, pastel, signed and dated 1978, 46 x 38 cm pet portrait, Isla, pastel, signed and dated 1998, 46 x 35 cm pet portrait of a dog, Ettrick, pastel, signed and dated 1978, 30 x 40 cm, P D Clayes, pet portrait, pastel, signed, 25 x 21 cm
19th century English portrait dessert service, possibly Minton, comprising three comports, and twelve plates, each hand painted with a botanical study within a turquoise blue band heightened with gilt, with impressed marks beneath and iron red number 3649, comports H5cm,comports and plates D22.5cm
Loading...
![19th century framed Victorian Family Ambrotype portrait. [Frame-20x19cm]](https://cdn.globalauctionplatform.com/1b194cfd-0591-4a36-bb50-b21400a8c083/5605b184-bcc0-4287-8fcd-b21400e8502b/468x382.jpg)
