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Jean Marais signed print of a Jean Cocteau portrait of Marais, 5.5 x 4 inches. Provenance: from the estate of John Geary. John was illustrator and artist who worked for a number of design agencies and produced work for brands including Johnnie Walker, Chivas Regal, Coca-cola, Nike, Russian Standard and Levi Strauss.
Post medieval silver bodkin. Circa 1600-1700 CE. 7.32g. 123mm. Known as ‘bodkins’ which is a term generally assumed to relate to needlework, Margeson identifies these as hair ornaments rather than bodkins, citing the image of one in use in a contemporary portrait dated AD 1624. This type of pin was used as head-dress ornaments in the Low Countries in the first quarter of the seventeenth century and it is thought they were brought to England by immigrants. The 'thread' hole Margeson argues was for the suspension of jewellery pendants, such as pearls. 1993, p.8-11, pl.II-III, Fig.4. A more recent scholarship by Beaudry points to the continued use of bodkins as functional items associated with lacing and needlework, rather than solely as items of adornment. Beaudry suggests that bodkins were used for lacing up garments and, although used by both men and women, mostly became associated with women for lacing bodices.  Silver examples were often personalised with either initials or a full name, in most cases not engraved by a silversmith but inscribed or scratched into them by inexpert hands. Beaudry 2009, p.95-99.
Attributed to John Miers (British, 1756-1821). A pair of early 19th Century silhouette miniatures depicting profiles of Gentlemen on oval plaster, mounted in later gilt and wood frames, overall size 15 x 11cm; together with a small oval portrait of an 18th century gentleman, an a silhouette portrait of Ernest King of Hanover. (4)
A 19th century brooch, featuring a miniature enamel portrait of a lady surrounded by an ornate yellow gold frame, fitted to reverse with pin and safety chain, 3.7 cm length x 2.8 cm width.11.4 grams.Kee gold tester indicates 15ct yellow gold.In fair condition, damage to metal to reverse of brooch.
Books – Uranian interest: Rocco (Mgr. Dr. Antonio, 1586-1653), four versions of Alcibiades Enfant a l’École/Alcabiades the Schoolboy: Alcibiades Enfant a l’École trans. from Italian into French by Ferrante Pallavicini, Amsterdam, Marteau, 1866, ltd. edn. of 50, 12mo, 128pp, card bound, titles in MS to front cover; Alcibiades Enfant a l’École, Paris, Balzac Curiosa 1995, small 8vo, 129pp; Alcibiades the Schoolboy, Amsterdam, Entimos, 2000, small 8vo, 120pp monochrome lithographic erotic scene to frontis, no. 23/50 copies, maroon cloth boards gilt titles; Alcibiades the Schoolboy Amsterdam, 2001, small 8vo, 120pp p. b. with erotic scene on attic vase to cover; Summers (Montague) Antinöus, and Other Poems, 1st. edn., London, Cecil Woolf, 1995, with flyer tucked in, 8vo, 99pp, frontis portrait of author and one other plate, of Jacques d’Adelswärd Baron Ferson, d. w. (5)
Books – Romantic Poets: Keats (John, 1795-1821), The Complete Poetical Works of John Keats, ed. H. Buxton Forman, CB, London, Henry Frowde, 1910, small 8vo, lxxvii + 491pp, frontis portrait, with tissue guard and one other illustration, bound cream leather over blue boards, gilt and red decoration to spine, gilt titles to blue reserve; Rogers (Samuel 1763-1855), The Poetical Works of Samuel Rogers, new edn., London, Routledge, Warne & Routledge, 1862, 16mo, vii + 472pp, engr. portrait (foxed) frontis, 15 vignettes, marbled edges and endpapers, bound full calf, gilt lines, 5 raised bands gilt lines and titles to spine (2)
Jan de Bisschop (1628-1671) after, Head of Hadrian or Lucius Caesar, drypoint etching, published in Paradigmata Graphices Variorum Artificum, drypoint etching, 17cm x 13cm, 17th century, maple frame; Philippe Thomassin (1562-1622), Mercurius in aedibus Card. Burghesij, Antiquarum Statuarum Urbis Romae Libra Primus; portrait print of an old man, maple frame (3)
Greyhound Racing - a pair of early 20th century brass flatback portrait models, of Waterloo Cup winners Harmonicon and Dilwyn, rectangular bases, 29cm wide, c. 1918Harmonicon, by Heavy Weapon out of Camorra, won the Waterloo Cup in 1916 Waterloo Cup. Recognised for his size and strength he was sold at the Barbican for 600 guineas in February 1917 to breeder Denis Gorey and became a major influence on the Irish GreyhoundOwned by Mr A F Pope, Dilwyn won the Waterloo Cup in 1914.
Books – fine bindings, poetry and letters: Bridges (Robert), The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Oxford, University Press, 1914, 12mo, 472pp, portrait frontis. with facsimile signature August 1912 tissue guard, marbled endpapers, inside front board with Winchester College prize bookplate to Hugo F. Payne 2nd April 1934 bound blue calf, gilt lines and school arms to front board, 5 raised bands, gilt titles to spine; Arnold (Matthew), Works, 5 vols., London Macmillan, 12mo, bound en suite marbled edges and endpapers, green calf with gilt arms and lines, five raised bands, gilt lines and titles to spines: Essays in Criticism, 2 Vols., (1891) 379 + 331pp; Poems, Early, Narrative and Sonnets (1888), 272pp; Poems and Elegiac Poems (1890) 256pp & Dramatic and Later Poems (1888) 209pp (6)
Interior Decoration - Sydney Ernest Wilson (Bn.1869), by, Sir Thomas Lawrence (1769 - 1830), after, Portrait of Julia Floyd, Lady Peel (1795 - 1859), coloured mezzotint, blindstamp, 33cm x 25.5cm; Bosselman, by and after, a pair of furnishing prints, , La Sagesse Triomphe Des Fleches de L'Amour, and L'Amour Se Rit De La Sagesse, coloured stipple engravings, 32cm x 22cm, gilt frames (3)
Books and documents – Uranian interest: Chubb (Ralph): Flames of Sunrise, 2 pp, large 4to. decorated on recto with a half-tone portrait of the author at the age of twelve in herald's costume. Printed on coated stock. paperclip indentation; A Sibylline Book 2pp large 4to, decorated on recto with one lithograph and printed on handmade paper; The Heavenly Cupid or The True Paradise of Loves, printed on handmade paper. 2pp large 4to. Decorated with one lithograph; books by Ralph Chubb, list printed on handmade paper, 10 books and their details, decorated with one lithograph; order form (unused) for The Heavenly Cupid with illustrations from four pages, incl. opinions about Chubb's work as artist and poet; order form (unused) for Water Cherubs with illustrations from title page, bound book and a full page, 2pp, incl opinions about Water Cherubs; a prospectus, 2pp, incl. drawing of Chubb by Stanley Spencer inviting a visit to Fair Oak Cottage 'if you wish to acquire a book or a picture'; The Children of Dawn, original maquette (1947) for a page in this book, ink and pencil, with colour illustration of naked boy and seascape, margins showing Chubb's holograph pencil notes minutely detailing colour requirements for printing 5 x 7.75in (12.7 x 19.7cm) framed; The Child of Dawn or The Book of the Manchild, prospectus, 2pp large 4to decorated with one lithograph, printed on handmade paper & framed; Water Cherubs, prospectus 2pp large 4to, decorated with one hand-coloured lithograph, printed on handmade paper and framed. Autumn Leaves – two fragments’ (1940) 17pp with 14 lithographic illus., original paper & grey d. w. lettered black, no. 21/24 copies as part of an edition of 39 also O’Connor (John), The Boy and the Heron. (1977) wood engravings by author, also signed by him, no. 22/100 including signed framed print on Japanese paper, original wax protective paper over cover with printed title The Boy and the Heron’, all printed at the Foulis Archive Press in 12pt on Basingwerk Parchment (qty)
Books – Uranian interest: Pater (Walter Horatio, 1839-1894), Emerald Uthwart, 1st edn., 1905, privately printed by The King’s School, Canterbury, 12mo, 47pp, formerly Canterbury School Archive copy; Pater (Walter Horatio, 1839-1894), Child in the House, n. d 16mo, 117pp, frontispiece photogravure of the author, original limp red leather; Pater (Walter Horatio, 1839-1894), An Imaginary Portrait, 1894, 16mo, no. 198/250 copies, uncut & unpaginated; Noel (Hon. Roden Berkeley Wriothesley, 1834-1894), Poems, 1st edn., 1884, 18mo, 368pp, gold floral endpapers, elaborately decorated boards (4)
Books – Uranian interest, French: Anon., Lettres Amoureuses d’un Frère à Son Élève, three different editions: Brussells, Gay et Doucé n. d. (1878), 1st ltd. edn., no. 273 of 450 published, 16mo, marbled endpapers, bkplt. Nicholas Wilde, bound gilt lined watered silk covered boards gilt lines and titles to reserve on spine; Paris, l’Astrée 1956, 12mo, unpaginated French text, p. b., Paris, Quintes-Feuilles, 2006, 8vo, 141pp, French text, p. b.; Bonhomme (Maurice) Cocktell de ma Vie, poems, 1st edn., preface Bernard Lavalette, signed by the author, Paris, Éditions de la Revue Moderne, 1959, 12mo, 61pp, some uncut, author’s portrait frontis., card covers, plastic protector (4)

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